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LEE & LOW BOOKS celebrates its 25th anniversary this year and to recognize how far the company has come, we are featuring one title a week to see how it is being used in classrooms today as well, as hear from the authors and illustrators.
Synopsis: Born in 1905, Anna May Wong spent her childhood working in her family’s laundry in Los Angeles’s Chinatown. Whenever she could afford it, Anna May slipped off to the movies, escaping to a world of adventure, glamour, and excitement. After seeing a movie being filmed in her neighborhood, young Anna May was hooked. She decided she would become a movie star!
Anna May struggled to pursue an acting career in Hollywood in the 1930s. There were very few roles for Asian Americans, and many were demeaning and stereotypical. Anna May made the most of each limited part. She worked hard and always gave her best performance. Finally, after years of unfulfilling roles, Anna May began crusading for more meaningful roles for herself and other Asian American actors.
Anna May Wong—the first Chinese American movie star—was a pioneer of the cinema. Her spirited determination in the face of discrimination is an inspiration to all who must overcome obstacles so that their dreams may come true.
Awards and Honors:
Carter G. Woodson Award, NCSS
Children’s Books of the Year, Bank Street College of Education
Choices, Cooperative Children’s Book Center (CCBC)
Veronicahas a degree from Mount Saint Mary College and joined LEE & LOW in the fall of 2014. She has a background in education and holds a New York State childhood education (1-6) and students with disabilities (1-6) certification. When she’s not wondering around New York City, you can find her hiking with her dog Milo in her hometown in the Hudson Valley, NY.
0 Comments on Celebrating 25 Books Over 25 Years: Shining Star as of 1/1/1900
रजनीकांत के जोक्स पोकीमॉन गो और रजनीकांत -रजनीकांत की कबाली फिल्म रिलीज होने से पहले लीक हो गई तब सच मानिए मैं उचित शब्द खोजने लगी क्योकि लीक शब्द रजनीकांत के नाम के साथ सूट नही करता.उनके लिए सुनामी टाईप शब्द होना चाहिए.. पर शब्द नही मिला तो कार्टून भी नही बना. जब गूगल […]
Dear Film industry: Your metadata is not granular enough. The MPIAA ratings G, PG, PG-13, and R do not fulfill my needs.
I need information relevant to my particular disinterests. I need to know ahead of time if a movie contains elements that I consider unacceptable. I’m not talking about sex, drugs, or violence. I need to know if a movie contains cannibalism, synthesizers, or Jim Carrey.
Here is the film rating system we really need:
Rated A for An Animal is Harmed
As far as I’m concerned, decapitated human heads can roll across the screen but if a Golden Retriever gets a hurty paw you had better warn me up front.
Rated B for British Accent Faked by American
I’m looking at you, Andie MacDowell.
Rated C for Creepy Child Singing
You know things are going to get bad when a little girl starts pushing flowers around and singing quietly to herself.
Rated D for Dialog by Committee
“Oh aspiring teen heart-throb, I am attracted to your emergent yet non-threatening sexuality!”
Rated E for Escape in front of Fireball
You know that scene in every action movie ever where the actors run very fast from some sort of physics phenomenon which approaches at exactly running speed? Rated E.
Rated F for Fun Filled Frolic
If a review or worse the movie poster itself describes a “fun filled frolic for the whole family”, Flee.
Rated G for Grab My Hand
Oh no, that character is falling off a building! Grab my hand! DON’T LET GO!
Rated H for Hearts Pulled Out
A little warning before the monkey brains is all I ask.
Rated I for Italian Stallion
Does this film contain excessive amounts of Sylvester Stallone or Jim Carrey? Librarian Avengers have determined that it will be Rated I or J.
We all play three roles in every moment of our lives. As actors we move, speak, push and pull, make decisions, and otherwise engage in any number of activities animated by our goals and desires. As receptors we use our senses to listen, smell, touch, get pushed and pulled, and react emotionally to other people. As witnesses we observe everything going on around us, analyzing, synthesizing, describing, explaining, and understanding the world in which we live.
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It’s Tony season and who better to educate us about the wonderful world of theatre thanThomas S. Hischak, author of The Oxford Companion To The American Musical: Theatre, Film and Television. Hischak is a Professor of Theatre at the State University of New York College at Cortland. He is the author of sixteen books on theater, film, and popular music as well as the author of twenty published plays. In The Oxford Companion To The American Musical Hischak offers over two thousand entires on musicals, performers, composers, lyricists, producers, choreographers and much more. Below are the answers to this morning’s quiz.
1. Harvey (1944). It was also her last Broadway credit.
9.The Sound of Music (1959). Six of the seven Von Trapp kids were nominated for Best Featured Actress and the eldest Von Trapp, Lauri Peters, was nominated separately. They all lost to Patricia Neway as the Mother Abbess in the same show.
It’s Tony season and who better to educate us about the wonderful world of theatre thanThomas S. Hischak, author of The Oxford Companion To The American Musical: Theatre, Film and Television. Hischak is a Professor of Theatre at the State University of New York College at Cortland. He is the author of sixteen books on theater, film, and popular music as well as the author of twenty published plays. In The Oxford Companion To The American Musical Hischak offers over two thousand entires on musicals, performers, composers, lyricists, producers, choreographers and much more. Below are the answers to this morning’s quiz. Be sure to check back next week on Tuesday for another quiz about the Tonys.
1. The musical Passion (1994) ran only 280 performances, the shortest run on record for a Best Musical winner. Hallelujah, Baby! (1967) ran only two weeks longer but it had closed before it won the Tony so the award could not help business.
2. Poet T. S. Eliot (1888-1965) won when his light verse was set to music by Andrew Lloyd Webber for Cats (1982). 3.Pseudolus in A Funny Thing Happened on the Way to the Forum. Mostel won for the original 1962 production, Silvers and Lane won for the 1972 and 1996 revivals, and Alexander won when he played Pseudolus and other roles in Jerome Robbins’ Broadway (1989).
4. The Threepenny Opera (1954). In 1956 the American Theatre Wing gave a special Tony to the long-running Off Broadway musical.
5. It was their Broadway debut. Bosley in Fiorello! (1959), Smith in Follies (1971), Holliday in Dreamgirls (1981), Martin in My Favorite Year (1992), McDonald in Carousel (1994), Heredia in Rent (1996) and Foster in Thoroughly Modern Millie (2002).
6.Chicago. The 1997 production won the Revival Tony and is still running.
7. Ethel Merman lost to Mary Martin in The Sound of Music in 1960. Bernadette Peters lost in 2004. Angela Lansbury won in 1975, Tyne Daly in 1990. Will Patti LuPone follow suit?
8. Best Orchestrations. Jonathan Tunick won for Titanic.
9. Frankie Michaels as Young Patrick in Mame and Daisy Eagan as Mary Lenox in The Secret Garden.
10. Tommy Tune. He has Tonys for Best Leading Actor in a Musical, Best Featured Actor in a Musical, Best Director of a Musical, and Best Choreographer. Harvey Fierstein has also won Tonys in four different categories but half were for nonmusicals: as author of Best Play, Best Actor in a Play, Best Actor in a Musical, and Best Book for a Musical.
The Play's the Thing - Even If No Words are Spoken by Anyone
by Eleanor Tylbor
To say that Austrian playwright, Peter Handke is a man of few words is truly an understatement.
In fact he has written a play entitled, "The Hour We Knew Nothing of Each Other" to be performed at the National Theatre from March 31 to April 12 for 30 performances. What makes his play "special" is that not one word will be spoken by the actors.
For 1 hour and 40 minutes, 450 characters will be silent.
According to a blurb on the National Theatre site:
The play is best described: "For a moment, a bright, empty town square. And then a figure darts across, and another and another – businesspeople, roller-bladers, a cowboy, several street-sweepers, a halfdressed bride, a film crew, a line of old men, a tourist, a beauty in a mirrored dress, Abraham and Isaac, a family of refugees, a fool – more and more people, the bizarre and the humdrum, fleetingly connected by proximity alone."
The idea apparently came to Handke as he sat at a cafe on an Italian piazza watching strangers come and go. Even if not a word is spoken, the play is not sound-less. The silence is punctuated by snatches of music, the occasional scream and the recorded sounds of an aeroplane or workmen drilling.
A National Theatre spokeswoman said: "It is a great piece of work, challenging and something that we should be doing. Tickets are selling well - not like hotcakes, but they are doing well. It is appealing to younger people. We think our more traditional audiences will wait until the reviews."
If this is a success, I shall re-read and re-edit my plays with the possibility of eliminating the dialogue. Perhaps I'll re-name the wedding play, "Make Me a Wedding and Let's Keep It Between Ourselves." Given that it's a comedy, there will be lots of body language and gesturing. Since my play has a mere 9 characters, it shouldn't be too difficult to fill the various roles.
If anyone attends this play, please pass on your impressions and review.
(the imaginary level of consciousness where rejected playwrights address the characters in their play)
by Eleanor Tylbor
Ellie has to break the bad news - again.
FEMALE CHARACTER Uh-oh... I sense bad news is on the way
MALE CHARACTER How do you know?
FEMALE CHARACTER How do I know? How-do-I-know? Do you hav'ta ask that? Can't you feel the bad vibes?
MALE CHARACTER I thought it was just a bad case of indigestion from all the popcorn she ate last night. She always pigs out on popcorn when her plays are rejected
FEMALE CHARACTER Yeah - don't we know it! At least it's the diet kind. Okay - steel yourself now! It's coming...
ELLIE Um - people...characters from my play... No. Friends
FEMALE CHARACTER Okay. We get the picture. Been there, heard that. Now just cut to the chase. So?
ELLIE Well there's good news and bad news
MALE CHARACTER Do we get a choice which one we wanna hear first?
FEMALE CHARACTER Oh pleeze! Just let her divest herself of all her angst will you, so that we can get on with our so-called purpose in life?
ELLIE Ahem... The good news is that I entered the BBC International Playwriting Competition
FEMALE CHARACTERThat's it? You entered a competition? That's all the good news you have to tell us? Oh gawd - here it comes...
ELLIE Well...I didn't win
FEMALE CHARACTER This dear playwright, is not news. You are aware that we have been in this state for years now waiting...waiting...waiting for the call that never comes. Y'know - it's not easy being characters from a play longing to share ourselves with theatre audiences. The stage! The lights! The applause! Never to hear applause...
ELLIE What can I say? Maybe I should just do another re-write
MALE CHARACTER A re-write? Is that...like really necessary? I mean...the play does make a strong statement
FEMALE CHARACTER Wait a minute. You won't change our characters, will you? You do like us, right?
ELLIE Of course. I just want to tighten up the dialogue, is all. You'll be happy to hear that I'm going to have a public reading
MALE CHARACTERFantastic! At last real people will get to know us and who knows where that could lead!
ELLIE Now all I hav'ta do is find some people. It can't be just anybody off the street, y'know!
FEMALE CHARACTER Why not? A body is a body is a body. At least they're real people
ELLIE Yeah - I suppose. Now all I hav'ta do is spread the word and set it all up...
MALE CHARACTER We'll be waiting. We're always waiting
LEE & LOW BOOKS celebrates its 25th anniversary this year and to recognize how far the company has come, we are featuring one title a week to see how it is being used in classrooms today as well, as hear from the authors and illustrators.
working in her family’s laundry in Los Angeles’s Chinatown. Whenever she could afford it, Anna May slipped off to the movies, escaping to a world of adventure, glamour, and excitement. After seeing a movie being filmed in her neighborhood, young Anna May was hooked. She decided she would become a movie star!
Veronica has a degree from Mount Saint Mary College and joined LEE & LOW in the fall of 2014. She has a background in education and holds a New York State childhood education (1-6) and students with disabilities (1-6) certification. When she’s not wondering around New York City, you can find her hiking with her dog Milo in her hometown in the Hudson Valley, NY.
Rated A for An Animal is Harmed
Rated B for British Accent Faked by American
Rated C for Creepy Child Singing
Rated D for Dialog by Committee
Rated E for Escape in front of Fireball
Rated F for Fun Filled Frolic
Rated G for Grab My Hand
Rated H for Hearts Pulled Out
Rated I for Italian Stallion
Rated J for Jim Carrey
Rated K for Keyboard Hacks Network in 2 Clicks
Rated L for Lead Actors in Real-Life Romance 
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