Gung Hay Fat Choi! Xin Nian Kuai Le! Happy Year of the Sheep/Ram/Goat!
So how are you celebrating? Here are some of my favourite children’s books for Chinese New Year:
The Year of … Continue reading ...
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Gung Hay Fat Choi! Xin Nian Kuai Le! Happy Year of the Sheep/Ram/Goat!
So how are you celebrating? Here are some of my favourite children’s books for Chinese New Year:
The Year of … Continue reading ...
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We are extra lucky today as not one but two experts have concocted a gourmet feast of their Top 10 favourite multicultural stories about food. It seems fitting that authors Grace Lin and Jama Rattigan should each select food as their theme, since they have both written stories revolving around tasty recipes – as you will discover by looking at each of their menus. In fact, each has put a book by the other on her menu, while unaware that the other was cooking up their own recipe, so it seems fitting that we should bring you the whole spread for you to gorge on at a single sitting – and it’s also interesting to see which books come up as double portions…
Jama Rattigan is the author of Dumpling Soup illustrated by Lilian Hsu-Flanders (Little, Brown Books for Young Readers, 1998); The Woman in the Moon: A Story from Hawai’i illustrated by Carla Golembe (Little, Brown Books for Young Readers, 1996); and Truman’s Aunt Farm illustrated by G. Brian Karas (Sandpiper, 1996). As well as her website (check out the recipe for Dumpling Soup), Jama also hosts the truly delectable Jama’s Alphabet Soup, a must-visit blog for anyone interested in children’s books, food, or both at the same time.
Grace Lin‘s latest book is Starry River of the Sky (Little, Brown Books for Young Readers, 2012), the much-awaited companion novel to Newbery Honor Where the Mountain Meets the Moon (Little, Brown Books for Young Readers, 2009). She has written and illustrated many books for a wide age-range of children, including The Ugly Vegetables (Charlesbridge Publishing, 1999) and Dim Sum for Everyone (Knopf Books for Young Readers, 2001); and picture books she has illustrated include Where on Earth is my Bagel? by Frances and Ginger Park (Lee & Low Books, 2001). You can read our 2010 interview with Grace here, and view some of her beautiful artwork in our Gallery here and here. And do check out Grace’s website and blog, where she has a fantastic giveaway on offer in celebration of the launch of Starry River of the Sky.
Top 10 Favorite Multicultural Picture Books about Food by Jama Rattigan
Whether it’s a big platter of noodles, warm-from-the-oven flatbread, fried dumplings, or a steamy bowl of Ugly Vegetable Soup, there’s nothing tastier than a picture book about food. You eat with your eyes first, then step into the kitchens or sit at the tables of friends and family from faraway places, all of whom seem to agree that love is the best seasoning for any dish, and food tastes best when it is happily shared. These tasty tales always make me say, “More, please!”
~ Apple Pie Fourth of July by Janet S. Wong and Margaret Chodos-Irvine (Harcourt, 2002)
~ Aunty Yang’s Great Soybean Picnic by Ginnie Lo and Beth Lo (Lee & Low, 2012)
~ Bee-Bim Bop! by Linda Sue Park and Ho Baek Lee (Clarion, 2005)
~ Cora Cooks Pancit by Dorina K. Lazo Gilmore and Kristi Valiant (Shen’s Books, 2009)
~ Duck for Turkey Day by Jacqueline Jules and Kathryn Mitter (Albert Whitman, 2009)
~ Hiromi’s Hands by Lynne Barasch (Lee & Low, 2007)
~ Hot, Hot Roti for Dada-ji by F. Zia and Ken Min (Lee & Low, 2011)
~ The Have a Good Day Café by Frances Park and Ginger Park, illustrated by Katherine Potter (Lee & Low, 2005)
~ The Ugly Vegetables by Grace Lin (Charlesbridge, 1999)
~ Too Many Tamales by Gary Soto and Ed Martinez (Putnam, 1993)
My Top Ten Food-Themed Multicultual Books by Grace Lin
In my family instead of saying hello, we say, “Have you eaten yet?” Eating and food has always been a successful way to connect us to culture, familiar as well as exotic–perhaps because it’s so enjoyable! So these books about food can be an appetizer to another country, a comfort food of nostalgia or a delicious dessert of both. Hen hao chi!
~ Hiromi’s Hands by Lynne Barasch (Lee & Low, 2007)
~ Ganesha’s Sweet Tooth by Sanjay Patel and Emily Haynes, illustrated by Sanjay Patel (Chronicle Books, 2012)
~ Bee-Bim Bop! by Linda Sue Park,illustrated Ho Baek Lee (Clarion, 2005)
~ How My Parents Learned to Eat by Ina R. Friedman, illustrated by Allan Say (Sandpiper, 1987)
~ Apple Pie Fourth of July by Janet Wong, illustrated by Margaret Chodos-Irvine (Harcourt, 2002)
~ Everybody Cooks Rice by Norah Dooley, illustrated by Peter Thornton (Carolrhoda Books, 1992)
~ Yoko by Rosemary Wells (Hyperion, 1998)
~ Auntie Yang’s Great Soybean Picnic by Ginnie and Beth Lo (Lee & Low, 2012)
~ Peiling and the Chicken-Fried Christmas by Pauline Chen (Bloomsbury, 2007)
~ Dumpling Soup by Jama K. Rattigan, illustrated by Lillian Hsu Flanders (Little, Brown, 1998)
Continuing our exploration of the world of e-books for children, we’re asking practitioners and people on the ground about some of the challenges and triumphs for them personally, as well as for the children’s publishing industry as a whole.
Today we have with us Janet Wong, former lawyer turned children’s book author of numerous books, including A Suitcase of Seaweed, Me and Rolly Maloo, Twist: Yoga Poems, and Once Upon a Tiger, an illustrated e-book poetry collection about endangered animals, as well as three e-poetry collections, co-designed and edited with Sylvia Vardell: Poetry Tag Time, p*tag and the recently released Gift Tag. Janet’s many awards include the International Reading Association’s “Celebrate Literacy Award”.
We first interviewed Janet in 2008 and it’s great to welcome her back to PaperTigers to talk here about her experiences with e-books.
***
What was your inspiration for writing e-books? Was that your intention from the get-go, or was there an evolution in your creative process?
Sylvia Vardell and I hatched our PoetryTagTime project one year ago at the NCTE convention with one simple goal: to make poetry an impulse buy. Poetry books are too often neglected, left to collect dust on bookshelves. We wanted people to hear about our books, read a sample poem, click “buy” (for no more than the cost of a cup of coffee)–and fall in love with poetry!
Children’s books, particularly picture books, present specific challenges to the e-book industry in terms of faithful reproduction of art and story. They also present exciting opportunities for new forms of interaction. What limitations or challenges, expected or unexpected, have you personally experienced creating e-books for children, and in turn, what benefits have you discovered as compared to printed books?
Designing for the small black-and-white screen of the Kindle isn’t easy, especially since you can’t know what size font a reader will choose. A child who chooses a large font might end up breaking a poem’s lines in places where a line break might be, well, ugly. For our third PoetryTagTime venture, GIFT TAG, Sylvia came up with the name “Kindleku” to describe the form that we “invented” for the Kindle screen. This form allows a maximum of 10 lines and 25 characters per line (including spaces)–the most that will fit on a Kindle screen when it is set at Font Size 6 (though Font Size 4 is, in my opinion, the best size for reading most e-books). Douglas Florian called this form the “Kindlekuku” and we acknowledge in the intro that it was cuckoo to limit our poets to 250 characters per poem–but we think the poems are terrific!
Particularly in English-speaking countries, a common concern is the lack of diversity in children’s books. How do you think e-books might address such concerns, and how has your work engaged with issues of multicultural children’s books?
More and more people are discovering the authors in themselves and soon will be using e-books to make their voices and stories heard. This is such an exciting time to be involved with books. There will be lots of awful books, just as there are lots of awful YouTube videos–but there will also be indie-pub
[Sara Hudson joined our team of contributors last year, bringing her perception and love of children's books to the book reviews she has written for us. You can read more about her on our About Us page, including an allusion to her travels that have centered on book collections around the world (and, in fact, we first met Sara at the International Youth Library stand at the Bologna Book Fair last year...). With this post, Sara introduces a short series focusing on e-books for children that will include an overview of multicultural e-books and interviews with two authors who have embraced the e-book format, Janet Wong and Hazel Edwards.
- Marjorie]
e-troducing the e-book
The degree to which debates about e-books can polarize begins to make sense after we consider how we often frame their presence as a question of alleged murder. “Will the e-book kill off traditional books?” It’s the perennial question at the front of the mind of cultural critics and librarians hovering at the back of any crowd rushing out for the latest Kindle, iPad, Nook or other e-reader. In turn, the question of e-books draws its roots from deeper long-standing concerns, those surrounding the question “Is the book dead?”
Despite decades of worry, the book is not, in fact, dead; nor has the e-book yet killed off traditional books. E-books developed from work in the mid-1970s to create image- and text-based publications for computers – themselves still a fairly new and ungainly technology. Advances in technologies and software programs ricocheted the development of e-books and their subsequent e-readers forward in the 1990s. Today e-books are visual and/or aural publications readable on digital devices, which often cost a fraction of the price of traditional books, and offer the advantage of portability and accessibility to large numbers of texts at once.
That said, the e-book industry remains in its infancy, and its approach to all books, especially those for infants and children, evolves every day. E-book readers pose considerable technical issues. Amazon and Apple, two companies historically known not to play well with others, if at all, both have proprietary restrictions, so buyers can only read book purchases on Kindles or iPads, respectively (although you can download a Kindle reader to your PC). Additionally, as evidenced by the overarching debate about e-books, “Will they kill off traditional books?”, e-books evoke enormous emotional responses from readers. “Traditional” readers argue, for example, that reading a book on a machine cannot substitute for reading a physical book, that the medium is part of the message, that a machine is a sterile substitute for the tactile experience of reading.
The emotional questions of e-books reveal themselves nowhere as strongly as they do with e-books for children, particularly picture books aimed at early readers. As this recent article from The New York Times reports, “[e-books for children] represent less than 5 percent of total annual sales of children’s books, several publishers estimated, compared with more than 25 percent in some categories of adult books.” Children’s e-books present practical arguments (teething toddlers + expensive electronics = definite disaster), practical unknowns (when do bells and whistles enhance and when do they distract?), and questions of the practices of adults themselves, particularly those of middle class income, many of whom rely on their own ability to flip through a book – or that of a librarian, teacher, or fellow parent –
National Poetry Month is held every April in Canada and the USA to celebrate poetry and its vital place in American and Canadian culture. Schools, literary organizations, communities, businesses and more celebrate National Poetry Month with a plethora of events including poetry readings, festivals, book displays, and workshops. The kidlitosphere is sure to be active with bloggers celebrating the month – and one blog that you definitely don’t want to miss out reading is Sylvia Vardell’s Poetry for Children!
Sylvia is a professor of children’s and young adult literature at Texas Woman’s University, author of Poetry Aloud Here! Sharing Poetry with Children in the Library (ALA Editions, 2006), Poetry People: A Practical Guide to Children’s Poets (Libraries Unlimited, 2007), and Children’s Literature in Action: A Librarian’s Guide (Libraries Unlimited, 2008). She is co-editor of Bookbird, the journal of international children’s literature, co-editor of the annual review guide Librarians Choices and is also the poetry columnist for the American Library Association’s Book Links magazine.
Our April 2008 PaperTigers’ Poetry issue featured a reprint of Sylvia’s article Pairing Poems Across Cultures (which offered insights on the similarities and differences in poetry from parallel cultures) as well as a reprint of an interview that Cynthia Leitich Smith did with Sylvia in 2007. In 2010 we were thrilled to meet up with Sylvia at the Bologna Children’s Book Fair and had a great chat with her.
Last April, to celebrate National Poetry Month, Sylvia played a game of Poetry Tag on her blog. Poets shared original poems, tagged another poet who shared a poem connected with the previous poem, and on and on. It was such a success that it led her and author Janet S. Wong to compile an anthology of 30 e-poems by 30 e-poets called PoetryTagTime. This first ever electronic-only poetry anthology for children has new poems by many top poets writing for young people, and can be purchased for 99 cents here.
For this year’s National Poetry Month celebrations Sylvia says :
I’m sticking with my “tag” th
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*Picture book for preschoolers through third graders
*Third-grade girl as main character
*Rating: Homegrown House is worth checking out just to see E.B. Lewis’s illustrations. Then add the clever and heartfelt text by Janet S. Wong, and you have a special picture book here!
Short, short summary: A young girl loves her grandma’s house and wishes that she and her parents could live in a house as long as Grandma has lived in hers. But her family moves around a lot. She lived in a preschool-kindergarten house and a first-second grade house, and now a third-grade house because of her parents’ careers. Each house had something wrong with it that was just about to get fixed or that the family was just about to get used to until they had to move again. Throughout all the moves, the young girl discusses houses with her grandma and wishes that she could find and settle in a house as special as hers. So, she uses her imagination to create her own homegrown house.
1. A social studies activity you can do with this book is discuss different types of homes people live in. People may live in apartments, condos, houses, trailers, mobile homes, huts, and so on. Once students list different kinds of homes, discuss what makes these homes special to the people that live in them. Once you and your students or children finish making the list and discussing each place, they can draw a picture or write a journal entry about your discussion or their favorite place from the list.
2. This is the perfect book to talk about moving with students and how hard moving can be. In your classroom, you will most likely have a child who has moved. You will have other children who are experiencing loss due to someone else moving because of divorce, death, careers, and so on. Talk to students about the advantages and disadvantages of moving. Allow students who have first-hand knowledge of moving or dealing with others moving talk to students about their feelings.
3. Another social studies objective may be to discuss reasons why people move. This book lists career as a reason why people move, but there are many other reasons such as overcrowding, finding better schools, upsizing or downsizing, and getting closer to family. With students, make a list of reasons why people move.
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Oiy, life. Anyway, I'm crossing things off the To-Do list--the one in my day planner and the one in my head.
So, I did the Banned Books give-away drawing tonight and emailed the winners--there were 5! So, if you entered, check your inbox.
Also, some books I reviewed finally came out, so you can now go grab your very own copy of Hip Hop Speaks to Children (review here) Vibes (review here), and Paper Towns (review here). Go check 'em out.
AND! Last spring, I tried to read all of the Fusion Stories, but not all of them were out yet, so here are the reviews of the two I missed!
So, May is Asian-American Heritage Month. To celebrate, 10 children's and YA authors got together to spotlight "Ten new contemporary novels by Asian Americans aren’t traditional tales set in Asia nor stories about coming to America for the first time."
Check out the list at Fusion Stories.
I thought this was an awesome idea, so to join the party, I'm reading all the fusion stories this month, substituting earlier works if the highlighted story isn't published yet.
But, first I'm going to ramble on about myself for a while, because it's my blog! I can do what I want!
Mainly, the wedding I went to this weekend was wonderfully fun AND I got to meet some other kidlit dorks, including someone who knows David Levithan. And Rachel Cohn! My geeky heart just about died! My response was "Can I touch you?!" Initially, he thought I was being a bitch, when really, I was in total AWE!
And now I'm off to North Carolina for my sister's wedding!
Also, I want to give a shout-out to Lauren. She's my new-ish coworker and she is awesome. I don't think I've mentioned that yet. But who else would randomly burst into song with you on the reference desk? Especially when said song is a medley of the Simpson's musical version of Street Car Named Desire?
You can always depend on the kindness of strangers!
To buck up your spirits and shield you from dangers!
Now here's a tip from Blanche you won't regret:
A stranger's just a friend you haven't met.
You haven't met!
STREETCAR!
That's what too much story time can do to a person!
Also, here's a video I've been watching a lot of lately:
Because do you know what's better than a Kate Pierson muppet? ABSOLUTELY NOTHING.
Also, how awesome is it when you look like a total moody rock star while rocking out on a banjo?!
Anyway, some reviews!
Poet Janet Wong’s energy and dynamism really struck me when I interviewed her for our current issue on the main PaperTigers site and these qualities really come through in her recent interview with Elaine at Wild Rose Reader. It focuses on “her experience as a student in a master class on poetry taught by the late Myra Cohn Livingston, one of America’s foremost children’s poets and anthologists” – as well as being a great read itself, the comments that follow on from the interview have kept the discussion going…
Not only that, but Janet and Elaine have also invited readers of the interview to write their own poems including the words ring, drum and blanket, as this used to be one of Myra’s homework assignments. You can still join in – and if you need inspiration, you can read Janet and Elaine’s own offerings; there’s a great poem called Dragon Boat Festival by Diane Davis; and Cloudscome, Miss Rumphius Effect and Writing and Ruminating have all taken the challenge in wonderful and very different directions too.
Thank you for your kind words about IVY!
And I lucked out and got a co-worker with a fine appreciation of Sesame Street (and a superb interpretation of Elephant and Piggie) :)
Lisa-- I just call 'em as I see 'em! Keep the stories coming!
Lauren-- I think we have more fun than should be allowed at work. :)