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MORE things to do and get signed at NYCC, with lots ofr preveiws of Abrams Spring 2016 line all at booth #2228 and 2016 Abrams calendars with every purchase over $50.00 while supplies last (limited one per customer). And advance copies of the above book about Alan Turing by Jim Ottaviani and Leland Purvis. Advance […]
1 Comments on NYCC ’15: Abrams signings with Leguizamo, Peanuts, Adventure Time and more, last added: 10/6/2015
Not too many comics or graphic novel make Page Six, the NY Posts’s venerable gossip page, but the book party the other night for Marisa Acocella Marchetto’s new graphic novel Ann Tenna (Knopf) did just that! It was also written up on the WSJ society page – an actual event! The hubbub was about Marchetto’s […]
0 Comments on On the scene: New Yorker Cartoonists and mediaites gather at Ann Tenna book party as of 9/3/2015 6:23:00 PM
What’s the best way to give a strong first impression? Chip Kidd, a book designer at the Alfred A. Knopf imprint, delivered a TED talk on “the art of first impressions — in design and life.” The video embedded above features his entire talk.
In his 2012 TED Talk, Kidd stated that a book cover provides a first impression on what readers will be consuming. Throughout this new lecture, he focuses on the importance of inspiration, clarity, and mystery. He also showcases the jackets he created for Only What’s Necessary: Charles M. Schulz & The Art of Peanuts, Colorless Tsukuru Tazaki & His Years of Pilgrimage, and Fraud: Essays.
Kidd further elaborates on the subject of first impressions in a TED Books project entitled Judge This. Over at the TED blog, he shares several pieces of “advice for young writers and designers.” To glean more wisdom from this famed artist, check out the TED talk he gave in 2012.
Describe your latest book. Judge This is a book that evolved out of discussions with the TED Books team, chiefly my editor Michelle Quint. It is a meditation on first impressions in design and life, and when design should be clear and when it should be mysterious. And then what can happen when the two [...]
0 Comments on Powell’s Q&A: Chip Kidd as of 1/1/1900
You'll see the world a little differently after reading Judge This by legendary book designer Chip Kidd, a fun and intriguing book all about first impressions. Whether you're a creative type or very much not so (ahem), Kidd gives you the tools to engage with your environment in a new way. Books mentioned in this [...]
0 Comments on Judge This as of 6/1/2015 10:00:00 PM
The New York Times has chosen their favorite book covers giving some much deserved praise to book designers.
Among the books that earned the honor are: Colorless Tsukuru Tazaki and his Years of Pilgrimage by Haruki Murakami, which was designed byChip Kidd; A Girl is a Half-Formed Thing by Eimear McBride with a design by W. H. Chong; and Your Face in Mine by Jess Row with a design by Oliver Munday.
What is the value of a book cover if fewer and fewer people shop at bookstores? I used to browse St. Mark’s Bookshop looking for covers that caught my eye. It was an exciting way to discover new authors, and design played a huge role. Now, one increasingly encounters books through social media or online recommendations, and the role of the designer might, at first glance, seem diminished.
How does one create an iconic book jacket? Riverhead Books art director Helen Yentus Delete and Knopf designer Oliver Munday tried to tackle that question at a Book Expo America panel. We've collected three design tips that they shared during the discussion.
continued...
Amazon has created its own literary fiction imprint called Little A. Designer Chip Kidd created the logos for this new corner of Amazon Publishing.
The new imprint will focus on novels, memoirs and story collections. It will include books by James Franco, A.L. Kennedy and Jenny Davidson. The publisher will also open a digital-only series that will be part of the larger imprint. Check it out:
Day One is a digital-only series within Little A that is focused on short stories from debut writers and is available in North America and in the U.K. The first title, Kodi Scheer’s, haunting, fabulist “When a Camel Breaks Your Heart” was released on February 5, 2013. On March 19, Day One will release “Monster” by McSweeney’s contributor Bridget Clerkin, in which a woman struggles to keep her dysfunctional family together amid unsettling events–the family dog goes missing and an unidentified, mysterious animal corpse washes up on the beach.
In May, HarperCollins will publish Make Good Art, a Chip Kidd-designed book version of a Neil Gaiman commencement address. Gaiman’s speech at the University of the Arts in Philadelphia went viral last year, sharing “secret freelancer knowledge” that all kinds of writers, editors and freelance workers can use.
We’ve embedded a video of his speech above–it also contains the best advice he ever received, delivered by the great novelist Stephen King. Here is Gaiman’s secret freelancer knowledge:
You get work however you get work, but keep people keep working in a freelance world (and more and more of today’s world is freelance), because their work is good, because they are easy to get along with and because they deliver the work on time. And you don’t even need all three! Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. People will forgive the lateness of your work if it is good and they like you. And you don’t have to be as good as everyone else if you’re on time and it’s always a pleasure to hear from you.
NPR recently spoke to famed cover designer Chip Kidd (and the man I once had an intense conversation with over the buffet line only to realize I thought he was someone else) about book covers.
In the olden days, a reader might pick up a book because the cover was exciting, intriguing, maybe even beautiful. But in the brave new world of e-books and e-readers, the days when an artist named Chip Kidd could make us reach for a book may be gone.
Random House book designer Chip Kidd gave a TED talk called “Designing books is no laughing matter. OK, it is.”
Some tips from his talk: “A book cover is a distillation.” It’s a “haiku” of the story. Ask yourself this question, “What do the stories look like?”
Finished books need a “face”–the book cover provides a first impression on what the reader “is about to get into. A book designer gives form to content.”
Chip is not only the designer of many iconic book covers, he’s also an author. His first novel was The Cheese Monkeys. I met him nearly 10 years ago at the Vegas Valley Bookfest (a strange affair - let’s just say Vegas is not a town full of devoted readers). I had talked earlier in the evening with a man with a nearly shorn head and small round glasses about his headache, so when Chip appeared next to me in the buffet line I asked if he were feeling better. I guess that’s one question any traveler finds natural, because we had a fairly long conversation about it before I realized he was a different guy.
For your weekend reading pleasure, here are our top stories of the week, including a 125-year wait for a book deal, the most read books in the world and book design tips from Chip Kidd (embedded above).
Click here to sign up for GalleyCat’s daily email newsletter, getting all our publishing stories, book deal news, videos, podcasts, interviews, and writing advice in one place.
To celebrate the release of the new Saul Bass biography, Art of the Title created this nifty visual guide to some of Bass’s most celebrated title sequences.
There’s a Saul Bass tribute at MoMA in a few hours with the book’s author Pat Kirkham along with Kyle Cooper and Chip Kidd. Tickets for non-MoMA members are at the door so get there early.
Also, now would be a good time to point out that Universe will be re-issuing Saul Bass’s only (and nearly impossible to find) illustrated children’s book next February. Henri’s Walk to Paris, written by Lenore Klein, was released in 1962. I had a copy of the book for a few years, and found it so unenjoyable that I got rid of it. It struck me as being a failure as an illustrated storybook, and my ex-library copy confirmed that—it had rarely been checked out in decades.
It surprised me that I disliked the book as much as I did because Bass had a sense of humor (and his very able and funny collaborator Art Goodman worked on the book, too). But, the book’s illustrations are excessively formalized and austere (the curse of design for design’s sake), with none of the warmth, humor or vitality that the story required. Using minimalist graphics in a children’s book is a tricky task to begin with, but it’s possible to do it well. Graphic designer Paul Rand pulled it off more successfully in titles like Sparkle and Spin and Little 1. Or simply look to the master of super-stylized children’s book illustration, Abner Graboff. In spite of its shortcomings, if you’re a Bass fan, you’ll probably want a copy of the book, and now it’s easier to find than ever before.
Designer Chip Kidd has made covers for Haruki Murakami for years, and he unveiled his latest cover for 1Q84 (embedded above) at the Knopf Doubleday site.
His essay reveals more about the plot of this massive novel.
Here’s more from Kidd: “By using a semi-transparent vellum for the jacket, and printing the woman’s image in a positive/negative scheme with the title on the outside layer and the rest of her on the binding, once the jacket is wrapped around the book it ‘completes’ the picture of her face. But something odd is definitely going on, and before the reader even reads a word, he or she is forced to consider the idea of someone going from one plane of existence to another.”
"With the arrival of digital readers some in the book world are wondering if their industry will follow the music industry's lead of online content quickly becoming king over hard copy.
Chip Kidd weighs in on the subject. He's been called the "world's greatest book-jacket designer" and USA Today has labeled him "the closest thing to a rock star" in the world of book-cover design. Jian gets into Chip Kidd's craft as well. "
3 Comments on Are books dead?, last added: 8/21/2009
Text heavy stuff could surely go this way...but the picture book...half of why p.b.'s sell is the physicality of them, they are already light, portable, and the action of page turning and taking part in an activity like reading a picture book is like nothing you can get on a flat screen. Pacing of pages, determined by the reader young or old is such an important thing to a picture book, it wouldn't translate to a flat screen. Picture books have something novels do not, the physical interaction, the experience. There's my 2 cents.
Do I believe the Kindle or other related devices will put and end to the printed page, no I do not. Reading from book has been part of our culture for 500 plus years and little has changed.
Changing the idea of what a book is goes way beyond just a new technological advance it effects our culture. As it is right now some families cant even afford books. How will they be able to afford an expensive ebook reader? ( I would like to go into this idea more . . . perhaps in a future post ) An ebook also changes the way we experience reading. No longer will we feel the satisfaction of completing a page with a simple page turn, now like most things we will click a button. The design of the interior of a book has at this point been completely forgotten about. Mainly because the technology isn't quite there yet.
But still it worries me. An ebook takes the art out of the book. And this is my lively hood.
The NY Times looks at book specific Web sites. “Publishers have long hoped that, say, a jacket by Chip Kidd or an author photo by Marion Ettlinger will increase attention and sales by signaling that a book is a big deal. In recent years, as publishing houses have encouraged writers to create a robust online presence, a new team of experts has emerged. Rabb and a handful of others are now the go-to people for book-specific Web sites and videos, and many authors are willing to shell out big money — usually from their own pockets — for the privilege of working with them.”
[Full disclosure: Regular readers of this blog may remember that I once had a somewhat personal and somewhat confusing conversation with Chip Kidd at a party after I got him mixed up with someone else.]
I have Taken To My Bed, like a young lady with a bad case of the vapors in a Victorian novel, although during the waking bits I'm writing Batman in bed, which young ladies in Victorian novels rarely did. It's just for today. Tomorrow I'll be up and bouncing around, and Wednesday night I'll be flying out to Las Vegas for the festival. But today is a Day Off. I'm enjoying the not going anywhere at all of it all, and the not signing, and the not even trying to stay awake.
Dear Mr.Gaiman,
For the love of God, stop whinging about being tired.
Yours Sincerely,
Cillian Kelly
Good point. The trouble is, the blog is part journal, written in real time, and when I'm on tour time for blogging normally comes out of sleep time, and tired's the thing on my mind. So it gets blogged about. Go back through the blog, over the years, and you'll find it becomes a familiar refrain during touring season. If it bothers you, probably best to stop reading the blog while I'm on tour... but take heart: touring season is almost done.
It's like the way that when a new book comes out I'll always link to the more interesting reviews and the interviews and sometimes even the bestseller lists. Pretty soon people will start writing in to let me know me that they liked the blog when it wasn't shilling for something, but now it's just become an ongoing list of reviews and mentions of placings on bestseller lists and suchlike, which only means that it is Book Publication (or, worse,Film Release) Season, and it too shall pass and then I'll go back to wittering on about cooking or bees or the perils of filing books or bitchcakes or something: the story of The Graveyard Book goes from me burbling about this thing I'm writing, and showing pictures of the handwritten version, through to publication, how it's reviewed and the interviews are part of the blog for a while, and then are swept away by the whirligig of time. Or on the whirligig of time, if we think there's any chance they'll come around again.
***
Those asterisks indicate a break while I put on a bee suit over my pajamas, and went out, with an assistant and a Hans, to move a beehive in the dark. (A sensible time to move a beehive, as all the bees have come home for the night.) (Lorraine tells the story at http://lorraineamalena.blogspot.com/2008/11/moving-hive-in-dark-one-evening.html and she makes it funny and interesting. Also includes a handful of photographs I took of her and the dog, who helped too.)
Then Maddy and I watched the first episode of the new series of Sarah Jane Adventures. Several episodes arrived here yesterday, dropped off by my mysterious DVDealer, and as an unasked-for thank-you I gave him a copy of the Dave Gibbons book Watching The Watchmen. I'd been sent a box of them because I had a drawing in the book, a small joke I drew and gave to Dave Gibbons about 22 years ago. This tells me that Dave Gibbons is much more organised person than I am.
Watching the Watchmen is designed by Chipp Kidd, who is brilliant, and who will be interviewing me at the Interview and Signing next Sunday at the 92nd St Y. (Details at http://www.92y.org/shop/event_detail.asp?productid=T-LC5AE04 -- and someone wrote in to point out that while streets are named in this event, there is no mention of what city this will occur in. I expect this means that New York is The City and needs no introduction or something. But it's New York.)
***
Right. Blogging downstairs still in pajamas but now minus the beekeeping suit.
This piece on Orson Welles's WAR OF THE WORLDS broadcast made a lot of sense. One of the times that reality is better than the legend, because it means that people are saner than we were told they were, and that's a good thing.
A Graveyard Bookreview at The Financial Times: a captivating piece of work, light as fresh grave dirt, haunting as the inscription on a tombstone.
Another over at The Spectator: This is a beautifully constructed book, in which what appears to be a series of episodes in the boy’s life builds up to a structured plot with a satisfying denouement; and Bod is a charming hero, courageous, considerate and polite in the styles of many centuries. Most importantly, this is a book about growing up and about life.
More awesome than the Spectator or even the FT, comes a review from the immortal Scaryduck who even suggests his own back-of-the-book pull-quote: 18/20: Billie Piper riding a space-hopper down a cobbled street.
A nice article from MTV about Amanda Palmer & me, and then I clicked on the next link, read what Frank Miller said about his Spirit movie, and decided that given his description of it, I'd probably skip it, but am still happy that it will get a lot of people reading collections of The Spirit who would never have picked up or heard of Will Eisner's wonderful comic otherwise. (You can read about how I first encountered The Spirit in http://journal.neilgaiman.com/2005/01/spirit-of-seventy-five.asp).
***
Those asterisks were me sleeping, and then waking up with the sun in my face on a beautiful Novembery Election day. In a minute I'll get out of bed and, er, bounce around. Or at least take a shower, get dressed, and go downstairs to investigate the world. Last election day I was writing "Sunbird" to try and take my mind off things. This one, I'm interested, although not interested enough to, as an email from DirecTV just suggested, Watch 8 top networks at the same time on The Election Mix Channel, which in my universe is what they sentence you to an eternity of when hanging doesn't quite go far enough.
So. My movements this week...
I'm talking on Thursday Night at the Las Vegas Book Festival. Details at http://www.lasvegasweekly.com/events/2008/nov/06/3557/ Spend an evening with Neil Gaiman at the Clark County Library. Fantasy novelist and comic-book writer Gaiman has written about enough secret civilizations and alternate worlds that he probably has a pretty good idea of what to do in the event of global collapse. Hear his keynote address to open this year's Vegas Valley Book Festival, and then ask him afterward how to escape to Faerie when the stock market implodes.
For the benefit of anyone reading that in a year or so, that's a journalist trying to make a topical joke, I think.
Also, there's a signing on the Thursday as well...
The signing is happening at 1 p.m. at the 5th Street School (401 S. Fourth St). Attendees can bring one item from home and whatever is purchased on site. If folks can't make it down, signed books will still be available at the door the night of the event.
Then on Saturday night there's a CBLDF event in New York. I've never attended one like this before: actors will be performing while huge Sandman panels appearing behind them. Only a hundred tickets... http://www.cbldf.org/pr/archives/000374.shtml has details.
This very special evening will bring two of the series most beloved stories to life with a multimedia presentation that marries comics and live theater.
Which sounds interesting, anyway. "Three Septembers and a January" and "Golden Boy" (the Prez Story) are the Sandman stories. I'll be there, and will say a few words, but mainly I'm planning to be in the audience.
Then I go home. And I will be completely done with travelling, just in time for the wonderful weather to turn cold, and I will finally get to interact with the RoboPanda...
The Turing book is fantastic! I wish the movie’s director had followed this book vs the script they used.