So what is musician-performer-dancer-composer Lindsey Stirling doing on this blog about children’s book illustration? She’s an artist but she works in a different medium. She hasn’t published a children’s picture book. (Not yet, anyway, but give her time.) I’m sharing this video of her 2011 tune Shadows, because twenty-two million YouTube viewers are not wrong […]
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Blog: How To Be A Children's Book Illustrator (Login to Add to MyJacketFlap)
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JacketFlap tags: "Beauty and the Beast", "Finding Lady: The Art of Storyboarding, animators. children's book artists, Children'sBook Illustration, Eric Goldberg, animation, Disney, cartoon, children's book illustrators, Illustrators, Special treats, storyboard, Add a tag
This Google Video clip from the promo documentary Finding Lady: The Art of Storyboarding has been circulating around the art and cartoon blogs recently.
Disney animator Eric Goldberg explains how the Disney artists have always used storyboards as a developmental first step in their animation productions.
The clip goes on to show how movie makers from Alfred Hitchcock to Kevin Costner have used them as perhaps the crucial planning tool in a film.
Finding Lady came out to herald the 1991 release of Disney’s Beauty and the Beast and the “renaissance of the animated film” that some say began with The Little Mermaid in 1989.
It’s not exactly the way storyboarding is covered in our course on how to illustrate children’s books.
The storyboard thumbnails we talk about are quite different animals from the sketches and drawings you see tacked up on Disney’s storyboard wall.
But the same big ideas apply: Using the storyboard to work out the the ”bits” of stagecraft, the action and gags. Pacing, story flow and the economy of the viewer’s or reader’s attention.
For the movie director, storyboarding saves costly waffling around on the set, the video points out. Because the details and the sequences have all been worked out in advance, the director can “edit in the camera.”
For the children’s book artist, storyboardings helps to gestalt the entire book on just one page. The simple very exercise of it can spring ideas free and save weeks of unecessary drawing and painting.
To enlarge the video for better visibility, click on the Google Video box, then hit the enlarge screen button under the video on the Google Video page.
For information on the online Children’s Book Illustration 101 course” look here.
Or to check out the free color lessons from the course (while they’re still available) click here.
Maybe instead of ‘ball’, I’ll do the same with the word ‘nut’… Also like the illustrations in Grandfather Gandhi – bold, but subtle in layered ways. Nice.
Mark, this is a wonderful post!! Thank you for the inspiration. AND how generous of you to share the other illustration courses. I have to add a plug for YOUR course which you humbly mentioned last. Mark’s course, Make Your Splashes; Make Your Marks!, was career and confidence changing for me! I feel so much more equipped to enter into the world of picture book publishing. Mark teaches a little history, as well as the craft itself and watercolor instruction that empowered me like never before. Reasonably priced and paced to your pocket book and schedule DO NOT MISS THIS excellent class. Mark is always encouraging and gives personal input and feedback. You will grow as an illustrator!