Rabbit & Robot: The Sleepover
By Cece Bell
Candlewick Press
$14.99
ISBN: 978-0-7636-5475-7
Ages 5-8
On shelves now
It would be simpler if kids read at exact levels at all times. Wouldn’t it be grand if you had a kid go strategically from easy books to early chapter books to older chapter books without so much as a glitch in the system? But as it happens the road to literacy is not this smooth varnished path off into the sunset. There are bumps, and valleys, and wobbly bits where the pavement chips off. That’s why certain school systems have introduced concepts like “Levels”. A kid reads at a certain level, masters it, and moves on to the next one. Of course, the danger with that kind of thing is that it never gives kids a chance to challenge themselves. If they’re Level L and are handed Level O, many adamantly refuse to consider trying something that “hard”. That’s why the world needs more books like this here Rabbit and Robot. Here you have that rarest of rare beasts, the early early chapter book. Harder than Frog and Toad, easier than Magic Tree House, it’s a transitional title that’s the perfect thing to get kids out of their reading ruts and into the wide and wonderful world of chapters. Lots of books attempt to do that sort of thing, but it takes a delicate hand like Cece Bell’s to also pepper the book with memorable, hilarious characters and a simultaneously familiar and unique plotline. This is only the first in the adventures of uptight Rabbit and groovy go-with-the-flow Robot, but I trust we’ll see more of them in the future. The world demands more of the same, consarn it!
Good buddies Rabbit and Robot (just go with it) are about to have their first sleepover at Rabbit’s place and both of them are very excited. Rabbit, a by-the-book kind of guy, has every evening activity written out and planned to the letter. And Robot, an easygoing fellow bearing a vague resemblance to a cell phone on wheels, is just the kind of stand up friend to throw a distinct wrench in the works. First Rabbit’s plan to “Make Pizza” is changed slightly when Robot removes the bulk of the home’s nuts and bolts to top his own pizza pie. Then Rabbit can’t find the remote and a near nervous breakdown occurs before Robot reveals the simple solution. A game of Go Fish takes a header when something odd happens to Robot. And finally, bedtime is the perfect moment to review and see that even if everything didn’t go precisely to plan, it was still a really nice day.
The distinct advantage of being your own author/illustrator is that you never have to consult with your collaborator. Bell’s style has always been akin to that of Crockett Johnson and the like. It’s this pure-lined style that embraces simplicity over clutter. When working in her usual picture book vein, Ms. Bell’s books are straightforward in their plots and visuals. Here in Rabbit & Robot she uses her lines to convey the characters’ moods with great verve. Rabbit is as easy to smile as he is prone to overwrought hysterics. Robot, in comparison, is simultaneously laid back and energetic. This comes across particularly well when Rabbit first presents Robot with his anal retentive list of what their evening will have to consist of. Robot, we know from our reading, has other ideas about what they’ll be doing, but you can tell from the picture that he’s mostly keeping that to himself. There’s a bemused smile playing about his metallic lips. You get the feeling from pictures like that that he knows precisely how this evening will go, and it’s Rabbit who’ll be the surprised one in the end. Then there’s the characters’ look. It took me a while to realize it, but there’s something oddly satisfying about looking at that perfect triangle that serves as Rabbit’s nose and the elongated rectangle that’s Robot’s. It just works.
You could say the book has a classic feel and this would be true. Does it have an old-fashioned feel or a contemporary feel, though? I’m going to side with contemporary in terms of the characters and the interactions. While I’ve no doubt that kids 50 years down the road could still get a kick out of these characters, the book doesn’t feel like it belongs to the past. The art, however, definitely relies on some tried and true historical tropes. Note, if you will, the telephones that Rabbit and Robot speak into on the title page. Aside from the fact that they appear in little bubbles ala Bye-Bye Birdie there is the fact that they both are on landlines (with cords and everything!). Be ready to explain to your kids what exactly those types of phones are when they ask you. Then there’s Rabbit’s television set. He does indeed have a nice little remote for it, but who else noticed the awesome bunny ears (ho ho) perched on top of the TV? The TV itself is perched on a kind of Jetsons-esque stand, which is cool in and of itself. One get the distinct feeling that if a camera were to appear in the course of this tale they’d be buying film for it and taking it down to the local photomat to get it printed.
The odd couple format has proved to be a tried and true way of getting kids into early chapter book fare. Whether you’re reading about Frog and Toad, Houndsley and Catina, or Bink and Gollie, opposites attract. They attract one another and they attract burgeoning readers who need something a little silly, a little sly, and a little enticing if they’re going to keep doing this whole “reading” thing folks keep trying to push on them. Go into most libraries and you’ll find that easy books and early chapter books are some of the most popular in the system. All the more reason to let something like Rabbit & Robot into your life. It’s new and fresh and thoroughly enjoyable, whether you’re reading it to a kid or they’re parsing it on their own. There’s a new odd couple in town and hopefully they’ll return to us again soon.
On shelves now.
Source: Final copy sent from publisher for review.
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Twelve Kinds of Ice
By Ellen Bryan Obed
Illustrated by Barbara McClintock
Houghton Mifflin Harcourt
$16.99
ISBN: 978-0-618-89129-0
Ages 6-10
On shelves November 6th
Every year the children’s librarians of the New York Public Library system come together and create a list of 100 Titles for Reading and Sharing. The list, now entering its 101st year, originally had a dual purpose. On the one hand it was meant to highlight the best children’s books at a time when finding books written specifically for kids was difficult in and of itself (the “100” number idea came later). On the other hand, when printed out the list was intended to serve as a Christmas shopping guide for parents looking to give away quality works of children’s literature with the potential to someday be considered “classics”. These days, that idea of using the list as a shopping guide has become less important, but the search for books that aim for “classic” ranks never ceases. Such books are difficult to find, partly because the ones that try to feel that way utilize this sickening faux nostalgia that, in particularly egregious examples, can make your hair curl. That’s why a book like Twelve Kinds of Ice strikes me as such a rarity. Here we have something that feels like something your grandmother might have read you, yet is as fresh and fun and original as you could hope for. Original and difficult to categorize, the one thing you can say about it is that it defies you to sum it up neatly. And that it’s delightful, of course. That too.
In this family there are twelve kinds of ice. All the kids know this fact. “The First Ice” is that thin sheen you find in pails. “The Second Ice” can be pulled out like panes of glass. As the winter comes on, the days grow colder and colder and the kids wait in anticipation. Finally, after the appearance of “Black Ice” it’s time to turn the vegetable garden into a skating rink that will last the whole winter. The whole family creates the sides and uses the hose to create the perfect space. With crisp prose designed to make you feel excited and cozy all at once, the author goes through a full winter with this family. There are sibling rivalries for ice time, skating parties, comic routines, an ice show, and then finally those spring days where you can only skate an hour before the sun starts making puddles. Fortunately for all the kids there’s one kind of ice left and that is dream ice. The ice where you can skate everything from telephone wires to slanting roofs and it will last you all the year until the first ice comes again.
My instinct here is to just start quoting large sections of the text out of context so that you can listen to the wordplay. The trouble is that much of this book works precisely because those very words, when read as part of the story, simply feel like there was no other way to say that exact thing at that exact moment. So, for example, when we read “Black Ice” section where the ice has arrived before the snow, we have to know that the kids are skating on a Great Pond. We read that “We sped to silver speeds at which lungs and legs, clouds and sun, wind and cold, race together. Our blades spit out silver. Our lungs breathed out silver. Our minds burst with silver while the winter sun danced silver down our bending backs.” It helps to know that until now the kids have been limited to Field Ice (narrow strips) and Stream Ice (uneven and broken by rocks). This is the moment when they’
Sadie and Ratz
By Sonya Hartnett
Illustrated by Ann James
Candlewick Press
$14.99
ISBN: 978-0-7636-5315-6
Ages 7-10
On shelves now
Children are literal creatures. They have to be. If you tell them something that says one thing and means another they need a certain level of sophistication to be able to parse your speech. And generally speaking the older they are the more likely they may be to interpret you correctly. Does that mean that all children’s literature should be inherently straightforward and matter-of-fact? No! Just because kids can be literal that doesn’t mean a bit of metaphor doesn’t do them any good. Metaphors are fantastic for kids. Aside from juicing up otherwise boring narratives they learn how to read fiction in whole new, enterprising ways. That’s why handing a third or fourth grader Sadie and Ratz isn’t going to throw them too much. Don’t get me wrong, it’s weird, it’s like nothing else on the shelf, and there’s a darkness at work not normally seen in books for this age group. It also happens to be pretty much the best book for kids published in America in the year 2012. Kids will like it and grown-ups will be mildly freaked out. What’s not to love?
Hannah likes lots of things like ponies and stroking her mom’s hair. She also likes her hands which she has named Sadie and Ratz. Unlike Hannah, Sadie and Ratz are wild beasts. They like to scrunch and twist and scratch things. Unfortunately for everyone, what they like to scrunch and twist the most is Baby Boy, Hannah’s naughty little 4-year-old brother. She feels it’s the only way to keep him in line, and so she’s utterly unprepared the day he turns the tables on her. One moment he’s drawing on the wall and the next he’s ratting out Sadie and Ratz for his crime. Suddenly Sadie is reconsidering the wisdom of punishing him every time he fingers her for a new crime (which only gets HER in trouble). Still, when Baby Boy pushes his luck and goes too far, Hannah realizes that she may have more in common with her little brother than she ever expected.
So I’m going to go out on a limb here and compare this to Where the Wild Things Are. I acknowledge that to do so is relatively crazy. I mean, Sendak’s classic is considered the pinnacle of modern children’s literature. To compare any book to it is to do that title a disservice. All that understood, hear me out. I breathe these two books in one breath because at its heart Sadie and Ratz does something I think Mr. Sendak would appreciate. There’s this strange dark undercurrent to your average everyday child. A streak in them that understands jealousy and cruelty and that is simultaneously attracted and repelled by the children in books who exhibit those same qualities. Max in WTWTA embraces his worst aspects at the story’s beginning, is punished, and then builds his own world where he has the power. Hannah is similarly punished when she gives in to her darkest feelings but her fantasy lies not with another world but within her o
The Great Cake Mystery: Precious Ramotswe’s Very First Case
By Alexander McCall Smith
Illustrated by Iain McIntosh
Anchor Books
$12.99
ISBN: 978-0-307-94944-8
Ages 7-10
On shelves April 3rd
There was once a time, best beloved, when the early chapter book section of your local lending library was a veritable wasteland of white characters. Oh, every once in a while you might be able to get your hands on Stories Julian Tells or My Name is Maria Isabel but by and large they were it, man. Then, in the last ten years or so, something changed. Suddenly there was an influx of great books starring kids of a diverse range of backgrounds and races. Different nationalities would sort of come up too (Younguncle Comes to Town, The White Elephant, Rickshaw Girl, etc.) but they remain, to this day, far less common. Then, two years ago, the amazing and delightful Anna Hibiscus by Atinuke hit American shores and the masses did rejoice. The series was remarkable, not just for the great writing and art, but because until that moment the idea of reading about a girl living in contemporary Africa was a dear and distant dream. Maybe that’s what helped to convince American publishers to bring over Alexander McCall Smith’s enjoyable early chapter book The Great Cake Mystery: Precious Ramotswe’s Very First Case. An early chapter book of a mystery starring his most famous character during her childhood, Smith isn’t entirely comfortable writing for a young audience, but this mini mystery and its jaw-dropping illustrations will please proto-detectives, both large and small.
Some people are good at noticing things. Take Precious Ramotswe. She’s the kind of girl who will seriously consider when someone might be lying or telling the truth. Prompted by her father to consider a future as a detective, Precious likes the idea but figures it’ll be years before she gets her first case. As it turns out, it happens a lot faster than she might think. At school a boy is accused of stealing sweets from his fellow students. Refusing to accept circumstantial evidence, Precious discovers the true culprits and devises a delightful solution to the sticky fingered thief problem.
The distinct advantage of being your own author/illustrator is that you never have to consult with your collaborator. Bell’s style has always been akin to that of Crockett Johnson and the like. It’s this pure-lined style that embraces simplicity over clutter. When working in her usual picture book vein, Ms. Bell’s books are straightforward in their plots and visuals. Here in Rabbit & Robot she uses her lines to convey the characters’ moods with great verve. Rabbit is as easy to smile as he is prone to overwrought hysterics. Robot, in comparison, is simultaneously laid back and energetic. This comes across particularly well when Rabbit first presents Robot with his anal retentive list of what their evening will have to consist of. Robot, we know from our reading, has other ideas about what they’ll be doing, but you can tell from the picture that he’s mostly keeping that to himself. There’s a bemused smile playing about his metallic lips. You get the feeling from pictures like that that he knows precisely how this evening will go, and it’s Rabbit who’ll be the surprised one in the end. Then there’s the characters’ look. It took me a while to realize it, but there’s something oddly satisfying about looking at that perfect triangle that serves as Rabbit’s nose and the elongated rectangle that’s Robot’s. It just works.
You could say the book has a classic feel and this would be true. Does it have an old-fashioned feel or a contemporary feel, though? I’m going to side with contemporary in terms of the characters and the interactions. While I’ve no doubt that kids 50 years down the road could still get a kick out of these characters, the book doesn’t feel like it belongs to the past. The art, however, definitely relies on some tried and true historical tropes. Note, if you will, the telephones that Rabbit and Robot speak into on the title page. Aside from the fact that they appear in little bubbles ala Bye-Bye Birdie there is the fact that they both are on landlines (with cords and everything!). Be ready to explain to your kids what exactly those types of phones are when they ask you. Then there’s Rabbit’s television set. He does indeed have a nice little remote for it, but who else noticed the awesome bunny ears (ho ho) perched on top of the TV? The TV itself is perched on a kind of Jetsons-esque stand, which is cool in and of itself. One get the distinct feeling that if a camera were to appear in the course of this tale they’d be buying film for it and taking it down to the local photomat to get it printed.
I purchased this immediately based on your strong recommendation, Betsy, and was not disappointed. My 7 year old daughter and I both loved it. Just bought a copy for some friends who have girls named Hannah and Sadie, and a brother, whose ears I hope survive some inevitable rubbing by his sisters’ hands this week.
While its chapter book format may put it in the 6-10 age range, I think it would be hard to get a 9 or 10 year old to read this book, given its brevity and large font size. I think it might be a 5-8 (if that’s a category).
Just spotted your added note, quoting the Australian publisher to the effect that “[t]hese books would suit kids aged between 5 and 8.” I guess you don’t agree, and I’m curious as to why now.
I totally called this “Sendakian” in both my Kirkus column and again in the 7-Imp follow-up post, so I don’t think that’s crazy. I even think James’ art is reminiscent of early Sendak, but the most Sendakian of it all is the subtext of the story itself.
Oh, I’ve no hard and fast rules on ages. I was putting it in the 7-10 area since it’s an early chapter book, but I can be convinced that 5-8 would make more sense. You make a strong case.