We look at the top contenders in this year's Oscar race for best animated short.
The post 2017 Animated Short Oscar Contenders: A Record Number of Films Are Competing appeared first on Cartoon Brew.
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We look at the top contenders in this year's Oscar race for best animated short.
The post 2017 Animated Short Oscar Contenders: A Record Number of Films Are Competing appeared first on Cartoon Brew.
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Blossom, Bubbles, and Buttercup are joining the party in Austin next month.
The post SXSW 2016: Competition Shorts, ‘Powerpuff Girls’ Premiere Announced appeared first on Cartoon Brew.
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Seventeen animated shorts were selected for the Sundance Film Festival's short film categories this year.
The post Take a Look at Sundance’s 2016 Animated Short Selections appeared first on Cartoon Brew.
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Kangmin Kim impressed in 2010 with his student short Visit. He has continued to evolve his labor-intensive mixed-media approach with his thesis film, 38-39°C, and confirmed that he is a major talent to watch.
The father-son relationship that is at the center of the film doesn’t lend itself to easy explanations, but the idea is conveyed eloquently through layered imagery and sound that achieves a fever-dream intensity. There is fantastic attention to detail throughout, and seamless compositing of visual elements. The quirky animation of the hinged paper cut-out figures provides the welcome human touch that is absent from many slickly produced stop motion shorts nowadays. Watch the making of video for a literal behind-the-scenes look at Kim’s process.
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Post tags: CalArts, cut-out, Kangmin Kim
While animation is usually a time-consuming craft, some people push it further than others. All I could think of while watching Kangmin Kim’s Visit was how long it took him to make the film. The mixed-media project (stop motion, cut out and paint on glass) was made in the CalArts experimental animation program, and while the storytelling leaves something to be desired, the careful attention to visual detail is entrancing. The making-of video after the jump offers a glimpse at his insane production process:
(via Kirsten Lepore)
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