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By: Sara O'Leary,
on 12/6/2016
By: Sara O'Leary,
on 11/2/2016
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| detail from illo by Qin Leng |
By: Sara O'Leary,
on 10/17/2016
As author Sara O’Leary configures her many delightfully diverse familial units, artist Qin Leng – with her signature style so overflowing with whimsy and charm – imbues each member with individual identity and unique personality, all brought together with enveloping warmth and unbreakable bonds. The message is powerfully simple: no one gets to define a family but the members themselves. Audacious and obvious both, Family is already a well-deserved bestseller on our northern neighbor’s various lists. That said, this Canadian import undoubtedly belongs on bookshelves everywhere.
In this warm, nondiscriminating narrative, O’Leary removes limiting definitions and labels like “adopted,” “fostered,” or “divorced” and instead presents a tale that is innocent and wise. Leng’s ink and digitally rendered watercolor illustrations are light and airy and complement the text by capturing the thoughts and purity of a child’s perspective. The classroom is a beautiful blend of children of different races, genders, and body types. VERDICT Parents, caregivers, and educators will appreciate the message that this story offers for one-on-one sharing and for discussion with small groups. A sweet and tender tale that shows that families are composed of love regardless of how they may be configured.
The response by readers on Goodreads has also been very positive. I'm particularly heartened to see favourable notices from those who may find themselves slightly outside their own comfort zone but willing to join in with a the celebration of all kinds of families.O’Leary does not lecture about families here. Rather she shows the wide variety that there are in families and how each of those is based on love. There is no need to be didactic, as every child will see themselves in the pages of this book. It is a wise way to look at families, since each is just as special and marvelous as the one before. The emphasis here is on love itself, the care that is given to children in each of those families no matter their structure. Leng’s illustrations add so much warmth to this picture book. The illustrations are full of details and invite readers to look closely. Each page zings with energy from the mothers singing under the night sky to the child who lives with both her father and mother, just at different times. There is a playfulness on the pages too, which makes each family come to life.
By: Sara O'Leary,
on 10/5/2016
By: Sara O'Leary,
on 9/13/2016
Lovely write-up by Helen Kubiw at Can Lit for Little Canadians.
As always, I'm very grateful to writers like Helen who take the time to talk about children's books with such care and attention.Though I know, and children do too, that not all families are perfect or happy or supportive, Sara O'Leary's book celebrates families in all their forms–big, small, alike, different, blended, separated, adopting, fostering–as worthy of note, eclectic as they may be. Her narration is a universal one of acceptance and appreciation for families of all kinds. The sweetness of her message is matched page by page with Qin Leng's illustrations of children and parents of assorted colours and shapes, economic backgrounds and interests. The lightness of Qin Leng's lines and the whimsy of her colour and shape help portray a diversity of families that are as fluid as they are depicted.
Snow – love it or dread it, I think most adults would agree at least that for children there’s something very special about it. And there are also some very special picture books around too. Here, in no particular order, is a small selection of snowy stories set around the … Continue reading ...
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Trees are so much a part of our daily lives, whether we take them for granted or find ourselves fighting for their survival: so it is perhaps unsurprising that there are many stories from all over the world that feature trees, woods or forests as a central theme or ‘character’… … Continue reading ...
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To give the Chinese proverb in its entirety, ‘Keep a green tree in your heart and perhaps a singing bird will come’ – and to extend the metaphor (or revert it … Continue reading ...
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We have selected three picture books, a middle grade novel and two young adult books to highlight for this month's new release kids books. Enjoy perusing our picks for kids and teen books that we feel represent some of the best new kids stories ... Read the rest of this post
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By: Betsy Bird,
on 3/12/2015
Sidewalk Flowers
By JonArno Lawson
Illustrated by Sydney Smith
$16.95
ISBN: 978-1-55498-431-2
Ages 3-6
On shelves March 17th
When you live in a city, nature’s successes can feel like impositions. We have too many pigeons. Too many squirrels. Too many sparrows, and roaches, and ants. Too many . . . flowers? Flowers we don’t seem to mind as much but we certainly don’t pay any attention to them. Not if we’re adults, anyway. Kids, on the other hand, pay an exquisite amount of attention to anything on their eye level. Particularly if it’s a spot of tangible beauty available to them for the picking. Picture books have so many functions, but one of them is tapping into the mindset of people below the ages of 9 or 10. A good picture book gets down to a child’s eye level, seeing what they’re seeing, reveling in what they’re reveling in. Perspective and subject matter, art and heart, all combine with JonArno Lawson and Sydney Smith’s Sidewalk Flowers. Bright spots of joy and comfort, sometimes it takes a kid to see what anyone else might claim isn’t even there.A girl and her father leave the grocery to walk the city streets home. As he leads, he is blind to the things she sees. A tattooed stranger. A woman in a cab. And on one corner, small dandelions poking out of the sidewalk. As the two walk she finds more and more of the beauties, and gathers them into a bouquet. Once that’s done she finds ways of giving them out. Four to the dead bird on the sidewalk. One to the homeless man asleep on the bench. Five tucked into the collar of a dog. Home once more she plants flowers in her mother’s hair and behind her brothers’ ears. Then, with the last blossom, she tucks it behind her own ear. That done, she’s ready to keep walking, watching and noticing.
Now JonArno Lawson, I know. If I had my way his name would grace the tongue of every children’s librarian in America. However, he is both Canadian and a poet and the dual combination dooms his recognition in the United States. Canadians, after all, cannot win most of the American Library Association awards and poets are becoming increasingly rare beasts in the realm of children’s literature. Time was you couldn’t throw a dart without hitting one or two children’s poets (albeit the slow moving ones). Now it sometimes feels like there are only 10-15 in any given year. Treat your children and read them The Man in the Moon Fixer’s Mask if ever you get a chance. Seen in this light, the idea of a poet turned wordless picture book author is unusual. It’s amazing that a man of words, one that finds such satisfaction in how they are strung together, could step back and realize from the get-go that this story could be best served only when the words themselves were removed.
A picture book as an object is capable of bringing to the attention of the reader those small moments of common grace that make the world ever so slightly better. In an interview with Horn Book editor Roger Sutton, author JonArno Lawson cited the inspiration for this book: “Basically, I was walking with my daughter down an ugly street, Bathurst Street, in Toronto, not paying very close attention, when I noticed she was collecting little flowers along the way . . . What struck me was how unconscious the whole thing was. She wasn’t doing it for praise, she was just doing it.” I love this point. The description on the back of this book says that “Each flower becomes a gift, and whether the gift is noticed or ignored, both giver and recipient are transformed by their encounter.” I think I like Lawson’s interpretation better. What we have here is a girl who is bringing beauty with her, and disposing of it at just the right times. It becomes a kind of act of grace. Small beauties. Small person.
Now we know from Roger’s interview that Lawson created a rough dummy of the book and the way he envisioned it, but how artist Sydney Smith chose to interpret that storyline seems to have been left entirely up to him. Wordless books give an artist such remarkable leeway. I’ve seen some books take that freedom and waste it on the maudlin, and I’ve seen others make a grab for the reader’s heart only to miss it by a mile. The overall feeling I get from Sidewalk Flowers, though, is a quiet certitude. This is not a book that is pandering for your attention and love. Oh, I’m sure that some folks out there will find the sequence with the homeless man on the bench a bit too pat, but to those people I point out the dead bird. How on earth does an artist show a girl leaving flowers by a dead bird without tripping headlong into the trite or pat? I’ve no idea. All I know is that Smith manages it.
Much of this has to do with the quality of the art. Smith’s tone is simultaneously serious and chock full of a kind of everyday wonder. His city is not too clean, not too dirty, and just the right bit of busy. For all that it’s a realistic urban setting, there’s something of the city child to its buzz and bother. A kid who grows up in a busy city finds a comfort in its everyday bustle. There are strangers here, sure, but there’s also a father who may be distracted but is never any more than four or five feet away from his daughter. Her expressions remain muted. Not expressionless, mind you, but you pay far more attention to her actions than her emotions. What she is feeling she’s keeping to herself. As for the panels, Smith knows how to break up each page in a different way. Sometimes images will fill an entire page. Other times there will be panels and white borders. Look at how the shelves in a secondhand shop turn the girl and her dad into four different inadvertent panels. Or how the dead bird sequence can be read top down or side-to-side with equal emotional gut punches.
The placement of each blossom deserves some credit as well. Notice how Smith (or was it Lawson?) chooses to show when the flowers are bestowed. You almost never see the girl place the flowers. Often you only see them after the fact, as the bird or dog or mother remains the focus of the panel and the girl hurries away. The father is never bedecked, actually. He seems to be the only person in the story who isn’t blessed by the gifts, but that’s probably because he’s a stand-in more than a parent. For adults reading this book, he’s a colorless reason not to worry about the girl’s capers. His purpose is to help her travel across the course of the book. Then, at the end, she takes the last remaining daisy, tucks it behind her ear, and walks onto the back endpapers where the pattern changes from merely a lovely conglomeration of flower and bird images to a field. A field waiting to be explored.
The use of color is probably the detail the most people will notice, even on a first reading of the story. In interviews Lawson has said that folks have told him that the girl’s hoodie reminds them of Peter in The Snowy Day or Little Red Riding Hood. She’s a spot of read traveling through broken gray. Her flowers are always colorful, and then there are those odd little blasts of color along her path. The dress of a woman at a bus stop is filled with flowers of its own. The oranges of a fruit stand beckon. The closer the girl approaches her home, the brighter the colors become. That grey wash that filled the lawns in the park turn a sweet pure green. As the girl climbs the steps to her mother (whose eyes are never seen), even her dad has taken a rosy hue to his cheeks.
After you pick up your 400th new baby book OR story about an animal that wants to dance ballet OR tale of a furry woodland creature that thinks that everyone has forgotten its birthday, you begin thinking that all the stories that could possibly be told to children have been written already. Do not fall into this trap. If Sidewalk Flowers teaches us nothing else it is that a single child could inspire a dozen picture books in the course of a single hour, let alone a day. There’s a reason folks are singing this book’s praises from Kalamazoo to Calgary. It’s a book that reminds you why we came up with the notion of wordless picture books in the first place. Affecting, efficient, moving, kind. Lawson’s done the impossible. He wrote poetry into a book without a single word, and you wouldn’t have it any other way.
On shelves March 17th.
Source: Final copy sent from publisher.
Like This? Then Try:
Blog Reviews: Nine Kinds of Pie
Professional Reviews: A star from Kirkus
Interviews: Roger Sutton talks with JonArno Lawson about the book.
Misc: I can’t be the only person out there who thought of this comic after reading this book.
By: keilinh,
on 5/13/2014
Looking for new diverse books for your collection? We’re doing a webinar this afternoon at 2:00 pm EST with Booklist and several diverse publishers – don’t miss it! Sign up free here.
It’s going to be great!
By: JOANNA MARPLE,
on 4/4/2014
Title: The Tweedles Go Electric Written by Monica Kulling Illustrated by Marie Lafrance Published by Groundwood Books, February 2014 Ages: 5-8 Themes: electric cars, early 20th century, historical fiction, inventions Opening sentences: The Tweedles don’t own a car. People think they’re behind the … Continue reading
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By: Carter Higgins,
on 3/10/2014
by Cybèle Young
published 2014 by Groundwood Books
Don’t you hate throwing your ball out the window and being too short to see where it bounces? The worst.
But the worst gets better, because in its place a spectacular parade clash-crashes by. Except when you’re a frantic, too-short creature, it’s really hard to see over the windowsill. Good thing you’re a clever whippersnapper, and push that chair up to take a peek.
And just when you can finally see outside, the book tells you to turn around.
You’ll stumble smack dab into the spectacle.
Juggling shrimp on a unicycle! A bat on a hanging, clangy contraption! Pink swans pulling a turtle on a wagon!
Thanks to this parade, you might just get your ball back. It’s one fantastic game of catch.
And check out this trailer to see the book in its glorious action. Mesmerizing.
P.S. – Remember the Twitter chat with Groundwood Books and Cybèle Young? The transcript is here, if you want to add to your art-to-study and books-to-love pile. It was such fun!
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By: Aline Pereira,
on 10/26/2012
Happy 10th Birthday PaperTigers!
I’ve been blessed to be a part of the PaperTigers’ team since December 2006 when I took on the role of Eventful World Coordinator just prior to the launch of the PaperTigers blog. As the years passed and PaperTigers continued to grow, evolve and expand (most noticeably with the launch of our Spirit of PaperTigers Book Sets and Outreach Program) my role within the organization changed too. In 2010 I was offered the job of Associate Editor and since then have worked closely alongside our wonderful and very talented editor Marjorie Coughlan to produce PaperTigers’ three components: the website, the blog and the Outreach site .
I consider myself so lucky to be doing a job that I love in a field that I love! Children’s literature has always been my passion and during my years with PaperTigers I’ve not been the only one in my family to benefit from the pile of books that just have to be read for work. (Insert a big smiley face here because really…how wonderful is it to have to read books!) When I started working at PaperTigers my children were in elementary school so naturally we focused a lot of our reading time at home on children’s and junior books. However as PaperTigers and my kids grew I found myself developing more and more interest in Young Adult books. Now I have to say that although children’s picture books will always hold a very special place in my heart , Young Adult books tug strongly at my heart too! So when it came time to do a Top 10 list for PaperTigers’ anniversary celebration, it only made sense for me to select my favorite Young Adult books. Drum roll please….in random order I present:
1. Secret Keeper by Mitali Perkins (Delacorte Press, 2009)
When her unemployed father leaves India to look for work in America, Asha, her mother and sister move in with family in Calcutta. When news comes that her father is accidentally killed in America and her family’s financial difficulties intensify, Asha makes a heartwrenching, secret decision that solves many problems and creates others.
2. Borderline by Allan Stratton (Harper Collins Children’s Books, 2010)
When Sami catches his father in a lie, he gets suspicious as does the FBI who descend on his home, and Sami’s family (the only Muslims in the neighbourhood) becomes the center of an international terrorist investigation.
3. Keeping Corner by Kashmira Sheth (Hyperion Books for Children , 2008)
12-year-old Leela’s husband unexpectedly dies and custom requires her confinement at home for a year, “keeping corner.” Prohibited from ever remarrying, Leela faces a barren future: however, her brother has the courage to buck tradition and hire a tutor to educate her. This powerful and enchanting novel juxtaposes Leela’s journey to self-determination with the parallel struggle of her family and community to follow Gandhi on the road to independence from British rule.
4. I am a Taxi by Deborah Ellis (Groundwood Books, 2006)
12-year-old Diego is deep in the Bolivian jungle, working as a virtual slave in an illegal cocaine operation. As his situation becomes more and more dangerous, he knows he must take a terrible risk if he ever wants to see his family again. As well as being a great read, I am a Taxi packs in a store of information about Bolivia and the exploitation of children in the drug-trade, and raises polemics about the growth of the coca plant.
5. Inside Out and Back Again by Thanhha Lai (Harper Collins, 2011)
During the Vietnam War Hà and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, Hà discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape . . . and the strength of her very own family.
6. Karma by Cathy Ostlere
On October 31, 1984, Indira Gandhi is gunned down by two Sikh bodyguards. The murder sparks riots in Delhi and for three days Sikh families are targeted and killed in retribution for the Prime Minister’s death. It is into this chaos that fifteen-year-old Maya and her Sikh father, Amar, arrive from their home in Canada. India’s political instability is the backdrop and catalyst for Maya’s awakening to the world. Karma is the story of how a young woman, straddling two cultures and enduring personal loss, learns forgiveness, acceptance and love.
7. Orchards by Holly Thompson
After a bullied classmate commits suicide, Kana Goldberg – a half-Japanese, half-Jewish American- is sent to her family’s home in Japan for the summer. Kana wasn’t the bully, not exactly, but she didn’t do anything to stop what happened, either. As Kana begins to process the pain and guilt she feels, news from home sends her world spinning out of orbit all over again.
8. Tall Story by Candy Gourlay (David Fickling Books, 2010)
Andi hasn’t seen her brother for eight years and when he steps off the plane from the Philippines, she cannot believe her eyes. He’s tall. EIGHT FOOT TALL. But Bernardo is not what he seems. Bernardo is a hero, Bernardo works miracles, and Bernardo has an amazing story to tell. In a novel packed with quirkiness and humor, Gourlay explores a touching sibling relationship and the clash of two very different cultures.
9. Under the Mesquite by Guadalupe Garcia McCall (Lee and Low Books, 2011)
As the oldest of eight siblings, Lupita is used to taking the lead—and staying busy behind the scenes to help keep everyone together. But when she discovers Mami has been diagnosed with cancer, Lupita is terrified by the possibility of losing her mother, the anchor of her close-knit Mexican American family. Suddenly Lupita must face a whole new set of challenges, with new roles to play, and no one is handing her the script.
10. Wanting Mor by Rukhsana Khan (Groundwood Books, 2009)
Set in war-torn Afghanistan, post-Taliban and just after the American invasion in 2001, Wanting Mor brings a ravaged landscape to life and portrays the effects of war on civilians caught up in conflict, especially on children. Based on a true story about a girl who ended up in one of the orphanages Rukhsana sponsors in Afghanistan through the royalties of her book The Roses in My Carpets.
By: Aline Pereira,
on 9/28/2012
Hello and welcome to this week’s Poetry Friday. I will update this post with your posts throughout the day – in the meantime, please leave your links in the Comments below.
In honor of the mosaic of poetry that will make up the wonderful whole as created each week for Poetry Friday, I thought I’d highlight Jorge Luján’s gorgeous poem-turned-picture-book Sky Blue Accident/Accidente Celeste - beautifully translated by Elisa Amado and illustrated by Piet Grobler (Groundwood Books, 2007) (and the “beautifully” refers to both the translation and the illustrations, by the way).
Before the poem starts, two double-page spreads show a small boy cycling to school, at first concentrating hard on the task in hand and then being distracted by a bird in the sky… And so:
Una mañana de brumas
me tropecé con el cielo
y a los pedazos caídos
los escondí e mi bolsillo.Once on a misty morning
I crashed into the sky,
Then hid its broken pieces
In my pocket.
What follows is a joyous flight of imagination, as the child tries to show the pieces of sky to his teacher; and then all the children try and repair the hole in the sky by painting a new one, to get things back to normal (for without a complete sky “Lost clouds stumbled around/bumbling into corners,” – isn’t that a beautiful image? – and the moon is also behaving oddly…). The boy then uses the fragments of the “real” sky to fill in the last remaining gaps.
The poem is a delight and Piet Grobler’s gorgeous illustrations are very clever as well as a joy to the eye – for they combine the flight of imagination in the poem (including a teacher who grows wings and flies out the window) with a school setting that has the boy drawing on his lined exercise paper; and there are also certain visual motifs that the reader catches up with eventually. You can see some pages from the Spanish edition on Jorge’s website.
So now we will see what kind of sky Poetry Friday brings us this week. Will it be cloudy, gray or blue – or maybe sparkly or rosy or velvet? I can’t wait to find out… and if you have a moment on your hands while you’re here wondering too, do pause and watch this video of Jorge’s poem Tarde de Invierno/Winter Afternoon, illustrated my Mandana Sadat, and like Sky Blue Accident, beautifully translated by Elisa Amado and published by Groundwood Books (2006). It’s still my favourite book video ever…
By: Betsy Bird,
on 4/23/2012
Once in a while I’ll be impressed by a book for kids, pick it up to review it, and in the course of writing the review become more and more impressed as I return to the book for double, triple, quadruple looks. It hasn’t happened all that much lately. Usually it requires a special kind of title. So when I saw Jimmy the Greatest! a month or so ago I thought it might make for a good review thanks to its subject matter. It’s not like fun stories set in poor Latin America villages appear on my desk every day. I read it and enjoyed it but it wasn’t until I reread it, and reread it, and reread it, and reread it some more that the sheer brilliance of this little number got to me. With a careful hand author/illustrator pair Jairo Buitrago and Rafael Yockteng have created a book that is an ode to the people who stay in small communities, helping and improving the daily lives of their friends and neighbors. This is a story that folks can relate to, no matter where they live. It’s a paean to the heroes of small town life. Unsung heroes, I have located your book.
Jimmy’s fishing village is not particularly big or impressive since “there is usually only one small church and, if you’re lucky, a little gym where you can hit a punching bag, skip rope or box.” Boxing is precisely what Jimmy and all the other kids in the village spend a lot of their time doing, until one day Don Apolinar (who runs the gym) gives Jimmy a box containing books, magazines, and information about a guy named Muhammad Ali. Suddenly Jimmy starts using those glasses he never paid much attention to before and he’s reading everything he can get his hands on. In time, Don Apolinar leaves the village for the big city, but that’s okay. Jimmy stays behind, opening a little library and improving the boxing ring, and making the village a better place.
I was discussing this book with a friend the other day and asked her, “Can you think of any other picture book where a character from a small town stays in that town to improve the lives of others?” She pointed out to me that while that may not happen in a lot of fictional picture books, it happens all the time in nonfiction ones. Of course usually in books like Planting the Trees of Kenya by Claire A. Nivola or She Sang Promise by Jan Godown Annino the hero goes away, gets some kind of training, then comes back to their village or tribe to improve life for others. The interesting thing about Jimmy the Greatest! is that our hero stays to make things better without ever having left himself. Yet what I liked about this was that the book doesn’t box Jimmy in. When he&rsq
By: Aline Pereira,
on 2/15/2011
February is Black History Month in Canada so I trundled off to the library to find some good books on the topic. The librarian showed me a new book they had just received for their collection: Viola Desmond Won’t be Budged by Jody Nyasha Warner and Richard Rudnicki (Groundwood Books, 2010) This book tells a little known story of a black woman, Viola Desmond, in 1946 who refused to move out of her seat on the main floor of a movie theatre in New Glasgow, Nova Scotia to the balcony where, as the usher tells her, “your people have to sit.” Viola, however, does not budge. Eventually she is arrested by the police, put in jail over night, and fined twenty dollars for her resistance. Clearly, Viola’s act of defiance was in reaction to racist treatment, but the people of the time somehow could not articulate this second-class treatment of her as such. Viola was jailed and fined, ostensibly, for not paying the higher ticket price for sitting on the main floor, even though she offered to pay the extra one cent in tax required for such a privilege. When the black community of Nova Scotia rallied around Viola to appeal her conviction, the case was thrown out of court on a procedural technicality. The battle was not won; however, the point was made.
When I read this book to my daughter, the moment the theatre usher says to Viola “You people have to sit in the upstairs section,” she sensed something was wrong, but had trouble articulating it. Finally, she said “It’s racism, isn’t it?” stumbling a little over the R-word. She could hardly believe that Viola had to go to jail and be fined twenty dollars (which at the time would have been a significant amount to pay,) for not going upstairs to the balcony. As obvious as the racist treatment was in the situation, the word ‘racism’ somehow just didn’t seem to come up in the text or in the story — it was like the white elephant in the room. Racial segregation, did in fact, exist in Nova Scotia, but no one wanted to acknowledge it in this situation but Viola herself, by refusing to budge. And that was what made her rather singular much like Rosa Parks in the U.S.
This is a story Canadians need to know about themselves. I’m glad to have read it to my daughter whose eyes were opened to the history and experience of black Canadians in Nova Scotia.
By: Aline Pereira,
on 1/31/2011
When PaperTigers’ book reviewer Abigail Sawyer mentioned to me that she is going to be hosting a Blog Carnival about bilingualism over at Speaking in Tongues today, she got me thinking. Again. I first started mulling over bilingual children’s books here in relation to Tulika Books, a publisher in India that produces bilingual books in many different Indian languages alongside English, and to former IBBY Preisdent and founder of Groundwood Books Patsy Aldana’s comments in an interview with PaperTigers, and I will quote them again here:
I have always been opposed to the use of bilingual books, however given that Spanish-only books hardly sell at all, I have had to accept that books in Spanish can only reach Latinos if they are bilingual. This goes against everything I believe and know to be true about language instruction, the joy of reading in your mother tongue…
I was surprised by Aldana’s dislike of bilingual books because I love them and my children love them, and I have found that they can be a joy for inquisitive children seeking to learn independently – but I do realise that our contexts are different. Aldana’s dislike of them seems to stem from their being a substitute for monolingual Spanish books in an English-biased market, and she has found a pragmatic way of providing books in their mother-tongue to the Latino community in North America.
We love reading bilingual books because, although our main vehicle is the English, having another language running alongside, often enhances the reading experience for us, especially where the setting of the story is culturally appropriate to the language. This is true even when we can’t read the script, because even without being able to understand it, we can sometimes pull out certain consistencies. Seeing the writing always provides a glimpse of that different culture.
One of my favorite books of the last few year’s is Jorge Luján’s Tarde de invierno/ Winter Afternoon, published by Groundwood Books – and without the original Spanish and the English lying alongside eachother, we would not have been able to appreciate so fully the simply gorgeous animation Jorge and his family produced of the book (watch it here). Some authors like Yuyi Morales effortlessly slide between English and Spanish (we love her delightful Señor Calavera and Grandma Beetle books, Just a Minute and Just in Case). Some books provide a parallel experience of language, like Demi’s Bamboo Hats and a Rice Cake or Ed Young’s Beyond the Great Mountains. None of these books is truly bilingual, in that they do not provide a similar reading experience regardless of which of the two languages you approach the story from – but they all offer a bridge between languages and cultures that is not to be understimated.
It would be very interesting to hear about the experiences and needs of truly bilingual parents and children. If you are bringing up bilingual children or have bilingual children in your class, do you or they seek out bilingual books? Are you frustrated by what’s out there –
By: Aline Pereira,
on 5/28/2010
Jack Pine is a book of poetry for children by Christopher Patton, illus. by Cybele Young (Groundwood, 2007). It is about the Jack Pine (Pinus banksiana), an ubiquitous member of the pine tree family, seen in most parts of boreal Canada and the northern U.S. It’s a gutsy, spindly, tenacious tree, that is hardy but not of particular use to humans. As Patton speaks of the unlovely qualities of the tree, he adds “What matters more than all of this –/ he’s useless. Just useless. No good/for lumber, ships, shingles, or crates./Useless!” But this is not entirely true. The Jack pine has another name. It is often called the ‘nurse tree’ and slowly through the book, the poet reveals this inner quality of the tree.
Cybele Young’s wonderful “illustrations” are a bit of a misnomer since they were originally three dimensional collages of etched paper. The etchings show the Jack Pine in its various states of being — as a seedling or fully grown, juxtaposed against some of the settings where the tree is found. Other varieties of pine like the white and red pines, are also displayed and written about. The array of juxtaposed etched images convey a sense of the dynamic range of the Jack Pine in both setting and poetic ’story.’
Jack Pine felt to me to be a very Canadian poetry book, celebrating a tree most Canadians know well, having seen them from off the highway or in the woods and near farms. When I was young, our family used to go hunting for matsutake mushrooms in the Rockies, and it was under the loose sandy soils where the lodgepole pines (a close relation to the Jack Pine) thrive, that some of the best mushrooms could be found. For us a stand of these particularly ‘useless’ pines was a sign of treasure for what they ‘nursed’ below!
This week Poetry Friday host is Patricia at The Miss Rumphius Effect.
By: Aline Pereira,
on 4/21/2010
Established in 1978, Groundwood Books is a small children’s book publisher, associated with House of Anansi Press, that specializes in Canadian authored books (with a special interest in books by First Nations authors), bilingual books in English and Spanish, translations from around the world, and a non-fiction line aimed at young adults. Their catalog features a long list of award-winning titles that reflect individual experiences and are of universal interest.
Patricia (Patsy) Aldana, founder and publisher of Groundwood Books (and president of IBBY , the International Board on Book for Young Readers since 1997), answered our questions about My Little Round Rouse, one of the seven titles selected for inclusion in our Spirit of PaperTigers Book Set Donation Project; her commitment to publishing books by First Nations authors; the multicultural titles on their Fall list, and more.
In our series of interviews with the publishers of the books selected for our Spirit of PaperTigers project, I normally start by asking how the book in question came about as a project for the publisher. Since we already know the answer to this question in relation to My Little Round House, both from our interview with author Balormaa Baasansuren and from translator Helen Mixter’s article, My Little Round House: The Journey of a Picture Book from Mongolia to Canada, we’ll start by asking…
PT: What in particular attracted you to My Little Round House?
PA: I thought it was a really special book about people whose lives are very different from ours. I also thought it was a very unique look at a baby’s life, a life that despite being nomadic seemed wonderfully cosy and safe.
PT: The books you publish often tell the stories of people whose voices are underrepresented. What first motivated you to start on this path and how do you manage to stay true to your mission?
PA: Being a Guatemalan, I guess that seeing the world through the eyes of the marginal has always come naturally to me. There are so many books published from and for the mainstream that, for me, focusing on underrepresented authors and illustrators was one way to justify being a publisher. As a small Canadian house, this focus has also been a way for us to distinguish ourselves from the huge multi-nationals with whom we have to compete.
PT: How did the decision to stop selling rights to the American market and to start publishing your books in the US come about?
PA: As US publishing changed from the editor-driven houses that I first came to know (Margaret K McElderry, Dorothy Briley, Susan Hirschman, Phyllis Fogelman, etc.), it became harder and harder to sell rights to our books in the US. At the same time Canada began to cut funding to school libraries and as a result our domestic market really shrank. We had to publish ourselves in the US or die. And that meant we had to bring our best books to the US in order to establish our list. We had very little money, but we had the quality of our books and needed to show our whole list in order to make our way.
PT: Since 1998 Groundwood Books has been publishing stories in English and Spanish by people of Latino origin under its Libros Tigrillo imprint. What motivated the creation of this imprint, and how has this part of the business grown since then?
P
By: Becky Laney,
on 11/12/2009
Khan, Rukhsana. 2009. Wanting Mor. Groundwood Books. 190 pages.
I thought she was sleeping.
Jameela is a young Afghan girl with a world of sorrow. After losing her mother (the Mor in the title), her father decides to sell what he can, pack what he can, and head back to Kabul. He is her only family, and so while she doesn't want to leave the only home she's known, her place is with him. Even if she doesn't like her father's choices and the company he keeps.
Jameela treasures up every memory she has of her mother. Mor always told Jameela that "if you can't be beautiful, you should at least be good." And Jameela feels those words must be true. If she can just be good enough, work hard enough, the people around her should start to appreciate her, respect her, and maybe just maybe come to care for her. She knows she isn't beautiful. She was born with a cleft lip. But surely she is more than that. She is more than her imperfect face. Can anyone look beyond and see what strength, what devotion lies beneath?
This was an emotional read for me. Jameela was such a strong (yet vulnerable) heroine. I loved her resilience and respected her devotion to her faith. This book is set in 2001 in Afghanistan.
© Becky Laney of Becky's Book Reviews
By: Jill,
on 4/24/2008
Tuk and the Whale by Raquel Rivera
Age Range: 8-10
Hardcover: 96 pages
Publisher: Groundwood Books (April 28, 2008)
Language: English
ISBN-10: 0888996896
ISBN-13: 978-0888996893
Source of book: Review copy from publisher
It's the early 1600s, and Tuk, a young Inuit boy sees a giant ship approaching his group's winter camp on the Baffin Islands. It's a ship of European whalers who've been blown off course. These "Qallunnaat" (foreigners) are malnourished and exhausted, and they appeal to the islanders for their help catching "Arvik," a breed of a gigantic and elusive black whale. There is distrust and uncertainty on both sides, as is evidenced by Tuk's thoughts early on in the book:
"Strangers couldn't be trusted. They weren't related by blood, or by marriage. They didn't bring news of friends and family in other camps. They could take things, break things--even hurt people. It was easy for strangers to do bad things to people because they didn't know anyone. And they could always just leave again." (p. 16)
Love love love this book. We starred it as well: http://www.slj.com/2015/02/reviews/best-of/february-starred-reviews/
I recently saw this book featured elsewhere and I just LOVE the illustrations and the whole premise. Can’t wait to enjoy it in person!