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Blog: paperwork (Login to Add to MyJacketFlap)
JacketFlap tags: illustration, penguins, magazine, winter, Christmas, recipes, watercolor, polar bears, holiday, candy, seals, gingerbread house, candyland, Add a tag
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: Law, Politics, Science, Current Events, Germany, A-Featured, trees, environmentalism, seals, The Lorax, Baltic Sea, Christopher D. Stone, Add a tag
Julio Torres, Intern
At the very end of Dr. Seuss’ The Lorax, after the forest has been destroyed and the pond has been drained, a boy is given a seed that will potentially bring renewal to the now tree-less land.
The story was published in 1971. A year latter, Christopher D. Stone, J. Thomas McCarthy Trustee Chair in Law at the University of Southern California, published Should Trees Have Standing?, a work that very much speaks for the trees.
His book became a cornerstone of the environmental debate, but since this is an ongoing struggle without quick remedies, this real life Lorax has updated his book, now with a 21st urgency and mindset. Stone makes a case for the voiceless trees, oceans, wildlife and environment, arguing they should have legal rights.
The following excerpt discusses the case of an 80s oceanic catastrophe in Germany, and how in the long run, advocating for the environment paid off. In his chapter conclusion, he argues that an institution like the Global Commons Trust Fund is best fitted to get results for cases like these.
As Dr. Seuss wrote, “UNLESS someone like you cares an awful lot, nothing is going to get better. It’s not.” Words to keep in mind as you read the excerpt below.
A case in Germany invoked the guardianship concept in a case with global implications. In 1988, approximately 15,000 dead seals mysteriously washed up on the beaches of the North and Baltic Seas. Widespread alarms were sounded, amid considerable concern that the massive deaths were portent of an impending ecological disaster. The most flagrant insult to the North Sea’s chemistry was widely considered to be titanium and other heavy metals that were being produced by incineration and dumping on the high seas by permit of the Western German government.
Conceivably, any of the states bordering the sea might have tried to challenge Germany’s action. But recall that, so long as the harm was being done on, or affecting life only in, the high seas, the authority of any nation to sue was (and is) doubtful. For Poland, say, to trace through a legally compensable injury would have been nearly hopeless. From the point of view of national fishing interests, the reduction—even elimination—of the seals might even have been regarded as an economic benefit. (The harbor seals involved, unlike fur seals, are themselves commercially valueless but compete with fishermen for commercial fish stocks.) Moreover, all the sea-bordering nations were contributing to the pollution, and thus, had any of them objected their case might have been met by Germany with an “unclean hands” defense: “you can’t complain, because you’re as guilty as we are.”
Who, then, was to speak for the seals—and, in so doing, represent all the elements of the ecological web whose hazarded fortunes were intertwined? In comparable situations in the United States, courts have shown willingness to interpret the Administrative Procedure Act and other laws as giving a public interest group standing to challenge the government’s actions. German law, however, is much more stringent about allowing “citizen’s suits.”
The solution was for a group of German environmental lawyers (with the encouragement and advice of the author) to institute an action in which the North Sea seals were named the lawsuit’s principal plaintiffs, with the lawye
Blog: Watercolor Wednesdays (Login to Add to MyJacketFlap)
JacketFlap tags: ocean, ships, seals, selkies, legneds, Add a tag
Here is my watercolor "Legends of the Selkies" for the February monthly post. I really like the light that I have going on, on the rocks around her.
This is the best I could come up with, with only reading a little bit about this legend from the link provided. I hadn't heard of the story before. I'm glad to have had the oppurtunity to learn about them and to try my hand hand painting an illustration. It was a very good lesson!
I'm sorry, I wasn't able to do anything for the 'crowd' week. Life got in the way and I had worked up 4 or 5 other new paintings.
Thanks for looking,
Debbie
Blog: PaperTigers (Login to Add to MyJacketFlap)
JacketFlap tags: Little Bear-s Grandad, Nigel Gray, The Frog Ballet, The Puddleman, Vanessa Cabban, Children's Books, Ian Whybrow, Picture Books, grief, Jane Ray, Books at Bedtime, reading to children, Raymond Briggs, Katie Morag, Grandparent stories, A Balloon for Grandad, Adrian Reynolds, Amanda McCardie, Ana Baca, Anthony Accardo, Benito-s Sopaipillas-Las sopaipillas de Benito, Caroline Crossland, Harry and the Robots, Add a tag
Following on from Charlotte’s post the other day, I thought I would put together a list of a few of the books my family loves, which focus on that special bond between grandchildren and their grandparents.
I have already talked about the Katie Morag books, in which both her grandmothers are central. I wish we’d known about Nigel Gray’s A Balloon for Grandad when we lived abroad; as it is, we discovered it recently in our local library. Illustrated by one of my favorite illustrators, Jane Ray, it deals in such an uplifting way with the separation which is sometimes inevitable when generations live a long way from each other. Then there are Ana Baca and Anthony Accardo’s Benito books – look out for a review of their latest bilingual title Benito’s Sopaipillas/ Las Sopaipillas de Benito in next week’s update of PaperTigers (I’ll add the link to this post when it’s available).
We also love Raymond Briggs’ typically quirky story The Puddleman. You have to be an indulgent grandfather to allow your grandson to lead you around by a dog-lead attached to your wrist and call you “Collar” - but the hint at the end, where Briggs thanks “Miles” for “the naming of puddles, Collar” etc. would suggest that he had real-life, grandson inspiration for the story! It’s a loving, imaginative tale that also provides a particularly special read-aloud experience. Since it is a cartoon strip, you can’t just read it as a narrative; you have to share the interpretation of the pictures alongside the reading of the dialogue and build it up together.
Sometimes we need books to help us talk about the illness or death of a beloved grandparent. (more…)
very, very nice--great light & really like the seal looking on.
Really very beautiful. It's just excellent!!! Great work.
I agree that you did great on the lighting. The colors are also great, too. Dramatic lighting is something I struggle with and I need to study your work some more to learn. Do you have any suggestions?
Hi Linda, Vanessa and Angelic,
Thanks for the great feedback.
I have been painting in watercolor for about 40 years. That's a lot of paintings and practice!
Just recent years I am getting that 'aha' moment about light.
I've been studying some great books I have purchased through Northlight Books and my book store.
and lots of experimenting with my paints.
I find to show light, you must paint shadow. Shadows also define shape. Toning down a color will make it recede to the background. Also certain colors will make other colors pop.
& then there is composition. It all works together to create a dynamic painting, like having all the instruments working correctly in a band. One needs the other to sound great.
Thanks gals,
Debbie