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Viewing Blog: got story countdown, Most Recent at Top
Results 26 - 50 of 53
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The symposium where children's book illustrators answer ten questions about their work.
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26. Going Through Your Process: a, b, c…

Christian Robinson sent a delightful thank-you-note for sharing his work here at the Countdown last month on Harlem’s Little Blackbird (text by Renée Watson), along with answers to my nosy questions about his process. Hooray! — JC

An alphabet poster from artist Christian Robinson's Etsy page

Poster from Christian Robinson‘s Etsy page (right-click to enlarge)

Christian Robinson:  Oh my word! What a wonderful thing it was to wake up reading your lovely and very flattering post!
I’m really beside myself.  Thank you so much for the unbelievably kind words, and for shining a little more light on my work!

This whole children’s book illustrating world is still very new to me, so to think that someone might reference my art is still so unreal… it’s still so amazing to me to have folks interested in what I do.

Joy Chu:  The more I gazed at your art, the more involved [my examination] became.

Couple that with in-coming phone calls asking for portfolio consultations [for the upcoming SCBWI Conference].  Then it suddenly hit me:  I must share why your samples are so irresistible to my art director eyes!

Did you use cut paper for Harlem’s Little Blackbird? Or a combination of collage, ink drawing,  and scanning?

CR:  I used collage and acrylic paint for the original art;  then I would scan, and edit (color, lighting effects, composition) if needed.

JC:  Did you provide your own scans to the publisher?

CR:  Yes! I like being able to go in and correct colors myself — control freak here!

JC: Do you have any examples of your preliminary sketches, or thumbnails, or character studies of Florence Mills [the subject of Harlem's Little Blackbird)?

CR: Here are images that shows the process I used:

(a)

Thumbnail sketches on post-its (a);

(b)

. . . color and shape exploration in Photoshop (b);

(c)

. . . then final art using collage plus acrylics (c).

More process examples:

(a)

(b)

(c)

JC: Did you draw many rough dummies?

CR:  Yes, I went through a lot of post-its  :O)

I had to make several edits so that the editor (Suzy Capozzi) and art director (Ellice Lee) felt confident with how the layouts were flowing and communicating. Read an interview about their collaboration here.

(a) sketch on post-its

(b) Photoshop rendering

(c) final art, using collage plus acrylic

Christian Robinson's studio

Christian’s studio

JC:  And did you apply pure pen-and-ink for your b/w illustrations?

CR:  You are referring to the Illustrations I did for the LGBT teen guide, Queer.  Those were digital rendering, drawn on my Wacom tablet into Photoshop.

JC:  Cheers, and many thanks again for sharing the fruits of your labor!

___________________

Check out editor Suzy Capozzi‘s commentary on the book’s genesis, plus an interview between art director Ellice Lee and Christian Robinson on their collaboration at the R.H. blog,  Random Acts of Reading

___________________

Read a starred review from Booklist

___________________

Christian Robinson’s blog

___________________

Christian Robinson’s portfolio


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27. ♫. . . Research While You Sketch . . . ♪

Attention all new children’s book illustrators!

Seeking inspiration?

As you get ready to immerse yourself into your selected picture book story, write yourself a grocery list of what your story needs. This might include:

  • The names of each major character(s)
  • Subsidiary characters
  • The locale of the story
  • Time of year; day

Then turn each item into a new sub-list that will form the basis for your story scavenger hunt.

Example:

LalouPretend that’s her, illustrated above (art by Debbie Tilley, from The Gallaudet ASL Dictionary for Children, coming Spring 2013. See Debbie’s portfolio here. Check out her bibliography here.)She could be:

  • 5-years-old
  • has older brother who’s deaf (she’s not)
  • is fluent in American Sign Language
  • dances a jig when happy
  • loves movies with animals
  • hates celery
  • wants puppy badly
  • loves doggie-in-window on sight.
  • puppy understands ASL! (how?)

The above list can then be turned into a series of quick character sketches.

Then move on to the next item on your list, and repeat the exercise. Make sketches of each item. And so on.

Case in point:  Check out how artist Peter Brown applied himself to Aaron Reynolds‘ manuscript,  strategizing his approach to Aaron‘s tale, The Creepy Carrots.

Use the melody to “Whistle While You Work,” substituting the title heading at the top of this page for the first line of the lyric, then humming the rest.

You’ll jump start your creative juices as you discover a treasure trove of inspiration. Yeah!


5 Comments on ♫. . . Research While You Sketch . . . ♪, last added: 8/2/2012
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28. My Snake Blake

Another Neal Porter/Roaring Press book that charmed me on the ALA Exhibit Floor a few weeks ago was My Snake Blake by Randy Siegel, illustrated by Serge Bloch.

You’ll also want to check out illustrator Serge Bloch‘s blog too!


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29. The Galapagos, coming in September!

It’s no accident that the books I’m most attracted to tend to sprout from the same imprints. It’s down to about three or four for me. Such is the case with books from Neal Porter of Roaring Brook Press.  On the ALA floor, I was delighted to learn of Jason Chin‘s latest, due out September 18, 2012.

[Jason Chin's previous book,  Coral Reefs,was among those featured at the most recent Society of Illustrators' Original Art Show, and here at the Countdown. ]

Island has a firm foundation built upon the best science resources. It is above all a wonder-filled story of epic proportions.

title page spread from "Island

Title page spread from “Island” [click to enlarge]

Opening page from "Island

Opening page from “Island”

Jason Chin thrills the reader with the geological and biological processes that led to the Galápagos Islands we know today. He writes:

“…in order to create an engaging story, I have included events and details that are necessarily speculative. . . [but the] island formation, species colonization, and evolution described in this book are real… This story is based on science, but brought to life through my imagination…”

1 Comments on The Galapagos, coming in September!, last added: 7/19/2012

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30. On Eyes, Portfolios and Postcards

Before I begin on the above-mentioned topic, I must share a forthcoming book that caught my eye on the ALA Exhibit floor.  It  made such an impression, I went back to savor the f & g (‘folded and gathered’ in publisher parlance), page-by-page, at three separate intervals.

It’s the eyes. Wide open and clearly shaped. I love how  they complement and balance the entire composition in all of  Christian Robinson‘s illustrations.

He makes his picture book debut in Harlem’s Little Blackbird: The Story of Florence Mills  (October 2012 from Random House).

Mills was a celebrated African-American jazz singer, dancer and comedian (1896-1927). A major figure of the Harlem Renaissance, she was known for her stage presence and wide-eyed beauty. Her  talents were immortalized via songs by Duke Ellington and Fats Waller. photo of Florence Mills, "the Queen of Happiness

During her short life, she became a sensation in America and Europe, and beloved in Harlem. No recordings exist of her voice, only descriptions: “. . . like a hummingbird”, “. . . full of bubbling, bell-like, bird-like tones”, “. . . a tempestuous blend of passion and humour”, “. . . strange high noises”, “. . . an enraptured bird.”    A fine dancer as well, some attribute her reluctance to make recordings to her strong preference for interacting directly with her live audience. Given it was the age before microphones, this was understandable.

photo of Florence Mills

But back to Christian Robinson’s work on Harlem’s Little Blackbird: I think an illustrator must pay special attention to the way they render eyes.

It’s the first feature my own eyes rivet to, when perusing illustration, so it helps when eye treatment is distinctive . . . plus they must echo shapes that appear within the rest of the graphic composition. It’s memorable.

Title page illustration from "Harlem's Little Blackbird" (click to enlarge)

Title page illustration

Florence Mills was part of the Harlem Renaissance, which included Duke Ellington, Langston Hughes, Fats Waller, and Eubie Blake. [click to enlarge]

8 Comments on On Eyes, Portfolios and Postcards, last added: 7/10/2012
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31. So much to see, so much to ♥

The American Library Association’s annual convention came and left Anaheim last week. It was a great opportunity to get a preview of  upcoming children’s book treasures.

. . . . . . . . . .

Spotted at the Macmillan/Roaring Brook booth:

Jacket of FROM A GOOD MOUNTAINAny book by James Rumford is an event! His early Peace Corps experiences imprinted a lasting curiosity about different cultures, and international themes.

From the Good Mountain: How Gutenberg Changed the World Concise text is written as a series of intriguing riddles, with corresponding illustrations rendered in the style of an illuminated manuscript. Example:

What was made of rags and bones, soot and seeds? What took a mountain to make?

For the answer, Rumford lures us to the fifteenth century, when books were made by hand, and a man named Johannes Gutenberg invented a way to print books with movable type.

[click any image to enlarge]

____________________________________

See more about his creation process behind the making of From The Good Mountain here.

____________________________________

At my recent UCSD Extension illustration class, we marveled at the variety of style Rumford applied to each of his books.

While experimenting with different media, he remains consistent and focused, in terms of technique,

4 Comments on So much to see, so much to ♥, last added: 7/2/2012
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32. Ready, Steady, DRAW!

There’s still a few spaces left for my upcoming workshop. Here’s the link for information and registration.

Questions? Post them below, or email me.


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33. Books, Apps, and Us: A Chat with Michel Kripalani



Today, we are checking in with Oceanhouse Media (OM) to see what they’ve been up to since our last visit, in August.  Prior to that, we first met with its founder Michel Kripalani in February 2011.  OM keeps evolving with each encounter. Their title list has expanded, in concert with the size of their offices.


Joy Chu:  Would you share some stories about your latest projects? Your partnership with Dr. Seuss Enterprises continues happily! His 108th birthday was just this month (March 2).

Michel Kripalani:  We have some very exciting titles coming soon. In the Dr. Seuss line, we’re about to come out with The Shape of Me and Other Stuff  (release date March 21) . . .




…and Horton Hatches the Egg (release date April 4). We’re super excited for both of those.




Recently, we’ve launched the Dr. Seuss Beginner Book Collection #1, which has done

4 Comments on Books, Apps, and Us: A Chat with Michel Kripalani, last added: 3/15/2012
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34. Thank you, Chris Demarest…

________________________________________

At a special ceremony, Chris was presented with a special Medal of Honor from the DAR for his recent portrait work at the Women's Memorial at Arlington. He's wearing his US Coast Guard Auxiliary uniform.

On March 10th, 2012, Chris was presented with a special Medal of Honor from the DAR for his portrait work at the Women's Memorial at Arlington. He's wearing his US Coast Guard Auxiliary uniform

________________________________________

. . . for allowing us a peek into your multi-faceted life as children’s book illustrator, editorial artist, dad, fire-fighter, hurricane hunter, coast guard artist, and eye-witness to the myriad duties of service men and women, both here and abroad. And for embodying how change can effect profound insights into life, and art.

Chris signing a copy of his book "Arlington" at the opening of The Greatest Generation exhibit, at the Women's Memorial, Arlington Cemetery

Chris signing his book, "Arlington" at the opening of The Greatest Generation exhibit, at the Women's Memorial, Arlington Cemetery

A Saudi-Arabian exchange student posts his appreciation

A Saudi-Arabian exchange student displays his note

What follows below is a Countdown Wall of Thanks to Chris Demarest, for sharing his artistic career with us. Interspersed among these memorable images are a mix of photos; preliminary sketches; plus comments from Memorial visitors over the world. Enjoy.

________________________________________

selections from the exhibit
The Greatest Generation: A Tribute

by Chris

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35. Are Apps and eBooks for You?

Our friend Michel Kripalani gets us up to speed with what’s currently happening at Oceanhouse Media next week. Watch for future announcements!

Click here for information about Michel’s upcoming presentation at USD / SCBWI-San Diego‘s monthly meeting on Saturday, March 10th, 2012


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36. Oh, The Places He Goes!

Chris Demarest on the Persian Gulf

Author/Illustrator Chris Demarest on the Persian Gulf

A colleague once referred to Chris Demarest as “the Sebastian Junger for the younger set.” It’s an apt description.

He works by creating visual imagery steadily, whether it’s on-the-go  jumping off planes around the word, or while settling in different parts of the country. He also manages to fold adventure into everything he does.

He is author and illustrator of over one hundred titles.  His upcoming book project is BASIC TRAINING, for Macmillan/Roaring Brook Press (publishers of his Arlington book), is due out in 2013.

Joy Chu:  For years you’ve been known for books that feature your cartoon-style of drawing, including No Peas For Nellie, Kitman and Willy, The Animal’s Song, plus numerous series projects for school texts, poetry anthologies, board books, and much more.

Kitman and Willy" and "No Peas for Nellie"

We worked together on The Cows Are Going to Paris, Two Badd Babies, and My Little Red Car (all from Boyds Mills Press).

The Cows are Going 
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37. Attention Downton Abbey fans. . .

Print this. Cut and assemble. Place next to a bowl of popcorn before you hunker down to enjoy the Academy Awards this weekend.

Special thanks to Julian Hector for sharing his O Brien with us!

Make your own O'Brien!


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38. Real Lives, Real Artists

What’s it really like; that is, being a published children’s book author-illustrator?

Nonfiction titles by Chris L. Demarest

Is it like a real job — that is, a self-imposed 9-to-5 weekday at the studio? Or a 24/7 vortex of life-as-art?

A selection of fiction titles by Chris L. Demarest

Is there multi-layered moonlighting? What’s a typical day/month/year? Do they bask in their fame and fan mail?

Or is it a clockwork regimen of work, book tours, school visits, ramen, plus endless nights at the drawing board?

Author-illustrator Chris L. Demarest, at work (right), and with a fan of his book, FIREFIGHTERS A-ZAuthor-illustrator Chris L. Demarest at work (right); and with a fan of his book, FIREFIGHTERS A to Z

_____________________________________

We’ll begin our exploration with Chris Demarest. He paints and draws wherever he goes, all over the map, while simultaneously experiencing adventures we can only dream of.

In 2007 he flew over twenty-five missions with DHART, the medical evacuation team out of Dartmouth-Hitchcock Medical Center in Lebanon, NH.  An exhibit chronicling their work followed at the hospital followed by an article he wrote on his experience appeared in their publication Dartmouth Medicine. (http://dartmed.dartmouth.edu/summer08/html/dhart.php)In 2007 he flew over twenty-five missions with DHART, the medical evacuation team out of Dartmouth-Hitchcock Medical Center in Lebanon, NH.  An exhibit chronicling their work followed at the hospital followed by an article he wrote on his experience appeared in their publication Dartmouth Medicine. (http://dartmed.dartmouth.edu/summer08/html/dhart.php)

Oh, the places he goes! Chris Demarest flew over 25 missions with DHART, the medical evacuation team of Dartmouth-Hitchcock Medical Center in Lebanon, NH.

Join us when he takes a breather to share some real life stories from his 1 Comments on Real Lives, Real Artists, last added: 2/27/2012

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39. Qs and As for You and Me, with Richard Jesse Watson

Illustrator and author members of the San Diego Chapter of SCBWI had the golden opportunity  of attending an early morning hands-on workshop and presentation at their most recent monthly meeting, led by author/illustrator Richard Jesse Watson.

Since nowadays, character-driven stories are what agents and editors seek out, it makes perfect sense to corner your own characters with a Q & A.  Why? Richard explains:

It is a simple way to get to know your character.  The results can be quite unexpected, if you let your character be themselves.

Richard applies his Q&A technique to one of Katherine Ward's critters.

Richard applies his Q&A technique to one of SCBWI-attendee Katherine Ward's critters. Surprise: It's a party animal made entirely from masking tape!

Richard walked us through the process with a plan:

Q&A for Authors, Illustrators, Undercover Operatives 
1. Make the sun shine.

2. Sit outside in your patio under a banana tree.

3. Invite your character to sit down on one of your comfortable rattan chairs.

4. Ask them if they would be willing to do a little Q&A.

5. If they refuse, fire them on the spot and go for the understudy.

6. If they agree, then start with the polite questions (favorite color, breakfast food, describe your pajamas…)

7. Once things get going, ask the harder questions (favorite cuss word, have you done anything you regret? who do you hate and why…)

8. It might be a good idea to park your car in such a way that you can make a hasty retreat [BTW, this is advice that is actually written into the rule book for FIFA soccer referees].

9. If you find yourself blushing, drink some cool orange juice. Remember, this is about your character, not you. Or is it? Damn you Freud.

10. Agree to meet again. Get the phone numbers of some of your character’s friends so you can interview them as well.

Left to right: Joy Chu, Richard Jesse Watson, Edith Hope Fine

Richard Jesse Watson with Joy Chu and Edith Hope Fine, after his presentation

&l

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40. Richard Jesse Watson comes to San Diego!

Attention Artists and Writers! Seeking inspiration, enrichment and fun ? Come to the University of San Diego on Saturday, February 11th, and meet with Richard Jesse Watson! Richard Jesse Watson will open SCBWI San Diego Illustrator & Agents Day, beginning at 8:30 am on February 11, 2012.

Richard Jesse Watson demonstrates his egg-tempera technique

Richard Jesse Watson demonstrates his egg-tempera technique at the SCBWI-LA National Conference (click to enlarge)

Prepare to be enchanted and inspired! Richard will share his love for books, his circuitous path to becoming published, plus exercises in craftsmanship. Loosen your imagination, tighten your writing, and fire-up the artist within. Yes, this is for both artists and writers!

Most recently, two of his titles, The Lord’s Prayer (with commentary by Rick Warren/ZonderKidz) . . .

From "The Lord's Prayer

Three illustrations from "The Lord's Prayer" (above)

. . . and The Night Before Christmas (Clement Moore/HarperChildren’s) were on the NY Times Best Seller lists.

Richard  and I worked together on three of his previous books:  Bronwen, the Traw and the Shapeshifter (AIGA Award Winner,); Tom Thumb ( 0 Comments on Richard Jesse Watson comes to San Diego! as of 1/1/1900

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41. We found The Gingerbread Man!
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By: Joy Chu, on 2/1/2012
Blog: got story countdown (Login to Add to MyJacketFlap)
JacketFlap tags:  kindergarten, story-boarding, hand-lettering, Cecilia Yung, Mike Lowery, Laura Murray, "The Gingerbread Man: Loose in the School", comic book approach, manuscript revising, The Original Art 2011 series - a peek behind the scenes, Wanted: Gingerbread Man, "The Gingerbread Man Loose in the School", commic book format, fonts that look hand-lettered, Gingerbread Man unit, learning school grounds layout, picture book as comic strip, Putnam Publishing Group, Ryan Thomann, school library visits, Interviews, Photoshop, character studies, Add a tag

Here's where "The Gingerbread Man: Loose in the School" story begins! Words + Pictures = Magic!  The best picture books are the epitome of the smooth teamwork between author, editor, artist, and art director/book designer. Here’s one case study of such a collaboration.

Many kindergarteners around the country have been successfully averted from first day jitters at school when the alert goes out that a cute little gingerbread boy is lost on the school grounds, and must be found!

Author Laura Murray relates one cookie’s side of the story in The Gingerbread Man Loose in the School, corroborated by Mike Lowery‘s action-packed illustrations.

______________________________________

click to enlarge

Joy Chu:  Tell us about the genesis of The Gingerbread Man Loose in the School. Where did it all begin?

Laura Murray:  I was a teacher before becoming a writer. The Gingerbread Man Loose in the School was inspired by a Kindergarten Gingerbread Man unit I taught at the beginning of each school year.

We compared and contrasted different versions of the Gingerbread Man story and used Gingerbread Man activities for each subject.

JC:  Which versions of the Gingerbread Man story were covered in your class? This is of particular importance to beginning illustration students — that traditional tales can have a unique perspective, dependent upon the story-teller and/or artist.

LM:  The teachers that do the GB Man unit use different versions of the story to compare and contrast, but I personally liked versions that had variations in setting, plot, main characters, illustration style, or culture.  We used Venn diagrams to discuss similarities and differences of each version. The titles I typically used were:

The Gingerbread Man  by Jim Aylesworth (traditional tale)
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42. Found at last!
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By: Joy Chu, on 1/30/2012
Blog: got story countdown (Login to Add to MyJacketFlap)
JacketFlap tags:  Cecilia Yung, Mike Lowery, Laura Murray, A Countdown Quickie, book creation, Gingerbread Man: Loose in the School, picture book as graphic novel, Add a tag

We caught up with The Gingerbread Man: Loose in the School, with the help of  author Laura Murray, illustrator Mike Lowery, and art director Cecilia Yung. Join us as we catch up on their caper tomorrow, right here!

Hooray! I am so happy you found me and my friends!


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43. Tooting my own horn…
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By: Joy Chu, on 1/28/2012
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JacketFlap tags:  2012, Joy Chu, A Countdown Quickie, 2012 Spring Quarter, illustration workshop, UCSD Extension, Add a tag

For more details, click here.

If you can draw these Ed Emberley basics, you'll enjoy our in-classes exercises!

If you can draw these (click image to enlarge), you're ready to enjoy our in-class exercises! The Emberley book is our required class handbook.


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44. Lauren Redniss shares the Radiance of Relationships
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By: Joy Chu, on 12/18/2011
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This is not a children’s picture book per se. Nonetheless, it is a standout in its symbiotic overlap of picture execution, voice, art media, and book printing process. Even the ink on the book jacket glows in the dark!

Lauren RednissPulitzer Prize nominee for her body of work, created the 2011 National Book Award nominated book about the extraordinary Marie Curie, her pioneering work with husband Pierre, her two Nobel prizes, and the subsequent implications of her work today.

She shares her process on the creation Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout. Catch her presentation below — a gift to all of us — and prepare to be enthralled, enchanted, and inspired…

Peruse the illustrations while Lauren’s voiceover guides us through the evolution of her storytelling approach:

cover from 'Radioactive'

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45. Chameleons, Little Girls & Boys, plus Ginger…
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By: Joy Chu, on 12/14/2011
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(click on chameleon or Gingy to enlarge)

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46. More highlights of Original Art
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By: Joy Chu, on 12/13/2011
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This week we’ll sample more selections from The Original Art Exhibit, featuring highlights from the best illustrated children’s books of 2011.

______________________________________________

jacket from "Coral Reefs" by Jason Chin

Jason Chin takes picture book nonfiction into the realm of lyrical realism in his latest book, Coral Reefs.
The jacket gives a hint of what’s to come — a young girl exploring an underwater kingdom. We are presented with real-life marine biological facts through the text, visually told as an undersea adventure.

[click images to enlarge]

Jason Chin:  “The girl in this book is the daughter of a friend who used to live in Vermont, where I now live.”

Jason Chin:  “My illustrations are done in watercolor, the same size as they appear in the book.

To do research for the book, I visited in the coral reefs of Belize and learned to scuba dive so I could experience the reef first hand. . .”

“. . . Being underwater affected me emotionally — it was exhilarating to visit such an otherworldly place, but the reef itself was serene and mysterious . . .”

“. . . After my initial excitement, I looked around and felt very, very small and it was very peaceful.  I tried to bring what I saw, and also what I felt, to my illustrations–to make the images both visually accurate and emotionally honest.”

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47. More viewings plus a Traveling Show!
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By: Joy Chu, on 12/10/2011
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from "Swirl by Swirl", illustration by Beth Krommes

from "Swirl by Swirl", illustration by Beth Krommes

Holiday travel is in the air! We’ll look at more Original Art all week, culminating in a field trip to the Laguna College of Art & Design to check out the 2010 Original Art Show on display at their gallery.

from "Blue Chicken" by Deborah Freedman

from "Blue Chicken" by Deborah Freedman

In other words, you’ll savor selections from both the 2011 and 2010 shows, here at the Countdown. And if you are in the NYC area, do catch the Original Art at the Society of Illustrators.

from "The Woods" by Paul Hoppe

from "The Woods" by Paul Hoppe

If you happen to be in the southern California region, visit the lovely coastal town of Laguna Beach and check out the Original Art Traveling Show before it closes on Friday, December 16!

from "Brownie & Pearl Take a Dip" illustrated by Brian Biggs, written by Cynthia Rylant

from "Brownie & Pearl Take a Dip" illustrated by Brian Biggs, written by Cynthia Rylant

Oh, and be on the lookout for this little guy (below). We’ll have a search party (Hi Laura Murray, Mike Lowery, and Cecilia Yung) out for him here, too. . . .

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48. Wanted: One Lost “Gingerbread Man”…
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By: Joy Chu, on 12/2/2011
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Follow our posse as we join Laura Murray and Mike Lowery to piece together their search for The Gingerbread Man Loose in the School, plus many more yummy surprises from The Original Art 2011 Show, next week. Spread the word…


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49. Double-triple-quadruple happiness, and more….
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By: Joy Chu, on 11/15/2011
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It’s a double blessing to encounter Ed Young‘s childhood memoir, The House Baba Built (see my earlier article here); and to follow up with Allen Say‘s memoir of growing up with his mentor, in Drawing from Memory (illustrated below), when selections from both books are also in The Original Art Show.

In his feature in the N.Y. Times Book Review, Terry Hong writes:

“… Both books describe how family can guide artists in their early years. In Say’s case, it was a chosen family;  for Young, the extended family into which he was born …”

From Allen Say's "Drawing from Memory" (click to enlarge)

(click to enlarge)

(click to enlarge)

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Medium: Watercolor, pen, ink,pencil and photography
Publisher: Scholastic Inc.
Imprint: Scholastic Press
Art Director: David Saylor
Editor: Andrea Davis Pinkney

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50. Why picture books are important…
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By: Joy Chu, on 11/14/2011
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A lovely trailer on why picture books matter from Dianne de Las Casas, creator of the Picture Book Month blog.

Picture Book Month 2011 Trailer by Carter Higgins on Vimeo.


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