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Viewing: Blog Posts Tagged with: armstrong, Most Recent at Top [Help]
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1. An intriguing, utterly incomplete history of Louis Armstrong

April is Jazz Appreciation Month, honoring an original American art form. Across the United States and the world, jazz lovers are introducing people to the history and heritage of jazz as well as extraordinary contemporary acts. To celebrate, here are eight songs from renowned jazz singer and trumpeter Louis Armstrong‘s catalog, along with some lesser-known facts about the artist.

Heebie Jeebies (1926)
One of Armstrong’s first recordings as bandleader was a series of singles released under the name Louis Armstrong and his Hot Five, which were later regarded as a watershed moment in the history of jazz. “Heebie Jeebies” in particular gained fame, and historical importance, for its improvised “scat” chorus; according to legend, this off-the-cuff vocal part was the result of Armstrong dropping his sheet music during the recording.

Struttin’ With Some Barbecue (1927)
Armstrong’s second wife, Lil Hardin Armstrong, was instrumental in orchestrating his rise to prominence. Hardin was also an accomplished jazz pianist and composer, frequently collaborating with Armstrong; “Struttin’ With Some Barbecue” is one of her most-beloved contributions to the jazz canon.

Muggles (1928)
Long before J.K. Rowling transformed the word, “muggles” was a slang term for marijuana, a drug of which Armstrong was a lifelong enthusiast. This highly-esteemed composition by Armstrong was recorded with a group of the day’s foremost jazz talents, among them the legendary pianist Earl “Fatha” Hines.

Louis Amrmstrong

Ain’t Misbehavin’ (1929)
Although Armstrong had achieved renown among black listeners through his work in the ‘20s, it was this song, performed between acts during the Broadway musical Hot Chocolates, which arguably gained him his first crossover success. Originally written as an excuse to have Armstrong sing from the orchestra pit, its success led the producers to rewrite the script in order to bring him onstage, then send him to the studio to record the production’s hits.

Where The Blues Were Born In New Orleans (1947)
The film New Orleans featured Armstrong alongside Billie Holiday, in her only film role; the pair portrayed musicians who develop a romantic relationship. This track includes a lengthy section in which Armstrong introduces his ensemble, featured in the film, which was loaded with the day’s biggest names: Kid Ory, Zutty Singleton, Bud Scott, and more.

Mack the Knife (1955)
In the later decades of his career, Armstrong’s lip muscles no longer allowed him to perform the same kind of trumpet pyrotechnics he’d become known for earlier in his career. As a result, he began to rely more on pop vocal performances, such as this, one of his best-known songs of all time. Taken from The Threepenny Opera, Bertolt Brecht and Kurt Weill’s anticapitalist stage drama, “Mack” became a major pop success (although it did not achieve the same recognition as the white singer Bobby Darin’s #1 version, released four years later).

Hello, Dolly (1964)
Probably the biggest hit of Armstrong’s career, this song, taken from the eponymous musical, took the #1 spot on the pop charts from the Beatles during the height of Beatlemania.

What a Wonderful World (1967)
Perhaps surprisingly, this song — perhaps the tune most closely associated with Armstrong — was not a hit in America upon its release, selling only about 1000 copies. Over time, owing to its frequent use in films and numerous cover versions, the song would eclipse all others in Armstrong’s discography to become his signature recording, but not until long after his death in 1971.

Grove Music Online has made several articles available freely to the public, including its lengthy entry on the renowned jazz singer and trumpeter Louis Armstrong. Oxford Music Online is the gateway offering users the ability to access and cross-search multiple music reference resources in one location. With Grove Music Online as its cornerstone, Oxford Music Online also contains The Oxford Companion to Music, The Oxford Dictionary of Music, and The Encyclopedia of Popular Music.

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Image credit: Louis Armstrong, jazz trumpeter, 1953. World-Telegram staff photographer. Library of Congress Prints and Photographs Division. Public domain via Wikimedia Commons.

The post An intriguing, utterly incomplete history of Louis Armstrong appeared first on OUPblog.

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2. Case Study: Author-Initiated Book Trailer

Book Trailer Case Study: The Book of Spam

Some book trailers are sponsored and developed by the publisher; others are done entirely by the author. Witness this glorious book trailer by Dan Armstrong and Dustin Black about The Book of Spam: A Most Glorious and Definitive Compendium of the World’s Favorite Canned Meat. (Atria Books, 2007)

Description:BOSpam
“What luncheon meat is found in over forty-five countries, available in ninety-nine percent of supemarkets and corner shops, and sells nearly eighty million pounds every year? It’s SPAM. From the 20,000-member SPAM Fan Club to Monty Python’s Broadway sensation SPAMalot, after seventy years of canned-meat greatness, SPAM has become a pop-culture sensation with a devout following, and The Book of Spam is its Bible.”

First and Second Campaigns

It doesn’t sound like a book that could inspire greatness in a book trailer. But the authors were committed to helping publicize and popularize their book, especially with online efforts. Their first offering was a song, “Theme from the Book of Spam.” It was followed by a series of humorous book trailers called The Pig Diaries, in which the pig is ignorant about all things MEAT. It’s a kitschy sort of trailer with plastic farm animals and humor that almost falls flat. By now, there were two websites: TheBookofSpam.com and ThePigDiaries.com

Third Campaign: Toastvertising

But Dan and Dustin weren’t finished. Enter Toastvertising.

Dan said, “We picked toast because of it’s close connection to SPAM. Plus it was a media that was unexplored in the world of animation. And it was downright delicious.”

The idea was to do an animated video using a series of pieces of toast; it’s much like a flip book, except the images are dark outlines made by laying a stencil over a piece of toast and torching it until the image is dark.

As you watch this clip, listen to the script. Play it several times, just listening to the script. The script is brilliant.
(YouTube: http://www.youtube.com/watch?v=uYMmh_H3dJA )

Dan said, “I wrote the script and did the voice over and sound editing. Dustin built the set and flambeed each and every piece of toast. Once we had everything ready to go, the shoot took us about 10 hours. Dustin ran the still camera, I ran the toaster. His sister was nice enough to go get us lunch.”

A ten hour day, 9 days of toast smell, 13 loaves of bread, 220 pieces of bread, a $10 toaster, 9″ of snow outside, bright light inside–it’s a long hard day, but look at what they had at the end, a 1 minute, 11 second piece of

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3. Ma! There's Nothing to Do Here! by Barbara Park; illustrated by Viviana Garofoli


Ma! There's Nothing to Do Here! A Word from your Baby-in-Waiting by Barbara Park; illustrated by Viviana Garofoli

Reading level:
Ages 4-8
Hardcover:
40 pages
Publisher:
Random House Books for Young Readers (January 22, 2008)


When I was pregnant with my daughter, I often talked to her when I felt a kick, roll, or other movement. “What’s going on in there, baby girl? Are you playing soccer? Doing gymnastics?” It was fun to make up these funny scenarios and helped me “humanize” this child I hadn’t yet seen except via ultrasound where she kind of resembled Skeletor. Other expectant mothers I knew did similar things, and I’m sure I would have appreciated Barbara Parks’ latest book, “Ma! There’s Nothing to Do Here!” that’s told from the perspective of a child in utero about to be born.

The cramped child is quite bored with nothing to do. There are “No puppies. No toys. No girls…zero boys. Not a sandbox or swings…Or those monkey bar things. Not a park or a zoo.” The child imagines what life will be like when he/she is finally born and will have lots of stuff to do; even growing hair sounds like fun.

Parks' whimsical, rhyming text and Garofoli’s funny and vibrant illustrations will make expectant parents chuckle and even feel the warm fuzzies when the baby mentions listening to its mother’s “happy heart clock.” And children who are getting ready to be big brothers or sisters will be sure to laugh out loud, especially at the visual of the baby riding in a canoe and unsuccessfully playing peek-a-boo with himself/herself. You may have to explain the “bungee cord” joke if you haven’t talked about it already.

I like to give books for baby shower gifts, and this is one I’m definitely adding to my list.

Speaking of which, do you have any books you love to give to new or expectant parents?

Other Blog Reviews:
Comics in the Classroom
Three Silly Chicks

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