I love Angela Ackerman and Becca Puglisi’s thesaurus books for writers. I think they help us when we’re stuck, remind us to use all our senses and find just the right descriptions, and prompt us to dig digger. So I was excited to hear that they have two new books out: The Urban Setting Thesaurus and The Rural Setting Thesaurus. And they’re celebrating with prizes! Read this guest post by Angela and Becca for more info. And if you haven’t already tried one of their books, I suggest you do. They are great tools for your writer’s toolkit.
There’s nothing better than becoming lost within the story world within minutes of starting a book. And as writers, this is what we’re striving to do: pull the reader in, pull them down deep into the words, make them feel like they are experiencing the story right alongside the hero or heroine.
A big part of achieving this is showing the character’s surroundings in a way that is textured and rich, delivering this description through a filter of emotion and mood. It means we have to be careful with each word we choose, and describe the setting in such a way that each sight, sound, taste, texture, and smell comes alive for readers. This is no easy task, especially since it is so easy to overdo it—killing the pace, slowing the action, and worst of all, boring the reader. So how can we create a true unique experience for readers and make them feel part of the action while avoiding descriptive missteps that will hurt the story?
Well, there’s some good news on this front. Two new books have released this week that may change the description game for writers. The Urban Setting Thesaurus: A Writer’s Guide to City Spaces and The Rural Setting Thesaurus: A Writer’s Guide to Personal and Natural Spaces look at the sights, smells, tastes, textures, and sounds that a character might experience within 225 different contemporary settings. And this is only the start of what these books offer writers.
In fact, swing by and check out this hidden entry from the Urban Setting Thesaurus:Antiques Shop.
And there’s one more thing you might want to know more about….
Becca and Angela, authors of The Emotion Thesaurus, are celebrating their double release with a fun event going on from June 13-20th called ROCK THE VAULT. At the heart of Writers Helping Writers is a tremendous vault, and these two ladies have been hoarding prizes of epic writerly proportions.
A safe full of prizes, ripe for the taking…if the writing community can work together to unlock it, of course.
Ready to do your part? Stop by Writers Helping Writers to find out more!
As many of you know, Angela and I have been whipping The Setting Thesaurus manuscripts into shape so they can be released into the world in just a few months. (*squeal*) Each entry has a lot of good information, but one of the fields kept drawing my attention:
(PSSST! The books aren’t out yet, but I pulled this tidbit from One Stop For Writers, where all the settings can currently be found. Subscribers can access the entries in their entirety while registered users can see a sampling.)
As a writer, I’m constantly looking for sources of conflict for my stories. This is one of the reasons we included this field, because people are our greatest resource when it comes to conflict. So looking at the kinds of people typically found in a given setting can give you an idea for who might cause trouble for your hero.
But as I was brainstorming for this field, one thought kept coming back to me: But what about the friends?
Courtesy: Antoine K @ CreativeCommons
I’m not talking about the friends that your character thinks are friends but end up stabbing her in the back. I’m talking about real friends who cause real trouble, often unintentionally.
As we know, friends, family, and allies can cause conflict, too. And because of their close connection with the main character, trouble from a friend inherently equates to elevated emotions for the hero. Plus, friends are so accessible; you won’t typically have to orchestrate a meeting in order to make the sparks fly because the friends are already there.
So it makes sense to use those closest to the hero to add conflict. But what kind of trouble can a true friend cause? Here are a few possibilities:
Opposing Goals: Throughout your story, your hero should have something he’s trying to achieve. But at the scene level, he should also have goals—smaller micro-goals that move him toward getting what he wants overall. Conflict comes in the form of people, forces, things, etc. that block the character from getting what he wants. Oftentimes this comes in the form of the antagonist, who is actively working against the character. But what if the character with the opposing goal is his friend? Fireworks, that’s what happens, between the hero and the person he thought was on his side.
Shared Goals: Another form of conflict comes when two characters want the same thing. Again, the typical scenario is the character and the antagonist or a rival going after the same objective—getting the boy/girl, winning the game/court case/contest, getting a spot on the team, etc. But it gets a lot more complicated when the person competing with the character is a trusted ally.
Clashing Traits: Every person is different, and though our friends are often somewhat similar to us, they’re not carbon copies. The same is true with characters and their cronies. Each member of the cast has traits, both positive and negative, that don’t go well together. Imagine a responsible and rule-following hero combined with a reckless friend. A controlling hero and a rebellious friend. Hard-working vs. lazy. Sensitive vs. tactless. Friends with opposing traits are going to get on each others nerves. Remember this in the planning stages of your story and you’ll end up with built-in conflict that’s easy to access.
Moral Arguments: Though friends aren’t going to agree on everything, every person has certain moral lines they’re not willing to cross. And though they know that other people don’t necessarily share their values, they don’t like them to cross those lines, either. While friends are willing to compromise on certain things, it’s much harder for them to give ground when it comes to questions of right and wrong. Knowing what values your character holds dear can help you use those values against him when conflict is necessary.
Envy: No matter how gifted, successful, good-looking, or popular a person is, there’s always someone who’s MORE gifted, BETTER looking, etc. Envy is an ugly emotion, beginning with negative thoughts that often turn to negative behaviors. When envy manifests between friends, it becomes much more complex, with higher stakes.
Insecurities: Every character has insecurities that make them doubt themselves and skew their view of the world and others. These insecurities can lead to poor decisions that impact the people around them. For instance, someone who’s insecure about his popularity may crack jokes at a friend’s expense if it will get him a few laughs. A girl who is insecure about her looks might latch on to anyone who pays her attention—even if that person is her best friend’s ex. If you’re looking for conflict between friends, figure out what insecurities exist and see what you can do to manipulate them.
Weak Moments: Let’s face it: no one is perfect. No matter how strong a friendship is, every person has selfish moments where they just want to do what they want to do no matter how it might affect others. What might that look like? Canceling plans with a friend when a better opportunity comes along. Not standing up for someone. Kissing a friend’s sister. Poor decisions are easy to justify, and our characters might convince themselves that these choices are no big deal. But weak moments often lead to huge fallout, making for great conflict.
Growing apart: It’s an unfortunate truth of friendship, but sometimes people just grow apart. Interests change, new groups are joined, people move on from a relationship that is holding them back in other areas or is unhealthy in some way. This is natural, but it doesn’t happen all at once. Before people have fully moved on, there’s often a long process full of awkward moments and uncomfortable emotions like confusion, self-doubt, anger, hurt, and bitterness. This leads to lots of potential conflict as friends try to figure out what’s happening and come to grips with the new dynamic.
The list of conflict between friends could probably go on and on, but these are a few of the ways that true friends can cause problems for your main character. Do you have any to add? Please share them in the comments!
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