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Viewing: Blog Posts Tagged with: Scholastic Press Australia, Most Recent at Top [Help]
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1. Double the Size, Double the Fun – Picture Book Reviews

If you’re looking for picture books exploring friendships of massive proportions, then these two latest delights are for you. Perfect for melting any sized heart!  Blue Whale Blues, Peter Carnavas (author, illus.), New Frontier Publishing, 2015.   On first glance, I noticed something different about Peter Carnavas‘ most recent creation compared to his previous works. […]

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2. PS Mum, this is for you – Mother’s Day picture book reviews

Unconditional love, tolerance and understanding; all qualities most mothers possess in spades. They warrant gratitude every single day, not just on Mother’s Day. So this year, before you load up mum with a bed full of toast crumbs and good intentions snuggle up to her with one of your favourite ‘I love you’ reads. Here […]

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3. Double Dipping – Bedtime dramas abound

Putting the kids to bed is a rite of passage that not every parent survives in tact. Bedtime can be fraught with misadventure and procrastination. A five-minute goodnight kiss can draw out into a production of Oscar winning proportions. If you have kids under seven-years-old, chances are you’ve experienced a night or two like this. […]

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4. Reviews – Ripping Mid-Grade Reads Two Wolves & Little Chef, BIG Curse

Mid-grade readers, tween fiction, early YA; call themLittle Chef Big Curse what you will, but books for 8 -13 year-olds must satisfy vital criteria. They require substance, humour be it belly-busting or cloaked as parody, and a completely honest rendering of imagination, no matter how fantastical the premise. Little Chef, BIG Curse and Two Wolves fulfil on all counts. Both are heftier reads for mid to upper primary aged kids (in excess of 200 pages). And ones I could have gleefully gobbled up again immediately I reached the end.

 Little Chef, BIG Curse is the debut work of Tilney Cotton and possibly one of the most exuberant reads I’ve enjoyed in ages. I’m not sure if it’s because of the foodie in me or the zealous, ribaldry with which Cotton writes but Little Chef, BIG Curse is utterly delectable and insanely moreish.

It’s an off-beat taTilney Cottonle about hapless 11 year-old, Matty Swink who dreams of being a famous chef. He is practically enslaved by the foul-tempered, mean-spirited Fenella as her live-in dishwasher. With no means, family or support, Matty’s future seems confined to sleeping under the sink in Fenella’s diner. But dreams as big as Matty’s cannot be suppressed forever and when the King of Yurp announces a grand Cook-Off and the chance to break a 500 year-old curse on his only daughter, Matty finally forges his way to fame and freedom.

This is a zinger of a tale tickling with intrigue, bubbling with soul and simmering with an underlying sinisterness that kids will find electrifying. Cotton’s brilliant mix of colourful characterisation and original one-liners like, ‘roll with pumpkins’ produces a story that is full of punch, flavour and fun. Peppered with a generous helping of comical metaphors (‘breath like dog poo’ is a favourite), sprinkled with danger and seasoned with revenge, Little Chef, BIG Curse has all the humorous and gross ingredients of a Morris Gleitzman adventure and some. Top notch nosh! That gets 10 out of 10 from me.Tristan Bancks RH

Scholastic Press February 2014

Tristan Bancks’ junior adventure books including the My Life, Nit Boy, Mac Slater Cool Hunter and the Galactic Adventures series rival those of Paul Jennings, Morris Gleitzman and Michael Gerard Bauer. Like kids 8 – 13 years-old, I can’t get enough of his quirky, comedy-loaded, layback style. Two Wolves however is a decisive departure from previous offerings aimed at the slightly older reader, demonstrating more drama, stronger conflicts and more thought-provoking themes. It blew my breath away.

Two WolvesUsing the Cherokee Indian allegory that we all have good and bad (wolves) dwelling within us as the catalyst for conflict, Two Wolves explores moral dilemmas, innocence versus experience and family blood being thicker than water. Which wolf ultimately wins the internal battle depends on which one we feed, as thirteen year-old Ben Silver discovers.

Ben aspires to be a detective but naively lives in a world of limited resources and shaky real-life experience. He re-lives much of his life through the lens of an internal camera, ‘playing on the cinema screen at the back of his eyelids’.

This movie-making processing of events allows him to deal reflectively and safely with some pretty confronting issues, the most recent being the inexplicable, unplanned retreat into wildness with his parents.

Life on the run with them and his young sister, Olive, soon deteriorates into a painful battle of survival and family ethics. Ben is desperate to figure out what his parents are fleeing from and why but is uncertain of what to do with the truths he may uncover.

Ben’s most daunting concerns, apart from remaining alive with Olive, are the choices he is confronted with; right vs. wrong, family loyalty vs. honourable action. How Ben decides to end his movie makes for a gripping novel heaving with adventure and mystery.

Bancks’ delivery of Two Wolves is tight and crisp. Fragmented internal thought and observation are favoured over rambling descriptive narrative which keeps the reader firmly in Ben’s moments of extreme agitation. Ben is a believable hero. His naïve, almost tongue-in-cheek humour works beautifully against the darker aspects of this story resulting in a novel tweens can and will relate to even if they have never been in Ben’s situation.

Can money buy happiness? What scruples do you possess when it comes to family, or having to confess to a crime? Does deceit ever pay dividends? Two Wolves is destined to keep kids pondering over questions like these for months. Sensational stuff.

Random House Australia March 2014

 

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5. Amazing books for ANZAC Day – Picturebook reviews

Occasionally a thing that you witness, a song that you hear or a line that your read manifests itself indelibly within you, seemingly forever. Sometimes, not always, you remember the exact time and place and occasion that these erasable impressions mark your memory for the first time. Often this phenomenon occurs when you are still young in years and free in thinking. Memorable moments can be fortifying but also confronting and Along the Road to Gundagai shocking, which is why books like these, Along the Road to Gundagai and Gallipoli, constitute essential reading for young people.

Perhaps, had I been exposed to more picture books like these that introduced history and invited discussion and explanation, I may have been less shocked by the brutality of humans at war. Who knows? It was all in the past…

As ANZAC Day approaches urging us to remember the past, it’s difficult to know what to reach for when trying to share the meaning of these particular commemorations with your children. Unless they observe or participate in ceremonies or have relatives that do so, school is often the first place youngsters encounter terms like ANZAC Cove, the Great War, and diggers.

War is messy and cruel. It is horrid and scary but it is also about bravery, ingenuity, mateship, and perseverance. Along the Road to Gundagai and Gallipoli are picture books that capture the bitter essence of war in a way that is non-threatening but hauntingly real.

Jack O'HaganPenned by Australian musician, Jack O’Hagan in 1922 Along the Road to Gundagai has an almost anthem quality to it. It is not the first time a well-known song or verse has been purposely presented as a picture book but like others before it, the coupling of well-known lyrics with evocative images serves to anchor our appreciation and deepen our understanding of the story behind the words.

It is essentially a lament by the young men of the Great Wars; of their yearning to return to their youth which was so irrevocably spoilt by war.

Award winning Aussie illustrator, Andrew McLean, ironically ventured into the world of digital art to portray this poignant piece of history. The recollections of our narrating lad’s ‘old bush home and friends’ are all succinctly framed; captured moments matching the lyrical text, soft yet glowing.

Along the Gundagai Horses illoConversely, scenes from the scarred battle fields imbue entire pages with dark, sombre, desolation. Particularly arresting for me was the contrast of sunny skies over the Murrumbidgee and the gas-filled atmosphere of battle where even the horses wear gasmasks; the whites of their eyes betraying their confusion and terror.

All of us have a road to Gundagai we’d like to revisit. This powerful picture book rendition of an Aussie classic allows readers young and old to do just that.

GallipoliPicture books about the ANZACs of WWI abound. Many succeed thanks to the legendary intensity of the subject matter, the sensitive translation of emotions through illustrations and the poetic rendering of a brutal period of modern day history. Gallipoli by Kerry Greenwood and Annie White delivers all these and more.

It is simply the story of Gallipoli. It is Dusty and Bluey’s story told through the eyes of Bluey’s great grandson. But before you say, not another ANZAC tale, look again; at the sepia-coloured end pages depicting wartime and post war snap shots of our two mates. Be swept along on their adventure, across vast oceans and scorching deserts and No Man’s Land. Feel the hunger, the terror and the relief shared by these two young men whose unbreakable friendship withstands time and war.

Kerry GreenwoodGreenwood leaves no stone unturned in the retelling of this infamously failed military campaign, however 7 year olds and above could easily master and enjoy this account themselves because it reads as fluidly as fiction. There are few dates to stumble over and enough storyline to accommodate a myriad of historical revelations including; the futile charges, trench survival, Simpson and his donkey(s), and the Roses of No Man’s Land.

White never belittles the enormity of Bluey and Dust’s situation. Her illustrations show mortar attacks and bleeding wounds in full colour yet are neither cheerless nor grim. Subdued sepia photographs are ‘stuck’ on every page like an old well-loved album guiding the reader from the past to present day remembrance.

Stirring, significant and worth sharing, especially with school-aged children.

War is certainly not joyful but it was special to sit and read these with my 8 year old and by some strange twist of intent, it was she who helped me through the more emotional bits.

Along the Road to Gundagai

Omnibus Books February 2014

Gallipoli

Scholastic Press March 2014

 

 

 

 

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