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The art blog of illustrator Christian Bocquee - features regular postings of illustration, character design, sketches, and animation.
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Exploring shapes for a random character design.
She's a bit rough around the edges and scary when you first meet her but has a good heart.
If you've been following this blog you'll be pretty familiar with this character by now. Here's a couple more scraps exploring different mediums and treatments. We are still seeking a publisher for this one, however I have been quite happy to just keep filling my sketchbooks with ideas for it. If/when we do find a willing publisher, I think the character and his world are going to flow from my pen/pencil/brush like an old friend..
Visual story telling, it's finally starting to click for me what this means. I'm really excited about the possibilities after doing
Alex Woo's gesture drawing course. These sketches are based on an experience growing up. One of my first jobs was helping a milko after school. I have fond memories of that job. I've also been reading about story structure. Hopefully I can find the essence of the story that I feel lurks in these memories. The idea will keep warm on the back burner until then. I hope you enjoy these scraps.
In need of a motivational boost I was going back over my old sketchbooks to see how much (if) my drawings have improved. The sketchbook my hand landed on happened to contain some cafe sketching from three years ago to the day. Here's a spontaneous portrait I found of a gentleman from Rockhampton who I got chatting with. I remember not liking this drawing very much at the time. But funnily, when I stumbled upon it a second time I felt it was one of the more inspired pieces amongst a lot of pretty bad drawings.
I'm nearing the end of a gesture drawing course with
Alex Woo. Here's some of my homework practice from an earlier lesson on exaggeration. It has been a challenge and made me feel like a complete beginner, but I think I've found a few ingredients that have been missing in my past work.
I'm not sure if I can call these life drawing, as I used photo reference (hope I didn't lose too many of you with that admission). Better use of tone and pencil rendering are what I was looking to work on here. The model photos were provided by a very handy Youtube channel here.
I also made use of a trick my teacher showed me this week, which was to begin with cylinders. I really thought I'd gotten past the cylinder drawing stage of my artistic career, but I was amazed how much closer this got me looking at the orientation of hips etc.
Below is a recent location sketch (whilst I'm misnaming posts) done directly in pen - mistakes and all.
This year I am contributing a 'how to draw' series for the QLD State Library Summer Reading Club blog. There will be six lessons over six weeks starting from December 1st. It'll be really easy stuff, so if you're a young grasshopper or just starting out it should be quite useful for you!
A nine-ish month project has just concluded so I'm looking forward to resuming regular posting. Here are some oldies until I dust off my sketchbooks.
anger-eating demon concept.
young lady in heels hopping over a puddle.
Holiday sketches from last January, except the very bottom one which was with Google street view - definitely the easiest way to travel.
“If you listen quietly enough life will whisper its secrets to you.” ~ Rasheed Ogunlaru
Well it's been a while, but here's my entry for this week's
Illustration Friday. The week's word is 'Whisper'. Hope you like it!
Given the briefness of these opportunities I usually observe for as long as I can first, trying to draw in my mind before putting pen to paper. Usually once people notice they have become a subject I am done with the observation part, so I don't think it's too uncomfortable for anyone involved. It's much easier to look without being noticed, than to look-and-draw without being noticed, and I think it's good practice for the visual memory to divide drawing and observing in this way. In fact drawing in-your-mind only is something you can do anytime you want to make visual notes. Just look as if you really were drawing, following the contours and the forms. People get less mad this way, and it's amazing how much looking you can get away with!
Splendid!
thank you!