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Kittens and Cute. They go together like purple and prickles, tigers and teatime, picnics and lashings of ginger beer.

And in Max the Brave by Ed Vere (@ed_vere) we meet another very cute kitten. He’s small, and black and has big bright eyes.

But even though every reader who picks up this book will definitely find Max adorable and charming, Max himself definitely does not want to be called cute. He wants to be big, grown up and brave. And to prove his mettle he’s going to hunt down his nemesis… a mouse.

But therein lies a problem. Max does not know what a mouse looks like.

The kitten’s not-knowing-any-better does indeed result in displays of exuberant courage and kids every where will identify with Max’s desire to be be hailed a hero, his refusal to lose face and the simple joy and playfulness of the chase to say nothing of the everyday challenges which arise from simply having to learn how the world works and what it made up of.

This book is an example of storytelling – in both words and pictures – whittled down to the very purest. With only a word or two on many pages, plain typesetting, apparently simple, unadorned illustrations (where much of the impact comes from the page colour and large empty spaces rather than highly detailed or vast drawings). In its bareness there is a direct line to the story, the humour, the characters. There’s nowhere for this story to hide, no embellishments, no fancy details, and this clarity gives the storytelling a freshness that is bold and very exciting.

Restraint may be present in Vere’s brushstrokes (he captures moments of determination, puzzlement, fear poetically and precisely – just take a close look at Max’s eyes on each page to get a sense of what I mean), but this is vividly contrasted with an exuberant use of colour to fill the pages. From Meg and Mog to several fabulous books by Tim Hopgood and one of my most recent reviews, The Cake, there’s a great tradition in picture books of banishing white pages and using glorious swathes of intense colour to the very edge of the pages. One could do some fascinating research into background page colour and emotions at any given point in the story; here, for example, the pages are red when Max is annoyed, and blue with things are quieting down and Max is feeling soothed.

Readers and listeners to Max the Brave may hear echoes of the Gruffalo’s Child with its themes of bravery and danger as a result of not knowing what something looks like, but perhaps more satisfying will be the recognition of characters (or at least their close relatives) from other books by Vere. Is that Fingers McGraw being sneaky once again? Could that be the monster from Bedtime for Monsters making a guest appearance? And indeed, is Max related somehow to the Bungles in Too Noisy? How lovely to be able to imagine these characters having such an real, independent life that they can walk out of one book and into another.

Packed with so much laughter and sweet appeal this book will prove a hit with many, many families. It’s certainly one we’ve taken to our heart – so much so that the kids wanted to make their own Max and retell his story in their own inimitable style.

First J sewed a black kitty out of felt, with pipe cleaners for arms, legs (and one stuffed in Max’s tale so it could be posed.

M (pen name: Quenelda the Brave) then used our new Max to create montages for each page in Ed Vere’s gorgeous book. She modelled her scenes quite precisely, took a photo, and then (as a veteran of adding moustaches and more to photos in the newspaper) edited her photos in a graphics editor to add her own sprinkling of magic.

Here are a couple of pages showing Ed’s original work (reproduced with permission) and the corresponding scene M created:

“This is Max. Doesn’t he look sweet!”

“Max looks so sweet that sometimes people dress him up in ribbons.”

“Max does not like being dressed up in ribbons.

Because Max is a fearless kitten.
Max is a brave kitten.
Miax is a kitten who chases mice.”

Here are a couple more spreads created by M (with guest appearances by Elmer as the elephant in Vere’s book, and a Wild Thing who is mistaken for a mouse.)

M had enormous fun (and showed a lot of dedication!) with this – she’s recreated the entire book out of her love for Max. I wonder what Max will get you and your kids doing…

Here’s some of the music we listened to whilst making Max and our fan-fiction:

Other activities which would go well alongside reading Max the Brave include:

What’s the cutest book you’ve read recently?

Disclosure: I received a free, review copy of Max the Brave from the publisher.

Image: Marine del Castell

[With apologies to readers in the Southern Hemisphere...] Are you looking for a little sprinkling of colour and humour to help you get through these last days of winter before spring arrives? If so, Peely Wally, the debut picture book from Kali Stileman may be just the thing you’re looking for.

Photo: bortescristian

Peely Wally is a very happy bird. She has just laid an egg and is proud and thrilled. But in her excitement at the impending arrival of her baby, she bounces so hard on her twig that the egg rolls off and away. The poor egg tumbles down here, over there, only just avoids being eaten and eventually, with the help of all the neighbouring animals, survives the adventure and is returned to a much relieved Mum.

But then the most exciting thing of all happens… the egg cracks, and… well I’m sure you can guess what happens, but it’s nevertheless lovely, heartwarming and fun to reveal.

This simple tale is great fun for the younger crowd. There’s just the right amount of adventure, a suggestion of disaster, a reassuring rescue, and a great deal of love and care. But it’s the vibrant illustrations which will really get the kids coming back for more. Created in collage style, inevitably (and successfully) reminiscent of Eric Carle, they zing with colour and texture.

What’s more, I suspect that many kids won’t just listen to the story, they will actually play with this book: A dotted line across every page indicates the path of the egg and my kids love tracing this with their finger while the slopes and loop-the-loops encourage me to read the text in an even more sing-song fashion than normal.

Although I’d wholeheartedly recommend this book to any young family I bumped into in the bookshop, two tiny question marks hang over the book for me. First, the eponymous title. Personally, I like it – it suggests something fun and unusual. But I do wonder if some might be turned off by it (and perhaps the editors have thought this too – the book is being released outside of the UK under the title “Roly-Poly Egg”). It puts me in mind of another book I enjoy reading with the girls, but which I’ve heard hasn’t been very successful because of its title – The Terrible, Greedy Fossifoo by Charles Fuge.

Second, as this book will be a hit with the youngest of readers, and contains a wonderful lift-the-flaps page at the denouement of the story, it really deserved to be published on much more robust paper or even as a board book. The flaps, such as they are, will soon be torn, for they are thin and flimsy. This is such a shame for instead of letting my kids excitedly unveil what’s behind the flaps, I’m nervous about pages being ripped and this somewhat diminishes the story’s final impact.

However, put aside these two tiny gripes and what you have here is the perfect nonreligious book for Easter, an ideal gift for Mums-to-be and a peppy pick-me-up tonic to banish the winter blues. A treat for the preschool crowd, and a book that’s received a big thumbs up from both my girls. Do look