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1. 227. Please Make It Stop!

Stupidity by our elected officials.

Governor Fitial wrote to President Bush saying NO to a national marine monument in the Marianas Trench at Uracas,


Maug,
and Asuncion.


He spoke of the longstanding dispute between the U.S. and CNMI governments over the ownership and management of submerged lands around the Northern Marianas.



Our CNMI students participate in Mock Trial, write essays and debate over legal issues, and probably know more than our Governor about the meaning of a court's decision. It's called "finality" --that attribute of a court decision when all appeals are exhausted. And it means that the matter is SETTLED, OVER, FINITE, DONE, RESOLVED, and FINAL. The CNMI litigated and lost the submerged lands issue. There is no longer a dispute between the U.S. and the CNMI about this matter. And the Governor's foolish adherence to a claim that has been lost has no merit.

It certainly isn't a reason to reject a proposal to save our oceans and promote conservation before we've ruined beyond redemption the entire globe.



He is also concerned that the designation would restrict the indigenous people's ability to fish and conduct related activities in the proposed site.
Why is it that we are concerned that conservation limits our activities? Of course it does. That's its purpose. We need those limits because our natural resources are limited. In the Pacific Ocean at Maug.

If we don't limit ourselves, we will deplete our natural world.




“We rely on fishing as a source of food and jobs.
We do not depend on fishing in the waters around the three northern-most islands for anything. We're not fishing there. Who has jobs that relate to industry or fishing around Uracas, Maug, or Asuncion that would be lost by creation of a marine sanctuary?

No one. The creation of the sanctuary can be done to allow anyone who is currently invested in fishing in those waters a time period to recoup their investment and withdraw from fishing there. In Hawaii, the few fishing interests in the area that was eventually protected by the marine monument were given 5 years to keep fishing.

But again, I ask, who is fishing around Uracas, Maug, and Asuncion?

Right now, according to Pete A. in his State of the Commonwealth address, there is satellite evidence that these waters are being poached. The CNMI is not protecting anything, and not benefiting either. Better to protect the area than let it be devastated by poaching and unrestricted use.




Those who live in the CNMI have no interest in ceding their cultural heritage to the federal government under the auspices of environmental protectionism,” he said.


Conserving our marine environment is not ceding a cultural heritage. Letting WESPAC and its henchmen get to our Legislators and officials to vote against protecting our marine environment is ceding our cultural heritage.

The most vocal opposition to the marine sanctuary has come from John Gourley, who is on the advisory panel for WESPAC. WESPAC is a federal agency that promotes fishing--and right now, the FISHING interests are in control of our oceans. Their financial interest is to take as much as they can get away with, and they have caused tremendous damage to the world's oceans, as reported in numerous scientific and popular journals and newspapers.

This commercial fishing is NOT our cultural heritage, where islanders took small amounts of fish for what they needed on any given day. Now we have fishing vessels scooping up everything, and throwing back into the ocean dead creatures--the "by-catch" they don't want, keeping the haul that is commercially viable for them.

This commercial fishing is not the CNMI's cultural heritage. This harm to the ocean is not the CNMI's cultural heritage. This failure to respect the marine environment is not our cultural heritage.




The governor argued that the Commonwealth is looking at fishery as an economic growth engine to replace the declining garment and tourism industries. He said the loss of about 115,000 square miles of ocean area due to inclusion in a national monument would significantly impact this economic effort.


Why is our Governor embracing this type of harm and speaking of it as our cultural right? Didn't we learn anything from the problems with the garment industry? When you choose as your livelihood something that hurts people or the world, it's not a sound basis for an economy. "Our" garment industry brought us shame and a horrible world image, bad press, and a scarred moral compass. The Governor may have gotten rich off it, but that doesn't mean it was good for the CNMI.

Tourism, on the other hand, invites people to share our islands, our culture, our lives. It offers respite and recreation. This is a sound economic choice.

Our tourism industry is declining, but we can turn that around with good decisions. A healthy commitment to a clean and conserved natural environment would be a huge step in the right direction.

Volcanic sulfur bubbles at Maug.

Instead, our Governor wants to now promote a joint venture with WESPAC? Commercial fishing where we rape our waters of what little is left? Do we really think that commercial fishing, as it presently exists, is going to improve our world? Is it a sound basis for our economy?

No. At present, it's depleting our oceans.

Why do we turn a blind eye to the damage these fishing interests and the U.S. government's WESPAC agency is doing? Because there are liars and cheats among us, people willing to twist the facts and prey on fears and prejudices to get what they want, to keep their pockets full while emptying us of our world's natural resources.

If that's not what is meant by commercial fishing, if commercial fishing insists that it believes in protecting the oceans, too--then let it support a marine sanctuary. Why can't we protect 1/3 of the ocean around the CNMI with a marine sanctuary? Isn't 2/3 of the EEZ enough for fishing?

One of the most important protections the globe has is from the ocean's coral
Coral layers at Maug.

--more significant than rain forests. And our ocean health depends on complete and healthy eco-systems. Why do we not want to protect 1/3 of our waters? That may not be enough, but at least it's something! We have a chance to do our part. Let's do it!


Further, the governor said, Hawaii's experience with its marine monument showed a lack of procedural safeguards to ensure public involvement and environmental review during the designation process.
Now that sounds like a straight-out lie.

What do you see happening here in the CNMI? Angelo Villagomez, on behalf of Pew Charitable Trust, is going out getting comments, talking with people. We already have public involvement.

In the Hawaii process, Angelo reported that there were hundreds of thousands of comments taken, both before and after the designation--comments that were considered, comments that helped shape the eventual final project.

Instead, it is the Governor who is shutting down the process, not letting us be heard!


Press secretary Charles P. Reyes Jr. said that federal enforcement funding may be a concern. He said the U.S. Coast Guard was not given any additional money or resources to extend patrols in Hawaii's monument area, and a similar scenario is likely if a Northern Marianas monument is created.



If this were true, how would it weigh against a marine sanctuary? Would we be worse off? NO! NO! NO! The Coast Guard patrols now, and the Coast Guard patrols after a designation of the area as a marine sanctuary. We'd like it to be better; we'd like it to have more money; but that is no reason to say we don't want to protect this marine environment!


“The people of the CNMI and their elected leaders do not want an outside group to permanently force a decision on them without their consent. This decision is too important to be left to Pew and their supporters. The people of the CNMI must decide if they want to give up a resource forever and forego all other opportunities or developments. This is democracy.”


We don't want an "inside" group permanently forcing a decision on us without our consent, either! This is a democracy! How many public hearings has the Governor or the Legislature held on this issue? HOW DARE YOU SPEAK as if you know what the public wants when you have done NOTHING to find out! The decision is too important to be left to Charles Reyes Jr. or Governor Fitial.

Please make the stupidity stop. Make corruption stop. Make the devastation of our natural world stop!



Prevent WESPAC from doing further damage. Wrest these waters from their control and protect the EEZ around Uracas, Maug, and Asuncion by making them into a marine monument!



Photos from MARAMP, the CNMI DPL, and Sarah Poznay.

1 Comments on 227. Please Make It Stop!, last added: 5/6/2008
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2. 211. Response to Gourley letter 2

This is a short, off-the-cuff response:


Despite what Mr. Gourley says, the submerged lands issue is resolved. Roughly speaking, the submerged lands around our islands belong to the U.S. as an "exclusive economic zone" under U.S. law because no other alternative was reserved or defined in the Covenant. This is based on U.S. law, the same U.S. law applies here as it applies to all of the states.


Mr. Gourley's argument: the CNMI is trying to get the U.S. to give it some of the submerged lands that are part of the U.S. eez. If we have a National Marine Monument, there'll be less for the CNMI to beg from the U.S. (Let's keep the coffers open.)

My response. This is not an argument against protecting the natural habitat. It is the politics of control. If it's a good idea to have a protected zone, then it's a good idea whether the U.S. does it or the CNMI does it. And frankly, it's better for the CNMI to have the U.S. pay for it.

From my perspective, this argument (and all of Mr. Gourley's arguments) are based on a desire to keep the ocean open to commercial interests. Mr. Gourley would like the least amount of regulation between him and his clients and the natural world. This would make it easier to TAKE and TAKE and keep TAKING ocean resources.



My guess is that businesses who have little or no respect for the environment would find it easier to abuse the environment under CNMI control than under U.S. control (I say this, given the CNMI's poor performance at regulating any government activity). So Mr. Gourley's wanting the CNMI to have control isn't in the interests of the CNMI, but rather in the interests of the businesses who will then abuse our natural resources.

The CNMI doesn't have the money, the manpower, or the know-how at its ready disposition to take necessary action to protect our marine resources, especially at the remote outpost of our three northernmost islands.


Mr. Gourley's argument: The natural world is a bank and we can tap its resources until it goes bankrupt. It's somehow wrong to deprive us from doing that.

Mr response: We have to protect our environment. We are not depositors into the bank, and we can't keep taking out resources. It (our natural world) will go bankrupt.

We need zones that are completely free from humanity's rapacious appetite. Perhaps another analogy for the National Marine Monument (rather than a bank that won't let anyone withdraw resources) is the DMZ. If we want an end to war, we have to start with peace somewhere. Mr. Gourley would have us fighting with no DMZ, no peace, no place of respite. Our marine life needs a free zone, a respite where it can escape the war against it.


Mr. Gourley argues for on-going "protection" of our marine resources by Wespac and the National Marine Fisheries Service (NMFS). This essentially means no protection.

NMFS has failed to do its job of protecting marine life in Hawaii waters, See Report on NMFS ; in the Atlantic; See Audobon Society sues; in the Gulf of Mexico, See Red Snapper depeletion, and in the Pacific Northwest NMFS fails alongside Oregon agency .

I previously noted an on-going investigation into allegations against Wespac, another federal agency that has demonstrated its willingness to hear only the commercial fishing industry's voice in the discussion on marine species regulation.

There is no good reason for the public to have confidence in either of these agencies when it comes to protecting our precious marine environment. The public record clearly shows that they are more interested in helping commercial fishing interests than in enforcing laws that ensure the vitality of our limited and dwindling marine life.

The National Marine Monument, with the shift to NOAA, promises a much better chance of real environment conservation.

And that's a good thing.

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3.

The Play's the Thing - Even If No Words are Spoken by Anyone
by Eleanor Tylbor


To say that Austrian playwright, Peter Handke is a man of few words is truly an understatement.

In fact he has written a play entitled, "The Hour We Knew Nothing of Each Other" to be performed at the National Theatre from March 31 to April 12 for 30 performances. What makes his play "special" is that not one word will be spoken by the actors.

For 1 hour and 40 minutes, 450 characters will be silent.

According to a blurb on the National Theatre site:

http://www.nationaltheatre.org.uk/thehour


The play is best described: "For a moment, a bright, empty town square. And then a figure darts across, and another and another – businesspeople, roller-bladers, a cowboy, several street-sweepers, a halfdressed bride, a film crew, a line of old men, a tourist, a beauty in a mirrored dress, Abraham and Isaac, a family of refugees, a fool – more and more people, the bizarre and the humdrum, fleetingly connected by proximity alone."

The idea apparently came to Handke as he sat at a cafe on an Italian piazza watching strangers come and go. Even if not a word is spoken, the play is not sound-less. The silence is punctuated by snatches of music, the occasional scream and the recorded sounds of an aeroplane or workmen drilling.

A National Theatre spokeswoman said: "It is a great piece of work, challenging and something that we should be doing. Tickets are selling well - not like hotcakes, but they are doing well. It is appealing to younger people. We think our more traditional audiences will wait until the reviews."

If this is a success, I shall re-read and re-edit my plays with the possibility of eliminating the dialogue. Perhaps I'll re-name the wedding play, "Make Me a Wedding and Let's Keep It Between Ourselves." Given that it's a comedy, there will be lots of body language and gesturing. Since my play has a mere 9 characters, it shouldn't be too difficult to fill the various roles.

If anyone attends this play, please pass on your impressions and review.


Writers & Friends
www.jrslater.com/forum

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4.

BARBIE, KEN AND THE REST IN PLASTICVILLE
(The continuing story about life among the plastic people)
BY ELEANOR TYLBOR


SCENE: A WAREHOUSE… SOMEWHERE. ROWS AND ROWS OF BOXES COVER THE FLOOR SPACE. HANGING LIGHT BULBS CAST SHADOWS ON THE WALLS. IT IS THE PLACE OF SOLITUDE AND EXILE FOR BARBIE, KEN, G.I. JOE AND OTHER DOLLS, WHO HAVE HAD TO ADJUST TO LIFE IN A CARDBOARD BOX


BARBIE
(muffled voice)
Hel-lo? Like…can anybody hear me?

G.I. JOE
Yeah – me babe! Your best buddy and boyfriend and love of your life, G.I. Joe, here to save and serve you! Is the enemy near? I can smell the bad guys!

BARBIE
First of all I’m not your girlfriend…why am I bothering when we’ve gone through this a zillion times, already. Like…we are friends. Just friends. Got that? Gee whiz I hate this place!

G.I. JOE
(laughing)
…just friends. Sure babe. I get it! You don’t wanna tell that douche bag, Ken, we’re shacked up. Right?

BARBIE
Say what? How can we be shacked up when we’re living in boxes?

G.I. JOE
Well…see… Uh-oh…I hear something!

BARBIE
(sighing)
You’re always hearing something…

KEN
(sobbing)
Is…that…you…Barbie? I-I’m so scared!

G.I. JOE
Ten-shun! Get a grip, sissy boy! You’re a marine!

BARBIE
Like…G.I. – it’s Ken! Think back! Ken? Surfer dude? The summer house?

G.I. JOE
Ken…Ken… I knew a Ken. Always walked around wearing underwear. A filthy pervert

BARBIE
That’s him. I mean – he’s not a pervert! He’s always prepared for the next big wave

KEN
When are they coming to get us? I’m sure surf’s up!

BARBIE
There are more important things in life than surfing, Ken!

KEN
Oh? Like what?

BARBIE
Well… like getting out of here. I’m so sick of living in a box. Like…my outfit is soooo passé and those Bratz have probably taken my place opening night clubs and everything. Ohhhhhh I’m so depressed!

G.I. JOE
Hey! I can do something ‘bout that with this here hand grenade I just happen to have on me. If I can just…get…at…it… I’ll just pull the string and blow our lids off

BARBIE
Oh fer… You do realize you’ll blow us up, too

G.I. JOE
…if I can just move my arm across here and…almost there…

(lights suddenly go on. There is the muffled sound of voices getting closer)

BARBIE
They’ve come to get us! I knew they’d find us sooner or later! Better fix myself up for the press… Hello? It’s us! Thank goodness you’re here!

VOICE
…yeah. These are them. Been here for a while now… We need the space so we better bring in the big shovels.

BARBIE
What do you mean, ‘big shovels’? You-you can’t do that…

G.I. JOE
…just a little more…I can feel the side of the grenade…the string is right on top…


(WILL THE GANG BE RESCUED FROM THE WAREHOUSE OR WILL THEY FACE A FATAL FATE?)

TO BE CONTINUED…

Writers & Friends

www.jrslater.com/forum

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5.

SUBMISSION OPPORTUNITY: AN ONGOING DIALOGUE WITH SELF
BY Eleanor Tylbor



PLAYWRIGHT
Oh look! The Blankety-Blank Theatre is asking playwrights for plays. Hmmmm...interesting... Wonder if they're accepting plays from outside the U.S. Probably not...

INNER VOICE
There you go again! Negative. Always negative! Maybe they are!

PLAYWRIGHT
Yeah... Could be. Neh. I mean, this is a well-known and substantial theatre. They have enough playwrights domestically

INNER VOICE
So? What does that have to do with anything?

PLAYWRIGHT
Nothing but somehow I have a feeling they don't

INNER VOICE
You and your dumb feelings! How many opportunities did you let slide by based on your "feelings"?

PLAYWRIGHT
Let me read the guidelines, here... Hmmm and mmm - course I'm right. All the people and judges involved are from the U.S. Why would they waste time reading a play from an un-American? I suppose it would be a similar situation if it were reversed. You know - a Canadian theatre holding a playwriting competition? 'Course I wouldn't know having never won...anything, anywhere, anyway at any time. Oh to see my work actually up on a stage!

INNER VOICE
It doesn't say anything one way or the other. Why don't you query them and find out at least?

PLAYWRIGHT
Yeah... I could... I suppose... Maybe... I guess it would be a good idea. Let's see if they have an e-mail address... Hmm... Says here they have a lot of people reading all the entries. Well - that just about screws me. Wonder if they specialize in drama...or comedy...

INNER VOICE
So query and find out!

PLAYWRIGHT
Know what? It really scares me that lots of people will be reading my play. People who don't even know me or anything about the history of my play! How can they judge the merit of my intellect?

INNER VOICE
Nobody in Canada knows anything about it - or you either, doofus!

PLAYWRIGHT
True... It's just the idea of strangers reading my play and passing judgment on it. 'Oh look', they probably say to each other. 'This is laughable! She calls herself a playwright?' I bet they do that! Have a good laugh at our expense!

INNER VOICE
You're creating barriers again!

PLAYWRIGHT
Perhaps...Let me read some more about this theatre. Just as I thought! I could end up having a reading and not a production!

INNER VOICE
So what's wrong with that?

PLAYWRIGHT
What do I have to gain from a mere reading? I want a production! No - I need a production! I could just as easy get a group together and have a reading of my play. I don't have to spend who knows how much on postage and wonder whether anybody even read it.

INNER VOICE
So do it! Stop complaining for heaven's sake and do something. Your play will never see the light of day by sitting at a computer reading theatre submission guidelines.

PLAYWRIGHT
I'm sick and tired of submitting and daring to hope that maybe - just maybe - the play will be produced! All the while waiting and waiting for news. Checking the mail and the Internet for some response and all the while doubt creeping in and over-taking hope. What else do playwrights have to live for but hope?

INNER VOICE
You're telling me this? Me who shares your anxieties?

PLAYWRIGHT
What happens though if I can't find anyone who wants to read?

INNER VOICE
What happens if you do find people who want to read? If you don't take the first step, you'll never know. Go for it!

PLAYWRIGHT
Oh look here... this looks like just the theatre I've been looking for. I got a good feeling about this one.

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