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1. Creative ways to perform your music: tips for music students

By Scott Huntington


Many music students have difficulty finding new venues in which to perform. A lot of the time it’s because we let our school schedule our performances for us. We’ll start the semester and circle the dates on the calendars that include our concerts and recitals, and that will be it. That’s fine, and can keep you pretty busy, but I’m here to tell you to get out there and plan on your own. You’ll become much more confident and even perform better at your concerts once you get a few smaller gigs under your belt. Here’s a few tips to help you along the way:

Don’t let nerves get in the way of gigging

You’ve likely heard this from countless professors, teachers, friends, and family members, but everyone experiences nervousness. It’s the result of our animal instincts, our fight or flight response, and it’s natural. The solution is simply to gain experience. Think of each instance of nervousness as a new chance to conquer and control the sensation. After enough repetitions, nervousness will no longer seem like such a big deal, just an expected and regular part of performance. Nerves will probably never go completely away, but by the time you get to a huge concert you’ll be getting used to it.

Develop your personal brand

Whether you like it or not, self-advertising, or creating your own brand, has become more and more doable thanks to the Internet. Read up on creating a web presence. Unless you’re famous, you’re going to need to market your talents. Sites like BandCamp and SoundCloud tend to be synonymous with popular music, but this trend is slowly changing. In fact, many classical musicians are uploading recordings of their gigs to SoundCloud.

On top of the benefits of a clean, easy to navigate repository of gig recordings, having a SoundCloud is like having a deluxe portfolio. What do I mean by “deluxe”? Well, it’s like having a resume with a built in audience of employers ready to look at it 24/7. And SoundCloud isn’t just a social network; it’s a social network of people who actively create and/or listen to music.

Think outside the box when looking for gigs

But where can you look for gigs? At first glance you’re at a slight disadvantage from all the rock bands that can play cover shows at bars or parties. Somehow playing solo clarinet music at the local bar just isn’t going to go over well. So, here are a few places you may not have thought of:

1. University events

Keep tabs on ongoing events at your university. Many students and faculty would love to have their events spiced up with some “sophisticated” music. There are plenty of fundraisers and galas that are always looking for entertainment. It even gives them a bragging point to have a student performing and could lead to more donations for the school.

2. Elementary schools

Music education is an important aspect of many children’s lives, and choosing an instrument to pick up can be quite a meaningful decision, even if it may seem superfluous to us at the time. Check with local elementary schools to find out when they start their students off in band and orchestra programs. They may very well be looking for people to come in and explain and play their instruments to students. You never know when you could be the one to inspire the next great performer.

elementary school music

Children from Kaneohe Elementary School clap to the beat of one of the many jazzy songs the US Marine Corps Forces Pacific Party Band played during their performance as part of the Music in the Schools program. Photo in the public domain via Wikimedia Commons.

3.  Retirement communities

Playing at a retirement community may not be very glamorous, but it will leave you with experience and the feeling that you’ve done a good service. One of the most rewarding times of my musical career was playing at a nursing home. A deaf woman rolled her wheelchair up to my marimba and put her hand on the side to feel the vibrations. Seeing her smile is something I will never forget. To me, this small gig was right up there with playing in Orchestra Hall in Chicago.

4. Play for small businesses and company functions

A gig at a barber shop didn’t give me a huge audience, but it’s not always the size that matters. Through it I was able to meet some people from a mattress store called Dr. Snooze, and eventually led to me getting to play at one of their open houses. I met several more people through it that led to even more performance opportunities, including corporate retreats and even a wedding. I can also use them as a reference when telling others about my music. It’s amazing how one “little” gig can turn into so much more.

5. Play on the street

Now you should look into the legality of this strategy before pursuing it, but playing in the street (even for no money) can be an incredible source of publicity. Who knows who might be looking? It also helps to strategically pick your location so that people who might be more likely to need musicians may listen. Another idea you could try would be to upload recordings of your performances to YouTube to be able to show them to others.

Finnish bluegrass buskers in Helsinki, Finland. June 2006. Photo by Cory Doctorow from London, UK. Creative Commons License via Wikimedia Commons.

Finnish bluegrass buskers in Helsinki, Finland. June 2006. Photo by Cory Doctorow from London, UK. Creative Commons License via Wikimedia Commons.

All of these ideas will give you some great experience and help you become a better musician. And when you come to the bigger events, you’ll be well prepared.

 is a percussionist specializing in marimba. He’s also a writer, reporter and blogger. He lives in Pennsylvania with his wife and son and does Internet marketing for WebpageFX in Harrisburg. Scott strives to play music whenever and wherever possible. Follow him on Twitter at @SMHuntington.

Oxford Music Online is the gateway offering users the ability to access and cross-search multiple music reference resources in one location. With Grove Music Online as its cornerstone, Oxford Music Online also contains The Oxford Companion to Music, The Oxford Dictionary of Music, and The Encyclopedia of Popular Music.

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The post Creative ways to perform your music: tips for music students appeared first on OUPblog.

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2. Don’t be nervous


With my focus now on the Sir Newton books, I started making publicity calls for Sir Newton’s Color Me Hawai’i, which launched earlier this year. I’m late in doing promotions (you really want a nice big push when the book first appears in stores - but the beginning of this year was crazy, with a move to a different state, buying a house, etc.), but I figure better late than never.

I sent out review copies and press releases a few weeks ago, and I have to admit, I really hoped that would be it. Every paper would respond. I’d get requests for interviews, and lots of books would sell.

Of course, it didn’t work that way. I still had to do follow up calls.

As a journalist (my day job), I get calls from publicists a lot. Now, I know why. When I called the publications I had sent press packets to, they couldn’t remember the book. So I had to remind them.

The strange thing was, even though I was calling my peers, even though I get calls like this all day, I was nervous about making them myself.

Why is it that, as writers, we find it so difficult to say, “Look at what I made. Isn’t it great?” Many writers spend hours and hours tapping away on their computers, writing short stories, plays, novels, but that’s as far as they get. They never send them to agents, publishers or contests, don’t even show their friends or read their work at critique groups. Many people don’t even get to the writing part–they can’t get past “that’s a good idea”.

But we should be proud of what we do. We shouldn’t create in a vacuum. There’s nothing wrong with writing just for yourself, after all, that’s what journaling is. But, some things are written to be shared, and they should be. (Of course, I’m not advocating sending work out to an agent or publisher until it’s ready, and that’s where the critique groups come in.)

And even though we would love everyone to say, “Wow, that is great,” they won’t. And there’s nothing wrong with that. Without criticism — the right kind, the constructive not mean kind — we won’t grow.

So, there’s nothing to be nervous about with putting our work out to other writers, good writers, more experienced writers, and saying, “Hey, look at my work. I’d love it if you could read it.” Just like, once something is ready, there’s nothing to be nervous about sending it to agents, etc., and saying, “Hey, look at my work. I think it’s worthy of being published.” And, when you’ve published something, there’s nothing to be nervous about when calling a publicist and saying, “Hey, look at my work. I think it’s good enough to be written about.”

Doesn’t mean we won’t still be nervous. But if we don’t jump, we won’t get far.

So how did my calls go? Well, I only had time for a few. But a features editor at one paper found the book in a pile on her desk and said she would get it in Sunday’s paper, and a features editor at another paper said she couldn’t find the book, but if I send her one (I had sent it to her assistant originally, but she was out sick), she would put it in her paper. I sent the copy off today. Success! They weren’t monsters. They didn’t bite my head off. And they didn’t have to know that my insides were turning.

What makes you nervous in your area of the writing world?

Write On!

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3. Following the Donner Party

Ethan Rarick’s Desperate Passage: The Donner Party’s Perilous Journey West is an intimate portrait of the Donner Party and their unimaginable ordeal in the Sierra Nevada Mountains. Rarick, in researching his book, decided to retrace as much of the Donner’s trip as he could. In the interview below with radio host Dorian Devins,  Rarick discusses his journey. Hear other Rarick clips here.

Transcript after the jump. (more…)

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