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The Artist's Mother, reviewed by Shana Nys Dambrot on Flavorwire: "It’s a simple idea but a powerful one — and perhaps the single greatest Mother’s Day gift idea of all time. The Artist’s Mother collects depictions of the maternal unit across six centuries of Western art history giants. There’s the iconic Whistler from 1871 of course — he really inspired the project, and like many, his portrait of mom went on to be his most famous work. Also in the pages, Toulouse-Lautrec — whom one never really thinks of as having a mom, and it turns out she was a Countess (pictured here) — plus Gauguin, Seurat, van Gogh, Picasso (with a pair of pictures of his mom: a haunting, candlelit love letter with no cubism in evidence from when he was only 15; and a later example from 1923, by which time his style had completely altered yet he restrained his avant-garde impulses in favor of elegance on this occasion), and even a rare 1974 Andy Warhol. If it’s true that we all become our parents, then maybe painting our mothers can be seen as predictive self-portraiture, an especially poignant notion when you look at the 15th century Durers and the 17th century Rembrandts in the book, and think about how famous both men became for obsessively depicting themselves. The collection is introduced with a moving essay by Judith Thurman entitled “A Mother’s Gift, A Child’s Homage” in which we discover that mothers really do get excited when their kids immortalize them on canvas."
The Artist's Mother is featured in this month's More magazine: "Mother as muse may not be a common theme in art history books, but great painters have often paid homage to the women who raised them. In The Artist's Mother, the editors at the Overlook Press have collected, for the first time, 36 portraits of famous artists' mothers: Anna van Gogh taught her son Vincent to draw, and Katherine Cassatt, a Victorian matron, encouraged her daughter Mary's bohemian lifestyle. While their offspring have long been anointed as geniuses, these women finally have their place in history too. Its one that is much richer than oil on canvas." —Rebecca Adler Warren
Just in time for Mother's Day (May 10) is a new book that illustrates how artists have found ways to incorporate their mothers into their most famous paintings. The Artist’s Mother is the first-ever collection of paintings by famous artists of the women who created them. This beautiful book offers masterpieces by some of the greatest painters in history, including Rembrandt van Rijn, Mary Cassatt, James McNeill Whistler, Vincent van Gogh, Archibald Motley, Pablo Picasso, Frida Kahlo, Arshile Gorky, Andy Warhol, and many others. The portraits are accompanied by the touching, surprising, and timeless stories about each artist’s relationship with his or her mother, and how each painting came to be. With an introduction by National Book Award winner Judith Thurman, The Artist’s Mother is a true celebration of the mother-child bond and of the many ways in which mothers make the world a more beautiful place.
The Artist's Mother, reviewed by Shana Nys Dambrot on Flavorwire: "It’s a simple idea but a powerful one — and perhaps the single greatest Mother’s Day gift idea of all time. The Artist’s Mother collects depictions of the maternal unit across six centuries of Western art history giants. There’s the iconic Whistler from 1871 of course — he really inspired the project, and like many, his portrait of mom went on to be his most famous work. Also in the pages, Toulouse-Lautrec — whom one never really thinks of as having a mom, and it turns out she was a Countess (pictured here) — plus Gauguin, Seurat, van Gogh, Picasso (with a pair of pictures of his mom: a haunting, candlelit love letter with no cubism in evidence from when he was only 15; and a later example from 1923, by which time his style had completely altered yet he restrained his avant-garde impulses in favor of elegance on this occasion), and even a rare 1974 Andy Warhol. If it’s true that we all become our parents, then maybe painting our mothers can be seen as predictive self-portraiture, an especially poignant notion when you look at the 15th century Durers and the 17th century Rembrandts in the book, and think about how famous both men became for obsessively depicting themselves. The collection is introduced with a moving essay by Judith Thurman entitled “A Mother’s Gift, A Child’s Homage” in which we discover that mothers really do get excited when their kids immortalize them on canvas."
