How to use this Page

Last Son by Brad Ricca.

Men of Tomorrow by Gerard Jones.

Secret Identity by Craig Yoe.

The Book of Lies by Brad Meltzer (plus the triumphant 2008 campaign he spearheaded to renovate Jerry Siegel's former Cleveland home).

Boys of Steel: The Creators of Superman by golly.

To name only five.

A friend asked me why I think the last few years have seen a surge in interest in Siegel and Shuster. Good question, and it also begs a more specific one: is this increased interest only within the comics community or also among the general public?

Either way, I don't think it has as much to do with Michael Chabon as some might say. The Amazing Adventures of Kavalier & Clay (which came out in 2000) wonderfully helped bring a certain mainstream validation to comics, but I don't think the book inspired the average reader to then pick up, say, Men of Tomorrow. And despite its popularity, it didn't make Siegel and Shuster household names (not that it was necessarily trying to). To comics people, Kavalier & Clay was an engaging new lens through which to consider the Siegel and Shuster story. To non-comics people, it was just another good book.

My friend wondered if the surge in interest might relate to the litigation between the Siegel family and DC Comics. But that is not on the radar of most people beyond the industry, at least not those I talk to.

I think the interest is at least in part because of a suddenly urgent sense of posterity—the last of the Golden Agers are dying now, so people are scrambling to document them while those original creators (or people they knew) are still around to speak for themselves.

I think it also has to do with the timing of the formative years of our generation. Many of the people researching Siegel and Shuster today grew up in the 1970s and 1980s. The superhero culture of that period has had a distinct influence in what has been happening recently at DC:

• the acclaimed mini-series Justice written by Jim Krueger and Alex Ross paid tribute to the Legion of Doom from the cartoon Super Friends (which debuted in 1973)
• the Hall of Justice and Wendy and Marvin, also from Super Friends, have been brought into print "continuity"
• other characters created for that cartoon (the Wonder Twins, Black Vulcan, Samurai, Apache Chief) are getting the action figure treatment (strange, when you think about it, that it took as long as it did)
• artists are drawing Superman to resemble Christopher Reeve (the first Reeve Superman movie came out in 1978)
• the animated series Batman: The Brave and the Bold is based on a comic whose glory days were the 1970s

At least four documents show that Michael Siegel (father of Jerry Siegel, co-creator of Superman) died not from gunfire as stated in Men of Tomorrow and elsewhere but from a heart attack during a robbery of his clothing store in 1932. Earlier, I posted one of those documents, the coroner's report.

Here is the first page of the second, the police report. I am not posting the second and third pages—to see those (as well as the third document, the death certificate), you will have to wait until my friend Brad Ricca's book comes out. As for why I am doing it this way, see below.

property of the Police Department, City of Cleveland

Page 1 (above) is titled Casualty Report. It specifies "heart failure." Here is my best shot at a transcription of the rest:

"when Michael Siegel became excited when three unknown Negroes entered his store at 3530 Central Ave and one of them walked out with a suit of clothes ? the events ? Michael Siegel fainted and fell down on the floor causing his death"

Page 2 is titled Criminal Complaint. Page 3 is Departmental Information. They both have some great details so check Brad's blog for announcements.

Obtaining this police report was a fortunate fluke. Before Brad and I discussed the police report, he had already tried to get it. The police department told him if he could find it, he could have a copy. (Apparently, and oddly, they could not find it.)

Meanwhile, when I requested the coroner's report, which set me back 20 cents, I was told that the police report was attached to the coroner's report, but the coroner's office was allowed to send me only the coroner's report. I asked Brad if he could ask his police contact to authorize the coroner to send him the police report—and it worked. Teamwork triumphed, problem solved, report received.

IFWBC - LSR.

Boys of Steel: The Creators of Superman is featured in the cover story of the Life section of USA TODAY...and appears in the top right of the front page!


The online version does not use the same art (unfortunately, that means no art from the book) but I think the text is unchanged.

The key point here is that my book is the first to correctly describe the death of Michael (sometimes Mitchell) Siegel, the father of Jerry Siegel, co-creator of Superman.

Others have written that he was shot to death during a robbery of his clothing store.

He did die during a robbery, but because of a heart attack, not a gunshot. At least according to the police report, coroner's report, death certificate, and obituary.

And this was in 1932—six years before the fame of Superman—so there would be little reason for a cover-up. Just another tragedy for just another merchant in the pit of the Great Depression.

I tip my research hat to documentary filmmaker Brad Ricca, who discovered the truth about Michael Siegel's death before I did. However, I discovered it for myself before he told me he had, too!

It's been just over two weeks since Boys of Steel: The Creators of Superman came out, so it's a good time for a book tour.

I don't mean me hitting the road to promote it (that will start in September) but rather me touring you through the book itself, pointing out behind-the-scenes details.

The pages aren't numbered. (Publishers fear that could turn off readers by reminding them how short picture books are.) So I'll reference pages by their first few words.

"But Tarzan, Flash Gordon, and Buck Rogers..."

attention to detail - The coroner's report for Jerry Siegel's father Michael stated that one man robbed Siegel's clothing store. His death certificate stated two men. Both the Cleveland Press obituary and the police report stated three. That left us with no way to accurately reflect all four reports, but showing two robbers covered us for three of the four reports (if there were three robbers, one is simply off-frame here).
attention to detail - Both the police and coroner's reports identifed the robbers as "Negro."
attention to detail - The coroner's report indicated that Michael Siegel had gray hair.
attention to detail - It is unlikely that the store was named "Siegel's" as there was another store in town with that name.
misbelief corrected - Men of Tomorrow was the first published source to address the tragic end of Michael Siegel—but the book got a crucial detail wrong. Siegel did die during a robbery of his store, but not by gunshot. His heart failed. No wounds were on his body. A key plot device in Brad Meltzer's novel The Book of Lies (which I have not read) is the missing gun that allegedly killed Michael Siegel—but none of the four reports invoke the possibility of murder. According to the police report, "At no time were any blows struck or any weapons used."

"Jerry read amazing stories..."

attention to detail - I try to avoid the word "amazing" (and other toothless adjectives including "wonderful" and "fantastic") in my writing, but I broke my own rule here as a nod to a pulp magazine called Amazing Stories. We depicted the influential August 1928 cover because the flying man was an image that stuck with Jerry.

"Jerry also wrote his own..."

attention to detail - The window and the view out it are depicted as they actually looked.

"Jerry was shy..."

attention to detail - "Weird tales" is another phrase I incorporated because it was the title of a pulp.

"Jerry and Joe could've passed..."

attention to detail - I can't recall seeing any photos of a young Joe Shuster wearing glasses. I read that he always took them off before being photographed. However, he is wearing glasses throughout the book since he was not posing for photographs in any of the scenes.

"But he did it with pictures..."

attention to detail - Joe was left-handed.
attention to detail - Jerry and Joe were Jewish. I wanted to indicate that but did not find an organic way to do so in the text. That's why we show Shabbat candles here. (I also mention their Jewishness in the afterword.)
attention to detail - That's a likeness of an actual drawing of Lois Lane that Joe did.

"Jerry managed to save..."

attention to detail - That's a likeness of the actual cover. Notice what Jerry's strategically positioned arm blocks.

"The character would be like..."

design - Early on, I decided I didn't want the whole book to look like a comic book. I felt that would be too obvious. Instead, I wanted just this spread to be in comic book format. This is the moment of Jerry's epiphany, the moment that his mind turns into a comic book, and I wanted that to stand out visually.

"Before dawn..."

misbelief corrected - Some articles and interviews state Jerry ran twelve blocks to Joe's. Nothing groundbreaking about this, but I measured it personally and it's exactly nine-and-a-half blocks.

"Just as Jerry had written all night..."

attention to detail - This scene takes place later the same day as when Jerry ran to Joe's wearing his clothes over his pajamas, yet his pajamas are not shown here. I didn't notice this till after the book was printed, but I can conveniently explain it away: it was hot so it's fair to assume that, at some point, Jerry would have taken off the pajamas at Joe's.

"The boys thought this hero..."

attention to detail - I am still conflicted that I wrote that the boys "happily" agreed to convert their comic strip to a comic book. Some sources give the sense that Jerry and Joe felt it was a step down. Comic strips were highly regarded at the time whereas comic books, in their infancy, were not. However, Jerry and Joe had turned down at least one previous offer for Superman (because they didn't feel the publisher could handle it properly), suggesting they did have some restraint and business savvy.

"One of the owners..."

attention to detail - That's a likeness of Harry Donenfeld.

"The Great Depression had lasted..."

attention to detail - Normally I would not use a phrase like "powers and abilities" because it's redundant, but as you've probably already observed, it's one of several phrases associated with Superman sprinkled throughout the book; others include "faster than a speeding bullet" and "up, up, and away."
attention to detail - There will always be dispute as to which character deserves the title of the first "true" superhero—The Scarlet Pimpernel (1903), Tarzan (1912), Zorro (1919), Buck Rogers (1928), Popeye (1929), The Shadow (1930), The Lone Ranger (1933), Flash Gordon (1934), The Phantom (1936)?—but in terms of worldwide familiarity and overall influence, I'd give it to Superman.
attention to detail - In the first version of this spread I was shown, the movie was in full color. When I saw the finished book, I didn't notice right away that it had been changed to black and white. Technically, the former was correct. The first Superman movies (which is what this illustration is representing) were the Fleischer animated shorts that debuted in 1941—and they were in vibrant color.

afterword, page 1

misbelief corrected - Despite what Men of Tomorrow and various other sources state, there is no known evidence and little likelihood that Adolf Hitler or Joseph Goebbels personally banned Superman at a Nazi gathering. I consulted multiple professors who specialize in Nazi history and work at top institutions and none knew of it. None of the thick books on World War II that I checked mentioned it either. I explain in the text where this misconception probably came from, a theory courtesy of Dwight Decker.

afterword, page 2

attention to detail - I state that Jerry's 1975 press release was nine pages. Other sources state that it was ten. However, because the first page is not numbered and because it reads, "Full details are in the enclosed news release," I (and apparently Jerry) considered it a cover note. The second page is also not numbered and the third page is numbered "2." (Are you in awe of this hard-hitting investigative analysis?)

afterword, page 3

attention to detail - Can you find the typo on this page—the only one I've noticed in the book? Clue: it was a last-minute typo...

This concludes our tour.

As you will read in Boys of Steel, 1975 was a pivotal year in Superman history.

That year Jerry Siegel turned 61 and resumed his mission to secure financial security from his co-creation. But that time, for the first time, Jerry did not sue. Instead he sent out a press release to hundreds of outlets. He wanted his and Joe's story to be told in the mainstream media. Then public pressure might get him and Joe what decades of litigation had not.

Thing is, no reporters called.

Until Phil Yeh, publisher of a local newspaper in southern California. At the time, Phil was not much older than Jerry had been when he conceived Superman.

Phil assumed he would have to get in line to interview Jerry, but he became the first person to write on the Siegel and Shuster plight.

I consider Phil one of the two most significant yet unheralded people in the seventies segment of the Superman saga. He's now a friend and he kindly agreed to an interview about his role in nudging Jerry and Joe toward the Christmas 1975 settlement that changed their lives. As for the other person, he's also a friend now and his interview is my next post.

For those not familiar with your link to Siegel and Shuster, could you please give the capsule summary?

In 1975, I was publishing an arts newspaper in Long Beach, California called Cobblestone which later changed its name to Uncle Jam and continued through the 1990s. We did our typesetting at the Marina News, a local paper in the Belmont Shore area of the city (I also worked at the Marina News for a few years). Helen Arterburn, the editor of the Marina News got the press release from Jerry Siegel and thought that I would be interested in the story since she knew that I drew cartoons and often had done interviews with cartoonists.

Phil Yeh and friend 1974; photo courtesy of Phil Yeh

Phil Yeh today; photo courtesy of Phil Yeh

Below is an article by Author Mayra Calvani. (I am illustrating a children's picture book written by Mayra)
This is Mayra's blog-tour stop on my blog.

For anyone who leaves a comment, she will be giving away a $20.00 Amazon gift certificate on Christmas day to the winner of a drawing if you leave a post after you have read the article.


On the Author/Illustrator Relationship…
By Mayra Calvani

For most authors, working with an illustrator for a picture book can be a thrilling yet stressful experience. Having created the imaginary world in their stories, authors often wonder whether or not the artist will be able to grasp the essence of the setting and characters—not only physically, but tone-wise as well. After all, it is up to the artist to bring the story visually to life. Sometimes the artist may have a different idea for the artwork than the author, and this can create problems.

When working with the big publishing houses, authors hardly have any saying as far as the artwork goes. The art department assigns the illustrator who they think will be better suitable for the book, and that’s that. With small presses, the author has more influence in the matter and often authors and illustrators work side by side. This, by the way, doesn’t necessarily lead to a better book. It’s okay for the author to indicate her vision for the book, but it’s also important to allow the artist to be creative and do her part. Likewise, an illustrator should keep in mind the author’s vision for the illustrations. Mutual respect and communication are essential in any relationship, and for authors and illustrators working together this is no exception.

Of course, an author has the most control over the artwork when she hires an artist for a self publishing project. This is how I found Amy Moreno. Initially I was planning to self publish my children’s picture book, The Doll Violinist. I had sent it out to dozens of agents and publishers, without success. I got some good comments on it, but apparently the editors and agents found the story’s tone too ‘quiet’. Nevertheless, I had faith in my project and set out to find the right illustrator for it. My plan was to keep submitting while the artwork was being done, and in the event that I didn’t have a publisher by the time it was finished, then I would publish it myself.

But to go back to Amy … I spent about three months searching online, studying illustrator’s styles and querying the ones whose work I liked to learn about their fees and work schedules. I found Amy via ChildrensIllustrators.com (http://www2.childrensillustrators.com/illustrator.cgi/art4kidsbooks/). I believe in the sixth sense, and I instantly felt a connection to Amy’s beautiful illustrations and renderings. I got in contact with her. To make a long story short, I sent her The Doll Violinist and she loved it. Amy’s background in music and the cello was a huge plus, as I really wanted someone who would understand the musical aspect of the story. After I described her what I was after and we exchanged ideas, I asked her to send me a sample illustration, which she did. When I saw it, I was spellbound—in that single black & white drawing, she had perfectly captured the essence of the story. This was in the fall of 2006. She’s still working on the illustrations, 24 in all, and in the meantime I have been sending off the story and sample artwork to various publishers. The Doll Violinist won an Honorable Mention Award at the Writer’s Digest Writing Competition and was one of 12 finalists this year at the ABC’s Children’s Picture Book Competition, so I’m still hoping that it will catch the attention of a publisher. Working with Amy has been a thrilling and rewarding experience as we see the story, setting and characters come to life. Since the story takes place in Victorian Europe, Amy has done a tremendous amount of research for the fashions and architecture of the time. She spent a long time studying the postures of violinists and even bought a violin so she could get the violin illustrations perfectly right! Thanks to her skill and vision, I know the book will turn out a beautiful product, whether traditionally or self published.

In the case of The Magic Violin, however, it was my publisher, Lynda Burch of Guardian Angel Publishing, who assigned the artist, though she asked my opinion before a decision was made. As soon as I saw K.C. Snider’s website (http://www.olaharts.com/kcsnider.html, or http://www.portfolios.com/profile.html?MyUrl=KCSnider) I was very impressed by her drawing and paintings, especially of horses, which are her specialty. So I accepted her suggestion to have K.C. illustrate my book. K.C. was wonderful to work with, even though I made a few mistakes initially. For one thing, I didn’t give her enough information about the setting and especially about the correct postures for a violinist. This created some delay as I found errors in the artwork which had to be fixed. I blame myself for this. If I had spent more time communicating, I would have made both our lives a little easier. She was very open to suggestions and wanted me to be happy with the result, so I’m really grateful to her for that. Part of the reason for this lack of communication was my hectic schedule, so this has been a valuable lesson—to always give my writing projects 100% of my attention. Fortunately, I’m happy with the results and especially with the cover. I think K.C. captured something special and even magical in that cover.

Every children’s picture book is an adventure and I can’t wait to dive into the next one. Finding the right illustrator can be difficult, but once you do, it’s really a worthwhile and exciting experience. The secret? Mutual respect and communication.



http://www.mayracalvani.com http://www.thedarkphantom.wordpress.com http://www.mayrassecretbookcase.com
http://www.violinandbooks.com
http://www.thefountainpennewsletter.blogspot.com