As has now been reported widely in the New York Times and Washington media circuit, Jonah Lehrer, the disgraced writer who fabricated Bob Dylan quotes, has now had his book publisher, Houghton Mifflin Harcourt, begin running digital adverts through the Google Adwords system, telling booksellers to send back copies of the plagiarized book, “Imagine.” But how can other writers stay clear of a similar fate? One way to ensure you don’t accidentally plagiarize material surrounding the constitution is to keep a clear chronology of events in place (on a piece of paper or iPad for reference) as you unfold your storytelling narrative around famous works of literature, which in this context must include U.S Constitutional materials. Here is a simple Chronology for the early Constitutional days:
DATES & EVENTS CHANGING HISTORY
1754 Benjamin Franklin urges Colonists to unite.
1765 Parliament passes Stamp Act, which taxes Colonists on all printed items.
1770 The Boston Massacre on March 5. Five Colonists are killed.
1773 The Boston Tea Party on December 16.
1774 The First Continental Congress meets in Philadelphia in September.
1776 Common Sense by Thomas Paine sold 400,000 copies to three million Colonists. Common Sense swept across the world to introduce the Rights of Man & a Republic.
1776 The Second Continental Congress meets in Philadelphia June 7; Thomas Jefferson submits Declaration of Independence July 2 which is approved July 4 and is publicly read to all America on July 8. 1781 President George Washington’s Farewell Address reminds all Americans how to preserve the new Republic.
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Over at The Argentina Independent, Joey Rubin has an article about five “exciting new Argentine novels” that have recently been translated into English.
As a huge fan of Southern Cone literature, the fact that there’s quality contemporary works coming out of that area isn’t that surprising, but it is almost shocking to realize just how many great Argentine books are being published in the States . . . Here are the five titles that Joey focused on, with short clips from his descriptions:
Friends of Mine by Ángela Pradelli: Called ‘Friends of Mine’, and also translated by [Andrea] Labinger, the novel tells the story of a group of women living in the Buenos Aires province, who meet once a year on 30th December to eat dinner, celebrate the New Year, and reflect on the strange, difficult and wonderful passage of time. Structured in short, lucid fragments, the novel reads like a coming-of-age tale for a group of friends, a neighborhood, and an era of life in middle-class Argentina that has as much resonance today (and outside of Spanish) as it did when it was first published in 2002 and was awarded the Premio Emecé. [. . .]
The Islands by Carlos Gamerro: Like the spiralling narrator of ‘Bad Burgers,’ the protagonist of ‘The Islands’ chases his own trauma down a rabbit hole when he discovers that, despite the passage of ten years, the Falklands/Malvinas War is still raging — a reality he’s not quite ready to confront. [. . .]
Traveller of the Century by Andrés Neuman: Neuman, who has written poetry (‘No sé por qué’), short story (‘Alumbramiento’) and travelogue (‘Cómo viajar sin ver’), created in ‘Traveller of the Century’ a novel that is at once contemporary and historical: set in Restoration-era Germany, it discusses sexual mores and intellectual disputes in a distinctly modern way. Praise from writers like Roberto Bolaño long ago boosted his reputation in the Spanish-speaking world, but more than acclaim or ambition, it’s the clarity and grace of Neuman’s prose that has earned him high standing among fans. [. . .]
The Planets by Sergio Chejfec: First published in Spanish in 1999, ‘The Planets’ was written during the fifteen-year period when Chejfec lived in Venezuela, a temporal and cultural dislocation important to the text. As ‘My Two Worlds’ used ambulatory reflection, ‘The Planets’ uses the act of remembering to elevate a simple story into an elegant register. It’s a mode of literature difficult to master, but worthy of celebration when done right. [. . .]
Varamo by César Aira: A novel kind of about a Peruvian man who takes up the homemade art of fish embalming, and also kind of about a very slow city-wide car race, and also kind of about the makings of a classic Central American poem, and yet somehow also not about these things at all. ‘Varamo’ is as strange, and as compelling, as Aira’s best work. In fact, it may be Aira’s best work. Or his worst. You’ll have to read all his books to know for certain.
