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Happy Illustration Friday!
We’re ready to announce this week’s topic, but first please enjoy the wonderful illustration above by Marta Bartolj , our Pick of the Week for last week’s topic of MERMAID. Thanks to everyone who participated with drawings, paintings, sculptures, and more. We love seeing it all!
You can see a gallery of ALL the entries here.
And of course, you can now participate in this week’s topic, which was chosen to celebrate the MASSIVE giveaway that will be announced this Monday September 28th over at Illustration Age:
PRIZE
Here’s how:
Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).
Step 2: Post your image onto your blog / flickr / facebook, etc.
Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).
Step 4: Your illustration will then be added to the public Gallery where it will be viewable along with everyone else’s from the IF community!
Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!
HAPPY ILLUSTRATING!
By:
Karen,
on 2/13/2015
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If, like me, you enjoyed reading mystery stories such as Enid Blyton's Famous Five and Secret Seven and the Nancy Drew series you'll be pleased to hear that, according to a newspaper article I've just read, the trend apparently is going back towards traditional storytelling and the sort of books we liked to read as children are back in vogue.
This does seem to be the case, several of the books nominated for the Waterstones Children's Book Prize are mystery-based stories such as
Murder Most Unladylike by Robin Stevens (5-12 age group) and
Smart by Kim Slater in the Teen group. Of course, the theme's been given a fresh angle and modern mystery stories deal with topical issues.
Smart for example investigates the death of a homeless man and although
Murder Most Unladylike is set in a traditional boarding school and investigates the murder of a teacher it explores topics such as racism and same-sex relationships. All very modern.
Nostalgia has been popular for some time now. Items that my children played with such as Furbies, Pokemon cards and Tamagotchis are fetching incredible prices. Many toys such as Furbies, and even traditional toys from my childhood, have made a come back - modernised, of course.
I think the reason for this is because in our fast-paced, twenty four hour, high pressure society many people long for the simplicity of the past when children played in the streets with hooplas, footballs and skipping ropes or wandered the fields looking for adventures. Nowadays most parents don't think it's safe to let their children out of their sight so most children are cooped up indoors playing on Ipads and computers. Small wonder that many people feel quite nostalgic about the past.
Mystery stories have always been popular, of course. A few years ago I wrote a detective series called
The Amy Carter Mysteries for Top That Publishing.
They're quite popular with children in schools I visit and it's tempting to jump on the nostalgia bandwagon and write another detective series reminiscent of Enid Blyton's popular tales. With my luck though by the time I'd finished it the trend would have moved on and something else would be 'in vogue'. And guessing what the next Big Thing will be is pretty impossible.
What do you think? Is Nostalgia here to stay?
Karen King writes all sorts of books. Check out her website at www.karenking.net
By: Mark Miller,
on 2/3/2013
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The official word from my publisher, Helping Hands Press:
Are you ready for a contest?
We hope that you are ready for a contest; we would like you to have fun with it.
How do you participate and what are the prizes? Here are a few things you can do:
-Go to the Helping Hands Press website and sign up for our mailing list.
CLICK HERE
We will start using the mailing list March 1st, and send out the newsletters each month on the 1st and 15th.Each newsletter will be filled with inside information for you on our authors, new author signings, new release dates, inside information on new series…basically you will hear of it first in this newsletter.
-If you haven’t “liked” our Facebook page, please do so, we like to have as much fun here as possible.
CLICK HERE-Pinterest, if you are a member, please follow us; we will follow you too. We love to know what our friends are doing on Pinterest; it is a great place to have fun.
CLICK HEREAll of this information will be listed on the Helping Hands Press Facebook Page. Please look for the Rafflecopter; we will be using that to help choose the Grand Prize winner.
To enter the contest
CLICK HERE Prizes, did someone mention Prizes? I believe we did.
If you go to the Helping Hands Press website and sign up for the newsletter, we are going to email you a simple question: We have a list of stories; which one do you want to read for free? Also do you mind if we send the audio book sample for the following three releases as they are done: Karen Anna Vogel’s “Amish Knit Lit Circle- Volume 1 – Pride & Prejudice”; Murray Pura’s “The Rose of Lancaster County – Volume 1 – The Rose Garden” and “The Defective Amish Detective – Volume 1 – The Whoopie Pie Affair”. Each of them is narrated by our own Big Daddy Abel.
Now for the Grand Prize: The Grand Prize winner will get all the Helping Hands Press paper books! Right now we have eight:
Karen Anna Vogel’s: “Amish Knitting Circle Complete”,” Knit Together”,” Amish Doll”
George Michael Loughmueller’s- “An Amish Journey – Set Free Complete”
Mark Miller’s- “Sons of The King Complete” and “Daniel’s Lot”
Marsha Hubler’s – “Bachelor’s Choice”
David Stearman’s-“Hummingbird”
By: Hazel Mitchell,
on 12/4/2012
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You can win ....
a copy of
'Sleeping Bear - Journey of the Cubs'
- illustrated by (me!) Hazel Mitchell
A sweet chapter book retelling the legend of the Sleeping Bear Dunes of Lake Michigan,
great for K-2 and for Christmas stockings!
PLUS! (Yes, there is more!)
The ORIGINAL pencil drawing for the illustration from the page you see above from Chapter one,
signed and dated by me.
Entering is easy ...
follow the blog and leave a comment to say you have done so.
If you can't get the comment to stick, send me an email at
and I will make sure you are in the draw.
Draw will be made Friday Dec 7th 2012.
Thanks for entering and good luck!
Toodles
Hazel
PS - Can't wait ... find it at my
By: Rebecca Ryals Russell,
on 8/7/2011
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I don't have anything big to write about this week. I've been super busy designing and making my Steampunk costumes for Dragoncon. It's coming up over Labor Day weekend so I have to hurry. Plus I've been writing, of course, and marketing my new book, Zarena, my old book (lol) Odessa and thinking about my September release of Prophecy. I've also been thinking a lot about the book Majikals, the next big Seraphym Wars book I'll be writing.
I couldn't believe a recent email I received stating that the cover art for Odessa won first place for the June/July contest at Books in Sync. Then again, why wouldn't it? It's a magnificent cover and Delilah did an awesome job. Continue reading →
By: Kathy Temean,
on 7/28/2010
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The Man Asian Literary Prize was founded in 2007. It is an annual literary award given to the best novel by an Asian writer, either written in English or translated into English, and published in the previous calendar year.
The judges chooses a longlist of 10 to 15 titles announced in December, followed by a shortlist of 5 to 6 titles announced in February, and a winner is awarded in March. The winning author is awarded USD 30,000 and the translator (if any) USD 5,000. Submissions are invited through publishers based in any country.
i. Authors must be citizens of one of the following Asian countries or territories: Afghanistan, Bangladesh, Bhutan, Cambodia, East Timor, India, Indonesia, Japan, Laos, Malaysia, Mongolia, Myanmar, Nepal, North Korea, Pakistan, Papua New Guinea, Philippines, Singapore, South Korea, Sri Lanka, Taiwan, Thailand, The Hong Kong or Macau Special Administrative Regions, The Maldives, The People’s Republic of China, Vietnam; “Citizen” in the case of the Hong Kong or Macau SAR may be taken to be permanent residency.
ii. Documentary evidence of citizenship may be required.
iii. Books must be unified and substantial works of fiction in English or in English translation.
iv. Translated works may have been previously published in another language, but the date of their first publication in English must be 2010.
v. Self-published books, children’s books and books that exist only in electronic form are not eligible.
vi. Books may be published anywhere in the world but must be published in the calendar year 2010.
vii. Books or authors winning other prizes are eligible.
viii. Eligibility of any given submission is at the sole discretion of the Prize Board. No correspondence will be entered into.
Entry
i. Publishers may enter up to two eligible books with scheduled publication dates in 2010. Publishing houses with more than one imprint may enter up to two eligible titles for each imprint.
ii. Entry forms must be submitted online and entry titles must reach the Prize Manager by 31 August 2010.
iii. At that date five copies of all books entered, whether already published or not, should also be received by the Prize Manager. Proofs should be submitted as soon as available and finished copies must be received by the Prize Manager by 30 November 2010.
iv. The Prize Board has the right to disqualify any entry not received in finished copy by 30 November 2010.
v. The judges may, at their entire discretion, call in any eligible book they choose published in 2010.
vi. No copies of books entered by publishers will be returned to them.
http://www.manasianliteraryprize.org/how-to-enter/
If you know an Asian Writer, please pass this on to them. Thanks!
Talk tomorrow,
Kathy
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By: Rebecca,
on 10/23/2009
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Purdy, Publicity Director
The National Book Award nominees were announced earlier this week. Kudos to all nominees, especially to our friends & compatriots at the nominated University Presses. I am glad to see the great good wisdom of the nominating committee at the NBAs. Congratulations aside, it is tradition here in the OUP publicity dept to host a little friendly contest to see who can pick the most NBA winners. This year I am inviting our blog readers to join the fray and send me your picks. Details below.
Please note there is a point system in this contest. Correct picks in Fiction and Non-fiction will each receive 1 point each, 2 points for a correct pick in YA literature, and 3 points for a correct pick in the Poetry category. Please, only one submission per person. Send your entry to [email protected].
In the event of a tie, all entrants with the highest score will be placed in a raffle for prizes. Prizes include a copy of Garner’s Modern American Usage (3rd edition), the Oxford American Writer’s Thesaurus, The Oxford Dictionary of Quotations, and the Historical Thesaurus of the OED. One prize per player. I reserve the right to disqualify anyone I feel is trying to game this friendly competition. Awards are announced on November 18th. Winners here will be announced on November 20, 2009. Good luck.
FICTION (1 point)
Bonnie Jo Campbell, American Salvage (Wayne State University Press)
Colum McCann, Let the Great World Spin (Random House)
Daniyal Mueenuddin, In Other Rooms, Other Wonders (Norton)
Jayne Anne Phillips, Lark and Termite (Alfred A. Knopf)
Marcel Theroux, Far North (Farrar, Straus and Giroux)
NONFICTION (1 point)
David M. Carroll, Following the Water: A Hydromancer’s Notebook (Houghton Mifflin Harcourt)
Sean B. Carroll, Remarkable Creatures: Epic Adventures in the Search for the Origins of Species (Houghton Mifflin Harcourt)
Greg Grandin, Fordlandia: The Rise and Fall of Henry Ford’s Forgotten Jungle City (Metropolitan Books/Henry Holt)
Adrienne Mayor, The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy (Princeton University Press)
T. J. Stiles, The First Tycoon: The Epic Life of Cornelius Vanderbilt (Alfred A. Knopf)
YOUNG PEOPLE’S LITERATURE (2 points)
Deborah Heiligman, Charles and Emma: The Darwins’ Leap of Faith (Henry Holt)
Phillip Hoose, Claudette Colvin: Twice Toward Justice (Farrar, Straus and Giroux)
David Small, Stitches (W. W. Norton & Co.)
Laini Taylor, Lips Touch: Three Times (Arthur A. Levine Books/Scholastic)
Rita Williams-Garcia, Jumped (HarperTeen/HarperCollins)
POETRY (3 points)
Rae Armantrout, Versed (Wesleyan University Press)
Ann Lauterbach, Or to Begin Again (Viking Penguin)
Carl Phillips, Speak Low (Farrar, Straus and Giroux)
Lyrae Van Clief-Stefanon, Open Interval (University of Pittsburgh Press)
Keith Waldrop, Transcendental Studies: A Trilogy (University of California Press)
Purdy, Publicity Director
Bob Geldof said it best back in 1979 with the hit “I Don’t Like Mondays.” My staff know better than to approach me too early on Mondays. My crankiness can sometimes last well into the afternoon. Yesterday, however, was an exception to the rule. I love it each year when the Nobel Prizes are announced. And yesterday two Oxford authors were recognized by the Nobel committee for their work in Economics. Congratulations go out to Elinor Ostrom, co-author of The Samaritan’s Dilemma: The Political Economy of Development Aid (OUP, 2005) and Oliver Williamson, author of The Mechanisms of Governance (OUP, 1999), Organization Theory: From Chester Barnard to the Present and Beyond, 2nd Edition (OUP, 1995), and The Nature of the Firm: Origins, Evolution, and Development (OUP, 1993).
While I have not had the great good pleasure to work with Ostrum and Williamson, there is still a sense of pride in working for the publisher that recognized their genius and contributions to Economics long ago. We might not see too many celebrity authors (thankfully), or New York Times bestsellers (unfortunately) here at OUP, but we do have a long list of authors who are Nobel laureates, Pulitzer recipients, and National Book Award winners (fortunately). And to the sage Nobel Economics committee in Oslo I say, “Thanks for making my Monday a little sweeter. Keep up the good work. I look forward to next year’s recipients.”
By: Rebecca,
on 4/29/2009
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It is not everyday you get two Lincoln Prize winners together to ask each other questions, but lucky us, we had that very honor. Below is a conversation between James M. McPherson, most recently the author of Abraham Lincoln, and Craig L. Symonds, most recently the author of Lincoln and His Admirals: Abraham Lincoln, the U.S. Navy, and the Civil War.
James M. McPherson: We know from John Hay that Lincoln put himself through a cram course of readings in military history and strategy during the fall and winter of 1861-62, mainly so he could deal more intelligently and forcefully with such generals as McClellan, Halleck, and Buell. Did Lincoln do anything comparable to overcome his admission that he knew “little about ships”?
Craig L. Symonds: Not really. A lifelong autodidact, Lincoln focused on learning as much as he could about war in the first months of the conflict, but he saw from the beginning that the land war was far more important than the naval war. While he read all that he could about the theories of war, he did not undertake a similar regimen concerning naval strategy, in part because there were fewer such books. He was fascinated by new weaponry, played a role in getting the Navy to adopt Ericsson’s Monitor, and he consulted both Seward and Bates on the legality of the blockade, but for the most part, he relied on Gideon Welles, and especially the Assistant Navy Secretary, Gustavus Fox, to provide him with whatever professional knowledge or technical information he needed.
McPherson: Historians hold a wide range of opinions about the effectiveness of the blockade and how important a role it played in ultimate Union victory. Where do you stand on this question?
Symonds: I guess it depends on whether the glass is half full or half empty. The blockade was never impervious, and at times seemed quite porous. As many have argued, the South was able to import through the blockade the weapons and supplies it needed to sustain its armies in the field for four years, though it did encounter serious shortages in specific areas such as steam engines, engine parts, and railroad rails. Exports were a different story. Cotton exports plunged from 2.8 million bales in the last year of peace to only 55,000 bales in the first year of war. That undercut the Confederacy’s ability to establish credit overseas, contributed to inflation and civilian unrest at home, and generally undermined the Confederate economy. The loss of southern revenue from cotton exports was greater than the amount the North spent to establish and maintain the blockade. Given that, I think the blockade was worth the investment. If it succeeded in shortening the war by, say, six month, it probably saved many thousands of lives.
McPherson: Along with Gideon Welles and Gustavus Fox, Lincoln was critical of Samuel Francis Du Pont for lack of aggressiveness and pertinacity in the failed attack on the defenses of Charleston on April 7, 1863, and compared Du Pont to McClellan. Was this fair?
Symonds: There are many things in war that are not fair. Du Pont was very likely correct in asserting that Charleston could not be taken by a purely naval attack, as Gideon Welles repeatedly encouraged him to do, and he was effectively fired for demonstrating that his view was correct. Kevin Weddle calls Du Pont “Lincoln’s Tragic Admiral,” a victim of Welles’ determination to protect the reputation of his beloved monitors. But Du Pont’s fall from grace was due not merely to his failure to capture Charleston. It was also due to two other factors: One was that Lincoln had become scarred by his lengthy and frustrating relationship with McClellan during the 1862 campaign, and by 1863 he had began to view Du Pont through a prism defined by that experience. When Du Pont called for reinforcements, or bemoaned the obstacles in front of him, it was McClellans’ voice that Lincoln heard.
The other reason for Du Pont’s fall is that he never fully explained to the President precisely why he objected to a navy-only attack. Instead he only hinted at it by detailing how strong the enemy defenses were and how limited his own forces were. He never clearly laid out an alternative with the kind of strong advocacy that showed his willingness to carry it out. Even then, I think Lincoln would have stood by Du Pont but for Du Pont’s own foolish behavior when he insisted that the Government must publish his official reports (including compromising information about the vulnerabilities of the monitors) in order to counter hostile newspaper articles about him. In the end, Du Pont’s reticence and touchiness were responsible for his tragedy.
McPherson: Did Lincoln show unjustified favoritism toward John A. Dahlgren when he promoted him to rear admiral and gave him command of the South Atlantic Blockading Squadron even though Dahlgren had limited experience in seagoing command?
Symonds: Dahlgren was unquestionably Lincoln’s favorite admiral. He much appreciated Farragut’s success, but he liked Dahlgren, often went to the Washington Navy Yard to visit with him, and eventually he asked Welles to promote him to admiral, even though Dahlgren had virtually no important sea service. Most of the navy looked upon Lincoln’s decision to promote his friend from commander to Rear Admiral in one step as personal favoritism. It was favoritism, but whether it was unjustified depends on how well Dahlgren performed in command. Though Charleston never fell, Dahlgren was an active and effective commander of the South Atlantic Blockading Squadron, and despite suffering poor health that might have ended the career of a less determined man, Dahlgren worked hard and earned the confidence of his officers throughout the long and wasting siege.
McPherson: From 1862 on, Acting Rear Admiral Samuel Phillips Lee wanted to attack the defenses of Wilmington to shut down the port to blockade runners. When the time came in 1864 to carry out the attack, however, Welles, Fox, and Grant convinced Lincoln that Lee was not the man to command it, and replaced him with Rear Admiral David Dixon Porter. Was this treatment of Lee justified?
Symonds: Like Du Pont, Phillips Lee was a competent officer who was at his best managing the multivariate activities of a far-flung squadron. Unlike Du Pont, he never had the chance to prove himself in a major battle and thereby win promotion to the permanent rank of Rear Admiral. Because the authorizing legislation stipulated that promotions to admiral must be won in battle, Lee repeatedly asked Welles for permission to attack Wilmington, North Carolina. Not until 1864 did Welles accede, and when he did he sent Lee off to the backwater of the Mississippi Squadron and brought in the brash David Dixon Porter to carry it out. Lee felt himself a victim of Welles’ favoritism for others. But in this case, it was U. S. Grant as much as Gideon Welles who was responsible. In Grant’s view, Lee had not been sufficiently aggressive during the move up the James River, and he wanted someone else to command of the attack on Wilmington. When Farragut declined the command, Welles gave it to Porter. Lee’s anger at this treatment is understandable, but Welles and Grant had concluded that while Lee was an effective manager, he was not the man for a full-scale attack. In the end, Lee never did get a chance to prove himself in the kind of engagement that might have won him the promotion he sought.
Symonds: George McClellan is clearly a central character in this story. In your view, was Lincoln too patient with Little Mac, not patient enough, or just about right? Would the Lincoln of 1864 have tolerated McClellan as long as the Lincoln of 1862 did?
McPherson: In one sense, he was too patient. McClellan deserved to be fired after his failure to reinforce Pope at Second Bull Run, as a majority of the Cabinet wanted Lincoln to do. But in another sense, Lincoln was absolutely right that only McClellan could reorganize the army and restore its morale, and if the president had fired him then, the army might have broken down. In the end, Lincoln’s timing on removing Mac from command–just after the fall elections in 1862–was just right.
Symonds: What about the so-called political generals: Did Lincoln appoint and tolerate them out of perceived political necessity, or because he believed that some of them, at least, had genuine merit? And, for that matter, did any of them have genuine merit?
McPherson: Lincoln appointed the political generals in order to mobilize their constituencies for the war effort. Northern mobilization for the war in 1861-62 was a from-the-bottom-up process, with important local and state political leaders playing a key part in persuading men to enlist in this all-volunteer army, and political generals were a key part in this process, which increased an army of 16,000 men in April 1861 to an army of 637,000 men in April 1862. And while we are all familiar with the military incompetents among the political generals, some of them were actually pretty good–John Logan and Frank Blair, for example.
Symonds: Why did Lincoln put up with Henry Halleck?
McPherson: Lincoln used Halleck to translate presidential orders and wishes into language that military commanders could understand, and to translate their reports and requests and explanations into language that Lincoln understood. That was what Lincoln meant when he called Halleck a “first-rate clerk.” Of course he had wanted him to be more than a clerk, and that is why Lincoln finally appointed Grant as general in chief and booted Halleck upstairs into the new office of “chief of staff,” where his clerkly qualities were needed.
Symonds: Lincoln was clearly relieved to turn over military operations to Grant in 1864, but did he also fear Grant as a potential political rival?
McPherson: He had been concerned about Grant as a potential political rival, until Grant let it be known throughout intermediaries that he unequivocally and absolutely had no political ambitions in 1864 and strongly supported Lincoln’s reelection. After that, Lincoln had no more concerns.
Symonds: Now that you will be the owner of two busts of Lincoln by Augustus St. Gaudens, along with your many other prizes, isn’t your house getting pretty full?
McPherson: There is still room in the house, but since my grandchildren are interested in Mr. Lincoln in bronze, I may deposit this bust in their house, where I can visit it whenever I want (they live ten miles away).
By: Rebecca,
on 2/12/2009
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Editor’s Note: We are giving away one signed copy of Lincoln and His Admirals. The first person to email blog.us(at)oup.com will win.
It is my pleasure to announce that Craig L. Symonds is one of two winners of the 2009 Lincoln Prize for his book Lincoln and His Admirals! Congratulations are also in order to James M. McPherson who won for Tried By War: Abraham Lincoln as Commander in Chief. Each received a generous cash award and a bronze cast of Augustus St. Gaudens‘ portrait sculpture of Abraham Lincoln (I saw the bronze cast, it is truly beautiful.) Below is an original post from Symonds about Lincoln and Obama. Be sure to read our other bicentennial Lincoln posts here.
The media took much notice of the fact that Barack Obama was intent on duplicating much of Abraham Lincoln’s behavior as President-Elect. Doris Kearns Goodwin’s superb book Team of Rivals is said to be one of the books Obama has read with great interest, and he has chosen a “Team of Rivals” for his Cabinet. Similarly, President Obama took a train from Philadelphia to Washington, duplicating part of Lincoln’s journey from Springfield to the capital in 1861. For this, Obama might have consulted Harold Holzer’s new book on Lincoln, President Elect. Others have noted that Obama has inherited what is arguably the worst national and international circumstance for a new president since Lincoln, with the possible exception of Franklin Roosevelt. How will he apply Lincoln’s style or outlook to the problems he has inherited?
My own recent study of Lincoln has confirmed in my mind several aspects of Lincoln’s leadership style that already seem to be part of Obama’s world view, which should stand him in good stead as he considers how to manage (or end) two wars, and stabilize and then revitalize a collapsing economy.
The most obvious of these is a serenity fueled by patience and a habit of thoughtfulness. Though we tend to assume that strong presidents are proactive, controlling a situation rather than responding to it after it has happened, the fact is that Lincoln was almost never proactive. Instead he took the time to consult with his advisers often making them present their positions in short memos. He also took up the pen himself, writing down options in order to clarify them, then writing down possible solutions. Many of these “Memos to Self” were never made public and were found among his papers only after his death. He also waited to see what public opinion would tolerate, reading many newspapers, especially opposition newspapers, before making a decision. He was so patient that it sometimes looked as if the momentum of history was about to take the decision out of his hands before he acted.
Indeed, his very first crisis—what to do about Fort Sumter—found him waiting until it was almost too late. It is even possible to argue that he waited until is WAS too late. On his very first day in office he received a report from the beleaguered commander of Fort Sumter, Major Robert Anderson, that the garrison was running out of food and that it must evacuate soon if not re-supplied. Moreover, Anderson reported that it would take twenty thousand men to re-supply him. Well, here was a conundrum. Lincoln had just promised in his inaugural address to “hold, occupy and possess” all Federal property in the South—a clear and specific reference to Fort Sumter, but there were not twenty thousand soldiers in all of the U.S. military in 1861. Like no-drama Obama, Lincoln did not panic. He met with his Cabinet and his military advisers, listened to all their input, sent scouts to Charleston to assess the situation there, and waited. By the time he sent an expedition there, Anderson’s supplies were all but exhausted. Lincoln’s patience was not a product of passivity, however. His decision to notify South Carolina State authorities that the expedition was en route deftly threw the ball into the South’s court and, when Fort Sumter was attacked, allowed the North to emerge as the aggrieved party.
Similarly, during the Trent affair, Lincoln was a master of forbearance. After Captain Charles Wilkes captured two Confederate ambassadors on the high seas, Britain responded with an ultimatum that gave the U.S. just seven days to release them and offer a public apology or face war. Again Lincoln waited, and his patience let the emotions of the moment ease allowing a solution that was both diplomatically acceptable, and politically benign. Had he responded to the ultimatum with the kind of fist-shaking defiance that would have been popular at home, it might indeed have led to war and the U.S. might be two countries today.
Even in dealing with emancipation, the most difficult problem of his administration—indeed, of American history—Lincoln showed remarkable composure which in the end led to a permanent solution. Some thought he was too patient. The abolitionists, including free blacks like Frederick Douglass, could not understand why he moved so slowly. But Lincoln knew what he was about. He moved as fast, and as efficiently, as public opinion, and the war news, would allow him to do.
Barack Obama, who has already demonstrated his patience and his pragmatism in his “no-drama” campaign, seems now to be echoing not only Lincoln’s cabinet choices and his travel route, but also his characteristic style. This bodes well for the future.
By:
crystal driedger,
on 1/21/2008
Blog:
Scribbled Business
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I have two copies of my 2008 calendar to give away to two different blog visitors (plus a surprise gift!). Here's the rules: Post a comment on the following topic and I'll draw from the names of people who comment on or before January 31st for the prize. Then once I've contacted the winner you'll be sent the prize (please don't leave your address in the blog comment section but rather leave a website or blog address/email where I can get this from you privately)!
Here's the topic:
"Green Illustration & Design" (what are you doing to make your illustrations and office more environmentally friendly? Any links to good office crafts out or recycled goodies? And if you're not an illustrator or designer what are you doing to make your home more eco-friendly?)
By: Gina MarySol Ruiz,
on 6/30/2007
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Raleigh’s Page
Author: Alan Armstrong
Illustrator: Tim Jessell
Publisher: Random House Books for Young Readers
Raleigh’s Page is the riveting story of Andrew, a young boy sent to be a page to his father’s old friend Walter Raleigh. Yeah that Walter Raleigh - throw his pearl studded cloak on a puddle for Queen Elizabeth of England to walk on Walter Raleigh. Pretty cool, no? I was always fascinated by that story but didn't really know much about him other than the usual middle school page in a history book.
Andrew goes to live in Raleigh's estate along with two other boys who are already serving as pages to him. He is fascinated by all the newness but misses his family. One of the boys is cruel but the other is a good friend to him. Andrew, the farmer's son makes a great friend in the French gardener and becomes his apprentice. Together they learn of strange plants from other lands and prepare for the New World.
Raleigh himself is an interesting character in this book. I was fascinated by his excitement and verve. Walter Raleigh is a high energy, intelligent and purposeful man in this book. His way of teaching the children in his care is also fascinating. He plans secret trials that not only test the boy's writing, business acumen and other abilities but he tests the strength of their character. Interesting.
Andrew, being a solid farm boy with good values and a strong character shines in this story. He's a normal boy with hopes and dreams and fears, yet he consistently rises to any occasion, whether it be spying, carrying secret documents or venturing out to the New World. He meets the mysterious Dr. Dee, the Queen's own astrologer among other characters that populate this book.
Ah yes, Raleigh is planning a big trip to the colony of Virginia - the first expedition to Roanoke and Andrew is determined to go along. The story gets even more interesting once Raleigh's ship actually gets to Virginia. Alan Armstrong writes a great tale full of intrigue, adventure, compassion and understanding.
Raleigh's Page is one heck of a great read. The marvelous illustrations by Tim Jessell give depth to the story and a flavor for the time period in which it is set. One of my favorite illustrations is one of Walter Raleigh almost bursting with excitement.
Book Description from the publisher:
Andrew has grown up near the Plymouth docks hearing the sailors talk about America. Knowing that Andrew's heart is set on going to the new world, his father sends him up to London to serve as page in the house of Walter Raleigh. In Queen Elizabeth's court, Raleigh's the strongest voice in favor of fighting with Spain for a position in the New World, and everyone knows that it's just a matter of time before Her Majesty agrees to an expedition. Can Andrew prove himself fit to go on an expedition to the New World?
Meticulously researched and brilliantly crafted, combining fictional characters with historical, Andrew's tale offers up a vivid look at the cloak and dagger politics of the time and a genuine feel for what it must have been like for the first Europeans to set foot on the beautiful, bountiful, savage shores of America.
About the Author
Alan Armstrong's first book, Whittington, was awarded the Newbery Honor in 2006. He lives in Massachusetts with his wife, Martha, a painter.
Been following for a while, love your artwork! Thanks for this opportunity :)
- Heidi
Love your artwork!
Rebecca (at) Fyfe (dot) net
Hi Hazel, I love this site. The books and illustrations are amazing! I have just become a gradma and I would love this book for my beautiful, little granddaughter. I am now following you, on your blog. Please come visit me at my website www.paulineholyoak.com - [email protected]
Would LOVE to have this!! Out-a-site!!
kbrebes at aol dot com
You've got talent!! Got my fingers crossed for the win :)
jeanne
Oo, I have a stocking I would love to fill with this!
Your drawings are beautiful. Count me in!
So lovely, I know a little 5 yr girl who would like this as a stocking filler :)
What a sweet illo! Thanks for the opportunity. I followed. Thanks.
Oh, oh! I would love to win!! :) Your art is adorable!!
I'm in it to win it !!! You are such an inpiration to me !!
Felicia
I am in it to win it! LOVE Sleeping Bear! :)
As you know, Hazel, I love your work! And I've been coveting an original piece for a LONG time! So please add me into the mix!
Thanks -
Andrea
andrealschultz at gmail dot com
I'm already a follower -- love your blog and your art! If it made any sense to follow again, I would! (I'd be thrilled to have a piece of original art by you, Hazel!)
I have a brand-new baby niece: she and her siblings would love it! Your art is beautiful!
Lovely drawings. Hope to win a copy!
OK, I don't feel guilty entering since you "invited" me. My chance to get a Hazel Mitchell for my wall! Can't pass that up! Good to see you Saturday, Hazel!
GRIN!!! xo
Really sweet illustration , Hazel! Looking forward to seeing more!!
Beautiful cover!! And I'm following . . .:)
Hullo, Hazel!
I think i've done the following thing correctly. I'm having one of those Dilbert sort of weeks so hard to tell.
megan
what a wonderful book. I wish I can read it.
Rita
It looks like a marvelous book! I'd love to read it to my grandson.
We are going to be learning about Michigan soon so this would be perfect!!
scrappinaly at gmail dot com
Love all your illustrations! I am already a big fan of yours!The book cover looks really really BEAUTIFUL!!!I would love this book for my lovely daughter :-)
Lovely new cover! quoth the follower. My book obsessed baby would love it.
love your art, Hazel! very sweet bears ;)
I'm following as always! <3
I'm already a follower...put me in the drawing for the drawing! Lol
Would love to win some of your beautiful artwork, Hazel!
Cute!
Just joined. The book looks lovely.
Awesome book giveaway! You are very talented and what I love is that you share the process, not just the book, with others. Count me as interested in the drawing. I'm sure my 5 year old would love the book, while my 11 year old artist would love the sketches.
Ooh! Love those little bears, Hazel!
Lovely! I'm in it to win, lady! :)
I want it to be me!
Hi Hazel! I followed your blog and added you on Etsy.
This is great Hazel! Great idea for a giveaway too :) Our kids would love this book!
I love this idea, and your art is wonderful, so I hope someone with young children wins. :-)
Thank you Hazel for letting me follow your blog and entering me in your drawing! I really love reading your blog.
Fabulous illustrations, Hazel..they are soooo charming!! Thank you for the chance at an original of yours. Wow!!
What a great cover! It's adorable.
Hello Hazel
Reached here via Shirley's FB mention. The book looks so inviting that I immediately reached here to Follow you...would love my name in the draw. It would be a perfect Xmas gift for my daughter :)
And a bonus of original drawing...that would be just Great! Pls do count me in :D
Best Regards
Deepa
www.deepazworld.blogspot.com
Ooh! Pick me! Pick Me! ;) Fabulous work, as usual!
Cindy
This is a wonderful legend, and I've been to Sleeping Bear Dunes many times. I love your artwork for this! I will probably get this for my grandsons, anyway, but I would love to win a signed copy (for me!)
So beautiful!!!! Id love to win it <3
I'm in....and a fan for life!
Hi Hazel,
Thanks for the invite and the great giveaway!
Kathy
Greetings from Brisbane, Australia! Absolutely love your work. The person who wins the pencil sketch will be very fortunate - hope it's me ...and that the book sells heaps.
All best wishes
Peter
count me in!!
love your work ;-)
You've been added and about to be shared. It's a pleasure to meet you and follow your blog and your drawings wonderful. :)
I'd like to win the story book for my 5-years old-niece who has just started to learn how to read a sentence.it'd be a great Christmas present from her aunt. She likes to learn English and plays as a teacher at home. Lol. She always asks me to spell the word or write the word itself.
Thanks for the invite! I'd love to win!:-)
Looks great! I would love to be able to share this with my son.
I'd love to win this for my nieces :)
I am a new follower but have been a fan for awhile. Thanks so much for this contest. I would love to win a copy of this fab book. And yes, a signed piece of your art is irresistible. :)
Great Hazel love the art.
Hazel - Your art has so much warmth and personality - I love it!
Very cute bears!
Followed as Writergirlrowan
Coll
I would love to have this wonderful drawing! Love your art!
Hazel~
You're such an inspiration because you share the process as indicated by not only the pencil drawing of Little Bear, but also your drawing of Little Women. The step by step process offers inspiration and instruction~You're noteworthy as an artist and an educator~thank you!
What a grand opportunity to receive your book and your fun-loving artwork. Such honorable treasures. Yes, please count me in.
I have been following you for a while . . . your art brings me such joy! :) Thank you for sharing it with the world!
I'm in! What a wonderful giveaway, Hazel, thank you!
Does following anonymously counts?
So sweet! Love this cover illustration. Hazel, you are amazing!
Count me in! Your illustrations are wonderful.
I would love to add Sleeping Bear to my collect! Love your artwork!
Love this! Looking forward to sharing your work with my granddaughter. :)
Great Idea and beautiful artwork!
Akiko
Oooh, enter me too!! (Whew, I almost missed the boat!)
Love your work.
I love it, Hazel and much success to you! :)
I just love your art, so whimsical and happy. I love your blog too...and oh my gosh you gave me a good laugh today with the mansweater on FB.....
Following you now Miss Hazel :0) What a wonderful contest!
Looks like a beautifully illustrated book! Well done Hazel! Best wishes to you with Sleeping Bear and always!
I almost forgot to enter! Thanks for opportunity, Hazel! :D
A Hazel Mitchell original drawing + Sleeping Bear book = an offer I can't refuse!
Good luck with your new book, Hazel. It's darling and Sleeping Bear Press and Amy Lennox are favorites in our SCBWI Region. Two of our authors have sold to this publisher after the editor guest-spoke here. I agree--the art is appealing. ~Connie Heckert
Oh, thanks for inviting me! I'm not sure why I thought I was already following, but maybe that's just the Facebook stuff. (I have holiday brain right now.) I so wish I had known you when Mark & Kira were tiny, but it is still awesomeness! ♥ Tracy
Your work makes me smile.
Love it.
Kari-Lynn Winters
Oops, Hazel, I hope I am not too late to enter. I love your work and enjoy putting up your work on display in my office. : ) Congrats on the book. It looks great.
I love all your artwork. If I win, bonus. If not, I will as always be your friend.
I'm a watercolor artist and always appreciate the works of another artist. I absolutely love your illustration posted above and would consider it an honor to display it in my home.
Hi Nancy .. you are the winner! Congratulations ... please email me at [email protected] with your mailing address. Thanks Hazel