It’s happened to us all. You hear that one of your favorite books for kids or teens is being adapted to the silver screen and you are struck with a simultaneous feeling of hope and fear. You go to see it and it’s even worse than you imagined. Then you leave the theater and realize that this was based on the first book in a series. Are they honestly going to keep going, even if this is a flop?
Thankfully, the answer is usually no. But what happens is that you’re left with a lot of series just ah-blowing in the wind. Here then is a tribute to those book series that are just not going to see any more sequels. Unless, of course, they get a reboot. Which, in at least one case, may happen.
The Seeker a.k.a. The Dark Is Rising
Remember this? Or has your brain done you a favor and allowed you to forget? One of the more egregious adaptations out there. In the midst of the Harry Potter films, studios were looking to recreate that same magic for themselves. And lo and behold, here is a fantasy series starring a special boy who learns he has the power to defeat a dark and ancient evil! Perfect! So what did the studios do? First, they made it American (one can only imagine the conversations that took place to make this happen – “I bet Harry Potter would have been MUCH more successful if he’d been from Jersey!”). Then they mucked with the plot so much as to render the film unrecognizable from the book. No Under Sea, Under Stone for you, kids! Which, technically, should have been first anyway . . .
The Black Cauldron
Not that when Disney animated it they were really prepared to make any sequels. Many consider this film the moment Disney animation hit rock bottom. They also combined two of Lloyd Alexander’s books together to make it in the first place. I heard a rumor the other day that a new version of The Book of Three is in the works somewhere, but was unable to find any proof of it online.
The Seventh Son
Apparently this was years and years in the works, much good it did it in the end. A real pity since the book was so great. What could have been a really good creepy film was instead yet another big budget war against an evil blahfest. Ah well.
A Wrinkle in Time
Oh yeah. It was straight to television, so hopes couldn’t have been all that high anyway. In a 2004 interview with Newsweek Madeleine L’Engle was asked if the film met her expectations. She said it had. She was pretty cheery about it. “I expected it to be bad, and it was.” Rumor has it that another is currently in the works. I dunno, folks. Mixing religion and science and fantasy into a single book is hard enough. Short of animating it, I don’t know how a film could even come close to doing it right.
Voyage of the Dawn Treader
This one is unlike the others mentioned here for a number of reasons. First off, these movies aren’t all that bad. They seem fairly aware of the books that they’re based upon, for one thing. And admittedly they managed to get through three books in the Narnia series, and even then only by the skin of their teeth. Amazing that they got that far! It’s too late to keep ’em coming at this point, so the series is pretty officially dead (sorry, Silver Chair, fans).
The Last Airbender
I’m cheating by including this since it’s not based on a book originally but a television series (Avatar: The Last Airbender). That said, the graphic novel sequels (penned in part by our current National Ambassador of Young People’s Literature, Gene Luen Yang) are fantastic and deserve mention. The movie adaptation of the first season was problematic not the least because all the villains were people of color and all the people of color who were heroes were played by white actors. [My husband points out that if you look at the voice actors for the original TV show it’s not much different, but that’s only if you think Iroh and Zuko are villains, and anyway the true baddies were Mark Hammil and Jason Isaacs who are the whitest white guys to ever white a white].
By the way, notice how all these series star white kids, usually of a male persuasion, and are fantasies or science fiction. So while I’d love to see the One Crazy Summer books adapted, my hopes are not currently very high.
Omg. You referenced Silverchair.
Well, there is the story of New Line’s plan to do His Dark Materials, and then ditching after its highly uneven film of The Golden Compass. Fortunately, the BBC is taking a new tack — not yet clear how far they plan to go with the trilogy though.
Arg! Can’t believe I forgot that one! Of course the BBC is perfect but yeah, how deep do they want to go? They could Game of Thrones it pretty easily.
I get three points for turning “Game of Thrones” into a verb, by the way.
Is why you love me.
Eragon never got a sequel, did it?
Philip Pullman always was largely in public (as far as I can tell) very stiff-upper-lip regarding The Golden Compass movie. Rick Riordan, on the other hand: http://rickriordan.blogspot.com/2016/03/a-letter-you-can-share-with-your-teacher.html
I’m sorry but Disney animation hit its low point with Robin Hood. All that talent and they produced one of the dullest animated movies ever.
I was just going to point out the Riordan post
The first book in Susan Cooper’s Dark is Rising series is Over Sea, Under Stone, just fyi.
I’ve never been a fan of Riordan’s books, but this… this makes me like him. A lot.
I can see One Crazy Summer done by Disney as one of their Black History Month movies.
But you are probably right.
The Silver Chair was my son’s favorite of the series, and for one birthday he wanted a Silver Chair party. I persuaded him to make it a Narnia party, since most of his friends were only familiar with The Lion, The Witch and the Wardrobe at that point.
He was older by the time the movies came out, but he went to them and would have liked a Silver Chair movie.
Boom. Well played.
It has one significant advantage over The Black Cauldron, however: The music. Granted, it makes no sense. A Southern influence on what is supposedly England (watching the accents flicker on and off is fascinating).
Yeah, I know. But that wasn’t the order. I figured if they had continued they’d have doubled back, but come to think of it they probably would have scrapped that entire second storyline entirely and just kept everything Will-centric. A pity since the Greenwitch would be fantastic on screen.
Well, there was always that old BBC version. They had their flaws, but I remember vividly the scene of the prince wearing the mask in the chair, begging the children to believe him that this was the only time he was capable of telling the truth.
Shoot. How did I miss this? It would have been a perfect addition to this post.
Yeah, but even the music couldn’t keep it from being dull. Maybe I should just listen to the soundtrack. We showed it in our library once and everyone except one family left after 20 minutes. I closed my eyes for a while and found it was a lot more entertaining to listen to the great voices! (accents or not)
Brian Bedford (the fox) died around the same time as Alan Rickman and David Bowie. I always thought there would be more tributes to both Robin Hood and The Sheriff (albeit from different films) dying at the same time.