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Illustrations and Sunshine i like drawing and giraffes and books that have pretty pictures in them
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26. Etsy Shop


I'm happy to announce my Etsy shop is up and running again! It's a little bare now but I will be adding more soon.

Click the link above or copy and paste https://www.etsy.com/shop/neesha into your web browser.


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27. Sketches June 2013










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28. Annabell and Clover

"Annabell is a creative introvert who rescues an abandoned baby raccoon. The two are inseparable until Annabell realizes clover feels left out not being with his own kind. Can Annabell let go of the only friend she's ever had? Will the other raccoons accept Clover?"


I changed "Huckleberry" to "Clover". Huckleberry Fin is a bit to famous to share the name. Here is the process on a possible illustration direction.

The sketch has already been posted (see below). Here is the line drawing.




I scanned in the line drawing and painted digitally. Starting by blocking in the general colors. I knew I wanted it to be bright and fun. I kept thinking "Pinterest" colors.




After many many layers, I made the whole image grayscale to make sure my values were ok. The background could be a tad lighter.




And the final image.




Take care!


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29. Some Recent Things






Here are some recent sketches. I'm working on finding a more defined style so my portfolio is consistent. Thinking of exploring the story of Annabell & Huckleberry more...

Also, below are a few of the very talented people I've been art stalking recently. They are incredibly inspiring. And the resources Chris Oatley offers are like nothing I've ever seen before. He has a ton of free information/Photoshop brushes/inspiration/advice. Definitely worth checking out.


Take care!

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30. LRRH II

Well apparently I have OCD because I just couldn't let this one go. I am seriously obsessing, but I like it much better now. Brighter and fresher with the values more in line with what I wanted.

I basically started over. Even reworked the line drawing a little. My original idea was to have the wolf's tail curling around LRRH, more intimate and disconcerting, so I went back to that.




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31. Little Red Riding Hood

Here is the process of Little Red Riding Hood. Medium: pencil, ink, watercolor, gouache, digital. *phew*


 First I gathered reference. I definitely wanted it to have a vintage children's book feel.

Line drawing.

Value study. I originally had the wolf's eyes closed, but decided it would make a more interesting interaction between the two if they were open.

Blocking in the tones with ink.

The traditional portion is finished. I've been trying to get as far as possible with this stage so there is minimal digital work. I want it to look like a watercolor still.


Here is the final illustration. I had to sit on this one for a few days. I think I got too close and had no clear vision of where I wanted to go with it. If time allows, I will definitely be doing that with future illustrations. Having time to step away and come back with fresh eyes made a world of difference. 

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32. Figure Session and Other Things




Hi.

I'm not allowed to post the work I've been doing for Home Depot, which is kind of a bummer, so here are some figure drawings from Art at Joe's.  The top two are 15 min and the bottom is 20 min. If you live in Atlanta I highly recommend this figure group. It is from 8-10 and only $5. The model was one of the best I've had in a long time, and it was a very comfortable and relaxed atmosphere.

Aside from the usual icons that will be on packaging throughout the store, Home Depot asked me to create some illustrations showing various customer experiences. For example, you can now buy something online at HomeDepot.com and pick it up in the store of your choosing. So they wanted a comic style illustration showing how that process works. It was a strong blend of illustration and graphic design, which made it even more of a challenge, but super fun.

Aside from that, I'm preparing to attend the Society of Children's Books Writer's and Illustrators convention next February in New York. Ive always wanted to go, and now that Isabella is a little bit older, I think I will finally be able to. I want a completely new portfolio, so the first piece is based off "Little Red Riding Hood." As much as I've tried to find inspiration in other stories or text, nothing beats Grimm Fairy Tales.

Take care.



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33. Botanical Knits

I recently finished working with Alana Dakos on her newest book, "Botanical Knits." The patterns are inspired from plants, trees, leaves, etc. I love the designs (as always when looking at Alana's stuff) and once again wish I had the physical dexterity to knit. 



Working with Alana (see also "Coastal Knits" and "Annie and the Swiss Cheese Scarf") is really great because there is a lot of room for exploration. For example, she gave me several photos of her knits...


...along with images that inspired her to create the patterns. Then essentially said, "here is what I created, now you create something." So I did.





If you have the book you could play a fun "Where's Waldo" trying to find where some of the illustrations ended up. The interesting thing for me is to see what made it into the book (of course not all do) and where. 

Alana also asked me to design the title. Always a fun challenge. She wanted something natural, rustic, with tall letters, almost like they are growing. So here are some examples I came up with.




But ultimately this style was the winner (see above cover).





Another interesting request was for the resource page. She knitted little leaves out of the fabric she used for the knits in the book, and used those as reference for where she got the yarn. Photos of the knitted leaves were eventually placed onto an illustration of a tree branch. You can get an idea for it from the color studies. You will have to buy the book to see how it all really comes together.  :)


Thumbnails.

Color Studies.

Final Illustration.



 That's it! Thanks for reading.

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34. The Yearling Colored



Ink, gouache, and digital. I tried to follow the value study as closely as possible.

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35. The Yearling


"Almost every day he took his gun and shot-bag 
and went into the woods with Flag."

In college we were taught the importance of value studies before starting an illustration. It only took me four and a half years to fully appreciate what our teachers were trying to hammer into us.

This is based off an excerpt from "The Yearling." So excited to paint this now!

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36. Annie is Here!

Well she finally came. It was crazy surreal seeing the illustrations printed and bound together for the first time. A moment I won't soon forget.

The great thing about the book is you can buy it individual or as a set. The set comes in a super cute box and includes stickers, a paper doll, a puzzle, and of course, the book. It really is impressive seeing everything together.




Here is the box.



And the Paperdolls.



The Cover.



And some interior pages.





Isabella likes the stickers :)



What an incredible project. It's feels so good to finally hold the finished product in my hands!

Again, if you want to order the book or get more info visit AnnieCanKnit.com.

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37. Artiste de Cirque



"Wings" is an amazing book with behind the scenes photography of Cirque du Soleil.  Veronique Vial traveled with the circus for years, and compiled her photographs in this book.  Some photos are as strange as you would imagine, but my favorites are the more candid shot of performers practicing or getting ready.  It is an excellent source of inspiration.  Not only is the subject matter bizarre and incredibly interesting, but her photographs themselves are gorgeous.

Anyways, here is a clown.  If you own the book you can see where the reference came from :)

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38. Hot Air Balloons...and Elephants





I have been super pumped to draw and paint lately.  I attribute it to finally being pleased with the outcome of some of the things I'm doing.  It's amazing how much more you want to create when your not constantly frustrated.

Anyway, here is an elephant strapped to a balloon.

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39. New Scanner!

My new scanner finally came today!  I had to return the first one they sent.  It was making a horrible banging noise and wouldn't connect to my computer.  I had the customer service representative listen to it over the phone and his response was, "yeah...it's not supposed to do that."

I will say Epson's return service was great.  They sent me a new scanner right away and I have to send the broken one back in the same box.  Of course now I need to go to Fed Ex within seven days or else I get charged for two scanners.

Which doesn't sound like a huge deal, but with a baby, everything becomes a lot more strenuous then it should be.

Anyways, here is the first scan.  The process photos of this painting were taken with my cell phone, so now you can actually see the tones and details for what they are.



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40. New Technique, Ink and Gouache

Hi.  Here is a post.

I have been trying to find a way to minimize my used of pen and ink in an illustration.  It's always my go to.  The problem is when you work only one way for years, it's hard to know how to do it any differently. How can I possibly separate my main subject from the background if there isn't a thick dark line around her/him/it?  

The trouble with using pen and ink as a crutch is I was missing out on opportunities to have one object fade into another, or use atmospheric perspective to create depth. I know it is possible to accomplish those things while incorporating pen and ink, I'm just saying that I couldn't wrap my silly head around it.

Jaw Cooper is very generous when it comes showing her technique.  Thankfully, because her work is gorgeous, effortless, and enchanting.  Knowing her skill set is far beyond mine, I had no qualms copying her process.  There is no way my finished product could even come close.

I worked with very thin ink washes on a few pieces in college and enjoyed how they came out.  There are a few factors as to why this was so.

          Appropriate preparation (reference, color studies, etc.)
    
          Strong drawing

          Limited palette

          Interest in piece

I think all of those are essential to creating a fulfilling illustration (aside from limited palette, that's just essential for me).  So my goal is to include each aspect in all future portfolio worthy illustrations.

For now, however, here is an experiment, done hastily and without much preparation.

          

The sketch.




 And the process.  I used black waterproof India ink in very thin washes over my sketch to build up values.  Then used very thin washed of gouache to build up tones and colors. 



Then went back in with the blue pencil around the eyes to make them not so terrifying, and added white highlights.  




The biggest problem was overworking the illustration board.  There's only so much brushwork it can handle before matting up.  Next time I would do fewer washes, and have a more clear cut idea of where shadows should be.

This was so fun.  I'm already itching to start another.

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41. Polite Octopus


We have been calibrating all our monitors, laptops, and printers so the colors are actually accurate.  The correct calibration is surprisingly warmer and darker then I would have thought/have been working with.  I should have done this a long long time ago.

We used Color Munki.  With the variety of options out there (and variety of price ranges) we landed with this one.  So far it works great.

Color is subjective, it even changes with the tilt of your laptop screen, so to truly get accurate color on multiple screens is quite tricky.  And an e-mailed illustration to a client can look so different on their computer.  It's almost like saying "ok, here is generally how it looks."

Oh, and the above image doesn't really have anything to do with the subject matter in this post.  I was just playing with my new baby.


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42. Knitter's Review Retreat Illustration

Well for the first time I am referring you to my Facebook page to see the details of this illustration.





It was super fun to do.  Like most of my work lately, I wish I had more time to work on it.  Maybe nitpick every detail for a month or so until I'm so numb I can't tell what's good or bad anymore.

That sounds like fun.

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43. Annie and the Swiss Cheese Scarf



Well it's been awhile since I've posted.  With good reason.  This little girl has kept me quite busy.  Her name is Annie and she is the main character in a book I just finished illustrating for the very talent Alana Dakos.  

I literally finished my last illustration today and it seems fitting to document my thoughts now, while they are fresh.  My only problem is, my brain is mush.  Where do I start?

...It's peculiar when you are so immersed in a painting or project that it completely takes over your life.  Every spare moment I had not caring for my child or trying to find something to eat in my progressively emptying refrigerator, I was drawing or painting or scanning.  Even when I wasn't doing those things, my mind was on them.  I literally couldn't escape this adorable blonde haired girl.  I never will.  She will always be with me.

In the beginning I was excited by all the possibilities.  I got the privilege of creating something from words on a page.  Then started the sketches and line drawings and revisions, and I saw this thing becoming it's own beast.  I never thought the book would turn out like it did.  Of course, nothing ever turns out like what I envision.

I'm a much better artist in my head.

I am incredibly proud of this book.  I do not want to minimize that.  It turned out so well, and everyone worked hard to make it that way.  Mary Joy Gumayagay did a wonderful job with the design and the story is solid and adorable.  

But I can not emphasize how much it taught me.  How involved I want my career to be, what direction I want to go in, and how I want my art to represent me.  I looked at a lot of amazing artists over the past few months.  For inspiration and guidance as I tried to figure this thing out.  Adam Rex, Oliver Jeffers, James Jean, and Lisbeth Zwerger will never know how much they helped me.  Unless they read my blog.  Which is very unlikely.

There are going to be some changes in the future.  I want my style to be different, more distinct, and consistent.  I need to sketch more, make studies, draw from life, and try to understand color.  Especially try to understand color.  Any good drawing is lost with bad painting.

Of course I will start on all of that after vegging out on the couch with some chocolate covered pretzels and a DVR filled with recordings.




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44.



Hi peoples.  I made a personal Facebook page finally.  Did this little sketch for it so it wasn't just a boring blank page.

Been busy lately, unfortunately I can't show you much of what I've been working on.  Soon...soon...

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45. Lonely Elephant

I've been busy helping Dan with some work for Home Depot and doing some projects for them myself.  Working on the Cintiq has been too tempting though, and I took a break to do a little sketch.  I've also been working on a book with a writer/self publisher.  Top secret for now though.

Check out knitbot.com for some new patterns with illustrations from yours truly.

Now I've got to go play blocks with my beautiful Bella Blu.  Cheers.

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46. Isabella Blu Concept



Been a little sick lately.  The one good thing about it is I don't mind ignoring all my house hold responsibilities and doing low key things, like drawing.

I'm writing a book called, "Isabella, no!"  Similar to "No David!" but different.  My main character is a girl and she talks back.  I'm working on it as much as I can before my ADD gets the best of me and I need to move on.  I will be starting a big project in a few weeks so my goal is to finish this first and have a package ready to send to publishers.

Also I've decided that it is a lovely thing to have a bouquet of flowers sitting next to you while you paint.

TTFN.  Been watching Pooh with my baby girl.

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47. Sketches


Went to a coffee shop for the first time in a really long time to sketch some people.  I think I'm going to have to make it a regular thing.  Although I'm not as sneaky as I used to be.  I made eye contact with way to many people while I was drawing them.  Awkward.

I remember my Illustration teacher at Ringling telling us a story where he was sketching people on a train in New York and a guy came over and angrily demanded the sketch of himself and said he did not appreciate being drawn.  I think I would die if someone did that to me.

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48. Fowl Play

Here are some recent birds done for the fabulous Hannah Fettig over at Knitbot.

House Finch

Osprey

Chickadee

Lark

Tern

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49. Coastal Knits

This past summer I worked on "Coastal Knits" with the lovely Knitbot and Never Not Knitting ladies.  It was a super  fun project.  They let me have creative free range which is always the best; and the book is great!  Especially if you have a craft for knitting.  The inspiration for the patterns came from the east (Knitbot) and west (Never Not Knitting) coasts.  Check it out at www.coastalknits.com.




Here are a few of the ills I did.

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50. More nursery Artwork

It's Bahloo from "The Jungle Book" and the Cowardly Lion from "The Wizard of OZ".  Both of them are acrylic.  I finally finished ALL the artwork for the nursery.  Pics coming soon.


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