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I’ve just returned home from Big Sur on Cape Cod, a wonderful mentoring weekend for children’s book authors and illustrators organized by Andrea Brown and her most-successful-in-the-US literary agency, in coordination with Lisa Rehfuss. This event is held annually in California, and for the first time was offered here in New England (lucky us). The […]

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Everland. Wendy Spinale. 2016. Scholastic. 320 pages. [Source: Review copy]

Everland is a dystopian, steam-punk retelling of Peter Pan.

If I was giving stars for premise, it would be five stars for sure. The premise is surely the most interesting and captivating thing about Everland. Gwen Darling is the heroine. Since a virus/plague killed off most--if not all--of the adults in England, Gwen is responsible for her younger siblings, Mikey, the youngest, and her sister Joanna. When Gwen is out scavenging one day, Joanna is kidnapped by the Marauders, the Marauders are led by Captain Hook, though Hook is just a nickname. His initials are H.O.O.K. Fortunately for Gwen, on the same scavenging trip, she caught her first glimpse of Pete and Bella. These two come to her rescue. Pete eagerly and generously. Bella with much protest and grumbling. Pete hopes that Gwen is truly IMMUNE, the one human on earth who is immune to the virus, the one whose blood or antibodies in the blood may hold the cure for saving those left alive. Pete takes Gwen and Mikey to the underworld--the underground remains of Everland, or London. She'll join the Lost Boys. Bella is the only other girl. Jack and Doc are two Lost Boys that seem to stand out from the rest.

So, as I mentioned earlier, the premise gets five stars from me. Unfortunately, I found the world-building, the storytelling (narration, plotting), and the characterization to all be lacking.

The world-building seemed all-surface and not much depth. Like flimsy props on a set that could potentially be tipped over leading to disaster. I never once forgot myself in the story or got lost in the story. And that's what you want in fantasy: to be swept into a whole new world, to become absorbed in it, fascinated even. It isn't that the world created doesn't have potential or promise. It does. But I don't want potential-fulfillment, I want actual fulfillment. One thing that bothered me was the depiction of this "war" between England and Germany. The German bad guys--led by the oh-so-evil Queen that we never once meet--didn't come across to me as well-executed.

The narration was an almost for me as well. I really did not enjoy the alternating narrators. Chapters alternate perspectives between Gwen and Hook. If I had to have alternating characters, I'd much rather have gotten to know Bella or Pete or if it absolutely had to be a bad guy, Smeeth. Seeing Captain Hook through Smeeth's eyes would have likely been more entertaining than being stuck in Hook's head. Still, I think readers didn't get to know Bella enough, and, it would have been great to have alternating chapters between Gwen and Bella. It would have made for a lively, tension-filled read. Because Bella seemed fierce, strong, stubborn.

The plot itself was okay, but, it was the little things that annoyed me. For example, the "need" to represent pixie dust leading to the gold dust powder that somehow, someway enables all the characters to see in the dark. That's just one example of how the need to represent as many details as possible from Peter Pan led to a weaker story. That being said, the surprise introduction of Lily was very much necessary. Now that I think about it, LILY would have made a good alternate narrator. What I was not thrilled with was the "instant" romance between Pete and Gwen.

The characterization. I personally found it on the weak side. If the premise wasn't so strong, would anyone really keep reading? Or, would I have kept reading?! (That would be the fairer question). Gwen, Pete, Bella, Hook, all the characters really felt like paper dolls. Some readers prefer action-driven novels. Some readers prefer character-driven novels. I happen to prefer character-driven novels. And I like my action novels to have a certain depth to their characters. I think the best villains should be fleshed-out villains. Even though we were in Captain Hook's head, I never once really thought of him as being a developed character.

Think of LOST. Tons of characters, plenty of action and drama, plenty of tension and suspense, plenty of mystery. Yet what hooks me is the DEPTH of the characterization. Every single character is fully fleshed out--past, present, everything in between. You may or may not "like" a character. But every action, every word seems to come from within a character, staying true to that character. The same could be said of Once Upon A Time. And that show put a WHOLE new spin and then some on Peter Pan and Captain Hook!!!!

Would a rereading at some point persuade me to reevaluate this one, and "like" it more??? Perhaps. After all, such has occurred before. But I'm not eager to do so now.

© 2016 Becky Laney of Becky's Book Reviews

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My Name Is Not Friday. Jon Walter. 2016. Scholastic. 384 pages. [Source: Review copy]

My Name is Not Friday is not a book I could say I "enjoyed." For who would want to ever admit to enjoying a book about slavery?

Could I say it was a good book? Yes, I think I could say it was solidly good. (Maybe not solidly great, but good, yes, I can see that.)

Do I think that it is a book adults will like/love more than kids? Yes, I think that's true. Some kids *do* voluntarily read historical fiction. Some kids do read "heavy" serious books. This one is decidedly heavy. It is set during the Civil War.

But this, to me, seems more like a book adults would try to coax/pressure kids into reading because it is "good for them" or "important." And if My Name Is Not Friday does eventually become assigned reading, well, I don't think kids will "like" it or admit to liking it.

Samuel is the hero of the novel. He and his brother Joshua live in an orphanage for Negroes/free blacks run by Father Mosely. Samuel is the "good" one. He's a "good" student, a "good" brother, a "good" friend. Joshua, his younger brother, is not as "good." Let's just say that learning and following rules isn't as easy and natural as breathing. To protect his brother from punishment (the crime is shocking, and the big reveal at the end even more so) Samuel confesses to something he didn't do. His punishment is that he 'disappears' from the orphanage. Samuel finds himself "kidnapped" by someone--a white man--and taken south to a slave market where he is sold into slavery with forged papers. Before he's sold, he's "stripped" of his name/identity and told that he is now FRIDAY.

Two-thirds of the book focuses on Friday's new life as a slave in the south, in Tennessee, I believe. He's bought by Gerald, the stepson of Mrs. Allen. Gerald and Samuel are about the same age. And Gerald seems more interested in having a playmate and friend than a field worker. But Friday isn't overly grateful to his young master who wants to play baseball and go swimming with him. Especially since Mrs. Allen and everyone on the place--white and black--thinks his place is to work from sunrise to sunset at whatever task he is given. (In the morning, he's in the field, in the afternoons, he's assigned to the house.) Friday does have an ally, of sorts, in Gerald. Part of that friendship is based on a lie, on flattery at that. But Gerald considers Friday to be his friend, and, is completely honest with him and somewhat vulnerable. It violates Friday's conscience to actually be friends with Gerald, but, at the same time he feels guilty for lying and pretending and doing whatever is necessary to appear "good." My impression is that Friday/Samuel has understandably mixed feelings about Gerald and Mrs. Allen both, though especially Gerald.

Readers meet the other slaves on the plantation. Men. Women. Boys. Girls. He makes friends, and, pieces together a family of sorts. Though not everyone treats him as a friend/brother/son. Almost halfway through the novel, he has a revelation of sorts. He feels that God has led him purposefully into slavery so that he can teach others how to read and write. His calling will be questioned and doubted now and then for the rest of the novel, but, he holds onto the idea that there is a purpose for his life for the most part.

I have very mixed feelings on the "Christian" aspects of this one.

Samuel himself seems VERY confused in terms of what Christianity is and what it means to be saved. From start to finish, he carries the notion that it is what he himself DOES that determines the matter. In other words, if every single day of my life, I am good and make more good choices than bad choices, then God will look down on me see my effort and reward me by delivering me from my troubles in this life and letting me into heaven in the next life. Samuel also seems to be a bargainer. Most of his prayers equating to: Lord, I know Joshua was bad today, but, count some of my goodness towards him and keep him safe. I can be good enough for the two of us if I just keep on working and trying. I just have to say emphatically THIS IS NOT the gospel; THIS IS NOT Christianity.

Samuel is not the only one who is confused. The white minister who preaches in the town and makes a once-a-month visit to the slaves to teach to them the joys of slavery and how they will still be slaves in heaven is a mess as well. I have no doubt that there were Southern ministers who did preach that slavery had God's approval. But ministers--then and now--are not infallible in their sermons, their books, or their interpretation of Scripture. The Bible has plenty to say about slavery, but, not celebrating it as wonderful and beneficial and absolutely necessary.

Mrs. Allen does seem to be a woman of faith. She may be a slave-owner, or, the wife of a slave-owner. She may erroneously believe that the slaves are like children, and will always--no matter their age--need to be taken care of. But my impression was she did care about their spiritual needs, and, wanted to do whatever she could to teach them about God. Meeting with them daily, reading to them from the Bible, leading them in songs. These are things that she didn't have to do, or make time to do--especially with the stress and uncertainty of war. There were scenes where I couldn't bring myself to hate her. Then again, some scenes, it wasn't all that hard. I think the author did a good job in depicting Mrs. Allen and Gerald as complex human beings.

Another "layer" of this is the portrayal of some slaves having no faith, or having lost the faith, because of their reckoning that if God exists and if God is good, then slavery wouldn't exist. In other words: because I am a slave, because I have been whipped and scarred, because I have endured much suffering then God doesn't exist.

But there is yet another layer that gives a fuller picture. A handful of the slaves--not all of them--gather together some nights--secretly--go to the woods, and have their own meetings. They sing. They dance. They testify about God's goodness. They talk of the day when He will deliver them from slavery. They speak of God in a vibrant, real way illustrating that their faith is core to who they are. That even though the "white minister" might preach down at them, their faith is stronger and deeper and more substantive than that. God is not defined to them as being "the white man's God." Samuel reads the Bible to them at these meetings. Before they could just look at the pictures and try to remember what they've heard from others through the years. (I don't know where the Bible comes from, or, who owns it. But it is much treasured.)

I am glad I read this one. I think it is a solidly good novel. Adults may be more amazed at it than kids are.

I don't know if I should admit that I didn't "see" the cover properly until I happened to look at it upside down at the time I was reviewing it. The reflection in the water is DIFFERENT. One sees both Friday (the slave) and Samuel (the scholar).

© 2016 Becky Laney of Becky's Book Reviews

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American Ace. Marilyn Nelson. 2016. 128 pages. [Source: Library]

American Ace is a verse novel about a "white" (Italian/Italian-American) family learning a secret, unraveling a decades-old mystery, and in the process learning more about history (specifically World War II and the role of the Tuskegee Airmen) and themselves. The secret is revealed by Connor's father on the anniversary of the death of his mother--Connor's grandmother. Connor's grandfather wasn't his biological grandfather.

Connor's grandfather is a mystery to be unraveled. They have a ring (with a year and initials); they have pilot's wings; they have a nickname, "Ace." During this research process--some time spent at the library--they learn two things: he attended a Historically Black College and University, and, that he was a Tuskegee Airmen. In other words, their "white" family has some African-American genes mixed in. The book is about the family processing this information--as individuals, as a whole family.

The book is contemporary. Connor is your "typical" teenager excited about getting his driver's license, interested in girls and dating, having a fair amount of family issues to sort through. The family issues in this book are the family's secret and what it may mean, and, his father's health--physical and emotional.

The last section (or possibly last two sections?) of the book focus almost exclusively on the Tuskagee airmen, and on packing as much information as possible into the poems of this verse novel. You might say it is a bit fact-heavy at the end. But I personally didn't mind these details.

I struggled with this one. I struggled with the narrative voice. I struggled with connecting with the characters. It isn't that I didn't like them or that I actively disliked them. The characterization just didn't work for me personally. The characters didn't feel fleshed-out and living to me. I struggled with the fact that it is a verse novel. Perhaps the form of this one kept me from really connecting with the characters like I feel I should have in theory? There was just too much disconnect for me to really care about the book.

© 2016 Becky Laney of Becky's Book Reviews

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First Love. 14 Warm and Glowing Stories Selected by Gay Head. 1963. Scholastic Book Services. 188 pages. [Source: Bought]

First Love is a vintage collection of short stories compiled by Gay Head for Scholastic in 1963. All of the stories chosen had been previously published in magazines. Most of the stories first appeared in the 1950s, though a few come from the 1940s and early 1960s. (If Barbie were real, this is the kind of book I could see her reading.)

The theme of this collection, is, of course, first love or young love. Some of the stories are narrated from the girl's perspective; some are, however, narrated from the guy's perspective. There is a pair of stories "Sixteen" and "Eighteen" that go together. "Sixteen" by Maureen Daly tells the girl's side of the story--how she went skating one winter's day, was suddenly grasped around the waist by a cute boy, and how they skated and chatted together for what seems like hours. He walked her home. He said he'd call. But he never did. "Eighteen" by Charlie Brodie tells HIS side of the story. Most of the stories are not interconnected.

One of my favorite stories is "Prelude" by Lucille Vaughan Payne. Essentially, this is a clean version of Valley Girl that predates the movie by quite a few decades. Nancy Hollister, the heroine, falls for Stephen Karoladis to the dismay of her popular friends. He is an absolute genius when it comes to music, playing the piano, to be exact. Nancy feels about music the same way he does--it's like they are meant to be. But. He is poor--really, truly poor, work after school as a janitor poor. He will never dress like her friends. And he'll never be able to afford to take her out to the places that her friends go with their dates. But the connection they feel is true and deep and strong. What will happen when he asks her to the prom? Will she go with him knowing that her friends will laugh and mock and bully?! This short story doesn't conclude with "Melt With You" but it ends well all the same! Since I'll never watch Valley Girl again, most likely, I'm glad to have found a clean alternative that puts a grin on my face.

Another favorite story is "Theme Song" by Dave Grubb. In this one, a young girl falls for a soldier with a broken heart or "broken heart." He's received a letter that "his girl" has taken up with someone new. Though there was a time he loved playing "their song" on the jukebox over and over and over and over again...he discovers that the "B side" of the record had never been played....much to Edith's delight. Hearts mend, and new love stories begin...

One of the more unusual stories in this collection, one that brings to mind the Sesame Street song "One of These Things Is Not Like the Other," is Epicac by Kurt Vonnegut, Jr. This "romantic" short story is about a machine--a computer--who falls in love. It's more complicated than that. The narrator and the computer both fall in love with the same girl. And it's a science-fiction twist to Cyrano de Bergerac if you will. (The computer writes the poems that make the girl fall for the narrator.)

Essentially readers who discover this vintage, out-of-print, title will discover a LOT of variety. Each story is unique. Some stories are a bit odder than others.

"Blue Valentine" by Mary Gibbons comes to mind! In this story, a guy with great intentions doesn't think through his gift choice. Angelo, the hero of the story, is essentially a good, thoughtful guy. He wants his Valentine's Day gift to his girlfriend to be extraordinarily WONDERFUL, the best of the best, the best that his money can buy. But this gift gets him in BIG TROUBLE with her family. His choice? Well, Gibbons left that a mystery for readers to solve until the last few pages of this short story--probably for some shock value. So I'll do the same.

Another 'odd' story, for me, was The Walnut Trees a story about a girl's BIG, BIG crush on a teacher. (Hint: Don't cut your teacher's yearbook photo out and put it in a heart locket. It is SURE to fall off, open, and HIM be the one to pick it up and hand it back to you!)

Each story has a description of sorts, or tagline. I'll include these for each story:

• Stardust by Virginia Laughlin: Her heart went into orbit when she looked at him...
• A Girl Called Charlie by William Kehoe: She thought that her whole future depended on one date...
• Blue Valentine by Mary Gibbons: Angelo found the wrong gift for the right girl...
• The Walnut Trees by Virginia Akin: A dream can be fashioned from cobwebs...
• Once Upon A Pullman by Florence Jane Soman: Instant charm was not his secret of success...
• Epicac by Kurt Vonnegut, Jr.: Can a machine fall in love? This one did...
• Sixteen by Maureen Daly: As she saw it...
• Eighteen by Charlie Brodie: His side of the story...
• Prelude by Lucille Vaughan Payne: Music gave her the answer...
• Tomboy by Gertrude Schweitzer: She thought parties were stupid until one special night...
• Bittersweet by Arlene Hale: It takes time to forget...
• Who is Sylvia? by Laura Nelson Baker: Her name was like a haunting melody...
• Theme Song by Dave Grubb: The young soldier might be the answer to Edith's dreams...
• Tough Guy by Peter Brackett: He wore a chip on his shoulder to hide the secret in his heart...

Though the taglines might seem over-the-top ridiculous, the stories in this book were actually quite good and in some ways timeless. Some are better than others, I won't lie. But there were a few I really LOVED. And overall, it was even better than I thought it would be.

© 2016 Becky Laney of Becky's Book Reviews

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Rise of the Wolf. Jennifer A. Nielsen. 2016. Scholastic. 352 pages. [Source: Review copy]

I was excited to read Rise of the Wolf, the sequel to Mark of the Thief. (I did not reread Mark of the Thief in order to 'prepare' for this one. But after the first two or three chapters, I found myself managing just fine to remember the characters and the details.)

Nic is the hero of the story. He's a former runaway slave who is now staying with his sometimes-good-sometimes-quite-evil grandfather, Radulf.

Livia is the younger sister of the hero. She is not as defiant perhaps as Nic, but, she is more loyal to her brother than her grandfather. (The two did just meet their grandfather, and they know that he was plotting against Rome.)

Aurelia is probably the strongest female character in the book, and Nic's potential love interest as well. She is resourceful, stubborn, and never backs away from a fight. Nic mostly trusts her intentions, but, sometimes--only sometimes--would prefer her to stay far, far away from the danger.

Crispus is someone Nic has a hard time fully trusting. He is Valerius' son. Valerius was a tricky sort of 'friend' to Nic in the first book. Nic is jealous--does he have cause?--that Aurelia is friends with Crispus. Crispus declares himself mostly-mainly loyal to Nic, unless, Nic should suddenly become a traitor-ish threat to the Roman empire, in which case Crispus would have a hard time still supporting him.

Radulf is a Roman general. His loyalties are definitely questionable. He's power-hungry, ambitious, and not above using his grandson to get what he wants. He doesn't make the best first impression...or second impression. When the book opens, readers learn that he chains his grandson up at night in his room so that he can't escape.

The Praetors. The super-bad guys who are after Nic for the entire book. They want Nic to give them the key so they can find the MALICE. And once they have the MALICE and the BULLA, they want Nic to make them a JUPITER STONE. These are all magical items that wield great power and threaten to destroy life as everyone knows it--completely upsetting the Roman empire.

The plot is simple: As Nic continues to learn and use magic, his life is threatened by the Praetors. If the Praetors didn't have his mother as prisoner, Nic might consider running away from his problems with his sister and friends. But. He wants to save everyone he loves. And this leads him into dozens of confrontations with the bad guys. He has dozens of close-calls. A few of these close calls involve chariot races. But not all of them. There is a HUGE, HUGE, HUGE battle at the end. And the book ends in a crime-worthy cliffhanger.

So did I like it or love it? I think I found it super-compelling as I was reading it. I found the ending frustrating because it was just WRONG to end the book the way she does. But. I found it action-packed and interesting. I mentioned that Aurelia was a love-interest, but, I want to point out there is more action than romance. There are one or two scenes where feelings are discussed, but, it is far from being a romance novel.


© 2016 Becky Laney of Becky's Book Reviews

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Anne of Green Gables. L.M. Montgomery. 1908. 448 pages. [Source: Bought]

I plan on rereading all the Anne books this year. I definitely wanted Anne of Green Gables to be one of the first books I read--or reread this year. It is such a dear favorite of mine. I couldn't begin to give an accurate accounting of just how many times I've read it. Out of all the Anne books, I think I love the first and last best of all. I think it only right that you begin and end the series in tears.

Anne of Green Gables introduces readers to Anne Shirley, Marilla and Matthew Cuthbert, Rachel Lynde, Diana Barry, and Gilbert Blythe. And that's just naming a few. By the time you've read and reread this one a couple of times, the whole community seems to come alive.

The absolute basics: Anne Shirley is an eleven year old orphan who arrives in Avonlea on Prince Edward Island. Marilla and Matthew are a brother-and-sister looking to adopt...a boy. Earlier miscommunication ultimately leads our heroine, young Ann-with-an-e, to the depths of despair. But Matthew, even before he arrives back at Green Gables with Anne, has decided HE WANTS TO KEEP HER FOREVER AND EVER. Marilla is not ready to say "yes" that quickly. Though as you might predict, she does end up keeping her...and loving her dearly.

The book relates to readers her adventures and misadventures. There is never a dull moment because our heroine never makes the same mistake twice. Here are a few additional characters you should know:
  
Diana Barry is Anne's bosom friend. These two are inseparable from their first meeting on. The two are not all that alike, but, they get along so splendidly. Anne forgives Diana her lack of imagination as I would imagine most readers do as well.

Gilbert Blythe is swoon-worthy. Wait, that's me talking. Gilbert is technically the cutest boy in Avonlea. When he first sees Anne, he calls her "Carrots." He desperately wants her attention. But he ends up making an enemy. Anne may forgive Diana her lack of imagination, but, she won't forgive the oh-so-cute boy who called her CARROTS. For most of the book, these two are academic rivals.

Rachel Lynde is Marilla's best friend, for better or worse, and without a doubt the town's biggest gossip. Her first impression of Anne is quickly replaced with a much nicer one after Anne apologizes beautifully. Rachel has a 'soft spot' for Anne, and is, in fact, the one who sews up Anne's first dress with puffed sleeves.

The book is written from multiple points of view. Readers get to know Anne, of course, but also Matthew and Marilla. (The first chapter is told from Rachel Lynde's point of view.) I didn't really pay much attention to how much Marilla we get in this first book in the series until I was an adult. But in many ways, this is Marilla's "coming of age" story just as much as it is Anne's.

Quotes:

The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. She was sitting there waiting for something or somebody and, since sitting and waiting was the only thing to do just then, she sat and waited with all her might and main.

A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. 

"Would you rather I didn’t talk? If you say so I’ll stop. I can STOP when I make up my mind to it, although it’s difficult.” 

But if you call me Anne please call me Anne spelled with an E.” “What difference does it make how it’s spelled?” asked Marilla with another rusty smile as she picked up the teapot. “Oh, it makes SUCH a difference. It LOOKS so much nicer. When you hear a name pronounced can’t you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. 

It’s all very well to read about sorrows and imagine yourself living through them heroically, but it’s not so nice when you really come to have them, is it?

“Do you never imagine things different from what they really are?” asked Anne wide-eyed. “No.” “Oh!” Anne drew a long breath. “Oh, Miss — Marilla, how much you miss!”

Somehow, things never are so good when they’re thought out a second time.

“Saying one’s prayers isn’t exactly the same thing as praying,” said Anne meditatively. 

Boiled pork and greens are so unromantic when one is in affliction. 

Isn’t it good just to be alive on a day like this? I pity the people who aren’t born yet for missing it. They may have good days, of course, but they can never have this one. 

“I think your Gilbert Blythe IS handsome,” confided Anne to Diana, “but I think he’s very bold. It isn’t good manners to wink at a strange girl.” But it was not until the afternoon that things really began to happen. 

Gilbert Blythe wasn’t used to putting himself out to make a girl look at him and meeting with failure. She SHOULD look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren’t like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne’s long red braid, held it out at arm’s length and said in a piercing whisper: “Carrots! Carrots!” Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. “You mean, hateful boy!” she exclaimed passionately. “How dare you!” 

“I’m so glad I live in a world where there are Octobers. It would be terrible if we just skipped from September to November, wouldn’t it? Look at these maple branches. Don’t they give you a thrill — several thrills? I’m going to decorate my room with them.” 

I love bright red drinks, don’t you? They taste twice as good as any other color. 

Well, I suppose I must finish up my lessons. I won’t allow myself to open that new book Jane lent me until I’m through. But it’s a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I’ll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must NOT give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It’s all very well to say resist temptation, but it’s ever so much easier to resist it if you can’t get the key. 

You didn’t know just how I felt about it, but you see Matthew did. Matthew understands me, and it’s so nice to be understood, Marilla. 

“It’s because you’re too heedless and impulsive, child, that’s what. You never stop to think — whatever comes into your head to say or do you say or do it without a moment’s reflection.” “Oh, but that’s the best of it,” protested Anne. “Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven’t you never felt that yourself, Mrs. Lynde?”

When Miss Barry went away she said: “Remember, you Anne-girl, when you come to town you’re to visit me and I’ll put you in my very sparest spare-room bed to sleep.” “Miss Barry was a kindred spirit, after all,” Anne confided to Marilla. “You wouldn’t think so to look at her, but she is. You don’t find it right out at first, as in Matthew’s case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It’s splendid to find out there are so many of them in the world.”

There’s such a lot of different Annes in me. I sometimes think that is why I’m such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn’t be half so interesting.

“Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good,” sighed Anne.

“Marilla, isn’t it nice to think that tomorrow is a new day with no mistakes in it yet?” “I’ll warrant you’ll make plenty in it,” said Marilla.

Mrs. Lynde says I’m full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It’s a good deal like geometry, I expect. But don’t you think the trying so hard ought to count for something?

It isn’t very pleasant to be laid up; but there is a bright side to it, Marilla. You find out how many friends you have.

Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don’t they? I simply can’t talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I’m trying to be as much like Mrs. Allan as I possibly can, for I think she’s perfect.

“Isn’t this evening just like a purple dream, Diana? It makes me so glad to be alive. In the mornings I always think the mornings are best; but when evening comes I think it’s lovelier still.”

Mr. Allan says everybody should have a purpose in life and pursue it faithfully. Only he says we must first make sure that it is a worthy purpose. I would call it a worthy purpose to want to be a teacher like Miss Stacy, wouldn’t you, Marilla? I think it’s a very noble profession.

Why can’t women be ministers, Marilla? I asked Mrs. Lynde that and she was shocked and said it would be a scandalous thing. She said there might be female ministers in the States and she believed there was, but thank goodness we hadn’t got to that stage in Canada yet and she hoped we never would. But I don’t see why. I think women would make splendid ministers. When there is a social to be got up or a church tea or anything else to raise money the women have to turn to and do the work. I’m sure Mrs. Lynde can pray every bit as well as Superintendent Bell and I’ve no doubt she could preach too with a little practice.” “Yes, I believe she could,” said Marilla dryly. “She does plenty of unofficial preaching as it is. Nobody has much of a chance to go wrong in Avonlea with Rachel to oversee them.”

There are so many things to be thought over and decided when you’re beginning to grow up. It keeps me busy all the time thinking them over and deciding what is right. It’s a serious thing to grow up, isn’t it, Marilla? But when I have such good friends as you and Matthew and Mrs. Allan and Miss Stacy I ought to grow up successfully, and I’m sure it will be my own fault if I don’t.

As Mrs. Lynde says, ‘If you can’t be cheerful, be as cheerful as you can.’

It’s good advice, but I expect it will be hard to follow; good advice is apt to be, I think.

“No, I wasn’t crying over your piece,” said Marilla, who would have scorned to be betrayed into such weakness by any poetry stuff. “I just couldn’t help thinking of the little girl you used to be, Anne. And I was wishing you could have stayed a little girl, even with all your queer ways. You’ve grown up now and you’re going away; and you look so tall and stylish and so — so — different altogether in that dress — as if you didn’t belong in Avonlea at all — and I just got lonesome thinking it all over.”

It won’t make a bit of difference where I go or how much I change outwardly; at heart I shall always be your little Anne, who will love you and Matthew and dear Green Gables more and better every day of her life.

“Wouldn’t Matthew be proud if I got to be a B.A.? Oh, it’s delightful to have ambitions. I’m so glad I have such a lot. And there never seems to be any end to them — that’s the best of it. Just as soon as you attain to one ambition you see another one glittering higher up still. It does make life so interesting.”

“That Anne-girl improves all the time,” she said. “I get tired of other girls — there is such a provoking and eternal sameness about them. Anne has as many shades as a rainbow and every shade is the prettiest while it lasts. I don’t know that she is as amusing as she was when she was a child, but she makes me love her and I like people who make me love them. It saves me so much trouble in making myself love them.”

For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. 

“Well now, I’d rather have you than a dozen boys, Anne,” said Matthew patting her hand. “Just mind you that — rather than a dozen boys. Well now, I guess it wasn’t a boy that took the Avery scholarship, was it? It was a girl — my girl — my girl that I’m proud of.” He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. 

It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. 

Marilla, I’ve almost decided to give up trying to like Josie Pye. I’ve made what I would once have called a heroic effort to like her, but Josie Pye won’t BE liked. 

When I left Queen’s my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don’t know what lies around the bend, but I’m going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes — what there is of green glory and soft, checkered light and shadows — what new landscapes — what new beauties — what curves and hills and valleys further on. 

“Dear old world,” she murmured, “you are very lovely, and I am glad to be alive in you.” 

“‘God’s in his heaven, all’s right with the world,’” whispered Anne softly. softly. 

© 2016 Becky Laney of Becky's Book Reviews

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In this terrific TedX talk, author Linda Sue Park talks about a path to changing the world. Life is not fair, but stories engage the minds of those who can develop empathy and act in heroic ways. Bookmark

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The Sword of Summer (Magnus Chase and the Gods of Asgard #1) Rick Riordan. 2015. Disney Hyperion. 528 pages. [Source: Library]

I haven't read any Rick Riordan in a year or two, so I was quite happy to pick up The Sword of Summer, the first book in his new series. I was hoping that it would be just what I needed: an exciting blend of action, drama, and humor. And it was. For the most part.

Magnus Chase, the hero, or almost-hero, is surrounded by a wild, diverse cast of sidekicks. Slowly but surely this team comes together in an almost-ultimate showdown between good and evil. There are plenty of tests put into place throughout the book to get the team to be a TEAM, ready to work together for the good of mankind.

Magnus Chase has just turned sixteen when the action begins. He's homeless, but, he's not friendless, and he's been warned that trouble is heading his way. Always thinking to stay a couple of steps ahead of trouble, he decides to investigate. Surely he can get close enough to trouble to see what's going on, and stay far enough away that he can slip away, right?! Wrong. But it's just what readers expect. After all, when the narrator tells you on page one that he dies, it's a sign that he actually dies...

Most of the book features Magnus in the after-life. And the focus of this fantasy series is on Norse mythology--Asgard. So there are fire giants, frost giants, wolves, and so much more...

Can Magnus and his friends prevent Doomsday from coming?

© 2016 Becky Laney of Becky's Book Reviews

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So many books, so little time! Here are some of the books that I really enjoyed in 2015, listed alphabetically by title. Click on the titles to read my reviews:

Alex as Well by Alyssa Brugman
All the Rage by Courtney Summers
Dead Ringers by Christopher Golden
A Deafening Silence in Heaven by Thomas E. Sniegoski
Edgewater by Courtney Sheinmel
The Game of Love and Death by Martha Brockenbrough
Saint Anything by Sarah Dessen
Sounds Like Me: My Life (so far) in Song by Sara Bareilles
Tin Men by Christopher Golden
The Unlikely Hero of Room 13B by Teresa Toten


Check out my full list: Best Books of 2015 - as posted at my blog, Bildungsroman.


What were some of your favorite books from 2015? Leave the titles in the comments below!

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Jacqueline Kelly very kindly wrote another book about Calpurnis Tate. In The Curious World of Calpurnia Tate, Callie Vee, as her six brothers and parents call her, is disappointed to find that life in the year 1900 goes on pretty much like always.  She goes on rambles with her scientist grandfather.  She makes meticulous notes in her notebook.  She is by turns bedeviled and beguiled by her brothers.  And she disappoints her mother and baffles her father almost weekly.

Almost every other chapter tells of her struggles with Travers, her wild animal loving younger brother, and his latest "find".  The armadillo is a bust.  The raccoon is fated for failure, but the coy-dog??  Really???

Then there is the hurricane of 1900 that wiped Galveston, TX, off the map.  The barometer and Callie's chance sighting of a strange bird sends Callie's grandfather to the telegraph office to send wires to the coast.  Callie has to give up her bed to a cousin she barely knows - a greedy, penny-pinching cousin who has no appreciation of nature.  That and the disappearance of Callie's gold piece add up to a recipe for high drama.

In between, Callie runs errands for the new veterinarian, learns how to type, gets even with a conniving brother and deals as well as she can with her parents' expectations for her future.

This feels like a bridge book.  I am eager to see if Callie prevails.

MEANWHILE, in San Francisco, Lizzie Kennedy hates her school, Miss Barstow's.  She'd much prefer going out on doctor's calls with her father.  She loves science but, just like Callie Vee, her obsession is considered unseemly for a young woman. 

In Chasing Secrets by Gennifer Choldenko, there are rumors that plague has broken out in Chinatown.  Lizzie's uncle, the owner of one of the biggest newspapers in town, refuses to believe the rumors without proof.  But Chinatown is quarantined and trapped inside is Lizzie's cook and friend, Jing.  Jing leaves behind a secret - a real LIVE secret.  And that secret teaches Lizzie to look at her world in a whole new way.

There are a lot of secrets in this book; secrets that endanger a whole city; secrets that hide the way people really feel; secrets about how to fit in.  Lizzie has to find Jing, learn how to be friends with people her own age, survive her first ball, and prove her worth as a nurse. 

It all happened in 1900!

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MARTians. Blythe Woolston. 2015. Candlewick. 224 pages. [Source: Review copy]

Did I enjoy reading Blythe Woolston's MARTians? Yes, for the most part. Not wholeheartedly perhaps. But I can see some definite strengths, which is a reason to recommend it, in my opinion!

MARTians is a YA novel that will appeal to lovers of dystopian novels mainly. Also to those perhaps who really enjoyed Ray Bradbury's science fiction. Though don't expect MARTians to be as amazingly wonderful and as complex as Bradbury's fiction. I definitely got the feeling that the author was inspired by several of Bradbury's stories. And since I love Bradbury too, I felt at times a kindred spirit with the author.

The heroine of MARTians is a young teen girl named Zoe Zindleman. The novel practically throws you right into the action, for better or worse. On the day the novel opens, Zoe learns that she--and her whole class, the whole school, I believe--is being graduated early, several years early in fact. She is curious as to why. But is trying to adapt as best she can. She knows that in a day or two, she'll hopefully be offered a job, start training, and go to work. She's not sure what job she'll be offered--though she knows she'll have a choice between two jobs, a rare treat in this futuristic society. But that's not the only change in her life--school to full-time job. No, her mom received news as well. And as a result, essentially abandons Zoe, trusting that Zoe is now old enough to be on her own. Zoe, for a few days at least, will be all on her own in a house that won't sell, in a neighborhood that's been abandoned--none of the houses will sell--and trashed. She feels very much alone. Until she meets someone who offers to help her so long as she agrees to always lend a helping hand to others. She agrees, and her new life begins...for better or worse.

Much world-building is done in MARTians, but, still enough is left mysterious and shadowy. Readers definitely get the impression that this society is not all-happy despite the focus on materialism and shopping.

I definitely found this a compelling read, and, a quick read.

© 2015 Becky Laney of Becky's Book Reviews

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A while ago I posted an interview here with Miranda, a very special person to me. Recently, I asked her similar questions about her reading habits and those of kids she knows. The answers show a trajectory  and are useful information for writers, so I also posted this on www.writersrumpus.com. Nine-year-old Miranda and I went […]

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Seventeen-year-old girls and their circumstances are portrayed very differently in Vikki Wakefield’s Inbetween Days (Text Publishing) and Holly Goldberg Sloan’s I’ll Be There (Scholastic). Could the authors’ nationalities – Australian and American – and writing style be part of the reason? Vikki Wakefield uses an Australian regional town setting (provokingly named ‘Mobius’) to forecast the […]

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The Crossover. Kwame Alexander. 2014. HMH. 240 pages. [Source: Library]

First, I owe this book an apology. I've been purposefully avoiding it, despite it winning a Newbery, simply because it was about basketball. You see, I don't necessarily "like" reading sports books. I wasn't trusting enough, perhaps, that a book could be about basketball and so much more than basketball at the same time.

The Crossover is an award-winning verse novel starring Josh Bell (aka, Filthy McNasty) and his family. Josh and his brother Jordan (aka, JB) both play basketball. Their father, at one time, played professional basketball. But an injury ended all that, and now his focus, his full-time focus, is on his boys, his family. Their mother's almost full-time focus is on the health of her husband who absolutely refuses to go to the doctor. Though, of course, she loves watching her sons play basketball too.

The novel has its ups and downs...especially for Josh. Things are changing, always changing, and he doesn't like it. His brother is distancing himself from the family, from him, and even from the game itself at times, because he's head over heels in love with 'the new girl.' The more besotted his brother becomes, the more disgruntled Josh becomes. And Josh's choices, well, they aren't perfectly good and right. (Whose are?) Still, the two brothers will be tested as never before when their mother's fears prove correct...

I wasn't expecting such an emotional journey. But that's exactly what I got. This one has depth and substance to it. The characterization was very well done. And the narrative verse worked really well.

© 2015 Becky Laney of Becky's Book Reviews

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Criss Cross. Lynne Rae Perkins. 2005. 337 pages. [Source: Library]

If Criss Cross had not won a Newbery, would I have felt differently about it? I think I definitely would have had lower expectations, and lower expectations or even no expectations often work in a book's favor. High expectations can lead to disappointment and frustration.

Criss Cross didn't "wow" me. I wasn't overly impressed with the writing, the characterization, or the plot. That is I did not find the writing, the characterization, or the plot: amazing, brilliant, wonderful, spectacular, or overly memorable. There was never this WOW, WHAT A BOOK moment.

The writing was okay. It was. The characterization was just fine. The plot, well, not much happens, but not much has to happen if I'm enjoying the writing or the characters. It was an ordinary, just fine, not-extra-memorable read for me. Nothing to complain about certainly, but nothing to gush about.

Criss Cross visits the lives of a handful of teens: some boys, some girls. One of the characters is a girl named Debbie. She almost has a main-character feel to her. But just almost. There were too many character perspectives to really feel properly settled with any one of them as being the main character. There lives sometimes touch each other. (One chapter even has two perspectives side by side.) Criss Cross is definitely made up of many moments--seemingly insignificant moments--that when reflected upon later take on a bit of significance.

For those who love coming-of-age stories, this one could prove satisfying enough.

I will add that this one is historical fiction. Though the historical setting is a bit fuzzy. There are hints throughout the text that this is set in the past, but, it may not prove obvious to every reader, especially in the beginning.

© 2015 Becky Laney of Becky's Book Reviews

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The Hired Girl. Laura Amy Schlitz. 2015. Candlewick. 400 pages. [Source: Review copy]

I definitely appreciated Laura Amy Schlitz's The Hired Girl. This historical novel is set around 1911, most of it takes place in Baltimore, though not all of it. The heroine, Joan Skraggs, is an interesting companion for readers. This fourteen year old is leaving school never to return. Oh, she wishes she could continue her education. Her mom dreamed big, and wanted Joan to become a teacher. But her father--don't let me get started on him!!!--has different plans for her. Plans that keep her on the farm and working day and night. Joan would never have contemplated running away from home unless provoked. Several things go wrong. Her asking for the egg money--politely and respectfully--begins the trouble perhaps. But after her father BURNS her books, her most beloved possessions, (Jane Eyre, Ivanhoe, and Dombey & Son) she sees no possibility of reconciliation. She reads in the paper that young girls can earn around $6 a week as a maid or hired girl. She thinks: if there's one thing I know it's how to do housework, I might as well get PAID to do the work. So she courageously leaves the only home she's known and sets off for the unknown, the big city....

JANET (a name change never hurts!) is fortunate that she is hired by the Rosenbachs. They have had trouble in the past hiring young girls and having them stay. Malka, who is like family, of course, isn't the easiest to get along with. And she is very particular and not always patient and kind and understanding. But Janet and Malka, after a very rough start, seem to be quite compatible. Janet soon finds herself becoming friendly with most of the family, though not all of the family! Janet becomes very friendly with the daughter and one of the sons. Also the father proves to be a kindred spirit of sorts.

The Hired Girl tackles religion straight-forwardly. Joan/Janet is a sometimes Catholic. Her mother was Catholic. Her father is--well, I already said I shouldn't talk about him--nothing. He wouldn't dream of entering a place of worship! And he doesn't really want her "wasting" her time on Sundays either. So she's never been instructed or confirmed in the church. She is hired by a Jewish family. And both through curiosity and duty she comes to learn about Judaism. (She has to learn what is kosher and what is not. There are right ways and wrong ways to do everything in the household it seems!) She is clueless in some ways about their faith and her own. But on her days off, she does seek to learn and grow in her own Catholic faith. That is until a cute boy enters the picture...

Personally, I could have done without the "romance" of this one. See conflicts happen when you're fourteen-pretending-to-be-eighteen.

There is a certain complexity to Hired Girl. It's an absorbing read. And I think it will prove a memorable one, though it is a little early to say for sure. The heroine is far from perfect. She can be at times smart and intuitive and at other times immature and clueless. But the fact that she is far from perfect isn't a problem for me. Her flaws make her seem oh-so-human.

© 2015 Becky Laney of Becky's Book Reviews

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Mark of The Thief. Jennifer A. Nielsen. 2015. Scholastic. 352 pages. [Source: Review copy]

Did I enjoy Jennifer A. Nielsen's Mark of the Thief? Yes!!! Very much. What should YOU know before picking it up? Well, it's a FANTASY novel set in Ancient Rome. Sound appealing? I think so! Here's how it starts:

In Rome, nothing mattered more than the gods, and nothing mattered less than its slaves. Only a fool of a slave would ever challenge the gods' power. I was beginning to look like that fool.

 Mark of the Thief is narrated by a slave, Nic, who through a series of events find himself in ever-increasing danger. It starts with him refusing to obey Sal's orders to go into a newly discovered tunnel/cave within the mine. He's not the first slave Sal's ordered there. The first died. The second, well, he came back clearly insane. Nic's escape attempt doesn't quite go as planned, it's best not to overhear EVIL, SECRET plans and be seen...But Nic is lucky in many ways when he does finally venture into the depths of the earth....

I would definitely recommend this one. Nic's character was great. And Nic meets a lot of interesting characters, including one he's not quite sure about at any given time: a young woman named Aurelia.

Betrayal, Secrets, Mystery and Suspense. Magic. ACTION. Just a few reasons why you might find this one difficult to put down!

© 2015 Becky Laney of Becky's Book Reviews

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A Night Divided. Jennifer A. Nielsen. 2015. Scholastic. 384 pages. [Source: Review copy]

Did I enjoy A Night Divided by Jennifer A. Nielsen? Yes and no. The better question may be, did I find it compelling and well-written? The answer to that question is YES. You see, A Night Divided isn't exactly a book that you can feel comfortable ENJOYING. The heroine, Gerta, wakes up one morning to find a wall outside her window. THE BERLIN WALL. This would be disturbing or troubling no matter the situation, but, the fact that her father and brother are now outside the wall, on the other side of Berlin, that is VERY TROUBLING to Gerta, Fritz (her other brother), and her mother.

Gerta knows that what she is feeling, that what she is thinking--whether acted on or not--could lead to nothing but trouble with the government if she's found out or informed against. For she longs with all her being to be FREE. Her brother does as well. The two of them are at risk throughout the novel...even before Gerta interprets a "secret" message from her Father.

I would definitely recommend this one to readers who enjoy historical fiction. The writing was great. The characterization was done quite well. And though I know it's subjective, I feel it was a compelling, captivating read.

© 2015 Becky Laney of Becky's Book Reviews

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Conjured. Sarah Beth Durst. 2013. Walker. 368 pages. [Source: Library]

I definitely found Conjured by Sarah Beth Durst to be a compelling and surprisingly romantic read. What I enjoyed most about this dark YA novel is the mystery. Readers are kept clueless, just as clueless as the heroine herself. Her name, so she's been told, is Eve. What can Eve remember? Not much. And the two people "closest" to her, well, they're odd sorts. One, Malcolm, seems honorable enough, but still crazy mysterious. The other, Nicki, seems mysterious too, but, also antagonistic. Both seem anxious for Eve to recover her memories, but, are trying to pretend that it's no big deal, that the memories will come--or not--as they will. Eve definitely feels PRESSURE from almost everyone in her life.

Eve has, for better or worse, started a job at a library. She meets a boy around her own age, Zach. I would say that he's unlike any other boy she's ever met, but, since Eve has no memories at all of her past, and surprisingly few of her present, that would not be worth much. But Zach is special, and, he thinks Eve is very, very special indeed. Zach isn't the only "young person" she's met since leaving the hospital. She's also met a few others, that are STRANGE, STRANGE, SUPER-STRANGE.

Conjured is a book that celebrates MYSTERY. Eve is on a journey of self-discovery, and, the mystery she's trying to solve is herself...
© 2015 Becky Laney of Becky's Book Reviews

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For three years, Lyric Walker has behaved like a model citizen - in school, at home, everywhere.  The wild thing she used to be cannot come out.  Her home town of Coney Island has become a refugee camp for a strange race of sentient sea creatures.  The hatred and mistrust between humans and these aliens - the Alpha - grows to a fever pitch when the president demands that Alpha children enter New York's public schools.

Lyric's school is first. 

But Lyric and her parents have a secret that may kill them.  When Lyric is forced to befriend the Alpha prince, Fathom, things become confusing all too quickly.  He is untamed - as are all the Alpha - with a sense of honor that demands quick and violent retribution for the smallest of slights.  Lyric only agrees to help Fathom adjust to humans when escape from the area is offered to her for parents as well as herself.

The government, itself, is split between the locals who hate and want to exterminate these interlopers and the federal government that views them as possible allies.

A subplot about Lyric's best friend's abusive step-father, and that best friend's boy friend add pathos to an otherwise action adventure sci-fi novel.

Things start out uncomfortably in this book and quickly become ugly and then uglier.  Hate and what it motivates people to do is never a pretty sight.

Things I liked best about this book:
1.  Cool battle scenes.
2.  Lyric and Bex, her best friend.
3.  Lyric's migraines turn into something significant.
4.  The trial scene - wow, that was so awesome!
5.  Governmental wrangling.  Don't totally trust them!!  Conspiracy theorists, unite!

Possible Spoiler Alert!!
I expected an underlying theme to be the warming of the oceans.  I thought that was the reason these people were forced onto land.  That may crop up in subsequent titles in this series - because Fathom, Lyric, Bex and all the others will return.  But the reason the Alpha left the sea is pretty freaky and scary.

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Seventh Most Important Thing. Shelley Pearsall. 2015. Random House. 288 pages. [Source: Review copy]

 The Seventh Most Important Thing by Shelley Pearsall is loosely based on a true story. One of the characters in the novel was an actual person, an artist named James Hampton. An author's note tells more of his story. I do wish I'd known this at the start; that is one reason I'm beginning my review with this 'essential' information.

Arthur T. Owens is the hero of The Seventh Most Important Thing; the book is a coming-of-age story set in 1963. Arthur has not been having an easy time of it, life has not been the same for him since his father died. And one day he loses it. He sees "the junk man" walking down the street pushing his cart full of junk, and the man is wearing his father's hat. He picks up a brick, takes aim, and hits him. Fortunately, it hits him on the arm and not in the head. James Hampton is "the junk man" and he urges the court to show Arthur mercy, and sentence him to community service. His community service will be working for "the junk man." Arthur has a list of SEVEN items to collect each Saturday. And the list is the same week to week. To collect these items, he'll need to walk the streets and neighborhoods picking up trash and even going through people's trash. It won't be easy for him, especially at first, to lower himself like that. But this process changes him for the better. And there comes a time when readers learn alongside Arthur just what "the junk man" does with his junk. And the reveal is worth it, in my opinion.

The Seventh Most Important Thing is definitely character-driven and not plot-driven. It's a reflective novel. The focus is on Arthur, on his family, on his new friendships and relationships, on the meaning of life. I liked the characters very much. The story definitely worked for me.

© 2015 Becky Laney of Becky's Book Reviews

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Dacia, and her cousin LouLou, are traveling to Romania to meet their mothers' family for the first time.  While Lou visits Paris and shops the fashion houses there, Dacia travels by ship with her Aunt Kate.  Dacia, ever the rebel, is in disgrace since she had an escapade with a certain nobleman in England.

Dacia catches sight of her prim aunt passionately kissing a stranger when the train they have boarded is stopped by snow in the mountains.

Meanwhile, Lou is stalked by That Awful Man, a stranger who accosts her on the ship asking if she is The Wing or the Claw.  Another time, he announces that she is the Smoke and an houri, which upsets her terribly.

In Romania, Dacia meets Prince Mihai, charming to the nth degree.  Then she meets her maternal grandmother, the dread Lady Ioana.  "Dread" does not come close to describing this woman.

Dacia and Lou are trapped by their genetic make-up in a destiny that neither wants nor can control.

But things are worse.  Their family believes that these two girls are the answer to a prophecy.  And the family is at odds about what the prophecy means.

And the English Lord, That Awful Man and Prince Mihai are, none of them, what they seem to be.

Ahh, a proper paranormal romance, set in the home of paranormal activity, the mountains of Eastern Europe!   Terror, entrapment, kidnapping, poison, armed guards, swoon worthy men, Victorian fashions and manners... It's all in here.   Silver in the Blood by Jessica Day George.

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Archivist Wasp. Nicole Kornher-Stace. 2015. Big Mouth House. 268 pages. [Source: Library]

Two words describe Archivist Wasp, in my opinion, confusing and compelling. It's not often a book is equal parts confusing and compelling. Even though I found myself with more questions than answers and lingering confusion, I couldn't stop reading Archivist Wasp. Two more words to describe the book? How about post-apocalyptic and ghosts?

Our heroine is an archivist calling herself "Wasp." I'll be honest, Wasp doesn't have the best of lives, even, when she's not fighting for her life, fighting to stay the Archivist. (She's challenged every year by three Upstarts. That's how she got the job as well, by killing the previous Archivist.) Archivists have a marginally better life than Upstarts. But essentially, no one in this post-apocalyptic world has a happy, easy life. The villagers, well, they have their problems too. But at least they aren't tortured/tormented by the Catchkeep's Priest and brainwashed into a life of hate and violence.

So what does an Archivist do? She hunts ghosts, recording what she learns from each ghost, disposes of ghosts after studying, except, for when a villager wants to buy a ghost for whatever reason. It's a bleak, lonely life. And Wasp does spend a good bit of the book recovering from various injuries.

So the book is about what happens when Wasp meets an out-of-the-ordinary ghost, one that is actually able to communicate with her, one that has a tragic tale to tell and a huge request for her. This nameless ghost (he can't remember his identity, I believe) wants her help in finding another ghost, Catherine Foster. He wants them both to travel to the underworld and search the spirit-world. She agrees, and, in the process learns that life below isn't any more bleak than life above. In fact, in some ways it might even be slightly better. But the search won't be easy. And it will have its own dangers.

The book is about what she learns through this search, it will change her certainly....

Do I understand everything that happened in Archivist Wasp? Not really. The quest was really confusing in places, and, she is thrown in and out of other people's memories. She sees the past on her quest, in bits and pieces, and probably not sequential flashbacks either. She has to piece it all together. And she does a much better job than I did with that!

© 2015 Becky Laney of Becky's Book Reviews

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A Girl Named Disaster. Nancy Farmer. 1996. Scholastic. 320 pages. [Source: Review copy]

I read A Girl Named Disaster and Shabanu: Daughter of the Wind the same week. That fact definitely influenced my thoughts on both books--fair or not. Reading is subjective, after all.

Did I enjoy reading A Girl Named Disaster? Yes and no. I didn't exactly "enjoy" it. I found it a bit slow at the beginning, and, a bit rushed at the end. There were times I definitely found it interesting, but, I never really found myself loving it.

Nancy Farmer's A Girl Named Disaster is set in Mozambique and Zimbabwe in the early 1980s. Nhamo has an interesting relationship to the rest of the family. She dearly, dearly loves her grandmother (Ambuya), and is in return beloved of her grandmother. (She is in fact probably the favorite granddaughter.) But the rest of her family is a different story. They seem to blame Nhamo for the circumstances of her birth. Her mother returned home from school (high school??? college???) pregnant and married to a "useless" man, a man named Proud. Neither is in her life when the novel opens. Her mother died when Nhamo was a toddler--eaten by a leopard. Her father had disappeared even before that. Nhamo is, without a doubt, a hard worker. Yes, she is slightly bitter that her tasks are more difficult and time-consuming than her slightly-older cousin's--Masvita. But she isn't hate-filled and overflowing with attitude either.

Like Shabanu, A Girl Named Disaster introduces readers to a culture where marriage happens VERY early in life for girls--twelve to fourteen, and where a woman's worth is very much tied to her ability to produce children, particularly sons. Like Shabanu, A Girl Named Disaster features a heroine who is to be sacrificed via marriage. Like Shabanu, this marriage is MOST, MOST unwelcome. Dare I say this would-be marriage sounds even more unpleasant than the one in Shabanu--and I never thought I'd say that. Like Shabanu, the heroine makes the only choice she can under the circumstances....

Nhamo runs away from home in an attempt to make it across the border to Zimbabwe. Once there, she'll pretend to be Catholic--her mother attended a Catholic school--and seek refuge with nuns. Is she actually Catholic? No. Of course not. Her ideas of who Jesus is are far from sound, to say the least. But that is not exactly the point of A Girl Named Disaster.

Her journey to Zimbabwe is....much longer than she imagined it ever could be. It is not a journey of a few days or even a few weeks. MONTHS go by with Nhamo still struggling to reach her destination. It is her fight for SURVIVAL. It is definitely nature versus Nhamo...with Nhamo receiving a bit of help from the spiritual world.

Will Nhamo's life be better--easier--in Zimbabwe? Will she find her father? Will she find her father's family? Will she find welcome with them? What will happen to her if she doesn't find them? What will become of her? What are her chances of a decent life, a good life???

A Girl Named Disaster is slightly less depressing than Shabanu. That's not fair. It's not. The ending sees Nhamo with a bit of hope and a chance at a future.

Still neither book "feels" like a children's book. And when I do think of Newbery or Newbery Honor, I tend to think CHILDREN'S BOOK more than anything else. Arranged marriages, child-adult marriages, don't really come to mind. Still exposure to diverse titles can be a good thing. And both books offer readers something to think about.

© 2015 Becky Laney of Becky's Book Reviews

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