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As the title of the blog indicates, another day...another play almost finished. In playwriting 'almost' is a tricky term since endings are usually hard to come by.

"So give us an update on your playwriting efforts in general these days, Eleanor."

As mentioned ad nauseum here, finished "Old Soldiers" and entered it in this year's edition of the BBC International Playwriting Competition. Now comes the really hard part in waiting to hear back one way or the other. Being in this mental and physical state of being means a slight case of nausea when opening my e-mail in anticipation of receiving "the" word. Suffice it to say that waiting is not half the fun.

I'm "that" close to finishing my latest project, "Neighbors", which is turning into a great two-act play. As my mom used to say, "close" is only good when playing horse shoes. It had its origins as a short play and over the years as is my habit, it has been tweaked to death and  sort-of atrophied in my filing (or none-filing) system. Recently, after reading it over for the zillionth time, I decided that it has the meat and bones (can a play have meat and bones one wonders...) for expansion. The story line, which is loosely based on facts, focuses on a row of shrubs that separate the back gardens of two neighbors, one of which believes that their placement encroaches on to his property. The end result is that it has caused a feud that has lingered and grown over the years. The dialogue is entertaining and the story is moving along to a natural conclusion, following which it will be put to bed for a while and re-read at a later date for changes. There are always changes in my world.

Interesting how the creative process works. As an artist in addition to being a writer, it seems that my best work is done at the cost of the other. To be more precise, when I'm in the midst of creating a new writing piece, my artistic output tapers off and vice-versa.

Meanwhile, I'm thinking about but not yet in the writing mode of my next play focusing on a young girl's experiences growing up after moving into a new neighborhood.. Not sure whether it will be a one act or full play but then I never know how it will work until consulting with the characters. Meanwhile, my blank canvases are calling me.

My "Old Soldiers" are getting antsy and so am I. A few weeks to go to finish up their story and I'm experiencing a slight case - not full...yet - of panic.

I've been adding dialogue regularly and am satisfied with the progression of the story line. My concern, however - it's always the 'howevers' in life that will get you - is the lack of sound effects. Normally, my focus would be on the dialogue but given the nature of the medium, obviously sound plays an important part. The dialogue itself (IMHO) is good, I'm satisfied with the character development and the scenes are logical. But...

"So explain the problem(s) and/or concerns for us, Eleanor."

The first scene takes place in a pub and sound effects include the buzz of people chatting, glasses clinking, a juke-box producing music. That's it, folks! Suggestions here would be appreciated!

Subsequent scenes focus on the "gang of three" i.e. Joe's friends, studying Joe from afar from their vantage point in a small sports car, Joe's conversation while travelling on the bus and talking to friends at a park.

Haven't decided yet which scenario to follow leading to the finale. There are three possibilities and I can't make up my mind which one to pursue. Another concern is that for whatever reason, didn't note that the play has a 55 page limit and I was working on a 70-odd page limitation. The play as I write it, is taking on a life of its own and I'm not sure it can be completed as a radio play in the alloted time.

"So what's the probability of it being adaptable for a radio play?"

It could go either way depending on which route so to speak, it goes. Meanwhile, there are choices to be made and decision to be taken. Will share more thoughts as they occur.

GOING TO THE ENDING TO GET TO THE BEGINNING

Rather than start another play and half-way through come to the realization that: a) there is no ending or the ending doesn't match the rest or b) it's full of crap, I'm still in the thinking stage. Perhaps John Irving wouldn't approve but then again, I kind'a think he would.

Can't speak for others but writing a play, short or otherwise, comes easy when the idea is good and I can relate to the concept personally.

Read somewhere - can't trace down the source - that Woody Allen, director, writer etc. etc. starts his script with one word. This to me is incredible! He actually builds his script from one word. Mind you I've got ideas that worked for my mini-plays while sitting in a hair stylist chair and in my dentist's office. No matter where I am, I study and take notes. Sometimes it works and sometimes it don't but when it does, as I've written many times before, it's magic.

The more I'm writing this, the more ideas are flowing through/into my brain so I better take advantage of my muse. It could be a quick visit.