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Viewing: Blog Posts Tagged with: Janet S. Wong, Most Recent at Top [Help]
Results 1 - 9 of 9
1. Happy Chinese New Year! Gung Hay Fat Choi! Xin Nian Kuai Le!

Happy Chinese New Year 2015 from Mirrors Windows Doors

Gung Hay Fat Choi! Xin Nian Kuai Le! Happy Year of the Sheep/Ram/Goat!

So how are you celebrating? Here are some of my favourite children’s books for Chinese New Year:

The Year of … Continue reading ...

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2. PaperTigers 10th Anniversary: Top 10 Multicultural Children’s Books about Food – Double Helpings from Grace Lin and Jama Rattigan

We are extra lucky today as not one but two experts have concocted a gourmet feast of their Top 10 favourite multicultural stories about food.  It seems fitting that authors Grace Lin and Jama Rattigan should each select food as their theme, since they have both written stories revolving around tasty recipes – as you will discover by looking at each of their menus.  In fact, each has put a book by the other on her menu, while unaware that the other was cooking up their own recipe, so it seems fitting that we should bring you the whole spread for you to gorge on at a single sitting – and it’s also interesting to see which books come up as double portions…

Jama Rattigan is the author of Dumpling Soup illustrated by Lilian Hsu-Flanders (Little, Brown Books for Young Readers, 1998);  The Woman in the Moon: A Story from Hawai’i illustrated by Carla Golembe (Little, Brown Books for Young Readers, 1996); and Truman’s Aunt Farm illustrated by G. Brian Karas (Sandpiper, 1996).  As well as her website (check out the recipe for Dumpling Soup), Jama also hosts the truly delectable Jama’s Alphabet Soup, a must-visit blog for anyone interested in children’s books, food, or both at the same time.

Grace Lin‘s latest book is Starry River of the Sky (Little, Brown Books for Young Readers, 2012), the much-awaited companion novel to Newbery Honor Where the Mountain Meets the Moon (Little, Brown Books for Young Readers, 2009).  She has written and illustrated many books for a wide age-range of children, including The Ugly Vegetables (Charlesbridge Publishing, 1999) and Dim Sum for Everyone (Knopf Books for Young Readers, 2001); and picture books she has illustrated include Where on Earth is my Bagel? by Frances and Ginger Park (Lee & Low Books, 2001).  You can read our 2010 interview with Grace here, and view some of her beautiful artwork in our Gallery here and here.  And do check out Grace’s website and blog, where she has a fantastic giveaway on offer in celebration of the launch of Starry River of the Sky.

Top 10 Favorite Multicultural Picture Books about Food by Jama Rattigan

Whether it’s a big platter of noodles, warm-from-the-oven flatbread, fried dumplings, or a steamy bowl of Ugly Vegetable Soup, there’s nothing tastier than a picture book about food. You eat with your eyes first, then step into the kitchens or sit at the tables of friends and family from faraway places, all of whom seem to agree that love is the best seasoning for any dish, and food tastes best when it is happily shared. These tasty tales always make me say, “More, please!”

~ Apple Pie Fourth of July by Janet S. Wong and Margaret Chodos-Irvine (Harcourt, 2002)

~ Aunty Yang’s Great Soybean Picnic by Ginnie Lo and Beth Lo (Lee & Low, 2012)

~ Bee-Bim Bop! by Linda Sue Park and Ho Baek Lee (Clarion, 2005)

~ Cora Cooks Pancit by Dorina K. Lazo Gilmore and Kristi Valiant (Shen’s Books, 2009)

~ Duck for Turkey Day by Jacqueline Jules and Kathryn Mitter (Albert Whitman, 2009)

~ Hiromi’s Hands by Lynne Barasch (Lee & Low, 2007)

~ Hot, Hot Roti for Dada-ji by F. Zia and Ken Min (Lee & Low, 2011)

~ The Have a Good Day Café by Frances Park and Ginger Park, illustrated by Katherine Potter (Lee & Low, 2005)

~ The Ugly Vegetables by Grace Lin (Charlesbridge, 1999)

~ Too Many Tamales by Gary Soto and Ed Martinez (Putnam, 1993)

 

 

My Top Ten Food-Themed Multicultual Books by Grace Lin

In my family instead of saying hello, we say, “Have you eaten yet?” Eating and food has always been a successful way to connect us to culture, familiar as well as exotic–perhaps because it’s so enjoyable! So these books about food can be an appetizer to another country, a comfort food of nostalgia or a delicious dessert of both. Hen hao chi!

~ Hiromi’s Hands by Lynne Barasch (Lee & Low, 2007)

~ Ganesha’s Sweet Tooth by Sanjay Patel and Emily Haynes, illustrated by Sanjay Patel (Chronicle Books, 2012)

~ Bee-Bim Bop! by Linda Sue Park,illustrated Ho Baek Lee (Clarion, 2005)

~ How My Parents Learned to Eat by Ina R. Friedman, illustrated by Allan Say (Sandpiper, 1987)

~ Apple Pie Fourth of July by Janet Wong, illustrated by Margaret Chodos-Irvine (Harcourt, 2002)

~ Everybody Cooks Rice by Norah Dooley, illustrated by Peter Thornton (Carolrhoda Books, 1992)

~ Yoko by Rosemary Wells (Hyperion, 1998)

~ Auntie Yang’s Great Soybean Picnic by Ginnie and Beth Lo (Lee & Low, 2012)

~ Peiling and the Chicken-Fried Christmas by Pauline Chen (Bloomsbury, 2007)

~ Dumpling Soup by Jama K. Rattigan, illustrated by Lillian Hsu Flanders (Little, Brown, 1998)

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3. Poetry Friday and Children’s E-Books: Interview with Janet Wong

Continuing our exploration of the world of e-books for children, we’re asking practitioners and people on the ground about some of the challenges and triumphs for them personally, as well as for the children’s publishing industry as a whole.

Today we have with us Janet Wong, former lawyer turned children’s book author of numerous books, including A Suitcase of Seaweed, Me and Rolly Maloo, Twist: Yoga Poems, and Once Upon a Tiger, an illustrated e-book poetry collection about endangered animals, as well as three e-poetry collections, co-designed and edited with Sylvia Vardell: Poetry Tag Time, p*tag and the recently released Gift Tag. Janet’s many awards include the International Reading Association’s “Celebrate Literacy Award”.

We first interviewed Janet in 2008 and it’s great to welcome her back to PaperTigers to talk here about her experiences with e-books.

***

What was your inspiration for writing e-books? Was that your intention from the get-go, or was there an evolution in your creative process?

Sylvia Vardell and I hatched our PoetryTagTime project one year ago at the NCTE convention with one simple goal: to make poetry an impulse buy. Poetry books are too often neglected, left to collect dust on bookshelves. We wanted people to hear about our books, read a sample poem, click “buy” (for no more than the cost of a cup of coffee)–and fall in love with poetry!

Children’s books, particularly picture books, present specific challenges to the e-book industry in terms of faithful reproduction of art and story. They also present exciting opportunities for new forms of interaction. What limitations or challenges, expected or unexpected, have you personally experienced creating e-books for children, and in turn, what benefits have you discovered as compared to printed books?

Designing for the small black-and-white screen of the Kindle isn’t easy, especially since you can’t know what size font a reader will choose. A child who chooses a large font might end up breaking a poem’s lines in places where a line break might be, well, ugly. For our third PoetryTagTime venture, GIFT TAG, Sylvia came up with the name “Kindleku” to describe the form that we “invented” for the Kindle screen. This form allows a maximum of 10 lines and 25 characters per line (including spaces)–the most that will fit on a Kindle screen when it is set at Font Size 6 (though Font Size 4 is, in my opinion, the best size for reading most e-books). Douglas Florian called this form the “Kindlekuku” and we acknowledge in the intro that it was cuckoo to limit our poets to 250 characters per poem–but we think the poems are terrific!

Particularly in English-speaking countries, a common concern is the lack of diversity in children’s books. How do you think e-books might address such concerns, and how has your work engaged with issues of multicultural children’s books? 

More and more people are discovering the authors in themselves and soon will be using e-books to make their voices and stories heard. This is such an exciting time to be involved with books. There will be lots of awful books, just as there are lots of awful YouTube videos–but there will also be indie-pub

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4. e-troducing the e-book

[Sara Hudson joined our team of contributors last year, bringing her perception and love of children's books to the book reviews she has written for us. You can read more about her on our About Us page, including an allusion to her travels that have centered on book collections around the world (and, in fact, we first met Sara at the International Youth Library stand at the Bologna Book Fair last year...). With this post, Sara introduces a short series focusing on e-books for children that will include an overview of multicultural e-books and interviews with two authors who have embraced the e-book format, Janet Wong and Hazel Edwards.

- Marjorie]

e-troducing the e-book

The degree to which debates about e-books can polarize begins to make sense after we consider how we often frame their presence as a question of alleged murder. “Will the e-book kill off traditional books?” It’s the perennial question at the front of the mind of cultural critics and librarians hovering at the back of any crowd rushing out for the latest Kindle, iPad, Nook or other e-reader. In turn, the question of e-books draws its roots from deeper long-standing concerns, those surrounding the question “Is the book dead?”

Despite decades of worry, the book is not, in fact, dead; nor has the e-book yet killed off traditional books.  E-books developed from work in the mid-1970s to create image- and text-based publications for computers – themselves still a fairly new and ungainly technology. Advances in technologies and software programs ricocheted the development of e-books and their subsequent e-readers forward in the 1990s. Today e-books are visual and/or aural publications readable on digital devices, which often cost a fraction of the price of traditional books, and offer the advantage of portability and accessibility to large numbers of texts at once.

That said, the e-book industry remains in its infancy, and its approach to all books, especially those for infants and children, evolves every day.  E-book readers pose considerable technical issues. Amazon and Apple, two companies historically known not to play well with others, if at all, both have proprietary restrictions, so buyers can only read book purchases on Kindles or iPads, respectively (although you can download a Kindle reader to your PC). Additionally, as evidenced by the overarching debate about e-books, “Will they kill off traditional books?”, e-books evoke enormous emotional responses from readers. “Traditional” readers argue, for example, that reading a book on a machine cannot substitute for reading a physical book, that the medium is part of the message, that a machine is a sterile substitute for the tactile experience of reading.

The emotional questions of e-books reveal themselves nowhere as strongly as they do with e-books for children, particularly picture books aimed at early readers. As this recent article from The New York Times reports, “[e-books for children] represent less than 5 percent of total annual sales of children’s books, several publishers estimated, compared with more than 25 percent in some categories of adult books.” Children’s e-books present practical arguments (teething toddlers + expensive electronics = definite disaster), practical unknowns (when do bells and whistles enhance and when do they distract?), and questions of the practices of adults themselves, particularly those of middle class income, many of whom rely on their own ability to flip through a book – or that of a librarian, teacher, or fellow parent –

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5. April is Poetry Month! Celebrate by visiting Sylvia Vardell’s blog Poetry for Children!

National Poetry Month is held every April in Canada and the USA to celebrate poetry and its vital place in American and Canadian culture. Schools, literary organizations, communities, businesses and more celebrate National Poetry Month with a plethora of events including poetry readings, festivals, book displays, and workshops. The kidlitosphere is sure to be active with bloggers celebrating the month – and one blog that you definitely don’t want to miss out reading is Sylvia Vardell’s Poetry for Children!

Sylvia is a professor of children’s and young adult literature at Texas Woman’s University, author of Poetry Aloud Here! Sharing Poetry with Children in the Library (ALA Editions, 2006), Poetry People: A Practical Guide to Children’s Poets (Libraries Unlimited, 2007), and Children’s Literature in Action: A Librarian’s Guide (Libraries Unlimited, 2008). She is co-editor of Bookbird, the journal of international children’s literature, co-editor of the annual review guide Librarians Choices and is also the poetry columnist for the American Library Association’s Book Links magazine.

Our April 2008 PaperTigers’ Poetry issue featured a reprint of Sylvia’s article Pairing Poems Across Cultures (which offered insights on the similarities and differences in poetry from parallel cultures) as well as a reprint of an interview that Cynthia Leitich Smith did with Sylvia in 2007. In 2010 we were thrilled to meet up with Sylvia at the Bologna Children’s Book Fair and had a great chat with her.

Last April, to celebrate National Poetry Month, Sylvia played a game of Poetry Tag on her blog. Poets shared original poems, tagged another poet who shared a poem connected with the previous poem, and on and on. It was such a success that it led her and author Janet S. Wong to compile an anthology of 30 e-poems by 30 e-poets called PoetryTagTime.  This first ever electronic-only poetry anthology for children has new poems by many top poets writing for young people, and can be purchased for 99 cents here.

For this year’s National Poetry Month celebrations Sylvia says :

I’m sticking with my “tag” th

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6. Tuesday Tales: Homegrown House (Written by: Janet S. Wong; Illustrated by E.B. Lewis)

house-by-davidorban.jpg
by David.Orban www.flickr.com

*Picture book for preschoolers through third graders
*Third-grade girl as main character
*Rating: Homegrown House is worth checking out just to see E.B. Lewis’s illustrations. Then add the clever and heartfelt text by Janet S. Wong, and you have a special picture book here!

Short, short summary: A young girl loves her grandma’s house and wishes that she and her parents could live in a house as long as Grandma has lived in hers. But her family moves around a lot. She lived in a preschool-kindergarten house and a first-second grade house, and now a third-grade house because of her parents’ careers. Each house had something wrong with it that was just about to get fixed or that the family was just about to get used to until they had to move again. Throughout all the moves, the young girl discusses houses with her grandma and wishes that she could find and settle in a house as special as hers. So, she uses her imagination to create her own homegrown house.

1. A social studies activity you can do with this book is discuss different types of homes people live in. People may live in apartments, condos, houses, trailers, mobile homes, huts, and so on. Once students list different kinds of homes, discuss what makes these homes special to the people that live in them. Once you and your students or children finish making the list and discussing each place, they can draw a picture or write a journal entry about your discussion or their favorite place from the list.

2. This is the perfect book to talk about moving with students and how hard moving can be. In your classroom, you will most likely have a child who has moved. You will have other children who are experiencing loss due to someone else moving because of divorce, death, careers, and so on. Talk to students about the advantages and disadvantages of moving. Allow students who have first-hand knowledge of moving or dealing with others moving talk to students about their feelings.

3. Another social studies objective may be to discuss reasons why people move. This book lists career as a reason why people move, but there are many other reasons such as overcrowding, finding better schools, upsizing or downsizing, and getting closer to family. With students, make a list of reasons why people move.

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7. A Big Bowl of Ketchup

Oiy, life. Anyway, I'm crossing things off the To-Do list--the one in my day planner and the one in my head.

So, I did the Banned Books give-away drawing tonight and emailed the winners--there were 5! So, if you entered, check your inbox.

Also, some books I reviewed finally came out, so you can now go grab your very own copy of Hip Hop Speaks to Children (review here) Vibes (review here), and Paper Towns (review here). Go check 'em out.

AND! Last spring, I tried to read all of the Fusion Stories, but not all of them were out yet, so here are the reviews of the two I missed!


Minn and Jake's Almost Terrible Summer Janet S. Wong

In this verse-novel sequel to Minn and Jake, Jake has gone back to LA for the summer. Jake thought it would be fun to go back to LA, but his grandmother keeps stuffing him full of food (but not the kind he likes) and Soup keeps waking him up at 6am. Not only that, but his friends have all moved on and and don't have time to hang out with him.

Then Minn comes down to LA, despite the fact Jake hasn't written back once all summer. Sadly, things don't go well. Minn's upset that Jake never told her his grandmother is Korean. Jake's upset that he cares. Then, when Minn and Jake run into cute Haylee at Disneyland and Jake totally ignores Minn, things get really bad.

An excellent look at friendship, going home again, and trying to navigate the whole boy/girl dynamic. I liked it even better than the first one.


Stop Me If You've Heard This One Before David Yoo

Albert Kim is an intentional loser--in a life where was always on the fringe and never really fit in, he decided it was just easier to stop trying. No one can reject you if you don't make advances towards friendship in the first place. But then, he ends up spending the summer working with Mia, 1/2 of the school's power couple. Only, Mia and Ryan have broken up and by the end of the summer, Albert and Mia are... something. Albert's days as an intentional loser are over, not that it's that easy, of course. To make matters worse, Ryan gets cancer and needs Mia by his side constantly. Can Albert hang on to her without making everyone in town kill him?

Part of the book are funny and Yoo writes an unbelievably authentic voice in Albert. Sadly, it was also one that really annoyed me. I knew Albert in high school--not my favorite person and I was never sure why Mia went for him. Part of me felt really sorry for him when things went wrong, but part of me just wanted him to shut up. I think teen boys, especially the lovable losers, will identify and like it.

Full disclosure: ARC provided by publisher, via Picnic Basket.

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8. Fusion Stories! (and other ramblings)

So, May is Asian-American Heritage Month. To celebrate, 10 children's and YA authors got together to spotlight "Ten new contemporary novels by Asian Americans aren’t traditional tales set in Asia nor stories about coming to America for the first time."

Check out the list at Fusion Stories.

I thought this was an awesome idea, so to join the party, I'm reading all the fusion stories this month, substituting earlier works if the highlighted story isn't published yet.

But, first I'm going to ramble on about myself for a while, because it's my blog! I can do what I want!

Mainly, the wedding I went to this weekend was wonderfully fun AND I got to meet some other kidlit dorks, including someone who knows David Levithan. And Rachel Cohn! My geeky heart just about died! My response was "Can I touch you?!" Initially, he thought I was being a bitch, when really, I was in total AWE!

And now I'm off to North Carolina for my sister's wedding!

Also, I want to give a shout-out to Lauren. She's my new-ish coworker and she is awesome. I don't think I've mentioned that yet. But who else would randomly burst into song with you on the reference desk? Especially when said song is a medley of the Simpson's musical version of Street Car Named Desire?

You can always depend on the kindness of strangers!
To buck up your spirits and shield you from dangers!
Now here's a tip from Blanche you won't regret:
A stranger's just a friend you haven't met.
You haven't met!
STREETCAR!


That's what too much story time can do to a person!

Also, here's a video I've been watching a lot of lately:



Because do you know what's better than a Kate Pierson muppet? ABSOLUTELY NOTHING.

Also, how awesome is it when you look like a total moody rock star while rocking out on a banjo?!

Anyway, some reviews!



Good Luck, Ivy Lisa Yee

I haven't read an American Girl book in years. Like, not since I was the targeted reading age and read all of the Kirsten, Samantha, and Molly books. Yes, only those three, because BACK IN MY DAY there only were three. Initially, there were only 3 books for 3 dolls! Yes, I was a recipient of the original Pleasant Company catalog.

Anyway, Yee's book took me right back there. And it was weird at the same time, because after reading Yee's other work (by which I mean the hysterical Millicent Min, Girl Genius) this has a very different voice. This... reads like an American Girl book, which it should. I think writing like that, in someone else's corporate voice must be very hard, but Yee's awesome at it. (Ok, I've drafted my share of press releases in hoity toity British English in the proper corporate voice. I know it's hard.)

Anyway, the book. Ivy Ling is not feeling lucky. Her best friend, Julie (who is actually the American Girl) has moved across town. Her parents are really busy and can't help Ivy with her Chinese school project. Plus, they've been eating take-away Chinese food from her grandparent's Chinese resteraunt. And Ivy's grandparents heard her complaining.

But that's not the worst of it. The big inter-city gymnastics tournament is coming up. Ivy needs to compete in the all events, but she fell off the balance beam last time and is having a hard time getting her routine right again. As if that weren't bad enough, the big Ling family reunion is coming up. On the same day as the gymnastics meet.

Ivy can't go to both, and her parents are making her decide, only they have different ideas about which one is more important.

Whatever will Ivy do?!

I loved the "American Girl" ness of it. Also, in the background material, there are some awesome pictures of Lisa Yee in the 70s.

I had forgotten how many appearance details American Girl books put in. As a kid I really liked that, but it's a little jarring to me as an adult.


Minn and Jake Janet S. Wong

This is not really a fusion story. Minn and Jake's Almost Terrible Summer is a Fusion Story, but it doesn't come out until August, so I have to wait for it. So, I read the one that came before it instead. But, as far as the reader knows, this one doesn't have any Asian-Americans in it, because the fact that Jake is 1/4 Korean comes out in the next book and causes some tension when Minn wonders why Jake didn't tell her. At least, that's what the various blurbs I've read tell me.

Anyway, in this book (a prose novel)

Minn is feeling very empty,
and very tall,
and very odd,
and very pigtailed,
and very lizardy,
and very much alone.


Because her best friend laughed at her with another girl. She ends up being paired with the new kid,Jake, who's afraid of lizards. Catching lizards is the only thing kids do in Santa Brunella. So, Minn is going to teach Jake how to catch lizards. But there are accidents and mean kids and other grade-school stuff to endure.

Very well told. Minn and Jake, as well as the rest of the kids, are authentic, and their trials and tribulations are small, as they are for most kids, but aren't trivialized, which is refreshing.

And now for some non-Fusion Stories, because who knows when I'll get to blog again?

Thumbelina: Tiny Runaway Bride Barbara Ensor

This is a retelling of Thumbelina, in the sense of straight-up retelling it with a few variations, not recasting it, a la Shannon Hale or Gail Carson Levine.

Except the ending is different. But the narrator warns us. I'm quoting from an ARC here, so it might not be 100% accurate (but I hope it is, because it's the very matter-of-fact voice that the narrator and Thumbelina use throughout)

Now you know exactly what happened and can write a book report, if you need to do that, or count this as part of your summer reading list. Nobody will mind or think any less of you if you just close the book and DO NOT READ ANOTHER WORD.

But, to tell you the truth, there is something more. If you felt there was something forced about that ending, you were right."

And that's why I loved the book. That, and the wonderful illustrations that were made by cutting out black construction paper. A nice retelling of a fairy tale that gives Thumbelina back her spunk without detracting from Anderson's original.


Clementine's Letter Sara Pennypaker

Just when Clementine and her 3rd grade teacher have figured each other out, Mr. D'Matz is going to go off and go to Egypt IN THE MIDDLE OF THE SCHOOL YEAR! And the new teacher has new rules that Clementine can't guess.

If you liked the others, you'll like this. I'm seriously starting to worry about Margaret though. That girl's going to need therapy sooner rather than later. I do like how well Clementine handles her, though.

In the paint section, hundreds of little paint tubes, all neat and new, sat on the shelf. Margaret threw her hands up and backed away, as if the tubes of paint were just waiting to burst all over her clean clothes. Margaret doesn't even liket o look at things that might get her dirty.

"Quick, run over to the paper aisle!" I told her. "Just keep staring at all those nice clean stacks of paper!"

I also like how the trip to the Chinese grocery store yields a whole new host of vegetable names for her brother. Bamboo shoot, scallion, daikon radish...

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9. Janet Wong interview and poetry challenge

Poet Janet Wong’s energy and dynamism really struck me when I interviewed her for our current issue on the main PaperTigers site and these qualities really come through in her recent interview with Elaine at Wild Rose Reader. It focuses on “her experience as a student in a master class on poetry taught by the late Myra Cohn Livingston, one of America’s foremost children’s poets and anthologists” – as well as being a great read itself, the comments that follow on from the interview have kept the discussion going…

Not only that, but Janet and Elaine have also invited readers of the interview to write their own poems including the words ring, drum and blanket, as this used to be one of Myra’s homework assignments. You can still join in – and if you need inspiration, you can read Janet and Elaine’s own offerings; there’s a great poem called Dragon Boat Festival by Diane Davis; and Cloudscome, Miss Rumphius Effect and Writing and Ruminating have all taken the challenge in wonderful and very different directions too.

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