Emily’s ideas for FUNNYBONES sequels |
It can be done – spreads from CLAP HANDS and TICKLE TICKLE by Helen Oxenbury.) |
Emily’s ideas for FUNNYBONES sequels |
It can be done – spreads from CLAP HANDS and TICKLE TICKLE by Helen Oxenbury.) |
Recently I wrote a blog here about diversity in children’s literature Black and White and Everything in Between. I'm returning to the discussion again today.
Malorie Blackman has talked and written and discussed the lack of diversity in children’s literature. Recently she was interviewed about the issue and egregiously misquoted, which led to a lot of racist comments on her Twitter feed. On the Edge Writers blog, Paula Rawsthorne discussed this and the issue of diversity. You can read it here..
Bali Rai has talked about the lack of diversity in children’s literature, as have many other writers, librarians, readers and reviewers.
In the States a huge campaign was launched after it was revealed that all the ‘luminaries from the world of children’s, teen and YA writers invited to the panel discussions at the BookExpo America were all white and all male’. After the campaign, a much more diverse group of children’s authors were invited to sit on a panel to discuss the issue.
The American Association for Library Service to children also initiated a programme to address the lack of diversity in children’s literature available in libraries.
I blogged about the whole US #WeNeedDiverseBooks campaign on the Edge Writers blog, which you can read here.
When I talked about the issue on Twitter I was told by an editor at a very big publishing house that it wholeheartedly promoted diverse writers, and already had two on their lists, (the inference drawn was that obviously that was quite sufficient). But, she said, the problem really was that British writers from ethnically diverse backgrounds were not submitting manuscripts to publishers, and she could not understand why...
I know the truth to be a little different.
I also know she did not grasp this concept at all: that if children from ethnically diverse backgrounds rarely see any version of themselves, other than occasionally as stereotypes or as bit parts, then they are in danger of believing that books are the preserve of the white middle classes, and also that the children’s publishing industry might not be a place for them when they grow up. Perhaps I’m painting it too black and white, but I’m sure you know what I’m saying.
Children’s fiction, teen fiction and YA fiction is a tougher market than it ever was before, it’s also become far narrower than ever before, both in terms of the books commissioned and published, and the apparent ‘market trends’ as dictated by the publicity and marketing departments. This is reinforced by the lack of diversity in terms of ethnicity, age, background, and sex of most of the editors at most of the publishing houses in the UK. You only have to go to a book publishing event or conference to see that for yourselves. There are few people of colour.
Everything has been squeezed. The market-driven publishing houses are all on the look-out for the Next Big Thing, mid-range writers are often fighting a losing battle, teen/YA shelves are now full of very, very similar books on very, very similar themes, and you’ll be very lucky if you find much diversity in theme never mind anything else.
Something has to change surely. So I wholeheartedly support Malorie Blackman in her endeavour to promote diversity in children’s literature. I know lots of children’s writers who feel the same way and are blogging to raise awareness.
Here’s a hashtag we can all use to help promote diversity in children’s literature, and I use the term diversity in its widest possible sense - #WeNeedDiverseBooksUK
And I very much hope that the publishing industry pays more than lip service too.
Savita's website
I was invited to take part in Loughborough University’s 2nd Literary Salon by Kerry Featherstone, lecturer in English. Industry professionals were invited: Walker Books and the literary agents from DKW, and another author – Maxine Linnell. The subject of the Salon was: Writing YA Fiction. We were each invited to speak, followed by a Q and A session, and, at the end of the evening, there was a Round Table. The audience comprised students, lecturers, authors and anyone in the local area interested in Teen/YA fiction. There was a great turn out and an interested and involved audience, with lots of discussions.
My talk focussed on the realities, good and bad, of being a children’s writer in the modern world, what an average advance might be, royalties, the changes in the publishing industry, and my experiences of being a teen/YA writer. I tried to give a balanced view on how difficult it is to make a living from writing, how a children’s writer today has to wear very many hats, know the industry and know how it works, while not neglecting the most important aspect of being an author: writing a book. I was a little surprised by how many students of creative writing were unaware of the realities of being a children’s writer.
I hope I didn’t put them off wanting to be writers!
The Literary Salon was a very good event for students who were interested in pursuing a career in writing. They got to meet a publisher, agents and writers, and to put questions to them. It was the kind of event I would have loved to have gone to when I first started writing and knew so little about the publishing world.
Book Trailer for The Long Weekend |
My Dad always said I should open a bookshop and although we disagreed a good deal about what I should do with my “education” he was absolutely right about me and books. I have been very lucky to have had a relationship with the Newham Bookshop since 1983 after we had set up home in East Ham. It was also around this time that I met Vivian Archer who then ran the Paperback Centre in nearby Green Street and who in 1987 moved over to the shop in the Barking Road where she has presided ever since. I initially worked part-time in the shop but when our second child came along I returned to social work.
It was Vivian who encouraged and supported me to return to bookselling when John and Jean, stalwarts of the children’s shop, began to plan for their retirements. I have never regretted the move for one moment and despite the almost ceaseless changes within the publishing industry I never ever wake up reluctant to go to work! I love living and working in a vibrant and diverse part of London where I spend most of my day enthusing and sharing information about books and reading. My mission has always been to try to bring the best books to the community and to endeavour to ensure children see themselves in the stories and pictures. I value the conversations I have with customers of all ages and the feedback I receive on what worked and what did not! We have been privileged to have been supported by our local community as we look ahead to our 34th year of trading in 2012.
There is a process which I have been involved in on countless occasions. It begins with the arrival of a manuscript or proof copy which I usually open with all the excitement of a child anticipating a long awaited birthday present. It can then lead to attending a launch event where it might be possible to congratulate the new author and wish them and their book well. An event might follow which wherever possible is carefully planned and executed in an effort to ensure everyone benefits from the experience. If all goes well there may be other events with a successive title or even a new series. The venue may need to change to accommodate a bigger audience. The quality and quantity of questions may then encompass matters relating to plot or characters rather then simply the usual round of probing for details of earnings accrued or how long it takes to write a book.
We have been supported by many authors over the years who have regularly returned for events and signings. One of our earliest and most important supporters was the writer and compiler of oral histories Gilda O’Neill who very sadly passed away last year. Gilda was always generous with her time and never missed an opportunity to point people in our direction. Benjamin Zephaniah and Michael Rosen have also been hugely supportive of what we do and our work with them was inspirational in giving us the confidence to develop the events work which is now integral to our business. It is a must for bookshops to cultivate relationships with authors and illustrators and develop mutually supportive ways of working together. It is also vital to have contact with sales reps and it is sad to witness them becoming a diminishing part of the trade. I always look forward to being shown new titles and love the fact that this will often spark off ideas for promotions and activities both within and outside the shop!
Some years ago now Bali Rai was being his usual entertaining self in an event at the central library here in Newham. A young and dedicated teacher had managed to persuade three teenagers who were not keen readers to come along to the after school session. As B
What an inspiring post! Long may booksellers like YOU continue!
What a lovely and positive post to read on a gloomy Sunday morning, John! Especially now I've discovered that Newham bookshop isn't too far from occasional visits to Wanstead. Thank you for your continuing optimism about school and library visits, as well as authors & books. (Enjoyed the Bali Rai story too.)
John, it's people like you who keep the book trade so vibrant, and the energy you have put into the Newham Bookshop has reaped huge rewards for your community. I've seen you in action, and all I can say is long live your independent bookshop and the relations you forge with the book trade, schools and authors.
A bookshop like yours is a gem - I wish I lived closer!
Hear, hear to the previous comments! And what a joy it is to read this piece, John. As a writer, reader, parent and bookshop-customer... it's inspiring on all fronts. The photo is wonderful: an Aladdin's cave & magical glade in one! May the Newham Bookshop go from strength to strength. I just wish I lived round the corner...
Your bookshop sounds such fun, and your enthusiasm for books and readers really shines through. Thanks for taking the trouble to tell us about yourself and the shop, and I hope you go from strength to strength!
More power to your elbow, John!
Oh, can you please open a branch in Henley, John?
Nice post, John - great photo! I can still remember the lovely review you gave "I am the Great Horse" so it's good to have this chance to thank you (very, very much!) I know it's been a while since that one, but I have now found a lovely new publisher in Templar, so more books are on their way...
Great stuff John, keep up the excellent work!
Fantastic, your dedication and enthusiasm really comes through, and how cool is that photo?! Love the vibrancy of the colours on the wall. This was a real joy to read.
Great portrait, verbal and visual, of a Man At Work.
We writers complain a lot - but perhaps sometimes we have the less complicated end of the deal? All we have to do is write the stuff. Getting it to the right readers is a far more complicated process, and definitely no more a nine-to-five job than writing is.
Anyway, thank you for the fantastic reminder of what it is privilege to work with dedicated and professional booksellers.
What a wonderful 'grotto' of books and a place to lose oneself in! As Michelle says it's good for writers to be reminded of what goes into enthusing readers once the book is out there. I'm going to definitely pop across to experience that wonderful space, John. Thank you for a lovely blog.
What a wonderful place. Just wish I didn't live do far away!
Great article John. Welcome to the world of online publishing.
One other thing that John doesn't mention here - he has fantastic taste in books. If you chat to him for a few minutes, you'll come away with a list of titles and authors that you feel inspired and determined to read.
What a shop! You are such a little squirrel, John, with all those wonderful books around you. We writers just have our bookshelves but you have rooms full of books. I know it's hard work but what joy! Thanks for being such an inspiration.
I'm so pleased to read you still enjoy opening up those proofs, John! I'm sure your enthusiasm passes on to your customers. May you weather the economic storms splendidly!
Just looking at that photo makes me want to step inside your shop! Maybe I will manage it on my next trip South.
I'm working with a local independent bookshop tomorrow on a children's event - and it's lovely to be able to focus on my side of things, interacting with the childre, knowing that the book-selling is looked after by somebody else. It's great to think that events can work, and can be a way for booksellers and writers to come together and provide a really great experience for readers.