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Pacific Grove in the afternoon. |
I've been meaning to post ever since we got back from Spain, but life and work intruded -- in a happy way. I'm working on a new story, to be included in an anthology coming out next year.
Though I've kept my nose to the grindstone, it's made my blogging lackadaisical. Then Thanksgiving came -- a wonderful communal gathering with my beloved god family -- and after that we went to Pacific Grove for the weekend. Pacific Grove, Monterrey, and Carmel have long had a shared place in our hearts. We come back when we can, like homing pigeons, to walk the beaches and visit the art galleries in Carmel.
We spent both mornings in Pacific Grove, driving, then walking along the sea wall, enjoying the slate-blue of the distant waters, the foamy white ruffles of incoming waves, the soft hush-sh-sh of waves rippling and splashing on rocks, the muffled roar of larger waves, and the kwee-dkwee-kwee of the seagulls that soared and swooped from rocks to shore and back again.
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A distant boat on the endless waters. |
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A lone seagull, taking it all in. |
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Rocks that jut up like sculptures. |
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And a rock littered with roosting gulls. |
That was the ocean view.
On land, the ice plant that makes a fuchsia-colored carpet across the sand in spring was bereft of flowers, but it glistened in green and red tones like stained glass.
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A path of beauty. |
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Fall colors like stained glass |
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Someone staring out to sea. |
For years I've wanted to visit the Monarch Grove Sanctuary in Pacific Grove, an "overwintering" spot for monarch butterflies, November through February each year, free for viewing. This time we did. Look closely. Nature has truly devised a great safety system for these delicate creatures;
At first we thought they were only dried
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Hundreds of butterflies with folded wings, looking like so many dried leaves in their wonderful camouflage. |
leaves hanging from trees--and not
pretty leaves, at that. And then a little
kid pointed them out to us! "They're
in camouflage," he said. (Smart kid!)
We looked again, and were amazed.
Hundreds upon hundreds of folded
wings. Camouflage indeed!
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One butterfly opened its wings |
Both afternoons, we drove into Carmel to enjoy the many art galleries. We have certain galleries we particularly like: One is
Classic Art Gallery. One is the Carmel Art Association, a collaborative gallery that features work by local artists and puts out a lovely small catalogue each year that is like a book of art gems. You can visit them
HERE. We also like
Jones & Terwilliger Galleries. But actually there are so many good galleries, an amble through them is like an amble through several fine art museums.
Because Rajan is into black and white photography, we stopped by two photography galleries we've always enjoyed.
One is the
Weston Gallery. They are featuring a color show in one section at present, but they specialize in the art of some of my husband's favorite black and white photographers: Ansel Adams (his hero), Edward and Brett Weston, Yousuf Karsh, Michael Kenna, Imogen Cunningham . . . . You can click on the name of the gallery above, and, once there, click on the artists and see wonderful samples of their work. The other is
Photography West Gallery, featuring some of the same artists, all working in black and white film (my husband's first love) rather than digital.
Both afternoons we stopped by a charming restaurant/bar called
Grasings on 6th and Mission, and had a glass of crisp Chardonnay. The place had a soft, warm atmosphere and a friendly staff, and it made for a nice pause in the day.
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Hubby's ear in lower left corner. :-) |
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A nice pause in the day. |
My birthday was Monday, but since we would be driving back to Sacramento that day, we celebrated Sunday evening at a little French restaurant in Pacific Grove. (Or maybe it's Monterrey: those areas run into each other, and I'm never quite sure. )
It's called
Fifi's Bistro Cafe , reasonably price,
a charming restaurant with a cosy atmosphere. Fifi was there that evening, as it was the restaurant's 30th anniversary. She's French, of course, and she looked casually
chic, as the French somehow always manage to do -- black dress, red scarf, hair tumbled back in a clip. We are not dessert eaters, but when she found out we were celebrating my birthday, she insisted on bring an order of
flan for us to share, and she brought a beautiful red rose to the table, scattering the petals over the white tablecloth. How French!
I have a lot of questions in this post: Have you ever seen the monarch butterflies wintering over in some location? (I understand there are quite a few; not just Pacific Grove.) Do you have a special affinity for the ocean? Do you enjoy black and white photography? What is your favorite art form?
Yesterday, after 6 weeks away, I was catching up with ABBA and discovered your poems. Coincidently I’d written Like Smoke into the Air in the early hours of the plane journey home.
Like Smoke into the Air
Up the steps to the harbour wall fish scales trail.
Gills and gut clot.
They stand – a small group – four figures against a steely sky.
Two daughters, two granddaughters and now I
the youngest sister walking the long aisle
to where the port light guards the swell,
clutching a scarf that reflects the sky.
They’ve brought flowers. Well chosen.
Crimson, fuchsia, purple,
set off against sunflowers
made iridescent by the filtered light.
The box is simple. Plain cardboard.
The packet plastic.
Humble containers for so fragile a mix.
We dip our fingers. Lightly at first.
As if in holy water, or soft palm ash to daub a forehead.
But this is dry.
Flecked. Gritty.
We take fistfuls.
Our fingers grow familiar with the touch.
Cast it like smoke into the air
where it glides and is taken on the breeze.
There is no rhythm. No plan.
Flowers fall where they fall.
Ash drifts. Dissolves. Disappears.
The sea, liquid pewter, rises to receive.
A vast sighing swell that dips and lifts and breathes.
My own breath dips.
Lifts. Catches.
The flowers are borne Millais-like.
A raft. A bier.
At the port light they slow
as if to gather strength,
then slipstream a silver current
to trail across the bay.
Two oyster-catchers salute,
sharp against the sky.
And we… two daughters, two granddaughters and I…
walk back along the wall.
Hands darkened. Nails stained. Whorls ingrained.
Dianne Hofmeyr 10.02. 2010
http://www.diannehofmeyr.com/
I’m sitting here with sand on my feet, salt on my skin and the sound of the waves in my ears. Not exactly: ‘Break, break break on thy cold grey stones, oh sea!’ because I’m in the southern hemisphere with temperatures soaring in the 30’s, the sand like powder and burning hot. With the crisp sparkle of a dark London afternoon extremely far away, I'm contemplating the fact that it’s the 30th December. It brings on thoughts of past Old Years’ Eves and how I celebrated them when I was the age of the hordes of 35 year-olds staying in my house right now (11 in all!).
Countless Old Years’ Eves were celebrated on chilly beaches sprawled around a bonfire watching the sun come up. (Odd how we considered ourselves children of the 60’s… Mary Quant, marijuana and all that… yet we were in fact a conservative carry-over from the 50’s morals and modesty.) And it seems the same applies today... at least here in the southern hemisphere. The sun coming up on a new year is still celebrated on the beach with a bonfire.
What is it about watching a New Year’s sun pop over the horizon that is any different to watching the sun come up on a normal day? The wide horisons of sea and sky seem to mute the moment while at the same time the sea's energy is tangible. We convince ourselves it’s different. Fresh starts. New potentials. In a way like the unwritten page or screen staring back blankly waiting for you to make the first mark every morning. Anything is possible if you can only make the right mark. There’s a certain fragility to the moment… try too hard and you might fail. But at the same time there’s an energy to start fresh. To capture something magical. It's a moment on the cusp, when you move from the old to the new.
So when I return to London and unpack my suitcase and discover little gritty pockets of sand caught in hems and seams, and the smell of the sea still clinging damply to an old pair of jeans, hopefully I'll be galvanised by the same sense of calm energy when I face a new page. A sort of magical process.
And on the beach at 5.30 am this morning with a few dolphins surfing the waves as the sun came up, (my hordes of 35 year olds still fast asleep) everything seemed magical!
Oh Dianne.
Brought tears to my eyes - and memories.
a beautiful and wistful poem that lingers like smoke in my imagination. Thank you
thanks Kath and Lynda and to others for emails as well. One feels a piece like this might be too private but this morning I watched Christopher Reid on Youtube speak about poetry. He suggests our job as writers is to communicate the unspeakable. http://www.youtube.com/watch?v=1jw-54QxUDQ&feature=youtube_gdata
Beautiful and poignant, Dianne.
It's wonderful, Dianne, and very moving.