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Viewing: Blog Posts Tagged with: creating book characters, Most Recent at Top [Help]
Results 1 - 3 of 3
1. Thirty years in the making – where did Nim come from?

The wonderfully zany and multi-talented author Tristan Bancks said I had to write a blog post about my character or he’d never speak to me again. I mean, he invited me to be part of a character blog hop. You can meet his character Tom Weekly here.
Since it’s quite a long time before you’ll the character who’s taken over my life and computer right now, I’m going to introduce Nim. Even if you’ve met her, you might find out something new.

1) What is your character’s name?
Nim Rusoe.

2) Is Nim based on you?
Of course she is! She’s brave, adventurous, resourceful. A bit hot-tempered too, but I had to make some things up.
But Alex Rover, the agorophobic adventure writer is based on me too. Maybe I should say that Nim is based on how I’d have liked to be when I was her age. In fact, when I was writing the first book, Nim's Island, Nim didn't come to life until I remembered how I'd felt when I was 9 year and  wrote a story about a little girl who runs away from an orphanage to live on an island. I wasn't a particularly brave or capable kid, so I created a character who could be all the things I wished I was. Thirty years later, that character and her story grew into Nim. 

3) How old is Nim?
Abigail Breslin as Nim
I never wanted Nim to have a specific age. When I wrote the first book I wanted her to be whatever age the reader wanted her to be – and because she didn’t go to school or have human friends, it was easy to do that. But when you see a movie you know how old the actor is, so in the movie Nim’s Island, Nim was 11, as the actress Abigail Breslin was at the time. In Nim at Sea she was between 11 and 12, but in the film of that book, Return to Nim’s Island, Bindi Irwin was 14, so Nim was too. In Rescue on Nim’s Island, I think she’s close to 13 – but she’ll be older in the film.
Bindi Irwin as Nim



4) What should we know about Nim?
She’s really just a normal kid whose life has made her become braver and more self-reliant than she might have been if her parents had worked in the city and sent her to school. But after meeting other kids in Nim at Sea and Return to Nim’s Island, she does want to have human, kid friends as well as her animal friends. She has to learn to do that in Rescue on Nim’s Island (as well as discovering fossils, blowing up caves, etc.) Learning to get along with the other kids and figuring out what’s going on is the hardest thing she’s had to learn!

5) What are Nim’s personal goals?
I don’t know if Nim would say, ‘saving the planet’, but in some ways that is her aim. She certainly wants to save her island and all the species on it.
And she wants the horrible twins Tiffany & Tristan to like her. (Sorry, Tristan!)  And for Edmund to really like her.
And for Selkie and Fred to stay happy and healthy forever.
And I think she has a secret wish about her dad and Alex Rover…

6) Where can we find out more about the books? 
Just click the links below. Nim's Island is the first, and Rescue on Nim's Island is the newest - it just came out last year. 

Nim's Island                                                                  Nim at Sea      

          The Nim Stories                                                    Rescue on Nim's Island

                             
   

And now I'm going to nominate Sheryl Gwyther and Kathryn Appel to introduce their characters. Check their blogs next week or so and see if they've taken up the challenge!





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2. Dialogue with your Protagonist: Stop floundering and get down to the bones of your story


A lot of people are doing NaNoWriMo this month (for those who don’t know it, the aim is to write 50,000 words of a novel in November) so if anyone’s feeling a bit stuck, I thought I’d share a variation of a technique I used in a masterclass at CYA in July.
Now that I've discovered it, I intend to use frequently during the progress of a manuscript, but I think it’s useful early on - when you’ve thought about your characters quite a lot already, and you thought you knew the shape of the story, but now that you’re writing it, nothing’s quite as sharp and clear as you thought it was.
It can be challenging, but it works well – and remember, nobody’s watching or judging.
So: get a paper and pencil, or a sharpie, and just ask your protagonist, ‘What do you most want?’
But the trick is: you write the question out with your dominant hand, and answer with your non dominant hand – that’s why a nice fat sharpie is good. Don’t think about the answer, just let it come, misshaped letters and all. I've only used it for child characters so far, but I think it's also valid for adult protagonists, because most of our deepest wants and fears come from the child within us. 
If your character doesn’t know what they want, ask what they’re most afraid of. Ask why. Ask whatever you think a probing counsellor might ask them. And most importantly, don’t judge their answers. You might be surprised at what comes – I usually am.
And whether you use all that you’ve discovered or not, you’ll certainly end up with a stronger feeling of who your character is. Just don’t forget that you’re still the boss, so you may not choose to give your character exactly what they think they want. But it may give you a clearer idea of what they need to experience, and therefore, where you want your story to go.

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3. Setting Your Characters Free - From Book to Film and back again


Bindi Irwin as Nim, from Return to Nim's Island movie poster
I know that tying in a film to a book sequel sounds like the writer’s equivalent of a first world problem, but in fact we always need to be aware of how much we are, or want to be, swayed by other people’s comments and interpretations, from editors to illustrators, cover artists and even readers. I didn’t actually plan Nim as an eco-warrior, but the way that she and Jack live means that she’s interpreted as one. It seems so logical to me now that I have to remind myself it simply evolved naturally, as it probably would have if she were real.














My only physical description of Nim in any of the books is ‘her hair is wild and her eyes are bright.’ But of course I have my own vision of her:  a wiry, dark haired, almost elfin girl, and I kept that through the first two books, even though I enjoyed imagining how Kerry Millard might illustrate something.


Kerry Millard's interpretation of Nim






Wendy Orr, Abigail Breslin, Kerry Millard
Then the films came, and there were real people, in flesh and blood, both the people I met off camera, and the way they were portrayed on screen and covers. By the time I started Rescue on Nim’s Island, I’d had 5 years of seeing Abigail Breslin being so completely Nim that it was difficult to return to my own vision.  
Abigail Breslin as Nim



It was only when I’d seen Bindi Irwin on location, portraying Nim differently but equally convincingly, that I could free myself up and remember my mantra that characters are however you interpret them: if they could both be Nim, my own vision could be too.


Bindi Irwin, Wendy Orr

It took me a while to find my way with Rescue on Nim’s Island  and that’s what I think is relevant to all of us. I had to really go back to basics instead of planning plots that I thought were terribly filmic, to which the film producer kept saying, ‘But that doesn’t really sound like you, or Nim.’ 
Geoff's Kelly interpretation of Nim


I had to slow down, dream around it, and gradually discover the story in the usual organic way that I work. I reread the first books and got into the rhythm. Nim is a year older in each book, and I felt that she was growing naturally. She’s still herself. She’s more quick-tempered than either Abbie or Bindi are in real life, though slightly less pugnacious than the Nim of the second film. She’s the girl that was obviously born of some part of me, when I started writing her in 1998. Or maybe further back, when I wrote the prototype when I was 9. So if there’s a moral, I think it’s simply, let your characters grow and develop, but always be true to who they are at core.

*This is an edited excerpt of a talk I gave at the SCBWI meeting at Flinders on 6 September, 2014.

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