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My etching class ended last night. I was able to pull one more print that I’m almost happy with, but will now be renting space at the Atlanta Printmaker’s Studio in order to study the craft and practice more. In the meantime, here is last night’s progress on the hummingbird piece. The drawing looks a little labored due to my having to redraw through the hard ground and having to reapply and redraw the soft ground details as well, and in this printing, I left a fair amount of ink on the plate for more plate tone….

My instructor, Kathy Garrou, brought in a book done completely in engraving! How crazy that? It’s a GORGEOUS book called TRICK OF THE TALE, written by John and Caitlin Matthews and illustrated by Tomislav Tomic. This book is published by Candlewick Press, who is ironically the publisher of my next book, WHITE WATER~ I can’t wait to add this book to my collection.

From the publisher: Enter (carefully) the world of the tricksters, those wily creatures who lie their way out of trouble, cheat when they get a chance, and devise elaborate tricks to get what they want — with delightfully unpredictable results. This truly diverse, elegantly illustrated collection follows such clever characters as Anansi, Coyote, Brer Rabbit, and others who play a role in a multicultural array of storytelling traditions, from African to Inuit to European, Tibetan to Native American to Japanese. Celebrate the slyest trickster tales from around the world in a lavish volume that gives a well-loved story tradition its rightful due.

Speaking of WHITE WATER…back to work~

Here is my latest from my etching class. It’s almost there. I just need to burnish a little more in the clouds, work out the eyes a bit, and print on good paper. I will hopefully finish this print next week and have original prints available for sale in my Etsy shop.

. . . I shall construct wacked-out mind-blowing children's library rooms for fun. They will be staffed by considerate staff members that are prone to lobbing books at one another via that fish market in Seattle and will wear fabulous footwear. And the furniture? You've seen some of it before, but I really think the chairs should look like this:



Because that is not a drawing. That is an honest-to-god piece of real furniture. Sure, they may collapse under the weight of a patron here and there, but against the white walls I paint on one side of the room they will be nothing but pure unadulterated Awesome Incarnate.

Thanks, yet again, to Eric Berlin for the link.