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Some of you have been waiting patiently for this post. Sorry it took so long! I was a tad distracted (see my previous post).

Some of the cabins at the Highlights Foundation. Mine was the second from the left.

How to sum up my first visit to the Highlights Foundation?

In one word: magical.

In many more words: The entire experience inspired me, from the first Saturday gathering of 14 strangers (twelve attendees plus two faculty members) over wine and cheese to the last goodbye hugs with all my new friends on Wednesday. I couldn't imagine a more caring, encouraging group with which to share my first Highlights workshop. I'm honored to have spent time with these talented and creative people (many of whom already have books published!). By the last day, we felt like a family. 

Yet I had a somewhat rocky start -- emails going astray for months, a cabin mix-up the day I arrived... There's always a story behind the story, right? Do you know what it's like to wander around a big rural campus in search of your name on a door, hoping to find it and not finding it? Agh!  

The lovely Jan Godown Annino (check out her wonderful blog) tried to help me solve my dilemma that first afternoon.  I'm afraid I was (unintentionally) a little short with her. I'm a timid driver and I'd just spent three and a half hours driving on unfamiliar highways. Not my favorite thing to do. So I was a wee bit cranky when I arrived, only to find someone else in what was supposed to be my cabin! Indeed, I almost felt Highlights didn't want me there. 

Silly, I know.

Of course, all was not lost. The indomitable Jo Lloyd took charge and put all things right, finding my name sign and canvas welcome bag (containing the schedule, among other papers), and assigning me to a different cabin, which worked out perfectly. I fell in love with Cabin 9 and it became my home for 4 nights. 

Cabin 9: my writing cabin and my sleeping, reading, and day-dreaming cabin

Inside Cabin 9: rustic but charming, and always quiet.

As we must do when confronted with unexpected situations, I adjusted my attitude and rediscovered my sense of humor (and I'm happy to say I became great friends with Jan Godown Annino!). That evening, I enjoyed meeting and getting to know all my talented fellow attendees, along with our fearless leaders, Kathy Erskine (author of the National Book Award-winning Mockingbird, and of Seeing Red, Badger Knight, and other novels, along with the upcoming verse novel Hidden Power) and Alma Fullerton (author of verse novels Libertad, which I reviewed here, Burn, In the Garage, and others). 

On the third day, we were joined by guest author Padma Venkatraman (I was excited to meet her because I'd already read all three of her novels, Climbing the Stairs, Island's End, and A Time to Dance). 

By that third day, I'd had conversations with every single attendee, even the reticent (and gifted) Ray, the only male in our group. Ray's powerful picture book in verse moved us all to tears when he finally read it out loud at Group Critique. 

Group critique every afternoon at 4 was followed by wine and cheese at 5:30 and then a delicious buffet dinner at the Barn. 

Getting ready for dinner

Wine and cheese time in the Barn!

The food at the Highlights Foundation is worth the price of the workshops. It's true! Always fresh, local, and delicious, and prepared by the most talented chefs you'll find. They even take into account your dietary restrictions and bring you a special plate if needed. I'm sorry I didn't think to take more photos of the generous buffets. This one below is a simple lunch. There were always plenty of salad and veggie choices as well as comfort foods like lasagna. Ingredients were identified (writing with chalk on the black tablecloth: ingenious!) so you could avoid known allergens.

Eating this wonderful food made us all feel healthy-- and quite spoiled! No cooking, no clean-up. It's a writer's dream. Highlights even provided snacks and coffee, tea, or soft drinks in the Barn at any hour of the day or night, though I was usually too full to consider it.

When the rain finally blew away, we could play in the word garden:

An attempt at poetry

or take a brisk evening walk, led by Kathy Erskine, a walk which helped jump-start my brain for more writing that night.

My writing desk and reading chair

Our mornings were filled with informative workshops held in the classroom corner of the Barn. My favorite moments were mostly visual. I will never forget Kathy Erskine crawling around on the Barn's hard stone floor to demonstrate how she got into her character's head in the medieval tale, The Badger Knight, when Adrian hid under a pew at Carlisle Cathedral. And Alma telling us how she got into her character by huddling in a snow drift for hours with no coat or shoes. Wow! Talk about dedication. 

After Padma joined us, she described binding up her leg for a day and trying to walk around. That was how she got inside her character in A Time to Dance, her moving verse novel about a dancer who loses one leg in an accident.

Our afternoons included plenty of free time to write. And write is what I did. Inspired by my one-on-ones with Alma and Kathy, I managed to write four new poems for my verse novel in the time I was there, and many more since I came home. From my one-on-ones and from comments in Group Critique, I learned that I need to flesh out the minor characters more and add some humor to what has turned out to be a serious MG contemporary novel.*

I came away with a renewed sense of purpose for my novel in verse and a sense of lasting camaraderie with an amazing group of people. I'm sorry I don't have people pictures, but check out the Highlights Foundation site (at least, for now) and you may catch a glimpse of our group.

If you've never attended a Highlights Foundation workshop, please keep it in mind for the future. It's a must for any writer. And they do have scholarships. Just ask!

Personally, I can't wait to go back.

*Oh, you thought I was going to tell you what my novel is about? Sorry! That will have to wait.

Yes.

You read that right. I'm nearly finished writing the rough draft of my fifth novel. In the past nine years, I've written four MG novels and one YA, in addition to more than a dozen picture books. And no, in case you're wondering, I don't yet have an agent or a book contract. I've had fourteen publication credits to date, but they're all poems or flash fiction or micro fiction for adults.

Still, I keep writing for children and teens. Perseverance is my mantra.

But I have to admit, Novel #5 is, well, a little different. In what way?

Read on.

I started an idea notebook for my fifth novel back in the late spring of 2015, so nearly a year ago. After gathering ideas, and working out character sketches and a setting and a conflict, I wrote three chapters. Almost immediately, I became stuck. Something didn't feel right about it. So I put it aside and revised my fourth novel instead.

And then, in September, after reading Full Cicada Moon by Marilyn Hilton (even though it wasn't the first verse novel I read), I had an epiphany.

This new novel? The one I was stuck on? It was meant to be written in verse.

I spent two months reading and studying verse novels and then in November 2015 I started writing Novel #5 all over again.

Am I crazy? Well, this doesn't feel crazy. It feels... right. Since making that decision, the process has changed for me. Writing a verse novel is the hardest thing I've done as a writer, but at the same time, it's like I've grown wings. I look forward to writing every day, which is something I never did with a rough draft before. Rough drafts are usually agony.

I've been accepted into the Highlights Foundation workshop on Novels in Verse which will take place in May. Who knows where this will lead? Maybe nowhere. But maybe, just maybe, something good will happen.

For the rest of April, in honor of Poetry Month, I'll be looking at a few of the verse novels I've studied in my quest to learn this new (for me) form.

Over the past few years, I've read, in approximately this order:

Out of the Dust by Karen Hesse
42 Miles by Tracie Vaughn Zimmer
May B. by Caroline Starr Rose (this made me first fall in love with verse novels)
Pieces of Georgia by Jen Bryant
The Surrender Tree by Margarita Engle
Impulse by Ellen Hopkins
Because I am Furniture by Thalia Chaltas
Where I Live by Eileen Spinelli
Another Day as Emily by Eileen Spinelli
Full Cicada Moon by Marilyn Hilton
Blue Birds by Caroline Starr Rose
The Crossover by Kwame Alexander
Home of the Brave by Katherine Applegate
Inside Out & Back Again by Thanhha Lai
Libertad by Alma Fullerton
Mountain Dog by Margarita Engle
Make Lemonade by Virginia Euwer Wolff
Love That Dog by Sharon Creech

(I've also read Brown Girl Dreaming by Jacqueline Woodson, which is actually an autobiography, and The One and Only Ivan by Katherine Applegate, which some consider prose poetry.)

What verse novels do you recommend? All suggestions are welcome.

I recently had the pleasure of being interviewed by Upstart Crow client Andrew Brumbach over at the Literary Rambles blog, where we discussed the release of his debut novel, THE EYE OF MIDNIGHT the harrowing submissions process, and the joy of getting “the call”. Pop over the blog for the full interview, and do be sure to put THE EYE OF MIDNIGHT on your “to read” list today!

 … [more]

There have been some great posts this week about the diverse books movement. Jacqueline Woodson’s 1998 article in the Horn Book, titled Who Can Tell My Story has been revived. Ellen Oh’s salient post Dear White Writer takes on diverse books and white privilege. There are numerous other articles and posts I could point you to; the discussion about diverse books is wide, intense, difficult, eye-opening, enraging, encouraging, and exciting.

In the last year, as the conversation about diverse books has picked up steam, a noticeable shift has taken place in my query box. It’s a shift that happens each time the trends change in publishing. Paranormal gave way to dystopian, which gave way to horror, which gave way to contemporary, which has recently given way to…diverse books?

The We Need Diverse Books campaign … [more]

Hey PubCrawlers! So, you participated in NaNoWriMo. First, congratulations on what you accomplished, even if you didn’t (technically) finish. That takes a lot of work, a lot of guts, and a lot of stubbornness. So…what’s next? Let me start by telling you what I’ve learned over my years of participation (and also as a literary assistant).

1. Sometimes the book you’ve written isn’t one you end up loving enough to keep.

It can hurt to write that many words, only to realize it’s not a story we want to show to the world. But it’s okay to feel this way – every word written is important, regardless of what happens after. Even if it stays in a drawer for years, you accomplished something that helped you grow and learn as a writer. Even the most prolific writers learn something new about themselves every time they write.

A lot of us have this tendency to believe that everything we write should be work-shopped and queried and edited and shaped. But I’ll be honest – I have at least two NaNo novels that have never seen the light of day. They’re not great – structure-wise, they fall apart halfway through. The characters are inconsistent. The story is so-so. And I love that I am the only one who has the privilege of reading them and seeing just how far I’ve come.

Getting to know who you are as a writer is never a bad thing – it’s one of my favorite aspects of this contest.

2. Don’t query the book on December 1st (or even in December, period).

This one comes from the agency side of my experience. Agents get an influx of queries those first few days after NaNo and it’s usually a sign that a writer is querying his/her NaNo draft fresh out of the contest. I get it – finishing a novel is incredibly excited, and lots of us are guilty of querying too early, NaNoWriMo or no. But if you decide to revise the book and query later, querying too soon means rejections, which means you’ve crossed a handful of agents off your query-able list when it comes to that project.

3. When revising, an outline works wonders, even (or especially, if you’re a pantser) when the draft is already on paper.

When you write 200 pages or more in a matter of weeks, plot lines can get crossed, characters can disappear, motivations can get muddied, and epiphanies can change the entire trajectory of your book. But what can you do? If you want to finish, you have to keep writing. That is, after all, what NaNo is about – disengaging the part of your writing brain that tells you to edit as you go, and getting the words on paper.

When you outline after the fact, you can see where the events you might have missed should go, where the characters who faded away might re-emerge (or that they aren’t needed, period), and where the dead-ends can be smoothed back into roads.

This tends to be the first thing I do with NaNo novels – it’s the easiest way for me to get on track with revision.

4. Apply what you learned to future projects.

Before finishing my first NaNoWriMo years ago, I had a hard time finishing a novel. I constantly went back on passages I had just written and edited them, making them absolutely perfect. I felt like, if I could just make this chapter perfect, the rest would follow more easily than if I just wrote anything and everything on my mind.

I was…not entirely correct. Because I spent so much time smoothing and perfecting and correcting, I lost sight of the story itself. Writing another chapter became even harder, because suddenly nothing was as perfect as the chapter I’d spent all that time fixing. So I’d spend just as much time fixing the next one. And the next. And the next. Until finally, the process became boring and tedious and I’d give up.

NaNoWriMo gave me the freedom to simply do what I had to do to finish the race. To get the words out. To write “The End”. And I realized that editing and perfecting and smoothing is so much easier and so much more satisfying when you’re doing it to a finished product. Sometimes you end up rewriting half the book. Sometimes you don’t. But until you make that lump of clay, there’s really nothing to shape anyway.

5. There are whole communities of people who want to write with you.

And you don’t have to stop when NaNo ends. If you have trouble finding beta readers, critique partners, or just other writers to commiserate with, NaNoWriMo is a wonderful place to meet people. In person, in forums, as buddies, whatever. Whatever you’re comfortable with – the set up is tailored for introverts and extroverts and extroverted introverts alike. Going to a write-in can be so helpful – not only do you got words into the draft, you have the opportunity to exchange information with other people looking to hang out with writers.

6. It’s okay to not finish the race.

Seriously. This year, I ended November with 35,000 words, and I’m more than okay with that. The most important thing is that you’ve challenged yourself as a writer. Challenging yourself is the whole point of the contest – and for some people, that might mean finishing 10,000 words or 120,000 words (yes, I know some people who manage insane word counts and it boggles the mind). Whatever you’ve achieved, that’s exactly what it is – an achievement. Don’t ever worry that you’ve achieved less than someone else – one word written is still one word more than zero.

These are just a few of the things I’ve learned from participating in NaNoWriMo. I’m intrigued – are there any lessons you’ve learned or wisdom you’ve attained from participating? I know there are a lot more insights than the ones I’ve listed above, and I’d like to hear about them!

When I struggle with putting words

to the page,

I step outside,

breathe in fresh air,

then search

for tiny miracles.

In truth, distractions

of the extraordinary.

Yet, tiny miracles always bring me back

to the place I’m avoiding.

I, too, want to silently dive deep,

explore a daylily (or an untold story)

unnoticed,

except for the curious human

with her camera,

avoiding her writing.

But isn’t that where magic happens?

Where the best of stories

are born?

Even if fear both propels us forward

and holds us back?

And then I find myself in awe of tadpoles,

having ventured for too long

and too far from the house,

on this path of distraction.

Tadpoles, which have never much interested me,

but now do.

Which invites a flood of questions,

questions about my characters,

and this story I am compelled to write.

So I leave my critical self outside

so she can enjoy

what the world has to offer.

Perhaps, she will find solace

in the company of a frog.

Or take the time to wonder

at how beautiful

a gorilla’s feet are,

while I slip away unnoticed

before she follows me.

Today I join the blog tour where writers and authors answer questions about their writing process. Author Rebecca Colby preceded me. Please check out her writing process here: www.rebeccacolbybooks.com/2014/04/writing-process-blog-tour/

What am I working on now?

My present focus is on eight-year-old E. B. Louise, who is determined to save her shredding and too-small elephant slippers given to her by her recently deceased Grandma Hubble. E. B. Louise is precocious and always getting into trouble, which makes her utterly delicious and intoxicating to be around. Especially when you add her bestie, Melvin Fitch, who returns from his summer vacation at Alien World greener than E. B. Louise’s lawn. I work with second graders on a weekly basis and absolutely adore their age group. Oh, that E. B. Louise and her antics! Revising this lower middle grade lets me spend my mornings laughing out loud before I return to my second young adult in free verse, which has a darker and more serious tone, with a plot that gives me chills.

How does my work differ from others of its genre?

Paying no attention to market trends, I write what I am called to write, what speaks to my heart. If a voice leads to less-explored topics like early-onset Alzheimer’s, stealing, and secrets that turn families upside down, I’m not afraid to go there. I’m also not afraid to push the limits if I wholeheartedly believe that a certain plot point or a particular dialogue exchange is honest to what truly happens in children’s lives.

Why do I write what I do?

As for picture books, I adore them, I always have. And I love the challenge of writing a heartfelt and funny story in under 700 words. In terms of novels, once a voice comes to me—whether in a whisper, a single line of dialogue, or sometimes a scene in which I see the unfamiliar character doing something and wonder why—I have to follow them. For the most part, I write character-driven contemporary fiction.

How does your writing process work?

Because I live a full life—I work at an old-fashioned toy store part-time, regularly watch my two grandkids, volunteer weekly in my granddaughter’s second-grade classroom, and I am an avid photographer—I’ve learned to set aside time in each day to write. As writers, we must do this. Nearly three years ago, right after my father died, I made a vow to become an early riser for the sake of my writing. And now, on most days, I welcome the sun from my writing room where I am head down, butt in chair, giving free rein to Sleepy Mind. This is when my creative juices flow best. Overall, I write up to four hours per day, some days more than that.

A first draft of a novel can take up to three months, while I write picture books fairly quickly. Though I play with the story’s concept and characters for weeks in my mind. I see pictures, like screen shots, and jot those down. The real writing follows after I’ve let the fresh manuscript simmer for a while and then hunker down for revision. Revising is, hands down, my favorite part of writing.

Thank you so much for stopping by! Please visit my author friends who will share their writing process in the next week or so.

Debbie LaCroix is the author of “It’s Almost Time.” We met at Jane Yolen’s Picture Book Boot Camp in March. Debbie is a book addict. She loves to read, write and even sells children’s books for Usborne Books and More. She is a Mom to 2 boys, and loves jumping into her imagination. She is currently searching for an agent.

Anika Denise is the author of PIGS LOVE POTATOES and BELLA AND STELLA COME HOME, both of which were illustrated by her husband, Christopher Denise. Her forthcoming titles include BAKING DAY AT GRANDMA’S (Philomel, August, 2014/ also illustrated by Chris) and MONSTER TRUCKS! (Harper Children’s, 2016/ illustrated by Nate Wragg.) She lives with her husband and three daughters in Barrington, Rhode Island. Learn more about Anika’s books at her author website www.anikadenise.com, and blog http://thelittlecrookedcottage.blogspot.com.

Stephen King said in his book ‘On Writing’ that there are 2 things every writer should do: Read a lot and Write a lot.

I try to do both but sometimes one of these activities supersedes the other. I’m currently in a read a lot mode.

The book I’m currently reading is called ‘Girl Jacked’ by Christopher Greyson. It’s a mystery thriller and I’m at the half way point. My interest in the thriller/mystery genre was inspired by a chat I had with Stephanie Bond at the London Book Fair. Stephanie has more than 6 million books in circulation and writes in the cozy mystery genre.

I’ve been reading a few articles about mystery writing and Greyson’s book is the second novel I’ve read/am reading since my curiosity for this genre was piqued. The beauty and I guess popularity of the mystery genre is that the reader gets to play the role of a sleuth along with the main protagonist in the book. I believe it’s this interaction with the facts and clues revealed in a mystery story that make them so enjoyable. At the heart of every mystery story is a puzzle that needs to be solved. Most of the times this puzzle is the murder of someone related in some way to our main protagonist. The story usually ends with a resolution of the puzzle and the protagonist living to fight another day.

In ‘Girl Jacked’ (SPOILER ALERT, don’t continue reading if you have any intention of reading this book which I highly recommend) the murdered victim is Michelle who is the foster sister of Jack Stratton, a detective at the local police station.

Compared to other mystery books that I’ve read, the murder was revealed quite late into the story. There was always a dark cloud hanging to suggest that something diabolical had happened to Michelle but when it was finally revealed, I found myself saying aloud ‘Oh No!’ Girl Jacked has had more than 175 glowing reviews on Amazon and I think what really works for this book is that you get to empathise with the main character who is facing some emotional battles and his side kick – Replacement. I found myself chuckling when the origins of this nickname was revealed. There is a down-to-earth way Greyson narrates this tale that’s free of BS and gets you rooting for the Jack. At the half-way point, o real suspects have really been identified but this has not taken from my enjoyment of the book.

The next book on my list to read is ‘A Life for a Life’ by Tim Ellis. I can’t wait to get into this book for two reasons. One is that I’ll be interviewing the author on Author Interview Thursday a few weeks from now and Tim’s books are very popular on the Amazon UK site and have more than 200 glowing reviews.

Like Stephen King advised, I believe we should all be actively reading and sometimes read outside the genre we write in. You never know what new idea you could stumble upon while doing this.

What are you reading at the moment?

I often get emails from people looking to break into children’s publishing. I don’t have all the answers, but I do have some general advice I find myself giving again and again. Below are three steps, in order of importance, that I think writers should focus on:

1) Write a Really Good Book
First time writers don’t sell books based on partial drafts or outlines. They sell finished manuscripts. And there are a lot of finished manuscripts in the world. That means the first step is completing a book and revising it until it is airtight. Don’t expect an agent or editor to look at a sloppy manuscript and see the potential–that same agent or manager has hundreds (not an exaggeration) of other manuscripts to consider, and they’ll take the one that demonstrates the greatest professionalism and craft. Taking an example from my first book, Peter Nimble, I did about 15 complete re-writes before showing it to an agent … and then did another 3 drafts before the book went to an editor. I have yet to talk to a professional author who didn’t go through the same level of revision before finding a publisher.

2) Join SCBWI
The “Society of Children’s Books Writers and Illustrators” (SCBWI) is a national organization with local chapters all over the country. This group is a fantastic place for both professional and aspiring writers and illustrators to gather and discuss craft and business of children’s publishing. The annual conferences are often attended by agents and editors who are looking for new books. I have a number of author friends whose careers were launched when they met an editor at an SCBWI event who requested to see their really good manuscripts (see above point).

3) Query Agents
If a lot of industries, the “it’s who you know” rule applies. Not so in publishing! Book agents read and consider manuscript submissions from unknown writers all the time–that’s their job. Nearly every writer I’ve ever met was pulled out of the “slush pile” from an agent who discovered them. Your job is to query agents who will best understand your work and be in a position to sell it. This means doing a bit of homework, by reading the Writer’s Market and finding agents who are looking for material like your book. The internet is awash with resources about how to approach agents. A good place to start might be Kidlit.com, a website run by children’s book agent Mary Kole. She answers questions about the dos and don’ts of querying better than anyone!

The above steps aren’t a guarantee of any success, but they are a good place to start! Also, I might as well link to this brief but eloquent video of Neil Gaiman talking about step one (which is really the only step that matters):

Dear Mr. Squirrel,

Dear Mr. Squirrel and your girlfriend,

Dear Mr. Squirrel, your girlfriend, and your overly-curious offspring,

Dear Mr. Squirrel’s Entire Immediate Family, Extended Family, and Furry Friends,

I am a writer. I like to write early every morning. I like quiet at this time. No TV blaring. No lawn mowers rumbling and roaring. No uppity, clanking, rocking washing machines. No fighting cats. No barking dog. No ringing phone. No cell phone alerts that I have a new text or a new email or a Facebook notification. No wild creature disturbances.

Which brings me to you, Mr. Squirrel, and your ever-growing community, which is also responsible for the recent destruction of my husband’s shed. Yes, we noticed the plastic siding torn from the sides of the building, the same plastic being used in your massive nests in our trees. You and your furry friends are also the reason we must restock bird seed on a daily basis. I will need to sell a book solely to support your current lifestyle in our yard.

Now I understand that you are hungry, and that you and your buddies view our property as a promising source of ongoing food. I understand that it is your nature to embrace perseverance. I admire this quality. Writers need to embrace a path of perseverance. Except when that path is riddled with noise and squirrel-influenced interruptions.

Yes, our aged dog barks more frequently due to his recent loss of hearing. But you egg him on with your clever squirrel acrobatics: dangling from the tops of our squirrel-proof bird feeders. Leaping through the air from my husband’s woodpile, only to now plunge to the ground since he’s set it further away from the feeder after seeing my photographs.

Do you give up? No, of course not! Why should you? You’re a squirrel, and now your entire community is copying you. I might as well supply you with colorful costumes, a trampoline, and a tightrope. I can invite the media or shoot a video for YouTube, and then continually check my stats. Not happening. Though our granddaughter is nothing less than thrilled by this prospect and has designed tickets she wants me to print out so she can sell them to our neighbors.

I don’t have time to host a circus of squirrels in my backyard.

I’d rather write.

So for the past few weeks, I’ve kept the door to my writing room shut, put up a BIRD FEEDING ZONE sign outside, and tried to convince myself that Old Dog was not barking incessantly.

Until today.

Today, I heard a banging on my front door. It sounded like a person knocking. So I stopped mid-paragraph in an important revision, and headed down the hall, into the living room. There was an edge of anticipation. I am expecting a number of books. Books I am anxious to read.

I opened the front door and looked straight ahead.

No delivery person.

I looked down.

No package left on the ground.

No anxiously awaited books.

Only two squirrels, one of which I presume was you, Mr. Squirrel.

And when I refused to invite you inside, not just because the dog was going nuts upon seeing your face pressed against the glass, you sat down. You stared at me, you and your friend or brother or sister or spouse or offspring. And then, as if you blew on a little whistle to call in your troops, squirrels imploded onto our front deck, grabbing our white railing. I watched you spring to the edge of our picture window, and then swing into our window bird feeder with your not-so-little friend.

Two squirrels cannot squeeze together in the feeder. It is not a circus clown car.

And I did not appreciate watching my expensive bird feeder split in half as you two Numskulls forced your way free and crashed the feeder to the ground.

Lastly, it seems as if you have an identity crisis. You have taken to lounging in our porch chair for lengthy squirrel siestas, after which you drink from the hummingbird feeder. Which makes Old Dog bark until he passes out.

You are not a hummingbird, Mr. Squirrel.

Please relocate immediately.

Signed,

A children’s writer seeking peace and quiet

“I think you should learn, of course, and some days you must learn a great deal. But you should also have days when you allow what is already in you to swell up inside of you until it touches everything. And you can feel it inside you. If you never take time out to let that happen, then you just accumulate facts, and they begin to rattle around inside you. You can make noise with them, but never really feel anything with them. It’s hollow.”  

 

 

I was going through the books that I read in 2012 and thought perhaps someone out there was looking for a book to buy as a gift or line up to read in 2013.  I received a bookstore gift card for Christmas and bought The Daughter of Smoke and Bone, because Natalie Zaman said it was great and Executive Editorial Director at Little, Brown Books for Young Readers.  I was not disappointed, except for the fact that I had to wait until the end of the year to read book two, The Days of Blood and Starlight.

So, I spent the rest of the money on buying Delirium and Divergent, because they both started with D and I couldn’t remember which of the two was recommended.  I bet the reason I couldn’t remember was because both were recommended, because there I was again wanting more and the next books were not as of yet written – Pandemonium and Insurgent.

Debut author Veronica Roth burst onto the literary scene with Divergent, the first book in her dystopian thriller series filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance.

I love the way Lauren Oliver writes.  The way she forms her sentences.  How she describes things. Marry that talent with a great story and you really have something memorable.  I didn’t know who she was until I picked up delirium and now I am a big fan.  Can’t wait to read the third book, Requiem and her first book, Before I Fall, which is sitting on my piano calling to me.

Many times the first book of a series is the best, but I think pandemonium was even better than the first. When I reached the final paragraph of the book, I closed it and said, “Perfect.”

You will notice that each of these books does not capitalize the first letter of their title.  Can anyone tell me whether you do the same when you are writing about the book.  You will find it both ways in this post, because I do not know which is correct.  Any help out there?

If you decide to read Daughter of Smoke and Bone, which I loved, I would pick up both books and read them one right after the other, since I had a hard time remembering the names of the characters and who was who after leaving a year between books. I should have gotten up and read a few chapters of the first one before I started reading, but I was too lazy to get up and familiarize myself the first book again.  Not because there was anything wrong with the writing, but I had read so many other books during that in between time that I was mixing all the characters up.

The same thing happened with Divergent and Insurgent.  The author is so intimate with their books and characters that they probably never think about all those books in-between. This did not happen with Delirium and Pandemonium.

So now you won’t have that problem when you read the first book, you will be able to run out and get the second one to read.  They are wonderful books.

Then came Matched - About Cassia who has always trusted the Society to make the right choices for her: what to read, what to watch, what to believe. So when her best friend, Xander’s face appears on-screen at her Matching ceremony, she knows he is her ideal mate . . . until she sees another boys Ky’s face flash for an instant before the screen fades to black. The Society tells her it’s a glitch, a rare malfunction, and that she should focus on the happy life she’s destined to lead with Xander. But Cassia can’t stop thinking about Ky, and as they slowly fall in love, Cassia begins to doubt the Society’s infallibility and is faced with an impossible choice: between Xander and Ky, between the only life she’s known and a path that no one else has dared to follow.

I gobbled it up and will not have to wait to read the next two books - Crossed, which is waiting for me and Reached, which come out last month. Love the covers of these books, too.

Since I enjoyed so many dystopian books, I picked up Legend.

Once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic’s wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic’s highest military circles. Born into the slums, fifteen-year-old Day is the country’s most wanted criminal. But his motives may not be as malicious as they seem.

From very different worlds, June and Day have no reason to cross paths–until the day June’s brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family’s survival, while June seeks to avenge Metias’s death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets.

This book is full of action, suspense, and romance. I loved this book and can’t wait to get my hands on the next book, Prodigy, which comes out at the end of January.

Continuing on my search for more books along these lines of fantasy and dystopian novels, I found The Girl of Fire and Thorns and another debut author who nailed her first book.

Once a century, one person is chosen for greatness. Elisa is the chosen one. But she is also the younger of two princesses. The one who has never done anything remarkable, and can’t see how she ever will.

Now, on her sixteenth birthday, she has become the secret wife of a handsome and worldly king—a king whose country is in turmoil. A king who needs her to be the chosen one, not a failure of a princess.

He’s not the only one who seeks her. Savage enemies, seething with dark magic, are hunting her. A daring, determined revolutionary thinks she could be his people’s savior, and he looks at her in a way that no man has ever looked at her before. Soon it is not just her life, but her very heart that is at stake.

Elisa could be everything to those who need her most. If the prophecy is fulfilled. If she finds the power deep within herself. If she doesn’t die young, like most of the chosen do.

A 2012 William C. Morris YA Debut Award Finalist

One thing that I really liked about this story was how Rae Carson managed to write a story about a princess that was fat without calling her fat and how the situation she puts the princess in caused her to lose weight without the princess being put down and struggling to lose the weight to be accepted.  You just see her end up being slim and how it pays off for her.  Her weight was not the main story.  I just thought she wove that layer into the story with such finesse.

Then Glenn Beck came out with a book titled, Agenda 21, which is written by Harriet Parke.  I thought she did a good job writing the story of after the worldwide implementation of a UN-led program called Agenda 21.  When America is simply known as “the Republic.” There is no president. No Congress. No Supreme Court. No freedom. There are only the Authorities.

Citizens have two primary goals in the new Republic: to create clean energy and to create new human life. Those who cannot do either are of no use to society. This bleak and barren existence is all that eighteen-year-old Emmeline has ever known. She dutifully walks her energy board daily and accepts all male pairings assigned to her by the Authorities. Like most citizens, she keeps her head down and her eyes closed. Until the day they come for her mother.

I enjoyed the book, but it left me feeling like the full story was not told. After all other dystopian type novels I read this year, I felt like I had read half of a story, like it was just going to take off.  Perhaps there is going to be a sequel, but there should have been more story to this one.  Still worth reading and certainly it was a huge opportunity for Harriet Parke to have Glenn Beck put his name on the book - her first novel.  After the end of the story Glenn writes about the real Agenda 21 and how it came about and what it is all about.

After having heard about Jay Asher’s Thirteen Reason Why for years, I decided to read it.  I knew it was about teenage suicide, which was the reason I hadn’t picked it up sooner. It is an excellent book, well written, creatively written, and though it was sad in parts, it was also a page turner and did not leave you on a downer.  I kicked myself for not reading it sooner.

I did the same thing with Jerry’s Spinelli’s Milkweed.  I had read all of Jerry’s books, except for Milkweed, because it was about the Holocaust.  I guess by now you can tell I don’t like to be depressed by a book.  When I finally read Milkweed and closed the book, I said, “What was I thinking?  It was written by Jerry Spinelli.  You should have known it would be good.  In the middle of something so horrific, he wove in humor and showed how even in the worst of times, people try to live, love, and find happiness.”  If you haven’t read these books because you thought they would depress you, run, don’t walk to add them to your list of books to read.

I am a big Laurie Halse Anderson fan.  I have read all her books and this year re-read Twisted.  I love this book.  Everyone talks about Speak (which I agree is good), but in my opinion this one is better.  The protagonist is a teenage boy and she really has that voice nailed down.  The first time I read it, I kept closing the book and looking at the name Laurie and wondering if possibly I was mistaken  that Laurie was a woman and really was a man.  Though I am still upset about reading Chains without knowing that is was part of a series.  I ran out to get Forged without knowing that it was a series of three.  If you haven’t read these books, please wait until 2014, because that is when the third book comes out and you won’t be tormented by having to wait to read the whole thing.

Now how did I end up buying four of Libba Bray’s books?  Libba was speaking at an SCBWI event.  I hadn’t read any of her books, but she is a very interesting speaker, so I decided I would buy a couple of her books and get them signed.  I didn’t have time to really to browse the books, so I picked up  Rebel Angel (I liked the cover) Going Bovine and got her to sign both.  They sat in my pile of books to read, until this year.  When I read the flap of Going Bovine, I decided I wasn’t up to reading about a dying boy, so I read Rebel Angels first and really enjoyed the book.  There were some references to backstory in the book, so I did some further investigating and found out that I had picked up the second book, , of a three book series.  But you know, that book really was able to stand alone.  I totally enjoyed the book, so I had to go out and buy the first, A Great and Terrible Beauty and the third A Sweet Far Thing, which I will get to in 2013.

Libba is a good writer and I did read Going Bovine and enjoyed it, but it is very different and I worried about his parents at the end, even though we see him go off to a better place.  It did not leave me feeling bad, so that was a good thing.

The this past June, editor Leila Sales was part of the faculty and picked up her two books at the bookfair – Mostly Good Girls and Past Perfect.  And because she is an editor and I am a writer, I was looking for things I could say she should have done better.  Mostly Good Girls was Leila’s first book and it had a sexy legs cover, so I started with that expecting to get a book where the girls were edgy.  First let me emphasize I did enjoy the book, but I didn’t get edgy and I found some spots where I could be nit-picky and say she could have done more here or there.

But when I started reading Past Perfect, I was sucked right in and wanted to keep reading until I was done.  The setting was perfect -  set in Williamsburg, so I guess the title is a perfect fit.  I was thinking it was going to have something to do with language (too much writing on this end).  Reminded me of the time I taught art in high school.  I told the kids the first day that we would get into graphics and I had a half of dozen kids drop the class.  I later found out that the thought I was going to do math in the art class – graphics – graphs – see the connection?

Every year I try to read a few if the Newbery books – the new ones and some that are sitting in my pile of books too read.  This year I read Moon Over Manifest by Clare Vanderpool which was the 2011 Medal Winner, Turtle in Paradise, which won the 2011 Honor award, and The Graveyard Book, which won the Newbery Medal for 2009.

Newbery Medal Winner: Dead End in Norvelt by Jack Gantos book is still waiting for me (I ran out of time).  You can not go wrong when you pick up a Newbery winning book, so if you are a writer, or a well published author, you should read these books.

At the end of 2011 I picked up Okay for Now, because Editor Daniel Nayeri had talked about it in one of his workshops and said how good it was.  He was right.  I would say it is a perfect middle grade novel. I thought it should have gotten a Newbery for it.  Gary D. Schmidt won a Newbery Honor for Wednesday Wars, so I went out and bought that book.  I really enjoyed that book, too and I like the way some of the characters were tied into Okay for Now.  If you are writing Middle grade book, especially for boys, I would read both of these books.

You might wonder why I read Cirque Du Freak. A few years ago editor Connie Hsu at Little, Brown BFYR mentioned the series, so I picked up the first one and read it.  There are 12 to this series that Darren Shan wrote.  They are excellent, scary, and well written.  J.K. Rowling’s said: “Fast-paced and compelling, full of satisfying macabre touches.” There is a movie, too.

This book is the second of the series.  You might ask, why did you wait to read more when you say they are excellent?  Well, we are back to my little quirk of not wanting to feel bad after reading a book.  I loved the first book, but the premise of the story is to save his friend’s life the boy must go with the Vampire and be his apprentice, but in order to do that he has to become part vampire.  The Vampire fakes the boy’s death and you see the parents morning his death.  I am still bothered by that and worry about his parents.  This year I did some research and it looks like he makes it back to his parents in the end, so I decided I was going to read the rest of the series.  I would say, if you are thinking of getting these book for a young middle grade child, it might be too scary for them, but the story telling is exciting.

Kate DiCamillo was the keynote speaker at the 2012 NJSCBWI Conference, so I bought Because of Winn-Dixie and Tale of the Despereaux, which own the Newbery Award on 2004.  Because of Winn-Dixie was given a Newbery Honor Award in 2001.  So like I said you can’t go wrong reading these books.  Both are short, so it isn’t going to take you long to read.  I actually wasn’t ready to read Tale of Despereaux, but it was sitting on my table and I picked it up and opened it in the middle of the book and read a few sentences.  Little did I know I would want to keep reading.  It is the only book where I read the second half and then the first half.

Play, Louise, Play was sent to me by author Muriel Harris Weinstein when I started working on her website.  I was surprised how much I enjoyed the book.  It is non-fiction and I didn’t expect such lovely writing, plus she had an extremely interesting story to tell – Good writing – good story = good book.  It won THE 2012 PATERSON PRIZE FOR  BOOKS FOR YOUNG PEOPLE for Grades 4 -6.  It also was one of 11 books that won the Texas Blue Bonnet Award, which means an automatic purchase of over 20,000 books.

Ame Dyckman and Leeza Hernandez both had picture book come out this year and both are friends.  I have seen both of them and their careers grow and I am so happy for them.

Ame sent me her manuscript before she was going to send it out and as soon as I read it, I knew she and (it) was getting published.  Steve Meltzer (Dial) met her and read her manuscript.  He went up to Scott Treimel  and told him he should think about representing Ame and that is exactly what he did.  The rest is history.  Boy+ Bot is Ame’s first book published, but she already a number of additional picture books in the cue with publishers. I don’t remember when the second one hits, but if you read this blog regularly, you will know.

Leeza Hernandez started out as an illustrator and was inspired to write her own picture book after coming up with an adorable illustration of a dog.  Penguin saw the dog and immediately contracted the book.  Here book Dog Gone came out in June.  Both of these books are adorable – great artwork and great story. Leeza has a ton of things going on more picture books that she is illustrating for big name people and more books written and illustrated by her.  Both of these people are  writers to watch.  They are going to be big names in the industry.  Leeza was featured on Illustrator Saturday Click Here to see.

As most of you know I do Jerry and Eileen Spinelli’s websites, so I read all their books.  Of course that is not a problem, because the two of them write wonderful books.  It seems like Eileen is good for five or six book every year.  She always ends up with a fantastic illustrator, so all her books are special.  I do have a favorite and I bring it out and many times to show other writers, friends and children.  That book is When You are Happy.  That book is so beautiful – so much soul.  The perfect book for a parent or grandparent to give their child.  Every time I read it, I remember how much my parents loved me and that they sent this book to me to remind me of their love.  I see this book as a treasure that children will want to hold on to and remember that same feeling when they are adults.

Cold Snap is a gorgeous book.  The snow sparkles on the cover and pages.  It really has the WOW factor and would be a great present for someone this time of year.

Together at Christmas combines Eileen’s perfect rhyme and caring soul with beautiful illustrations from a wonderful new illustrator from China.  Bin Lee captures the true spirit of Christmas with his illustrations.  Take a look when you are in the book store.

Eileen you can catch a glimpse of the funny side of Eileen in Miss Fox’s Class Gets It Wrong. Ann Kennedy created the illustration for the perfect fit to this book.

Dianne Ochiltree sent me her picture book, Molly by Golly: The Legend of Molly Williams, America’s First Female Firefighter. I featured Kathleen Kemly the illustrator this year on Illustrator Saturday and showed you a lot of the artwork before the book came out.  It is really a great picture book that perfectly combines story with art.  Click here to view Kathleen Kemly Illustrator Saturday post.

Then I featured author/illustrator Roger Roth on Illustrator Saturday and he was kind enough to send me two books that I admired – The Roller Coaster and a book that his wife wrote and he illustrated titled, Star of the Week.  They adopted an Asian baby girl (she is no longer a baby), but they wrote this book for her and you can just feel the love they have for her oozing from the pages. BEAUTIFUL!  Click here to see Roger’s feature.  Most of the artwork is there for your pleasure.

Another talented featured author/illustrator, Carlyn Beccia sent me one of her picture books, probably because she knew I loved her artwork, so when I found a copy of Who Put the B in the Ballyhoo?  I snatch it up. The artwork in this book  is awesome.  I’m a big fan. Click here to see Carlyn’s Illustrator Saturday post.

Then Kathi Ember sent me a copy of one of her picture books, Mother’s Day Surprize, after she was featured on Illustrator Saturday.  It is about a snake named Violet who watches the other animals make Mother’s Day gift for their mom’s and tires to think of something nice that she can make for her mother.  I love Kathie’s illustrations.  You can see her work by clicking here.

Ame Dyckman sent me I Want My Hat Back written and illustrated by Jon Klassen when I was getting my knee replaced.  I hadn’t read any of his books, but it is another perfect picture book.  Thanks Ame for introducing him to me.

On Black Friday, Amazon had a great deal on a Kindle Fire, so I bought myself a Christmas present.  My first purchase for the Kindle was Stephen King’s book ON WRITING.  Who would think a “how to” book could be so interesting and such a good read.  I love the way he talks about problems and solutions with his own books and ties in the events in his life that influenced his books and how he give you such straight talk about how to approach writing a novel. I am so glad I listened to the writers around me telling me to buy the book.  Love it!  Stephen King’s On Writing Book is the first “How to” book that I have read from cover to cover.

Everyone one says you have to read to be a good writer.  Stephen reads about 80 a year and  he says that is low.

I won Writing and Selling the YA Novel by K. L. Going at the June NJSCBWI conference and like her advice in this book.  She is an author and used to be a literary agent.  I use it mostly as reference and pull it out and read sections, when I need some guidance.

If you have any suggestions on what I should add to this year’s book list, please let me know.  Right now I have the following:

Before I Fall – Lauren Oliver

Everyday – David Levithan

Crossed – Allyson Condie

Reached – Allyson Condie

Prodigy – Marie Lu

Crown of Embers – Rae Carson

Requiem – Lauren Oliver

Dead End at  Norvelt – Gantos

A Sweet and Far Thing – Libba Bray

Cirque Du Freak – Book 3

Killing Kennedy Bill O’Reilly

Can you help me fill my list?

Talk tomorrow,

Kathy

IT IS TIME TO NOMINATE WRITING AND ILLUSTRATING www.kathytemean.wordpress.com for the WRITER’S DIGEST’S 101 BEST WEBSITES FOR WRITERS!

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There is nothing more frustrating than when someone critiques your work and says, “Your character wouldn’t do that!” or “Your character wouldn’t say that!”

I must admit, hearing that totally grates on me. How can anyone possibly tell ME what my character wouldn’t do or say? Hello. It is my character. I made them up and they do what I tell them to do. End of story.

I admit, this is something I’m not happy to hear. But I’m in a critique group for a reason and I need to keep an open mind. So even though I don’t initially agree with this statement, I do try to take a closer look at the problem. Although I don’t fully understand the concept of other people telling me what my character would or would not do, I do realize my critique partners aren’t totally wrong in their assessment. Very often what they’ve pointed out, is an area where my voice has come through instead of the character’s. Either the adult me has made an appearance or the 80’s teenager from my past has honed in on my contemporary protagonist. Usually it is a quick fix and I move on. But again, this is an issue that I couldn’t fully comprehend. Until recently.

A few weeks ago I was reading a book that nearly had me pulling my hair out. It was a sequel to another book I had read and enjoyed. I can honestly say I was pretty invested in the main character. Enough that I liked her and wanted to read more about her. However, in book two she consistently did things that totally made no sense to me. At least no sense in the terms of who she was or who I had perceived her to be. I really struggled to finish the book and found myself yelling at it often. “No! Why would you do that?” I think my husband was ready to have me committed. And it hit me. This is what my critique partners were talking about. I was finally able to wrap my brain around the concept of being true to your characters.

It is quite an easy concept if you think about it. For example, if your character is afraid of dogs then it is obvious she is not going to pet someone’s dog in passing or hang out in front of the pet store window fawning over the puppies. In fact, she will probably cross to the other side of the street when confronted by a dog walker and may even steer clear of the block where the pet store is located.

If your story has an "a-ha" moment where the character overcomes her fear of dogs, it must come at a price. For example, your character can not just suddenly decide she likes dogs now and happy, happy, joy, joy she heads to the pet store to get one. Something has to happen to change her opinion. And it has to be big. You can’t just have some guy with a nice dog come up to her and say, “Look, not all dogs bite. Pet mine and you’ll see.” It has to be something significant and it has to ring true to your character; her fears and her personality. A life threatening situation might come in handy for this example. What if a rescue dog saved her from a flash flood or a burning building? But even so, it can’t be easy. She can’t simply overcome her fear of the dog in order to be rescued. You’d need to show that her fear of the rising water or deadly flames has become greater than her fear of the dog. This isn’t easy to do and should impose a lot of inner as well as outer conflict. The situation must get more dire. (Outer conflict) Flames and smoke choke her. Parts of the building is collapsing all around. Meanwhile, she is struggling with herself. Should she trust the darn dog? (Inner conflict.) Finally, the situation comes down to a do or die moment where she makes up her mind to take her chances on the dog who of course, pulls her to safety.

I realize the above example is pretty easy and straightforward. The places in your manuscript where you might find yourself being less than true to your characters will probably be more subtle. But whether your dishonesty is big, like my example, or small, like a morsel of your own voice shining through, an invested reader will still pick up on it. And if they lose faith in your character, they will lose faith in you too. An unhappy audience doesn’t bode well for selling books. You can take that to the bank but leave your dog at home.

The best quote I've ever found on dealing with failure is from none other than author Jerry Spinelli.

I'm back! Did you miss me?  Okay, show of hands, how many people didn't even realize I was gone?? 

Yes, I'm back from Revision Beach (sorry, I hate caves!) and I managed to finish Draft 5 of the MG novel that I've been working on for three years. Woo hoo!! So I'm here, at least for a few weeks.  I've really missed keeping up with all your wonderful blogs, but I stayed away for a reason. My hero, Laurie Halse Anderson taught us something during a workshop at the Eastern PA SCBWI Poconos retreat in April.  It was her "magic formula" for writing success.

And I'm going to share it with you, because I feel selfish keeping it a secret.  Are you ready?

I always thought that writing a series would be the easiest thing in the world–it isn’t. When I wrote Longhorns and Outlaws it was with the intention of producing a book year set in the wild, wild Canadian West (there really was one) with adventure after adventure rolling off the … Continue reading →

This year, the NE SCBWI Conference is offering something new: on-the-spot critiques.

Not to be confused with agent quick query meetings or manuscript/portfolio critiques, this is a new and exciting platform for receiving feedback from an editor or agent. As the On-the-Spot Critique Coordinator, I want to help, so if I haven’t addressed all of your questions, let me know!

What is an on-the-spot critique?

An on-the-spot critique lasts fifteen minutes, the same as a standard critique. The only difference is the editor/agent will not receive your work ahead of time, or have the ability to offer a written critique. In real life, your submissions must garner interest immediately. So this is a rare opportunity to see if your writing can indeed capture a professional’s eye. If it doesn’t, find out why. Ask questions, and always keep in mind that everything is subjective.

How do I sign up?

At the registration table, please ask for Betsy or Shirley, and do come early!

Can we contact you earlier to reserve a spot, via e-mail?

Unfortunately, no. You must sign up during the conference weekend. Spots will be assigned on a first-come, first-served basis.

What does it cost?

$40.  Payable in cash, or a check made out to: SCBWI New England.

 How many spaces are available?

I have secured 50 slots, all thanks to the generous editors and agents.

 We are also offering the opportunity to connect with a children’s magazine editor…

This editor from a renowned magazine in the Cricket group edits non-fiction, historical fiction, and retold folktales. Don’t miss your chance to get feedback on writing for this market, especially if you have been told, “Great story, but it might be better suited for a magazine.”

Which editors and agents are participating?

When you sign up for an on-the-spot critique, we will provide you with a list of available editors and agents.