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Results 26 - 50 of 52
26. First Lines: A contest!

by Jim

The biggest news in publishing this week is that the London Book Fair is barely happening because of cursed Icelandic volcano Eyjafjallajokull which, thanks to the NY Times, I can now pronounce!

But really, I can only say so much about that, so instead, let’s have a contest!

You’ve all surely heard that agents make decisions really fast, and if we aren’t entranced by your writing within 6.2 seconds or somesuch, we’ll just move on to the next thing. This is, for the most part, entirely true. So let’s see how quickly you can win us (and your fellow blog readers) over. Post the first line of your manuscript in the comments below by the end of the day on Thursday, 4/22. I’ll narrow it down to a select group of finalists, and then we’ll have a poll for you to judge who had the best, most intriguing first line.

The winner gets to have their full manuscript considered by yours truly. You don’t even have to query!

Bring it on! And in the meantime, enjoy this hysterical NPR link about mishaps that has nothing to do with anything.

227 Comments on First Lines: A contest!, last added: 4/23/2010
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27. Blogger's block

by Jim

Let’s face it, sometimes you stare at a blank screen, knowing you need to write SOMETHING, and nothing comes to mind.

Yes, dear readers, I’m suffering from writer’s block on the blog (blogger’s block?). So I look to you for inspiration. Go down there to the comments and ask me anything. Pet peeves in a query, favorite Stephen King novel, best pitch ever heard, preferred footwear designer, least favorite colleague (okay, maybe not that one). But you get the picture.

Bombs away!

34 Comments on Blogger's block, last added: 4/13/2010
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28. Jim told you what to read: A recap

by Jim

I had a lot of fun/was totally overwhelmed last Monday when I offered to suggest the next book any commenter should read based on the last five titles they had completed.

Beyond the fact that I love telling people what to do, it was an interesting challenge trying to draw connections between titles individuals had read (often without having read those books myself). And coming up with fresh books to recommend each time was tricky. Happily, since 2007, I have kept a list of everything I read.

For me, reading is a great individual pleasure, and there’s something exceedingly exciting about finding a novel on your own that you just tumble head over heels for. But there is something equally invigorating about finding yourself in a community of readers. I thank everyone who took part for sharing what they’ve read and entering that community for a moment. It was also an exciting opportunity to mentally revisit my own reading habits, and I can say that I’ve been browsing my bookshelves quite a bit over the past week. I was surprised to find that I didn’t recommend anyone read Prague by Arthur Phillips, a novel I adore and have tried to convince many people to read over the years. For some reason no one ever takes me up on it. So I’ll offer it as a group suggestion. It has one of my favorite openings ever, and there’s a small scene on a funicular over the river between Buda and Pest that thrilled me so much I can still remember the first time I read it.

One of the most interesting comments (I thought) came from Michael who noted: “Too lazy to check for myself but of all the books mentioned in the last five read list, has any book been mentioned by more than one reader? So much for the idea we all are reading today's ‘Bestsellers’.”

Good question! I went through all the lists and counted. Five books were read by three people. They were:
Laurie Halse Anderson’s Wintergirls
Kathryn Stockett’s The Help
James Dashner’s The Maze Runner (repped by our very own Michael Bourret)
Gail Carriger’s Soulless
Carrie Ryan’s The Forest of Hands and Teeth (repped by yours truly)

Soulless totally surprised me. Two books that agents here represent makes sense since our readers might share an interest in…you know, us. Wintergirls and The Help are great big books that have gotten tons of attention. Soulless doesn’t seem to have those characteristics, which makes it kind of exciting. Are we seeing a book in the process of really breaking out? Go Gail Carriger!

And then one series truly set itself apart: seven people had read either The Hunger Games or its sequel Catching Fire. Rock on, Suzanne Collins. I haven’t loved a YA series more since Harry Potter. I root for the success of these books as a reader and a fan.

But let’s get to the MOST exciting part of my suggestions: the ones people have already taken! Three people have been in touch so far to let me know that they read what I suggested. How’d it go? Well…two hits and a miss.

Kristi had this to say: “I don't often read books involving male protagonists but I absolutely loved "Someday This Pain Will Be Useful to You." It was a quick read but has stayed with me for several days and I love it when books do that to me.” Yay! This makes me happy.

About We Have Always Lived in the Castle, Joan offered this: “I loved it from the first page: “Everyone else in my family is dead.” And the magic continued throughout

9 Comments on Jim told you what to read: A recap, last added: 4/8/2010
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29. Jim will tell you what to read

by Jim

A few days back, John Warner, one of the commentators for The Tournament of Books, offered up a service. If you listed the last five books you had read, he would tell you what you should read next.

It sprang from a discussion about how we decide to choose what we read when we each know darn well that we’ll never get through every book out there. So a lot of folks stick with what they expect to like and might miss out on some great reads.

Unable to turn down something like this, I listed the last five books I had read (that weren’t work related). Warner suggested I read Await Your Reply by Dan Chaon. I groaned a bit since I had read a collection of Chaon’s short stories a few years back and was underwhelmed. I wouldn’t have picked his new novel up on my own without the recommendation, but I grabbed it that night and finished it this weekend. It’s a literary whodunit that is enervating and upsetting, beautiful and bleak. I loved it.

All of this said, the Tournament of Books commentators and readers seem to have a distinct literary fiction bias. The proportion of readers who included Sam Lipsyte’s The Ask in their past five was very telling (which is not an insult—it was in mine!). Knowing that we have readers who write across genres and for very different target audiences, I’d love to try to recreate Warner’s experiment here and see what the results are. What I’ll try to do (and I have no idea how this will work in practice) is recommend a little outside the box. Maybe an adult novel to someone whose last five reads were YA. Or a thriller to someone who skews more romantic. Or maybe there’s another book just like the ones you list that I’ll think you absolutely have to read. I will try to recommend only books that I have read but may have to turn it over to colleagues or our readers if I feel stumped. So let’s see if this works: just promise that you’ll let me know if and when you actually read the book—y’all can find my email address!

Update: A little confusion--sorry for my lack of clarity! Post the titles in the comments, and I'll give the recommendation there. You should email me if you read the book and/or want to chat about my choice!

93 Comments on Jim will tell you what to read, last added: 3/31/2010
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30. Dialogue tips

by Jim

It’s my opinion that one of the elements that trips writers up more than any other is dialogue. Understandably so. Creating independent voices for each of your characters is hard enough. Also making sure that the natural flow of conversation is always present while simultaneously using it to move the plot forward? That’s damn tricky.

I went looking for a handy set of guidelines for dealing with dialogue and found a really impressive one on About.com. Who knew?

As always when it comes to writing, the rules are made to be broken, and blah, blah, blah. But really…follow the rules. They’re pretty dead on.

2 Comments on Dialogue tips, last added: 3/23/2010
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31. The future of the written word

by Jim

Peter Miller has been logging interesting reports from the South by Southwest Interactive festival in Austin. This one in particular amuses me.

We in publishing are obviously concerned with the future of epublishing and where the ebook will take us. But those folks who seem to think we’re all on the Titanic after it hit the iceberg are all a bit too panicky for my taste.

No matter how many twits are tweeting or how many people buy the unbelievably badly named iPad; whether books will develop interactivity in the electronic age or formats actually become open, this remains a business about the written word.

It’s so now to be convinced that the industry is outmoded and to cast about blame rather than looking for actual solutions. It’s nice to see someone at SXSWi with an open mind toward the potential developments of the future who also isn’t about to ignore the fact that publishing has already survived other potentially crushing developments like movies and television.

I’m excited to see whatever the future looks like, as long as I can keep reading.

1 Comments on The future of the written word, last added: 3/15/2010
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32. Jim's Slush Week entry

by Jim

(For details on Slush Week, see Chasya's introduction.)

Let’s all take a look at the query on its own first, and then I’ll break it down with my comments inserted after the jump!

Dear SLUSH WEEK SUBMISSIONS,

Half-Angel, Half-Demon, Alexsi Marks must balance the war between Heaven and Hell, without losing her soul in the process...

For Alexsi, life is challenging, if routine, until the night a demon tries to kill her. Finding out about her parentage is a shock, but learning she has both demonic and angelic magic opens the door to truth and shadows. When her friends are attacked and her apartment cleaned out-the jerks even took her damn cat-Alexsi has no choice but to follow the mysterious, alluring James and flee to the Sanctuary, a haven for those with angel blood. It doesn't keep her safe from her dreams, however, or the sexy demon Declan from trying to seduce her. Alexsi faces distrust and anger on all sides, leading to a challenge beyond the gates of Heaven, or Hell. She must overcome those trying to kill her, while walking a fine line between her good side and her wicked one.

WHERE ANGELS TREAD is an Urban Fantasy complete at 99k words. I am a finalist in the Houston RWA chapter's 2010 Emily Award, Paranormal Romance category. My memberships include RWA, FFnP, Online Romance Writers and my local chapter Desert Rose, as well as East Valley Writers.

Thank you for your time and consideration. I have included XXX per your submission guidelines.


Sincerely,
(Author's name)




Dear SLUSH WEEK SUBMISSIONS,

Half-Angel, Half-Demon, Alexsi Marks must balance the war between Heaven and Hell, without losing her soul in the process...

I have a few concerns about this opening. I question the capitalization of “Angel” and “Half-Demon,” and the ellipsis bothers me: it feels gimmicky. Just use the period. We know there’s more to come. My bigger concern is with “must balance the war between Heaven and Hell.” What’s she balancing the war with?

For Alexsi, life is challenging, if routine, until the night a demon tries to kill her. (This sentence feels a little clunky. First, starting with “life is challenging, if routine” doesn’t really tell us much. It feels a bit like filler. Try something like, “Alexsi lives a normal life until the night…” or “Alexsi’s life becomes challenging the night…”) Finding out about her parentage is a shock (finding out what about her parentage? We can guess she’s discovering that her parents are an angel and a demon, but that isn’t actually stated), but learning she has both demonic and angelic magic opens the door to truth and shadows (“the door to truth and shadows” could be a lovely metaphor, but it’s a little vague here. You’re working under such space constraints. Why not just tell us: “Alexsi learns that she is the offspring of an angel and a demon and possesses the magical abilities of both of her parents.”). When her friends are attacked and her apartment cleaned out-the jerks even took her damn cat-Alexsi has no choice but to follow the mysterious, alluring James and flee to the Sanctuary, a haven for those with angel blood. (Who is James? How did she find Sanctuary? Are her friends attacked because of who/what Alexsi is? The biggest challenge in queries is deciding which information to share. You’re parsing so much material into a paragraph. You really need to focus on clarity and making the story as understandable as possible. I feel like you’re trying to focus on the exciting elements here, which makes sense, but you’re letting that get in the way of comprehensibility). It doesn't keep her safe from her dreams, however, or the sexy demon

11 Comments on Jim's Slush Week entry, last added: 3/2/2010
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33. Why I signed up....

by Jim

Story time! In January 2008, I received a query for a historical romance novel from an author who was friends with one of my clients and critique partners with another client of the agency. I do represent romance novels and have expressed that I’m open to historicals, but it’s not a subgenre I work in often. That aside, the author, Darcy Burke, had crafted an excellent query, and it didn’t hurt that she had references. So I requested and read her novel Glorious.

The novel was quite strong, but I decided to pass. For a real peek behind the curtain, here’s the letter I sent Darcy passing on the project:

Dear Darcy,

Thanks much for the opportunity to consider Glorious, which I read with great interest. Unfortunately, I’m going to be passing at this time.

This was a tough one for me. You’re obviously a talented writer, and this could very well be a marketable manuscript. That said, historical romance is a category that I really don’t know. When I venture into new genres for the first time, it has to be with a book that I’m completely blown away by. Without that driving passion, my inexperience in the category prevents me from being the best possible agent for the project. Though I did very much enjoy this read, I’m not ultimately convinced enough in my own ability to place this successfully in order to offer you representation.

Sorry not to have better news on this one. I do hope you’ll keep me in mind in the future.


All best,


Jim

Happily, Darcy did keep me in mind. Over the next year or two, she worked on a new novel, still historical romance, called The Earl's Obsession, and she queried me anew on December 21 of last year. I requested it the day before we closed for the holidays and read it over Christmas in Colorado.

The Earl's Obsession did exactly what it needed to do for me. It introduced me to two incredible lead characters—the arrogant Earl of Saxton, Jasper, and the orphaned seamstress Olivia—who registered so fully and naturally that I couldn’t help rooting for them, even as they often provided their own biggest obstacles. They were flawed, passionate, obstinate people, matched in the strength of their convictions, if not the convictions themselves.

But then Darcy did herself one better: rather than just give me characters that felt fresh and new, she conquered the greatest challenge of genre writing: making the outcome of the plot unpredictable while also managing to satisfy the reader. It might come as a surprise in a romance novel if the two romantic leads don’t end up together, but it wouldn’t be a happy surprise. On the flip side, if you’re slogging through 300 pages just waiting for the inevitable, you’ll be bored silly. Darcy kept me on my toes with enough flips, twists, and turns to keep me fully engaged all the way, while also knowing that I was in the most confident of hands.

I offered to represent Darcy the day we got back from the holidays. Happily, she said yes! Right now, she’s working on some light editorial feedback that I sent her way, and we’ll be taking the project out to editors shortly. Fingers will remain tightly crossed.

Now, I don’t want to give the impression that I only sign on people who were referred. Sure, Darcy knows one of my clients. Still, if I didn’t love her novel, it wouldn’t be to either of our advantage for me to offer to sign her on. Most of my clients did come straight from the slush pile. What I think this particular story illustrates, though, is that if an agent leaves a door open to resubmit in the future, they mean it. Trust me: I’m not asking everyone to send me more material. Just because the fit isn’t right yet doesn’t mean it won’t be.

I’m excited to share Darcy’s work with editors in t

6 Comments on Why I signed up...., last added: 2/26/2010
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34. Elmore Leonard tells you how to write

by Jim

I’d never seen Elmore Leonard’s list of ten writing rules before today. If it so happens that you haven’t either, I direct you to the Gotham Writers’ Workshop’s website. I came across the list via Mark Sarvas’s blog The Elegant Variation where he derides Leonard’s advice as “unhinged dipshitery.” I disagree. Now, of course we all know that rules are made to be broken, but there’s an awful lot of good sense here. And beyond that, Leonard’s a far better writer than Sarvas (in my opinion!). And #1: “Never open a book with weather?” That’s just great advice.

Leonard’s real point is that anything that can be cut should be cut. No one wants to see writing just for writing’s sake. So cut out the flibber-flabber and send us a novel that’s tight!

And, of course, take these things with a grain of salt. And look again to the advice of the other authors that Stacey pointed out on Friday. No one knows how you work, so there are no perfect answers, but it’s always good to take a look at the advice of others, especially those you respect, and sort out the good from the bad for yourself. But do take EVERY piece of Margaret Atwood’s advice because she’s delightful and would never lead you astray.

8 Comments on Elmore Leonard tells you how to write, last added: 2/24/2010
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35. Real love

by Jim

In one of those ideas so simple that you can’t figure out why no one else thought of it sooner, publisher HCI is launching a real life romance series. Actual love stories will be turned into romance novels—it’s sort of the book version of reality TV.

There’s something kind of fantastic about the idea of reading romance novels where what happens between the covers not only CAN happen but already did.

Or am I wrong? Will the real life couple out there ruin the fantasy of it all? I personally think it could be a super idea.

10 Comments on Real love, last added: 2/9/2010
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36. Promote yourself

by Jim

Since Jane already noted the high stakes, high drama standoff between Amazon and Macmillan, and Rachel already discussed the death of J.D. Salinger (anyone else think he’s totally overrated?), I wasn’t quite sure what to blog about today. Then I found this pretty fascinating article from the Denver Post about the author’s role in publicizing their own work.

Tama Kieves might be a little hyperbolic with regard to her readers (“They thank God for me and I thank God for them,”) but she makes a number of solid points about the need for authors to take on a distinct amount of the burden of publicizing their book.

Though Kieves is prepared to “walk across the desert for this book,” most people don’t have the time, energy, or financial backing to be able to make PR a full time job. That said, self-promotion is a big part of the business. And though the tone of a lot of publicity discussions is increasingly negative (my publisher didn’t send me on tour, I don’t understand why Oprah hasn’t called, etc.), I think it’s actually a really exciting time to be published.

Social networking sites make spreading the word about your work cheaper and easier than ever. And for those authors who are on the shyer end, you don’t even need to actually speak to anyone to get the job done! Sure, publicity budgets may be decreasing, and your publisher might not set you up in a fancy hotel before your Today show appearance, but there is a rabid group of readers out there almost asking to be directed towards new work.

8 Comments on Promote yourself, last added: 2/3/2010
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37. The Tournament of Books 2010

by Jim

Long time followers of our blog may remember that I’m a giant fan of any awards shows or competitions. And if it wasn’t exciting enough that it’s Oscar season, the Olympics are coming, and the Australian Open is going on, the Morning News recently revealed the judges and competing titles for their annual Tournament of Books.

It’s a sort of predictable bunch of literary fiction with limited concessions to commercialism (The Help sold a ton of copies) and some other trend (last year featured a YA title, this year it’s a graphic novel). But who cares?! It’s a contest that acknowledges how arbitrary it is, AND that gets people engaged in a dialogue about books. So I don’t mind that my favorite book of last year (This Is Where I Leave You by Jonathan Tropper) didn’t make the shortlist. Or that what I thought was the most overrated book of last year did (Lowboy by John Wray, how twee and dull I found you).

Instead, I’m going to celebrate that I’ve already read four of the sixteen competing titles (also including Let the Great World Spin; Everything Ravaged, Everything Burned; and Miles from Nowhere). Then I’ll pretend I’m going to read the other twelve, get through maybe two of them, and follow the tournament like a bookie at the races.

0 Comments on The Tournament of Books 2010 as of 1/1/1900
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38. Why I Am an Agent (Stacey)

by Stacey

I think it's so interesting to learn how people got to where they are. I guess everyone has a story to tell. It might be a stretch, but I'll start at the beginning by saying that my agenting career, or at least the path there, began when I was a professional child actor starting back in the early 80s. I worked with an agent then and got to understand a bit about what they did, and I was also faced with an enormous amount of rejection! During college, I wasn't sure what I wanted to do, having spent so much of my childhood in front of the camera, so I studied film, and psychology. Upon graduation, I felt a little lost, like most post-grads do, and found a couple of internships in NY in film development, essentially looking for books to be adapted into movies. I eventually landed jobs at PolyGram Filmed Entertainment and Hearst Entertainment, where I scouted for books-to-film, and got to knows agents, editors, and the book biz in general. I realized pretty quickly that trying to pursue a career in film in New York was an almost insurmountable challenge. I knew it couldn't last because of how dispensable these New York film offices were, and so I planned to move to LA to infiltrate myself deeper into the world of film. With one foot practically out the door, I met my now-husband on a blind date and decided the west coast move was out, and I took a long look at what I wanted to do and realized that an agenting career, or at least a job at an agency, was the right direction for me to take.

When the opportunity to work with the esteemed Jane Dystel came up, my then-boss and mentor at Hearst recommended I jump on it. In February, 1999, a new and exciting chapter in my life began. I have to admit the first year or so was rocky, trying to learn my way around with no clients, lots of admin to handle (a highlight of which was hiring Jim and Michael, and I'm sticking to my story about Michael's blue hair!), and little understanding of what this side of the business was really all about. I remember hearing Jane and Miriam talk so fast about so many things in our morning meetings and wondered if I'd ever really get the language of book publishing. But I was intrigued and up to the challenge, and before long, Jane started passing projects my way. I eventually started coming up with my own book ideas, signed up my first client, and submitted my first project to editors. The moment when I got the call that an editor was "running numbers" on a proposal I'd submitted, I thought I was having a heart attack my heart was beating so fast. I was hooked. One project led to another, and before long, I was selling lots of books in all kinds of different categories. And I was loving every minute of it. I think that being an agent is a little like being a drug or a gambling addict (in a healthy way)--you are always on the prowl for that high you get from selling books, and you never know when that big hit is going to come your way. And of course, once you start, it's hard to stop.

Now almost eleven years later, I can say without pause that I am doing what I love, and feel rewarded in big and small ways with the work that I do. I am very grateful for the opportunities that Jane and Miriam have given me here over the years, and that they believed in me even when I didn't believe in myself. I feel truly lucky that I have found a career that is satisfying and fulfilling in ways I didn't think possible when my journey began so long ago. I have four kids at home now, and I love them enormously, but my extended publishing family of

6 Comments on Why I Am an Agent (Stacey), last added: 1/13/2010
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39. The top 10%

by Jim

I just discovered Adrienne Kress’s delightful blog this morning, and she has posted a list of four questions to ask yourself before you query that can assure you’re in the top 10% of submissions.

From an agent’s point of view, she’s totally right. You look at the numbers, and they can be incredibly discouraging. Yes, agents turn down 99% of what they see. But the chances are that since you’ve gotten this far—that you’re reading an agency blog, that you’re doing research—you’re already at the head of the pack. I say the same thing anytime I speak at writers’ conferences. You wouldn’t believe how much material we get that is so off-base or utterly baffling. Seeing writers show up for conferences or visit our websites and educate themselves on the business of publishing…it’s incredibly encouraging.

Of course, maybe I say this here, but you’ve already queried and gotten a form rejection letter. Does that mean we bundled you in with the people who have no idea what they’re doing? Well, no. The fact of the matter is that sometimes I see a perfectly adequate query letter for a project that sounds a lot like something else I represent. Or I see the right kind of novel for me, but it deals with some topic I can’t stand like parrots or something (note: I have no actual aversion to parrots. It’s just a bad example). Because we do get hundreds of queries a week (that’s really not an exaggeration), we can’t necessarily take the time to differentiate between the queries that were perfectly good but not quite right or the ones by people who seem unacquainted with ideas like sentences and commas.

So what does it mean? I’m such a broken record, but it means keep trying. I’ve always felt that books that deserve to get published do eventually make it through. It may not be an easy road, and it may not be a fast one. You may not even realize until you write your next book that THAT’S the one that is meant to be your debut. But if you keep going, eventually you’ll break through if you’re meant to.

7 Comments on The top 10%, last added: 1/12/2010
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40. Why I Am an Agent (Michael)

by Michael

I figure it’s my turn to explain why it is I do what I do, as Jane, Jim, Lauren, Chasya, and Rachel have—if only to satisfy the clients who keep asking when I’d do one of these!

It all started at the end of the last decade, December of 1999. It was my senior year, and I really needed a job. I had no idea what to do, and was thinking of finding something in retail, as I love a good discount. But my friend Jim McCarthy told me that the literary agency where he was interning was looking for another paid intern. Now, Jim had told me what he was doing, but frankly I never quite understood. These people were agents for authors? Why did authors need agents? And isn’t publishing for rich kids who want a hobby career? Though I didn’t think it was the job or industry for me, I figured it couldn’t hurt to go in and interview.

Like Jim, I was interviewed by Stacey Glick. If you talk to her, she’ll tell you that I had blue hair at the time. This is not true. I had bright, bleached-blond hair. The blue hair came later. (And the blue dye largely ran out of my hair when I had to make a delivery to one of our most important clients in the pouring rain that summer.) I believe she hired me on the spot, and I started working Friday of the same week.
I had no idea what I was doing in the beginning. I did what people requested, paid lots of attention, and started asking questions. Slowly, but surely, I came to be very interested and involved in what was going on at the agency. I’d loved books growing up, but I’d not been the same kind of reader in college. It was great to get back to reading things that were fresh, new and contemporary. And, as I looked around, I liked what I saw: a group of smart, creative, engaged, interesting people helping authors manage their careers. Just a few short months later, I was hooked—on publishing, agenting, and DGLM. When Jane and Miriam offered me a job in September of that year, I was honored, and I jumped at the chance.

When I started full-time, I was doing much of what I did as an intern, along with managing royalties and helping Jane with submissions. But quickly, I took on new responsibilities. I began assisting the rights director, learning the ins and outs of the foreign and domestic rights markets. When she left the agency a few years later, I took over the agency’s rights, eventually attending the London Book Fair with Jane and selling rights around the world. At the same time, I was building a list of my own, something Jane encouraged me to do within my first year at the agency. I started representing children’s books at Jane’s suggestion, something I was unsure of at the time(!). But quickly I found that I had a passion for middle grade and YA books, and my career as an agent really took off then. Several years ago now, I became a full agent, and the talented Lauren Abramo took over as our rights director, freeing me up to focus on my own projects.
Last year I was very excited to be promoted to vice president at the agency, and just as pleased this past December when I moved to Los Angeles to open a West Coast office for DGLM. I tell people all the time—I’d never have had these opportunities at any other agency or in any other job, and I’m forever grateful to Jane for that.

Our industry is going through big, drastic, challenging changes, and I’m glad that Jane, Miriam, the rest of the DGLM staff and I are working together to attack them head-on. My ten-year journey with the agency has been full of amazing experiences and opportunities, and I am just as enthusiastic about the ten

10 Comments on Why I Am an Agent (Michael), last added: 1/10/2010
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41. Authors gone wild!

by Jim

I was going to blog about this on Monday after the delightful and amazing Michelle Rowen called my attention to it. At the time, much of the content was missing from the web. Thank you, Guardian, for hunting it down.

Long story Twitter-short: Bad Amazon review makes author lose damn mind!

I can totally relate to Flood’s opinion here that watching an author have a spectacular public meltdown can be incredibly compelling stuff. Know what makes it even more special for an agent? Their clients’ lack of involvement!

This whole saga is really worth tracking through for examples of what never to do once you’re a published author. Don’t get defensive. Don’t respond to reviews on Amazon. And for gods’ sake, DON’T blame your editor!!

Like Neil Gaiman, I will claim not to be posting this because it’s funny in a tragic way (even though it totally is) but because it’s an extreme reminder of why the heat of the moment is NOT when to respond to one’s critics.

(via GalleyCat)

7 Comments on Authors gone wild!, last added: 12/23/2009
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42. Chasing ambulances

by Miriam

Every once in a while a celebrity news story morphs into a veritable hydra-headed monster of a tabloid saga. And, given my love for that particular brand of infotainment, I am usually sucked in right along with the other readers of Us Weekly, People, and, yes, Star. So, you know I’ve been bouncing from one blog to another for the last couple of weeks following the supernova of a meltdown that is the Tiger Woods saga. Same thing happened with the Eliot Spitzer, Mark Sanford and John Edwards gossip fests. The rubber necking fascination for grown men behaving badly never seems to wane, despite the fact that at this point it seems more the norm than the exception. Fame/Money + Unbridled Ego = Tabloid story in the making.

So, whenever one of these events turns into the usual circus, my colleagues and I immediately think “Is there a book in this?” And, of course, there usually is. In fact, there are usually 10 books. So, how do you decide whether to jump on the ambulance chasing wagon, track down a writer and loose them on the story or take a chance on the “insider” account by one of the members of the disgraced figure’s entourage, his ex-whatever, or his second grade teacher or simply keep watching from afar. The answer is tricky and it depends on what kind of agent/agency you are.

Generally speaking, we take on books that we think we’re going to be able to sell because we don’t get paid for our efforts unless we do. Given that simple premise, it doesn’t make sense to run through hoops in order to try to make a book about one of these scandals happen unless (a) that book is going to offer revelations that are truly not to be found in the 24/7 coverage by blogs, magazines, newspapers, and tv shows (b) there is serious analysis of the situation and its more universal implications by a writer who has strong credentials and who is not just going to do a clip job restating the obvious and (c) one of the main players is willing to sell out his mother for a book deal and really does know where the bodies are buried. Ultimately, though, it’s one thing to be titillated by these kinds of stories while eating your Cheerios and quite another to spend the time, energy and dedication it takes to get a book published on a narrative that will soon be supplanted by the next celebrity/politician/sports star behaving badly. And, sometimes, despite the potential monetary windfall, the subject is just too distasteful to pursue--I don’t think anyone here would have repped OJ Simpson’s book (except perhaps Jim), even though we all would strenuously defend an agent’s choice to do so.

If you were agents would you try to sell a Tiger Woods book right now?

7 Comments on Chasing ambulances, last added: 12/17/2009
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43. Random House's e-book rights grab

by Jim

The Wall Street Journal has an article on a letter that Random House CEO Markus Dohle sent out to agents on Friday. In the letter, Dohle casually mentioned his belief that Random House owns the digital rights to their entire backlist. Slow down, Smokey!

There’s a reason that almost all good publishing contracts include language that rights which are not specifically being acquired are reserved to the author. That language was placed there for the author’s protection specifically in the event of developments like electronic publishing technology—forms that couldn’t be foreseen at the time of the contract’s initial signing.

To say that electronic rights are suddenly included in the phrase “book form” is disingenuous. If that’s the case, why did later contracts go on to specifically list electronic publishing rights as negotiable terms in addition to the printed book rights? It’s also impossible to argue that ebooks were considered part of traditional book rights well before they were even a twinkle in Amazon’s eye.

We’re seeing a lot of publishers engaging in these sorts of rights grabs now and a lot of them are using semantics to pretend they’ve always had rights that were not, in fact, included in the purview of the original contract. And it isn’t just limited to ebooks. It makes sense that in times of economic troubles, publishers will be trying to hold onto absolutely every potential source of income that they can. But that doesn’t make it right or acceptable.

There’s a whole lot more conversation that’s a’comin’ on this one. Stay tuned.

7 Comments on Random House's e-book rights grab, last added: 12/15/2009
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44. Best of the decade

by Stacey
As we're coming up on the new year and end of a very tumultuous decade, and looking at lots of book lists, like Jim's recent post, this piece from this week's New York magazine made me think about my favorite novel of the past 10 years. The book that popped into my head was Little Children by Tom Perrotta. Loved that book (a lot better than the movie version). It's a very compelling and real look at serious suburban dysfunction. It's funny, but also achingly sad, and the seemingly simple plot unfolds in surprising ways that subtly suggest this book is not, nor was it ever, going to have a fairy tale ending. Perrotta is a talented and versatile writer who I am always eager to read something new from. What's your favorite book of the last decade?

4 Comments on Best of the decade, last added: 12/11/2009
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45. Chasya's Questions Corner: On Pitch Sessions

by Chasya

Another excellent question from one of our readers:

What are the biggest mistakes writers make when pitching their work at a writers' conference?


Answer:

I asked around to several other agents here to find out what sorts of things make writers stand out to them during pitch sessions--and not in a good way. These were some of their replies:

I think the biggest issue I have is when people over-rehearse. It sounds so phony and it's not engaging. I want people to talk naturally about their work, and while they should be able to do so easily, I don't want it to sound like they're reading from cue cards (or even worse, ACTUALLY reading from note cards).

-Michael


I don't know that I'd classify it as a big mistake, but I don't like it when pitches go on too long, they need to be concise, and it's hard to be objective when the pitcher gets really emotional, so I'd say keep it professional.

-Stacey


I’d say the biggest mistake is pitching a book that isn’t done: not complete, not revised, not read by a critique group or trusted friends and then revised again. It’s a waste of everyone’s time. An author that has a pitch session lined up before figuring out that they should have been further along in the process is better off taking the time to ask more general questions than pitching a book the agent can’t consider that the author might never complete—or that might be a very different book by the time they do finish.

-Lauren


I’d say being completely and utterly terrified. Or too reliant on a script. People trip themselves up and forget that all they really have to do is talk about their book. It’s better to be enthusiastic and calm than it is to be super-precise. Oh, and don’t bring props.

-Jim


We need more of your questions! Please send inquiries to [email protected].

7 Comments on Chasya's Questions Corner: On Pitch Sessions, last added: 12/9/2009
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46. DGLM Recommends

by DGLM

Just in time for the holidays, new staff recommendations from us here at DGLM to add to your shopping or wish lists!  Check 'em out!

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47. Even more to read

by Jim

Oh, jeez. The New York Times has released their list of 100 Notable Books of 2009.  As is always the case when this comes out, I feel a touch overwhelmed. It’s exciting to know that there are always more great books out there to be read, but at times it gets a bit daunting that you can never even hope to catch up. Or is that just me?

I already have Let the Great World Spin and The Year of the Flood set aside for my holiday break reading. And I want to read Half-Broke Horses and Wolf Hall. And Follow Me sounds fascinating. Ack!

Anyone else excited or frustrated by year end lists? See any titles that for sure should be skipped?

6 Comments on Even more to read, last added: 12/3/2009
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48. Write or die?

by Jim

I’m glad someone finally found a way to effectively help writers meet deadlines: the threat of punishment.

Write or Die. Because sometimes encouragement just doesn’t cut it anymore.


(via Nathan Bransford)

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49. What I'm thankful for

by Jane

It’s Thanksgiving and every year at this time especially, I think about what I am thankful for.

One of the main things I am thankful for is our team at Dystel & Goderich Literary Management. They really are the best at what they do:

Miriam Goderich--Partner, Senior Vice President and Editorial Director: The foundation of our company, a great editorial and administrative mind with an awesome sense of humor. I am so thankful that she is my partner and very close friend.

Michael Bourret--Vice President: A tireless agent; an incredibly hard worker and a risk taker. Michael is setting up a California office of DGLM. I have such admiration for him and am rooting for his success.

Jim McCarthy: A brilliant editorial mind and a superb agent, Jim has incredibly good taste and a wonderful sense of humor. I am constantly astounded by Jim’s insights and so proud of his enormous growth over the years and his recent successes.

Stacey Glick--Vice President: A terrific agent with a growing list of practical non-fiction, Stacey has a very good nose and is incredibly persistent. I am constantly amazed at all that Stacey accomplishes in her increasingly busy life and thankful to have her as part of our team.

Jessica Papin: Jessica is a passionate and amazingly hard working agent who is building a very exciting client list; we are so lucky to have her back.

Lauren Abramo: Our Rights Director and in-house techie as well as an agent in her own right, Lauren is always on top of everything. With a small list of clients, which she is growing carefully, we are very lucky to have her.

Chasya Milgrom: Our Royalties Manager and newest agent, Chasya is building a list and growing beautifully with the agency. I am so thankful to have her with us and to watch her develop as an agent.

Rachel Oakley: My assistant and our newest staff member--I am thrilled to have her here and know she is going to be a huge and important member of our team.


Thank you all for your support, your tenaciousness, your good taste and your wisdom; you all add to my life and to DGLM in enormously important and meaningful ways.

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50. All Palin's Eve

by Jim

Here we are on the eve of Going Rogue publication, and I know how excited we all are. Harper reportedly plunked down $5 million for the book, which I initially thought was crazy but now think was crazy genius.

Some people love Sarah Palin. I mean...well, I’ve heard that some people do. I live in New York where Republicans are mythical creatures that people report spotting but can never empirically prove the existence of. But the point is, the success of Palin’s book isn’t going to be based on whether the people who love her turn out to buy it. It’s going to have to do with just how much vitriol the people who hate her can muster up against the book.

Let’s face it: liberal columnists and bloggers looooove to hate Sarah Palin. She’s a go-to whipping post, and the articles lambasting the book are already hitting the web faster than you can say, “Gotcha!”

Tomorrow promises to be a full media pile-on, and that’s going to send thousands upon thousands of readers to the book store. Palin’s got an Ann Coulter-ish appeal. She’s brash enough that the people who love her admire her spunk and the people who don’t are terrified.

I don’t know whether or not I’m going to buy the book, but I know that I could be swept away by the media frenzy. Whether or not I actually read it, I do know for sure that I’m going to spend more time on the book’s Amazon page watching the frequently hysterical freak-outs from Palin’s most disturbed supporters and detractors. What can I say--I love a good fight.

So who already bought it? Who is boycotting? And better yet--who’s going to the book tour?!

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