Happy Halloween!
1999 |
2003 - Heavily into Manga and still learning watercolor |
2004 - Style used for my senior project in college. |
Happy Halloween!
1999 |
2003 - Heavily into Manga and still learning watercolor |
2004 - Style used for my senior project in college. |
Raven's Eve - 2005 |
Raven lost everything very young, including her soul. She spent years searching for purpose, looking for a way to fill the void within her heart, but finds no relief. She is immortal, but not fully vampire. She was human, but now there isn't a word for what she is. Raven has been a hired assassin...as her void and depression allow her to null out the emotions, and she has fought for justice as well. She is neither good or evil.
It's Crafty Thursday! I have four dolls to share with you today.I imagine the "Goth Waldorf Roses" as a group of creatively-inclined high school girls. Black Rose loves to make music, Blue Rose loves to write plays, and Purple Rose loves to paint pictures and tie-dye clothes. (They are nothing like that book series by what's-her-name. If you don't know what I'm talking about, you've made me happy
Palabra Pura, Chicago's home for cutting edge, innovative Latino poetry is evolving in exciting ways, with its 2008 calendar of stellar talent solidly in place. While still basing itself at the California Clipper, Palabra Pura will begin to also hold events at Latino venues throughout the city. This month, join nationally know poet and performer, Tim Z. Hernandez and Chicago actor, poet and activist, Stephanie Gentry-Fernandez.
The Wind Shifts: New Latino Poetry ON TOUR
“In the hour of extremes, long live these brave wordsmiths of American letters.”
— Sandra Cisneros
February 23, 2008, Palm Beach, FL
@The Society of the Four Arts
May 31, 2008, Minneapolis, MN
@The Loft Literary Center
Urayoán Noel
Carl Marcum
Adela Najarro
Emmy Pérez
September 25, 2008, Seattle, WA
@Richard Hugo House
Richard Blanco
María Meléndez
Steven Cordova
Deborah Parédez
“The Wind Shifts: New Latino Poetry ON TOUR” is supported in part by the Ford Foundation, JP Morgan Chase, the Andy Warhol Foundation for the Visual Arts and Southwest Airlines through a grant from the NALAC Fund for the Arts.
Letras Latinas is the literary program of the Institute for Latino Studies at the University of Notre Dame. The Guild Complex is a community-based literary organization in Chicago.
The Wind Shifts gathers, for the first time, works by emerging Latino and Latina poets in the twenty-first century. Here readers will discover 25 new and vital voices including Naomi Ayala, Richard <!--- inline quote --->
From Our Friends at The Border Book Festival
Dear BBF Friends,
Raul Salinas, known as raulsalinas, that great human being, transformed by
life and fire, has died. Raul was a featured poet at the Border Book
Festival in 2000. It was a memorable performance as Raul danced, sang and
gyrated through the power of his words his English, Spanish and Xicanindio.
His life was hard, yes, as he was incarcerated for many years in U.S.
prisons, but those who knew and loved him saw his transformation into a
light indescribable--beatific, really. We celebrate his great beauty and
his gifts of spirit and words.
We will display his portrait taken by Daniel Zolinsky starting this
Saturday, February 16 at 7:00 p.m. at a reception at the Cultural Center de
Mesilla for The Love of Arts Month. The evening will feature the portraits
of 14 BBF Artists taken by Zolinsky.
In addition, we will offer a program of poetry by Multilingual poets of the
Ages with readings in English, French, Spanish, Urdu and Bengali by featured
readers: Dr. Richard Rundell, Dr. Jan Hampton, Jorge Robles, Denise Chavez,
Sudeshna Sengupta and Ayesha Farfaraz. Musicians Bugs Salcido on guitar and
Debarshi Roy on sitar will also join us.
Please join us as Raul has made his way to the Ancestors.
This message comes to us from our friends in San Antonio:
"Words, sounds, speech, men, memory, thought, fears and emotions, - time -
all related...all made from one..all made in one" - John Coltrane
Elder statesmen, Xicanindio leader, poet of the people, giver of hope to the
oppressed and incarcerated, Raul Salinas passed away last night in Austin,
Tejaztlan.
Raul will be greatly missed. His work, poetry, and philosophy will live on
in the good works of poets, artists, musicians and cultural centros
throughout America. His spirit we lead us all and help us to survive and
thrive in difficult times.
His words/poems should serve as maps for us all in our quest to keep
culture, heritage and tradition alive in our barrios, cul de sacs, suburbs,
ranchos...wherever you/we live.
Thank you, Raul. You have blessed us all.
Manuel Diosdado Castillo, Jr.
San Anto Cultural Arts
A BIO OF RAUL SALINAS
Raúl Roy “Tapon” Salinas was born in San Antonio, Texas on March 17,
1934. He was raised in Austin, Texas from 1936 to 1956, when he moved to Los
Angeles. In 1957 he was sentenced to prison in Soleded State Prison in
California. Over the span of the next 15 years, Salinas spent 11 years
behind the walls of state and federal penitentiaries. It was during his
incarceration in some of the nation’s most brutal prison systems, that
Salinas’ social and political consciousness were intensified, and so it is
with keen insight into the subhuman conditions of prisons and an inhuman
world that the pinto aesthetics that inform his poetry were formulated.
His prison years were prolific ones, including creative, political, and
legal writings, as well as an abundance of correspondence. In 1963, while in
Huntsville, he began writing a jazz column entitled “The Quarter Note”
which ran consistently for 1-1/2 years. In Leavenworth he played a key role
in founding and producing two important prison journals, Aztlán de
Leavenworth and New Era Prison Magazine, through which his poetry first
circulated and gained recognition within and outside of the walls. As a
spokesperson, ideologue, educator, and jailhouse lawyer of the Prisoner
Rights Movement, Salinas also became an internationalist who saw the
necessity of making alliances with others. This vision continues to inform
his political and poetic practice. Initially published in the inaugural
issue of Aztlán de Leavernworth, “Trip through a Mind Jail” (1970)
became the title piece for a book of poetry published by Editorial Pocho-Che
in 1980.
With the assistance of several professors and students at the University of
Washington - Seattle, Salinas gained early release from Marion Federal
Penitentiary in 1972. As a student at the University of Washington, Salinas
was involved with community empowerment projects and began making alliances
with Native American groups in the Northwest, a relationship that was to
intensify over the next 15 years. Although Salinas writes of his experiences
as a participant in the Native American Movement, it is a dimension of his
life that has received scant attention. In the 22 years since his release
from Marion, Salinas’ involvement with various political movements has
earned him an international reputation as an eloquent spokesperson for
justice. Along the way he has continued to refine and produce his unique
blend of poetry and politics.
Salinas’ literary reputation in Austin earned him recognition as the poet
laureate of the East Side and the title of “maestro” from emerging poets
who seek his advice and a mentor. While his literary work is probably most
widely known for his street aesthetics and sensibility, which document the
interactions, hardships, and intra- and intercultural strife of barrio life
and prison in vernacular, bilingual language, few people have examined the
influence of Jazz in his obra that make him part of the Beat Generation of
poets, musicians, and songwriters. His poetry collections included
dedications, references, and responses to Alan Ginsberg, Jack Kerouac,
Charles Bukowski, Charlie Parker, Herschel Evans, Dizzy Gillespie and Miles
Davis, for example. Academics have primarily classified Salinas as an
important formative poet of the Chicano Movement; yet, while he may have
received initial wide-scale recognition during the era, it would be unfair
to limit a reading of his style, content, and literary influence to the
Movement.
There were many dimensions to Salinas’ literary and political life.
Though, at times, some are perplexed at the multiple foci of Salinas’
life, the different strands of his life perhaps best exemplify what it means
to be mestizo, in a society whose official national culture suppresses
difference: his life’s work is testimony to the uneasy, sometimes violent,
sometimes blessed synthesis of Indigenous, Mexican, African, and
Euro-American cultures. Salinas currently resides in Austin, Texas, were he
is the proprietor of Resistencia Bookstore and Red Salmon Press, located in
South Austin. Arte Público Press reissued Salinas’ classic poetry
collection, Un Trip through the Mind Jail y otras Excursiones (1999), as
part of its Pioneers of Modern U.S. Hispanic Literature Series. He is also
the author of another collection of poetry, East of the Freeway: Reflections
de Mi Pueblo (1994).
Salinas resided in Austin, Texas, were he was the proprietor of Resistencia
Bookstore and Red Salmon Press, located in South Austin. Arte Público Press
reissued Salinas’ classic poetry collection, Un Trip through the Mind Jail
y otras Excursiones (1999), as part of its Pioneers of Modern U.S. Hispanic
Literature Series. He is also the author of another collection of poetry,
East of the Freeway: Reflections de Mi Pueblo (1994).
En paz descanse. May he rest in peace.
Lisa Alvarado
187 Reasons Mexicanos Can’t Cross the Border:
Undocuments 1971-2007
by Juan Felipe Herrera
November 15, 2007
ISBN:
978-0-87286-462-7 $16.95
Congress debates immigration legislation, Americans grow more polarized in their opinions, and Juan Felipe Herrera provides a fresh and accessible perspective on this crucial human rights issue through this collection of his poetry, prose, and performance.
Catch the 187 Express!
Addressing immigration issues with dynamic innovation, the 187 Express tour launched on Nov. 15, 2007 at City Lights Books in San Francisco.
Herrera, frequently accompanied by guest artists, will present a mix of spoken word performances, music, and poetry throughout the Border States and up and down California.
Herrera has spent the last three and half decades assembling the collection found in 187 Reasons – at rallies, walkouts, under fire and on the run, in cafés, under helicopters and in the midst of thousands of marchers for civil rights and new immigration policies.
Raised in the fields of California in a family of migrant workers, Herrera has blended art and activism for over 30 years as a pioneer of the Chicano spoken word movement. Juan Felipe Herrera is Professor of Creative Writing at the University of California, Riverside. Author of 23 books, he is a community arts leader and a dynamic performer and actor.
187 Reasons Mexicanos Can’t Cross The Border (Remix)
--Abutebaris modo subjunctivo denuo
Because Lou Dobbs has been misusing the subjunctive again
Because our suitcases are made with biodegradable maguey fibers
Because we still resemble La Malinche
Because multiplication is our favorite sport
Because we’ll dig a tunnel to Seattle
Because Mexico needs us to keep the peso from sinking
Because the Berlin Wall is on the way through Veracruz
Because we just learned we are Huichol
Because someone made our ID’s out of corn
Because our border thirst is insatiable
Because we’re on peyote & Coca-Cola & Banamex
Because it’s Indian land stolen from our mothers
Because we’re too emotional when it comes to our mothers
Because we’ve been doing it for over five hundred years already
Because it’s too easy to say “I am from here”
Because Latin American petrochemical juice flows first
Because what would we do in El Norte
Because Nahuatl, Mayan & Chicano will spread to Canada
Because Zedillo & Salinas & Fox are still on vacation
Because the World Bank needs our abuelita’s account
Because the CIA trains better with brown targets
Because our accent is unable to hide U.S. colonialism
Because what will the Hispanik MBAs do
Because our voice resembles La Llorona’s
Because we are still voting
Because the North is really South
Because we can read about it in an ethnic prison
Because Frida beat us to it
Because US & European Corporations would rather visit us first
Because environmental US industrial pollution suits our color
Because of a new form of Overnight Mayan Anarchy
Because there are enough farmworkers in California already
Because we’re meant to usher a post-modern gloom into Mexico
Because Nabisco, Exxon, & Union Carbide gave us Mal de Ojo
Because every nacho chip can morph into a Mexican Wrestler
Because it’s better to be rootless, unconscious, & rapeable
Because we’re destined to have the “Go Back to Mexico” Blues
Because of Pancho Villa’s hidden treasure in Chihuahua
Because of Bogart’s hidden treasure in the Sierra Madre
Because we need more murals honoring our Indian Past
Because we are really dark French Creoles in a Cantínflas costume
Because of this Aztec reflex to sacrifice ourselves
Because we couldn’t clean up hurricane Katrina
Because of this Spanish penchant to be polite and aggressive
Because we had a vision of Sor Juana in drag
Because we smell of Tamales soaked in Tequila
Because we got hooked listening to Indian Jazz in Chiapas
Because we’re still waiting to be cosmic
Because our passport says we’re out of date
Because our organ donor got lost in a Bingo game
Because we got to learn English first & get in line & pay a little fee
Because we’re understanding & appreciative of our Capitalist neighbors
Because our 500 year penance was not severe enough
Because we’re still running from La Migra
Because we’re still kissing the Pope’s hand
Because we’re still practicing to be Franciscan priests
Because they told us to sit & meditate & chant Nosotros Los Pobres
Because of the word “Revolución” & the words “Viva Zapata”
Because we rely more on brujas than lawyers
Because we never finished our Ph.D. in Total United Service
Because our identity got mixed up with passion
Because we have visions instead of televisions
Because our huaraches are made with Goodyear & Uniroyal
Because the pesticides on our skin are still glowing
Because it’s too easy to say “American Citizen” in cholo
Because you can’t shrink-wrap enchiladas
Because a Spy in Spanish sounds too much like “Es Pie” in English
Because our comadres are an International Political Party
Because we believe in The Big Chingazo Theory of the Universe
Because we’re still holding our breath in the Presidential Palace in Mexico City
Because every Mexican is a Living Theatre of Rebellion
Because Hollywood needs its subject matter in proper folkloric costume
Because the Grammys, Emmies, MTV & I-Tunes are finally out in Spanish
Because the Right is writing an epic poem of apology for our proper edification
Because the Alamo really is pronounced “Alamadre”
Because the Mayan concept of zero means “U.S. Out of Mexico”
Because the oldest Ceiba in Yucatán is prophetic
Because England is making plans
Because we can have Nicaragua, Honduras, & Panama anyway
Because 125 million Mexicans can be wrong
Because we’ll smuggle an earthquake into New York
Because we’ll organize like the Vietnamese in San José
Because we’ll organize like the Mixtecos in Fresno
Because East L.A. is sinking
Because the Christian Coalition doesn’t cater at César Chávez Parque
Because you can’t make mace out of beans
Because the computers can’t pronounce our names
Because the National Border Police are addicted to us
Because Africa will follow
Because we’re still dressed in black rebozos
Because we might sing a corrido at any moment
Because our land grants are still up for grabs
Because our tattoos are indecipherable
Because people are hanging milagros on the 2000 miles of border wire
Because we’re locked into Magical Realism
Because Mexican dependence is a form of higher learning
Because making chilaquiles leads to plastic explosives
Because a simple Spanish Fly can mutate into a raging Bird Flu
Because we eat too many carbohydrates
Because we gave enough blood at the Smithfield, Inc., slaughterhouse in Tar Heel, NC
Because a quinceañera will ruin the concept of American virginity
Because huevos rancheros are now being served at Taco Bell as Wavoritos
Because every Mexican grito undermines English intonation
Because the President has a Mexican maid
Because the Vice President has a Mexican maid
Because it’s Rosa López’s fault O.J. Simpson was guilty
Because Banda music will take over the White House
Because Aztec sexual aberrations are still in practice
Because our starvation & squalor isn’t as glamorous as Somalia’s
Because agribusiness will whack us anyway
Because the information superhighway is not for Chevy’s & Impalas
Because white men are paranoid of Frida’s mustache
Because the term “mariachi” comes from the word “cucarachi”
Because picking grapes is not a British tradition
Because they are still showing Zoot Suit in prisons
Because Richie Valens is alive in West Liberty, Iowa
Because ?[is this supposed to be a ?, or are we waiting for a name? I think I know, but thought I ought to ask, in case…] & the Mysterians cried 97 tears not 96
Because Hoosgow, Riata, Rodeo are Juzgado, Riata and Rodeo
Because Jackson Hole, Wyoming will blow as soon as we hit Oceanside
Because U.S. narco-business needs us in Nogales
Because the term “Mexican” comes from “Mexicanto”
Because Mexican queers [do you want to use this word? How about queers, a little more politically correct, though still problematic.] crossed already
Because Mexican lesbians wear Ben Davis pants & sombreros de palma to work
Because VFW halls aren’t built to serve cabeza con tripas
Because the National Guard are going international
Because we still bury our feria in the backyard
Because we don’t have international broncas for profit
Because we are in love with our sister Rigoberta Menchú
Because California is on the verge of becoming California
Because the PRI is a family affair
Because we may start a television series called No Chingues Conmigo
Because we are too sweet & obedient & confused & (still) [what about the brackets here? Should it be parenthesis?] full of rage
Because the CIA needs us in a Third World State of mind
Because brown is the color of the future
Because we turned Welfare into El Huero Felix
Because we know what the Jews have been through
Because we know what the Blacks have been through
Because the Irish became the San Patricio Corps at the Battle of Churubusco
Because of our taste for Yiddish gospel raps & tardeadas & salsa limericks
Because El Sistema Nos La Pela
Because you can take the boy outta Mexico but not outta the Boycott
Because the Truckers, Arkies and Okies enjoy our telenovelas
Because we’d rather shop at the flea market than Macy’s
Because pan dulce feels sexual, especially conchas & the elotes
Because we’ll Xerox tamales in order to survive
Because we’ll export salsa to Russia & call it “Pikushki”
Because cilantro aromas follow us wherever we go
Because we’ll unionize & sing De Colores
Because A Day Without a Mexican is a day away
Because we’re in touch with our Boriqua camaradas
Because we are the continental majority
Because we’ll build a sweat lodge in front of Bank of America
Because we should wait for further instructions from Televisa
Because 125 million Mexicanos are potential Chicanos
Because we’ll take over the Organic Foods Whole Foods’ business with a molcajete
Because 2000 miles of maquiladoras want to promote us
Because the next Olympics will commemorate the Mexico City massacre of 1968
Because there is an Aztec temple beneath our Nopales
Because we know how to pronounce all the Japanese corporations
Because the Comadre network is more accurate than CNN
Because the Death Squads are having a hard time with Caló
Because the mayor of San Diego likes salsa medium-picante
Because the Navy, Army, Marines like us topless in Tijuana
Because when we see red, white & blue we just see red
Because when we see the numbers 187 we still see red
Because we need to pay a little extra fee to the Border
Because Mexican Human Rights sounds too Mexican
Because Chrysler is putting out a lowrider
Because they found a lost Chicano tribe in Utah
Because harina white flour bag suits don’t cut it at graduation
Because we’ll switch from AT&T & MCI to Y-que, y-que
Because our hand signs aren’t registered
Because Freddy Fender wasn’t Baldomar Huerta’s real name
Because “lotto” is another Chicano word for “pronto”
Because we won’t nationalize a State of Immigrant Paranoia
Because the depression of the 30s was our fault
Because “xenophobia” is a politically correct term
Because we shoulda learned from the Chinese Exclusion Act of 1882
Because we shoulda listened to the Federal Immigration Laws of 1917, ’21, ’24 & ‘30
Because we lack a Nordic/ Teutonic approach
Because Executive Order 9066 of 1942 shudda had us too
Because Operation Wetback took care of us in the 50’s
Because Operation Clean Sweep picked up the loose ends in the 70s
Because one more operation will finish us off anyway
Because you can’t deport 12 million migrantes in a Greyhound bus
Because we got this thing about walking out of everything
Because we have a heart that sings rancheras and feet that polka
Gente: go to his website where there's more info and audio clips! And don't forget to BUY THE BOOK!
What are you trying to do to me, woman? Don't you know I have hospital bills to pay? Arrghh..
:)
...These are lovely! You know I love the one in black...
Yes! Black Rose is really unusual and appealing. But I like them all (the roses are so sculptural), and I can't wait to see what (who's) next!
Love them! The bat one was so great, how about Native Americans! Very Thanksgiving theme!
I am a decedent of the Blackfoot tribe, my great-grandmother! They were called Blackfoot because of the color moccasins they wore! Other tribes had other distinct things about them, would make a nice set. Also a nice homeschooling project too!
Beccijo
http://www.beccijo.com
http://www.theenchantedcupboard.etsy.com
http://www.theenchantedcupboard.1000markets.com
http://thereluctantcitydweller.blogspot.com
MrsBeccjio: I didn't know your great-grandmother was from the Blackfoot tribe. As someone who is not of a Native tribe herself, I don't think it would be right for me to make Native American dolls, but I certainly admire the work of different Native artisans. I can definitely do Thanksgiving themes relating to harvest, though. Thanks so much!
Tanita and Anamaria: I'm so glad you like them. I haven't forgotten about Elaine Magliaro's "wild rose" either.
LSM: Hospital bills are wretched! I hope the Bat Gnome helps in terms of mood, though. :)
Lovely work, as always. I get your Etsy store updates in my Google Reader, and every time I see a new doll, I think, "Maybe I'll get that one!" They are hard to resist.
They're all adorable but I love the bat one! How about a crow? To misquote Eloise....I'm rawther partial to crows. :)
SQUEE! Adorable.