A couple of months ago I was given a quantity of letterpress equipment and two small presses (well, one was given, and I exchanged a painting for the other). A lovely gentleman wanted shut of it, but it needed to go to a good home. I heard about it through the grapevine and within minutes had bagsied it. Andy's parents were kind enough to lug it all down from the North, and their car just about survived...we unpacked the two presses, one 8x5 Adana, one (phenomenally heavy) hand proof press, four full size trays of typefaces, (Gill San and Times) and some empty ones, a little cabinet of small type, (more Gill, Times, Spartan and some yummy 14pt Rockwell Shadow) a bundle of print magazines, various vital odds and sods, boxes of this and that, quoins, chases and other mysterious gizmos and I looked at it all and thought - oh dear...
It may seem somewhat reckless, considering that we live in an already overcrowded small workman's cottage - but I have waited a long time to be able to have my own printing studio, even if that means fitting it into the everyday fabric of our limited living space...I soon had it tidied away and part of the 'furniture', if you will pardon the pun (nerdy type joke). Actually, if I am in confession mode, I have been collecting random bits of type and woodblock for some time, with the vague dream that I might be able to use them eventually. Some people have a shoe habit. I have a letterpress habit. It's cheaper and more fun.
Actually, I think my Adana looks rather picturesque sat in the window, next to the slow ripening tomatoes. (On the elm table which is also in the window because I bought it for a tenner and then didn't know where to put it...)
But I have not had time to play with my toys - it's the usual thing of making time, and I haven't done any typesetting since 1993. Last night I realised that Andy's late shifts were the perfect time to take over the downstairs room, where my bits and bobs are stored. So I began hauling it out from various hiding places...although the proof press, on the table, is now a permanent fixture and when it is not in use, we put two bowls of fruit on it. (Seen here on the hearth in the background).
I intended to start something simple. Maybe some Christmas tags for my Etsy shop, using these newly acquired blocks, one of the best bargains I have ever had on eBay.
So I started with an easy 2 bit design which took mere minutes to be locked in and ready to go...(in case you were wondering about the rather poor joke earlier, the blocks which fill in the gaps are called 'furniture)
For a couple of hours I fiddled about with the Adana, but couldn't get a clean print. I stuffed bits of card under different bits, wedged the platen with extra wadding and rearranged the blocks. But for whatever reason, although the press was working sweetly, I couldn't get a decent result. So I moved on to the proof press, which, unlike the Adana would give me indentation as well as printing.
Using an old catalogue as a pad, I finally got an acceptable result. The only drawback is that the blocks have to be hand inked with a roller. However I seem to have retained a few basic skills from my younger days, and this proved to be no problem after a few gos. There is something rather wonderful about bringing dormant type back to life. By the time Andy was home, everything was put back to bed and the room smelled vaguely of white spirit.
Today, when they were dry, I snipped, sliced and clipped until they resembled more or less respectable tags. Then I realised I hadn't got a good hole punch...I have since found one on eBay, but with rampant postal strikes bringing small businesses to their knees, I don't expect it to arrive for over a week. (I have also learned not to use the Adana on the coffee table, because it gouges big scratches in it...oops...)
And a singular Christmas Greeting to you too. (No, I don't know why the left creator of this block the 's' off either).
'Printer's Pie' - a jumble of spilled type.
I took my graphic design degree for all the wrong reasons - I barely knew what it was, but I was in one of THOSE relationships where at the time you would walk down the street with a sock on your head singing 'la-la-la I'm a banana', just to please someone who's main concern was where the next pint and smoke was coming from, especially if I were paying for it. And he wanted to move to Newcastle because he had once played drums at a pub there and thought he 'might' like it there. And if I didn't go, (I had been about to apply to Central St Martin's in London) he was going to leave me - again. For the hundreth time in two years...*
So instead of the fine art or illustration BA I had aimed for, I found myself confronted with projects about leaflet design and biscuit packaging with the odd illustration brief thrown in. I hated it. I loathed it. And then I found the type room. It was in the early 1990's when the print and design industries were changing over from hot metal to Apple Macs, and all over the country trays of old lead type were literally being skipped, and melted down for scrap. Tales of colleges clearing out entire studios, and students in tears scrabbling in dump bins to salvage what they could.
But my college, in a city with a proud tradition of industrial industry, made a point of keeping its type room, complete with vintage presses and oily smellng inks. Before any student was allowed on one of the tiny, precious new Macintoshes, we had, at the very least, learned the basics of typesetting, leading and spacing using the old composing sticks and chases, getting our hands dirty and kerning by using slivers of lead, not tapping a keyboard. Something clicked, and running my hands over a page and feeling the indentations in the soft paper, I knew I had found some small comfort in this strange, cold world of design.
I entered a magical kingdom and learned to discern the tiny differences between a dozen serif founts, where Gills Sans was the acknowledged king of typefaces and discovered that less is often more; ornate is tempting, but simplicity is tasteful. Later, when I had got to grips with computer typesetting, I would learn to love Quark Xpress for the same reasons; books. My gargantuan, bottomless obsession with all things bibliographic. I had done a little book binding in my foundation art year, using my own pictures and stories, and if I hadn't been walking down the street with a sock on my head (as it were) I would probably have developed this and who knows, I might even have had a decent career from the word go instead of crawling up the cold and treacherous mountain slope of freelance illustration. However. One of the biggest wrenches when I graduated was leaving the type room. I sniffed its dear, oleaginous air one last time, and waved bye-bye to that part of my life. By then I had an understanding of what design was, and doing that hated course turned into the most useful of learning curves. Now I am glad that I have a decent grasp of layout, typesetting and composition, and it has shaped the way I illustrate. But I always dreamed that one day I would have my own type room and make my own little art books. It was always just that - a dream. Money and space - God, the space! I can barely fit in my studio to paint, let alone accommodate the paraphernalia that comes with the average printing set-up. And I realised also that I was in danger of spreading myself too thinly with all the techniques I was interested in. So reluctantly I packed away my lino cuts, my sewing machine, my needlepoint, my collage. I stuck to painting, which I was never that good at, but I had set out to be a children's illustrator and the rest seemed just a distraction. I knuckled down and devoted myself to being a half way decent painter. It took longer than I imagined. But in the last year I've been hankering to do a bit of printing again. I even picked up this old nipping press from eBay last year - the poor thing has been gathering dust while I waited for a spare moment.
And I think - I think - I finally have the discipline to juggle a few techniques at once. In between starting some new paintings and getting the new set of Red Flannel Elephant cards set up, I've been buying up tiny bits of decorative type, and even a whole minute set of Gills Sans. I cannot tell you - and only another type nerd would understand - the excitement this little block of letters gives me; EBay has become dangerous territory. Next time the pennies flow in I am hoping to get an Adana desk top printer - Lord knows where it's going to go. (Who needs a bathroom anyway?) Ideas are filling my head for stationary sets and note cards. With a fresh pile of lino and inks, and a virgin roller just begging to be inked up, I am finally returning to my old love, albeit in a Lilliputian fashion. It's going to be good to get ink on my fingers again.
This week's horoscope for Cancer - I hope I can live up to it.
This time represents the culmination of your efforts to expand the domain of your activities. There is more and more that you want to do, and you resent anything that narrows your freedom and limits your scope of action. The challenge of this influence is to be conscious enough of yourself and of what you are doing so that you can plan intelligently and work effectively with enlightened self-interest as opposed to pure selfishness. As long as you stay within your own limitations - that is, your inherent limitations as a human being and the limitations of your situation or circumstances - you should be extremely successful. The sense of timing of your actions may leave others amazed and sure that you are lucky. But really you have succeeded because you have a complete understanding of the situation.
from Astrodienst horoscopes, the best I have found on the net - if you like that kind of thing. *(it's OK, I dumped the rat a few months later and started walking out with my Andy, so in the end it was all for the best).
you've made an old type geek very happy
keep yer rollers clean
G
x
Lovely descriptive writing as usual PG. I remember doing press work years ago at school.....long time ago now! Wonderful stuff.
Morning CG!
'Anonymous' G, I thought you'd enjoy that, and would be one of the few to get my little pun :)
The adana looks great in the window. It resembles and mirrors the wooden swan that was there before it!
OH! can't wait to see all of the beautiful things you will create now! This sounds like a real labor of love.
Looks like you're having fun G !
P.x
Jealious of France here! Sigh!!!!
I'd love to come to play with all your printing stuff. Years ago my granddad was a typewetter for the dealy mail and he always smelt of ink and white spirit.
Lucky you! I'd love to have a go.
This is a fascinating post ... it looks like so much fun ... and your cottage is charming!
This looks like loads of fun. Glad someone else's house is packed to the brim with books and interesting 'stuff'!
Hi PG,
Lovely as always. Saved the plumcake recipe to look at later.
stop by my new blog
http://totalsales.blogspot.com/
see you soon!
Glad you have got printing, its all looks wonderful.
All your furniture looks as if has always been there. Right in its place. Wunderful that those presses have found such a good home with you. :-)
Sounds like you've been having a great time and the results of all of your hard work (and coffee table gouging) are brilliant!
Oh boy... now you've got yourself a hobby! And I thought my wife's weaving loom was a lot of 'hobby equipment'! LOL!
That looks like great fun... now just to find those long lost William Morris type bits and you'll be off to the races.
I'm always dreaming about silkscreen printing... but never have tried it.
:0)
I'm so glad you're actually getting to play with your delightful 'toys' Gretel! I'm feeling a bit jealous and itching to do something a bit more tactile... Maybe next year...?
Your prints are divine - I love old typefaces and typesets. I remember the enormous print press we had at school and some nasty lad putting his fingers in it and rolling.. Good luck making more - I predict they will sell like hot cakes!
So interesting....and I love the Christmas Greeting...can't wait to see what else you do with your new treasures.
((__))
PS...the LIST
Oh! That DOES look like Christmas at your place. Merry Christmas! Now you get to play with your toys and we get to watch your blog for the new creations.
Wow, what a haul you got! You are going to have some kind of fun now. Can't wait to see some results.
Wowzers. Your collection of printing equipment looks amazing. Love those tags, too, even with the bizarre single greeting!(Well, it is an expensive time of year, I suppose. Can't go round giving more then one greeting to everybody, you know. ;))
That looks like lots of fun!!!! I look forward to following your progress!!!
Forgot to mention during my last visit here, that your putting "Christmas" in a blog post on October 6 really sent a jolt through my bones. Am I late again this year with my Christmas cards? Should I finally all those I wrote and put a stamp on and then never posted?
Then again:
When is a good time to write Christmas cards? Should I really go ahead and send them now in October? October surprise? Ha! I might just go ahead ... :-)))
deear arntie gretel
i think this orl looks like grate fun an you hav got a lot of things in yor nest an can you collect lots of things in yor cheeeak powches the way i can
now ive got a frend corled fidget an she's a hamster to
an ive got anuther frend called widget an wiget's a small green bird
Flaf xxxxxxxxxxxx
How exciting! It looks a lot of fun, but also quite a challenge. Bravo Gretel for getting such wonderful results.
Never mind your best eBay bargain, this may be my best eBay sale -- you don't usually get to see what fun the purchaser is having and I'm really glad you're enjoying it.
Watch out for that 'type habit', though -- it may be cheaper than shoes but it's a LOT heavier!
Alan
Hello! I have tagged you for a 'desktop meme'! Instructions via my blog....
x
Oh wow, Gretel! After having been 'incommunicado' for a week, I look at your blog and see all that wonderful gear you've been telling me about. I'm sooo envious! (I got the furniture joke, too!) Isn't the bed of your proof press shiny! Mine's going to get another scrub with WD40.
I'm dying to get printing again, but due to recent circumstances it's been impossible. Not for much longer though...you're a bloomin' inspiration and it's you who got me to get my wood engraving kit out of the attic in the first place! Take a bow, missus! ;-)
Oh I love the pictures of your room, it looks so cosy, and happy. I use to live in a 2 up 2 down cottage built originally for tin plate workers in 1910. I loved that house so much. I live in a late 1950's early 1960's bungalow now which isn't me at all. However I do love the mountain that we are on, the quiet, and the fact i have no direct neighbours so never feel obliged to clean and tidy my house, as only my friends ever see it !
Lucky you--I'm very envious of your letterpress!
The feature on your snowflake will be posted tomorrow (10/30) if you'd like to take a look.
What lot of memories coming flooding back - I did typography as part of my graphics course yearsandyearsandyearsago. Lots of playing with type - it you wanted letters on a page there was no alternative then but to set them. (and diss them afterwards)
Then world changed when I spent the next few years having babies...it was all computers when I was ready to re-enter the workforce.