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1. Stocking Stuffer Suggestions # 3 – Perennial Christmas Crackers

So, you’re torn between traditional sensible titles and contemporary crazy reads to fill your under 12 year-olds’ stockings. Why not splash out on both and please everyone. Here are some more stocking stuffers to complement the rollicking fun ones Romi featured in her Christmas inspired picture book round up. Time to get your Santa on. […]

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2. Struggling Book Children

Some thought-provoking Australian novels for children have appeared recently. Standouts include New Boy by Nick Earls (Puffin), Run, Pip, Run by J.C. Jones (Allen & Unwin), Dropping In by Geoff Havel (Fremantle Press), Birrung the Secret Friend by Children’s Laureate, Jackie French (Angus & Robertson) and Plenty by Ananda Braxton-Smith (Black Dog Books, Walker Books). […]

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3. Review – Fire by Jackie French and Bruce Whatley

Fire, Jackie French (author), Bruce Whatley (illus.), Scholastic Press, 2014.   Harsh weather conditions are terrifying enough at the best of times, but what about when Mother Nature plays a hand in the wild and extreme that gamble with actual lives? Award-winning author and Australian Laureate, Jackie French, together with the unequivocally talented illustrator, Bruce […]

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4. Doodles and Drafts – Waltzing with Bruce Whatley

  In just a couple more months, Australia commemorates the Centenary of the ANZAC landing at Gallipoli. Dozens of new titles are already marching forward to mark the occasion with heart-rending renditions of tales about ‘bloodshed, death, ruin, and heartbreak.’ This is how singer/songwriter, Eric Bogle views the futility of war. It’s a timely message […]

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5. Holidays – the chance to read: short fiction, poetry, YA …

The Christmas holidays are most likely your best chance in the year to read. If your family or close friends aren’t as keen as you, send them off on other pursuits – the Sydney Festival if you’re in NSW (or even if not); bush walks, tennis or whitewater rafting; the beach; the movies, especially moonlit […]

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6. Qld Literary Awards vs Prime Minister’s Literary Awards

The winners of the Qld Literary Awards and the PM Literary Awards are being announced on the same evening – Monday 8th December. You can follow the PM announcements live at ‪#PMLitAwards  or tune into ‪@APAC_ch648  at 7:15pm ‪http://on.fb.me/1pPELkt . It is fantastic that both these awards exist. They include outstanding Australian books and their shortlists promote these […]

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7. What I’m reading this Christmas: Amanda Diaz, HarperCollins Publishers

Thanks for talking to Boomerang Books, Amanda Diaz. Thank you for having me! You’re a publicist at HarperCollins Publishers and you’re going to share your Christmas picks with us. But first let’s find out about you and some books you’ve been working on. HarperCollins Australia (based in Sydney) is known for its children’s/YA books as […]

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8. Brisbane Writers Festival Dazzles

The  2014 Brisbane Writers Festival had an inspiring launch on Thursday night when author/publisher Dave Eggers (A Heartbreaking Work of Staggering Genius, What is the What – about the lost boys of Sudan) told a full tent  about the genesis of McSweeney’s publishing company and its 826 Valenica Writing Centres. The tutoring behind these pirate, […]

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9. What Were Girls Like?

I am JulietThree recent YA historical fiction novels by Australian women (all published by HarperCollins/ABC Books) inhabit times when girls had to bend to the influence of men and were comparatively powerless.

The Raven’s Wing is Frances Watts’s first novel for teens. It is set in Ancient Rome where fifteen year-old Claudia is strategically offered in marriage several times. Making an alliance which can best help her family is paramount. Primarily a romance, the book addresses Claudia’s growing awareness of human rights (here through the fate of slaves) which interferes with her sense of duty and makes her a much more interesting character than the docile cipher she is expected to be.

I am Juliet by Australian Children’s Laureate, Jackie French, is based on Shakespeare’s Romeo and Juliet. French’s Juliet is a fleshed-out focal character. Superficially she shares some of Claudia’s privileged lifestyle features: attended by maids who wash and dress her and apply her makeup; elaborate meals; and protection behind high walls. Medicinal and other herbs and plants are a feature of their times; and Juliet and Claudia both face imminent arranged marriage, but are aware of a dark man in shadows. Their stories, also, contain a story within a story.

Jackie French has reinterpreted Shakespeare previously – in her excellent Macbeth and Son which grapples with the nature of truth. She has also addressed the role of women in history, perhaps most notably in A Rose for the ANZAC Boys

Ratcatcher's Daughter Issy, the thirteen-year-old protagonist of Pamela Rushby’s The Ratcatcher’s Daughter, doesn’t share Claudia and Juliet’s privileged backgrounds. Set in a well-drawn Brisbane of 1900, Issy’s father is a ratcatcher during the bubonic plague. Issy is offered a scholarship to become a teacher but her family refuse it due to lack of money. The issue of the poor’s inability to take up opportunities that the rich assume is reiterated throughout the novel.

The Ratcatcher’s Daughter and I am Juliet include background notes about the historical period and other points of interest.

 These three books unite in their exploration of girls who are prepared to defy tradition to control their own lives, where possible, in spite of general lack of female empowerment. I hope that this really was possible and is not just a revisionist interpretation.

It is interesting that this crop of YA historical novels has appeared now. Are these authors finding a story-niche or reflecting current concern? Although surely girls today, particularly in a country such as Australia, are more fortunate in their freedom and choice. The Raven's Wing

 

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10. Aussie Appeal – Picture Book Reviews

Worrisome wombats, bouncing bilbies and even talking gumnuts may not be your de rigueur when it comes to picture book characters. Yet their antics make up a substantial percentage of picture book storylines and provide vital introductions and links between Aussie kids and our rich, endemic Australian flora and fauna.

Look around and you’ll find dozens of titles touching on everything from spoonbills to fruit bats, puggles to possums and jacanas to joeys. Many are by authors you know and trust offering true works of art worthy of coveting and collecting. Here is a tiny selection of some of the more recent releases.

One Woolley Wombat ReadersPerennial author illustrator, Kerry Argent, has a tatty new First Reader series out now tailored for pre-schoolers. Small colour-popping paperbacks perfect for little hands and new readers feature old mate, Woolly Wombat, his bestie, Bandicoot and a swag of other Aussie birds and beasts in easy-to-read adventures. Beautiful introductions to counting, colour, rhythm and language conventions. Scholastic Australia March 2014

The Bush Book ClubBook club nuts along with reluctant readers will adore Margaret Wild’s and Ben Wood’s The Bush Book Club. It has a little bit of brilliance on each page; rhyme, comedy, cuteness, colour and galahs! Bilby sorely needs to slow down and smell the ink but he is too busy and bouncy to read let alone actually enjoy a book until one fateful night he discovers what it’s like for his head to be ‘full of words and stories’. A marvellous look at what it takes to appreciate the wonderment of stories and a must in the classroom and home. Modestly adorable. Omnibus Books March 2014

Possum's Big SurpriseRhyming picture books are not always easy to digest (when produced badly), but done well they glide across our palates as smoothly as birthday cake frosting. So it comes as little surprise that Possum’s Big Surprise by celebrated duo, Colin Buchanan and Nina Rycroft, is a feast for 4 + year-olds and above. Fun, frisky, teasing verse coupled with super-rich, eye-pleasing water-colour illustrations, an Aussie bush backdrop and a perky possum named Flossy, give kids plenty of reasons to keep page turning. Scholastic Australia May 2014

Karana EmuSlightly more serious but quietly impressionable is Karana: the Story of the Father Emu, by Brisbane and Wakka Wakka leader, Uncle Joe Kirk and Sandi Harrold. In spite of the unwieldy title, this cyclical story is written in simple rhyming verse which unfolds easily leaving the reader fulfilled, enlightened and emphatic towards father Emu as he assumes the role of parent, nurturer, and chief educator for his chicks; just as father figures in many indigenous cultures do. An enjoyable tale to share with children because of its simplicity and heart but it was the emus’ eyes that clenched it for me; cute and clever! Scholastic Australia May 2014

 A Feast for Wombat features another Aboriginal author, Sally Morgan and first time picture book illustrator, Tania Ezinger.

A feast for WombatWombat is your typical underground slumber-champion with a strong predilection for his burrow. He rarely surfaces. When he does he encounters the goodtime antics of his friends, Goanna, Magpie and Dingo but is slow to join them in play until their persistence and kind-hearted surprise re-instates how much they value Wombat’s friendship.

Sounds a little trite and ordinary I know, however Morgan attempts to balance Wombat’s self-depreciating, woe-be-gone attitude with a questioning optimism that he displays by complimenting his friends’ various talents and by trying to replicate them albeit with little success.

I was pleased Wombat’s self-doubt is finally conquered and replaced with a greater sense of self-worth however felt a little muddled by the oscillating attitudes of Wombat’s friends towards him; sometimes generous and grateful, sometimes hurtfully frank. Four year-olds are unlikely to dwell on this (it is after all how true friends can be) gaining immense pleasure instead from Erzinger’s spirited acrylic based artwork. Keep an eye out for the hapless little spinifex mouse on each page too. Gorgeous! Omnibus Books April 2014

Snugglepot and Cuddlepie's Underwater AdventureWhether these titles stand up alongside such favourites as May Gibbs’ Snugglepot and Cuddlepie, Narelle Oliver’s Don’t Let a Spoonbill in the Kitchen! and Fox and Fine Feathers, Yvonne Morrison’s The Emu that Laid the Golden Egg or Jackie French’s Diary of a Wombat to name a few, time will tell. But like the tiniest creature in the Aussie bush, there is bound to be a spot for them in your heart and on your book shelves.

 

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11. February Reads

Another month has passed, and so it’s time to have a look at what I read for February. Pleasing to see my balance being restored towards my chief love – books for children. This month I indulged my six year old self and tracked down old copies of AA Milne’s poetry from Ebay. I loved rediscovering them and have moved from there to lots of other verse and poetry, so look out for them in my

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12. Player Profile: Jackie French, author of Dinosaurs Love Cheese

jackie-frenchJackie French, author of Dinosaurs Love Cheese & The Girl from Snowy River

Tell us about your latest creation…

Dinosaurs Love Cheese: for every child who loves dinosaurs — and cheese.

The Girl From Snowy River: World War I is over, but it still haunts the mountains. Flinty McAlpine lost a brother when the Snowy River men marched away. The man she loves won’t talk to her. But on a rock in the mist she meets a ‘ghost’ from the future,  crippled in Vietnam:  a man who needs to speak about the war that none of his friends will discuss with him, as much as she needs to hear. The second in the saga of Australia that began with A Waltz for Matilda.

Where are you from / where do you call home?

The Araluen Valley (NSW Southern Tablelands), cliffs streaked with eagle droppings, a wombat under the bedroom,  the sugar gliders eating the blossom from 800 fruit trees, an a possum who snores above my study.

When you were a kid, what did you want to become?  An author?

Always — no matter what — a story teller

girl-snowy-riverWhat do you consider to be your best work? Why?

Pennies for Hitler, Diary of a Wombat, a Waltz for Matilda: all somehow achieved much more than I could have given them..

Describe your writing environment to us – your writing room, desk, etc.; is it ordered or chaotic?

20,000 books, 200 wombats, wood, glass, pottery (gifts, not chosen), 3 wombat skulls, a table of seeds, another of manuscripts, a desk of scribbled notes, an apple core, two coffee mugs, a spider called Bruce, and the possum with sleep apnoea.

When you’re not writing, who/what do you like to read?

Atwood, Pratchett, Haldeman, Trillin, Steingarten, plus about 500 more.

dinosaurs-love-cheeseWhat was the defining book(s) of your childhood/schooling?

Brave New World by Aldous Huxley), at age 7. Didn’t notice the sex scenes, just the realisation that ‘life will not always be like this.’ Great Dialogues of Plato, ditto: Socrates  the youth of Athens to ask questions, unlike both home and school.

If you were a literary character, who would you be?

Every writer includes aspects of themselves in each book they write.

Apart from books, what do you do in your spare time (surprise us!)?

Can sharpen a chain saw, load a musket, milk an echidna, grow a five course dinner, but am functionally innumerate, dyslexic, and can’t spell hipop…hypop..that big grey animal from Africa.

What is your favourite food and favourite drink?

Fresh bread and tomato salad with new olive oil, cold water, apple pie with hazelnut pastry, Jonathon  and Cornish Aromatic apples, but mostly: lots!

Who is your hero? Why?

Socrates: the unexamined life is not worth living; and integrity.

Crystal ball time – what is the biggest challenge for the future of books and reading?

Withering attention spans.

Follow Jackie:

Website URL: http://www.jackiefrench.com

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13. Santa's Stowaway

Christmas Wombat, by Jackie French, illustrated by Bruce Whatley, Clarion, $16.99, ages 3 and up, 32 pages, 2012. A wombat waddles into Christmas while on a mission to find carrots and makes a wondrous discovery that there are many carrots in the world, in this adorable companion to Diary of a Wombat. The wombat, a roly-poly fellow with stout legs, lives for napping, scratching and eating, and one day, sets off on a single-minded quest to do plenty of all three. Little does he know it's Christmas Eve -- and he's about to be part of festivities. As he shuffles along, his nose bumps into "dangly things" on a tree. Not knowing they're ornaments or even what an ornament is, he knocks them out of his way and walks on, crushing them underfoot. In no time at all, the wombat gets a whiff of earthy sweetness. Carrots! So he takes off on a gallop, scissoring his stubby legs, and in moments, skids to a stop in front of a plate where strange creatures are munching carrots. His carrots. After all, aren't all carrots his? So, he press his snout against one of the creature's muzzles and challenges him to a stare down -- and wins! (Perhaps in part because the poor reindeer are all hitched up two-by-two to Santa's sleigh.) Of course, all of that eating makes the wombat sleepy. Luckily, straight ahead is a spot to nap, the runners at the front of Santa's sleigh. As the wombat dozes inside the curled wood, he is whisked into the sky, then back down again. Soon, he's tagging along with Santa across lawns and into chimneys, having assumed they're on the trail of carrots. Just look at all those plates of carrots! But will the wombat share any of the tasty roots with Santa's reindeer? Or that rather large polar bear up north? Readers will giggle all the way through and may just wish for a wombat under their tree. Best part: When the pudgy marsupial sits on a snowbank with his back to the reader, ruminating on all the carrots that await him in the world.

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14. The Home of Monkey Baa Theatre launched – Lend Lease Darling Quarter Theatre

Monkey Baa Theatre opening Darling Harbour, Lend Lease Darling Quarter TheatreA beautiful sunny Sydney day

- the largest playground in Australia in Darling harbour

- delicious canapes, Guylian chocolates

-kids, balloons, music, writers, actors, community

- Lend Lease, Sydney Harbour Foreshore Authority, NSW Deputy Premier Andrew Stoner…

gathered to launch the first Australian dedicated youth theater with resident theatre company MONKEY BAA THEATRE!!!!

The hilarious Bugalugs Bum Thief had kids and adults rolling in the aisles.

Monkey Baa Theatre, Lend Lease Darling Quarter Theatre, Tim Winton's 'The Bugalugs Bum Thief', patrons of Monkey Baa Theatre Jackie french, Morris Gleitzman, Susanne Gervay

Shows for 2013:-

I AM JACK – NO to School Bullying – by Susanne Gervay with actor Tim McGarry 11-16th March

NIT BOY – hilarious story – by Tristan Bancks 19-27 June

EMILY EYEFINGER – much loved books in a wild & woolly romp -by Duncan Ball 9-11 October

Creative Directors of Monkey Baa theatre are the brilliant team of  Tim McGarry, Eva Di Cesare, Sandra Eldridge

Patrons of Monkey Baa Theatre: Jackie French, Morris Gleitzman and Susanne Gervay

Bookings 02 8624 9341 www.monkeybaa.com.au

Monkey Baa Theatre opening Darling Harbour, Lend Lease Darling Quarter TheatreLaunching Lend Lease Darling Quarter Theatre with Monkey Baa Theatre, by NSW Deputy Premier Andrew Stoner

 

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15. Five Family Favorites with Elizabeth Bard

By Nicki Richesin, The Children’s Book Review
Published: July 8, 2012

Elizabeth Bard

It’s a special treat to have Elizabeth Bard contribute her family’s top five favorites to The Children’s Book Review. An American journalist and author based in France, her first book, Lunch in Paris: A Love Story with Recipes has been a New York Times and international bestseller, a Barnes & Noble “Discover Great New Writers” pick, and the recipient of the 2010 Gourmand World Cookbook Award for Best First Cookbook (USA). Bard’s writing on food, art, travel and digital culture has appeared in The New York Times, The International Herald Tribune, Wired, Harper’s Bazaar and The Huffington Post. Thanks to Elizabeth for sharing her thoughtful personal reflections on raising her son abroad with us.

Story time at our house is fun time, bed time, but it is also the site of a good-natured – but genuine – culture war. From the moment I moved to Paris to be with my French husband, I knew our children would be bilingual. As our lives have unfolded here, it’s become clear that most of my son’s childhood will be spent in France, worlds away from Sesame Street, Twinkies and other staples of my American childhood.

Augustin is almost three now. In addition to speaking English with me, and on vacations with his grandparents, books are the most effective tool I have to make sure he becomes – and stays – fluent in English, and is introduced to the different world view that creeps into the stories we choose to tell. There’s a part of all this that is inherently selfish: I want him to love these books because I love them. If he couldn’t – or didn’t want to – read in English, it would be like sewing up half my soul. A piece of his mother, and one of his cultures, would become unknowable to him.

Here are a few of our early and current favorites:

Spoon

By Amy Krouse Rosenthal

One of Augustin’s very first words was “Poon” – shorthand for his favorite book. Spoon is a wonderful “the grass is always greener” story of a little spoon who thinks his friends, knife, fork and chopsticks have it so much better than him. He never gets to twirl spaghetti. He never gets to cut bread. His mother thoughtfully reminds him that knife can’t swim around in a bowl with the Cheerios, and chopsticks never get to dive into bowl of vanilla ice-cream.

Ages 3-7 | Publisher: Hyperion Books for Children | April 7, 2009

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16. Speech Pathology Australia’s Book of the Year Awards 2012 – Shortlist

Ships in the Field by Susanne Gervay illustrated by Anna Pignataro author Michael Wagner 'Ted Goes Wild' short listed for Speech Pathology Australia's Book of the Year Awards 2012Ships in the Field joins some of my favourite talented authors in one of my favourite awards – short-list for Speech Pathology Australia’s Book of the Year.

Jackie French

Morris Gleitzman

Catriona Hoy

Belinda Murrell

Pamela Freeman and fabulous authors.

It’s special to think our books help young people and adults. 

  until Queen Victoria  came along. 

 How can you live without underpants?

Rude, Rude, Rude!!!!!!!!!!

 

 

 

  

At Jackie French & Bruce Whately’s launch of  ‘Queen Victoria’s Underpants’ 

at the CBCA Conference, the Queen herself announced that she’s now wearing

UNDERPANTS ……………… . 

& so does everyone else now. Phew.

It was a fabulous launch with lots of authors, illustrators,

librarians and everyone and even me there.

 Jackie spoke beautifully about the research that

Bruce encompassed in his fabulous illustrations

of the book.

 

Jackie and Bruce were appropriately knighted.


Secret of the Swords: Sword Girl 1
Frances Watts Allen & Unwin
The Little Refugee Anh and Suzanne Do Allen & Unwin
Ships in the Field Susanne Gervay Ford Street Publishing
Billie B Brown: The Little Lie Sally Rippin Hardie Grant Egmont
The Great Expedition Peter Carnavas New Frontier Publishing
Nancy Bentley: The First Australian Female Sailor Tracey Hawkins New Frontier Publishing
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17. Darling Quarter Theatre~new home of Monkey Baa w-Tim McGarry,Eva di Cesare & Sandra Eldridge

Tim McGarry Creative Director Monkey Baa Theatre with patron Susanne GervayThe Darling Quarter Theatre, opening on May 5, is part of Lend Lease’s new development at Darling Harbour, which includes two eight-storey office towers for the Commonwealth Bank and a giant children’s playground.

The theatre is the only purpose-built performance space for children in Australia and the first major addition to Sydney’s arts infrastructure since Carriageworks, which opened in Redfern in 2007.

The Sydney lord mayor, Clover Moore, said Monkey Baa was one of Australia’s flagship theatre companies and would be a great addition to Sydney’s cultural life.

Monkey Baa is planning four productions this year and hopes to attract 15,000 children and their families to the shows.

The Bugalugs Bum Thief opens on May 5.
Read more: http://www.smh.com.au/entertainment/theatre/monkey-business-aims-to-put-bums-on-harbourside-seats-20120417-1x5ne.html#ixzz1sOTOtPSw

Patrons of Monkey Baa Theatre – Jackie French, Morris Gleitzman and Susanne Gervay
Tim McGarry performs Susanne Gervay's 'I AM JACK' Monkey Baa Theatre , The Alannah and Madeline Foundation

Monkey Baa Theatre's FOX, by Margaret Wild & Ron BrooksMonkey Baa Theatre's adaptation of Duncan Ball's Emily Eyefinger

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18. Loved Lunch with Marnie’s Book Club

Marnie and the ‘girls’ from her book club arrived at The Hughenden for lunch.

They travelled across Sydney from their usual haunt at Beecroft Bookshop.

Paul MacDonald the owner and event coordinator for Beecroft Books runs fabulous events – everyone from multi award winning author Jacke French to Shan Tan to new authors like Aleesah Darlinson and illustrators Sarah Davis. He did a wonderful window display of ‘Always Jack’ – thankyou Paul.

Marnie and the Club came to the East this time. We spoke about ‘Always Jack’ and seeing life as warm, funny, loving and safe to talk about cancer.

I love their talk about books, life and their friendship across ages.  

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19. Queen Victoria’s Underpants Launched at CBCA Conference by a Queen

Women didn’t wear underpants
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20. Monkey Baa Theatre’s FOX is sensational!!!!!

A powerful experience in love, friendship, betrayal in a feat of dancing, music, story that will take you into deep places challenging how you live.

FOX is sensational on so many levels:-

- the brilliant Monkey Baa Thetre production team of Eva Di Cesare, Sandra Eldridge & Tim McGarry

- Siren Theatre’s Director Kate Gaul who brings power and raw emotion onto the stage

- the music by gifted composer Daryl Wallis creating an opera of our time 

- young powerful actors who give all in a play of exquisite movement and story

 - David Buckley DOG

- Jay Gallagher FOX

- Jane Phegan Magpie

-Sarah Jones Spirit and opera singer

As one of the three patrons of Monkey Baa Theatre – Morris Gleitzman, Jackie French and myself – I feel honoured to be associated with this outstanding theatre company. Congratulations to ARTS NSW, ARTS on Tour NSW, NSW Communities Arts NSW and Australia Council for being key sponsors and the Minister for the Arts Virginia Judge for speaking so supportively at the World Premiere.

FOX is at the Seymour this week, before it begins its 5 month tour around Australia from Darwin to Hobart to Perth. Have an experience that you will remember and see it: www.monkeybaa.com.au

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21. Inaugural patrons, authors MORRIS GLEITZMAN, JACKIE FRENCH & SUSANNE GERVAY Celebrate MONKEYBAA Theatre

Susanne getting ready for launch

Susanne getting ready for launch

What a special day with the extraordinary MonkeyBaa Theatre. The talent of the creative directors of MonkeyBaa  Tim McGarry, Eva di Cesare and Sandie Eldridge and the talents of the Australian theatre community took my breath away at the Premiere of Thursday’s Child at the Seymour Theatre Sydney.

Morris Glietzman, Jackie French and I accepted with pleasure the role of Patrons of MonkeyBaa Theatre on 15th May at the premiere. The theatre was packed, the energy high and everyone seemed to be there from actors, Australia Council, the NSW Arts bodies, directors, critics, theatre lovers, writers and creators. Launched by the Rt Hon Virigina Judge a Minister for the Arts NSW Government.  Loved it all.

For information on MonkeyBaa - www.monkeybaa.com.au

Morris Glietzman, Jackie French. Tim McGarry, Kerry Comerford

Morris Glietzman, Jackie French. Tim McGarry, Kerry Comerford

Premiere of MonkeyBaa's adaptation of Sony Hartnett's Thursday's Child
Premiere of MonkeyBaa’s adaptation of Sony Hartnett’s Thursday’s Child
Jackie French and Eva di Cesare

Jackie French and Eva di Cesare

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22. Hot Writing Link

Another hot link to writing advice you should read. Today's link is to a wonderful article by Jackie French, one of Australia's finest writers for children. Her article How to get Your First Novel Published explains brilliantly the need to write and rewrite, target your submission and much more. You can read this excellent advice here.

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23. Ten New Reviews

I’ve added ten new reviews to Aussiereviews. Three of the ten cover themes and content focussing on Australia’s experiences in the two world wars and/or the celebration of ANZAC Day, which is very timely given that ANZAC Day is coming up later in the month. It was interesting to read two books for young adults – one (A Rose for the ANZAC Boys, by Jackie French) which tells the tale of a sixteen

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24. SCS2007 5-minute Blitz Talks (Day Two)

Martin Wattenberg - ManyEyes
http://www.many-eyes.com/
part of the goal was to democratize visualization
saw a lot of political usage
saw citizen activism
also saw play
eg, tag cloud of Shakespeare’s favorite words was used to highlight specific words to create poetic phrases
blogs as a social “petri dish”
maybe the goal is connectivity, placed on blog where conversation can be pushed
there’s some competitive uploading now that is political
have a very conservative person on the site right now who is challenging them with what could be considered a rant in a different format about how you interact with data

you are a blogger - Anil Dash
we don’t get far outside of our world, and as a result, we don’t create tools outside of it
blogging is hip-hop
hip hop is currently driving our culture
links are beats
the core of the behavior we have is sampling; is still considered subversive
both are still seen as not being a legitimate art form
Apple - rip | mix | burn
turntables outsell guitars
we’re also not buying printing presses a lot
the reaction when hip hop came out is “that’s not music”
we had the same reaction to blogs - it’s not media
what we can learn is that we can see where the threats are going to come from

we link to content that eventually gets pulled down
the companies frown on the fact that you are the vehicle of distribution
they will railroad us if we let them
hip hop is more than just rap - it’s freestyling
graffiti is OpenID
the ability to be entrepreneurial
outsiders don’t get it - we have to pay attention
violence and misogyny are what rappers were knwon for
we’re seen as medium, not manners, by outsiders
have to think about the implications of tools
“conscious” is a genre

Justin Kan - Justin.tv
started out as a 24/7 broadcast of his life to the internet
at first, walked around trying to entertain people 24/7
was like a roller coaster ride to internet fame
first lesson he learned is that there are a lot of assholes on the internet when they had the police bust in on him at home
building a platform to let anyone do this online - almost ready to open it up to anyone to live broadcast
thinks we’ll see a huge number of video broadcasts that will violate copyright

Teen Second Life at a Glance (Don’t touch mah bukkit) - Lane Lawley
showed his house in TSL
reason #1 he can’t live on the ground in TSL
1 - public school; thinks schools should provide better technological education; he still hasn’t been taught Powerpoint in school yet, maybe it will happen when he’s 18
2 - lack of advertisements; HTML is making a comeback in his world because of MySpace

communities in TSL
- scripting; very few good scripters in TSL
- building; slightly larger community because easier to learn; get a sense of creation without having to learn as much
- social: on TSL to do things they do in RL (shop, be with friends, etc.)
- educational: usually owned by adults; teens in social communities have no interest in the educational one

interaction
- scripting + building

judgment day - the day Teen Second Life residents turn 18, and are transferred to main SL
the system is supposed to do it, but it doesn’t happen “overnight”
teens look forward to getting on the main grid because it’s so much larger

Liz: her big frustration is that she can’t play SL with her son; no socialization into the bigger world
“it takes a guild to raise a child” - how important it is that her son can learn from adults, mentors, peers in one place
so she doesn’t play in SL because she can’t be in either world with her son

Ben Gross - How Many

How many?
- email addresses do you have?
- IM networks are you on?
- phone numbers do you have?
- logins to websites do you have?

why do people have multiple identifiers?
it’s commonplace and mundane to have all of these things now
separation of personal and professional, separating out social groups
a category of “that’s my spam account,” which is really trusted and known versus not trusted or not known
focusing attention or limiting interruption for your work
permanence and continuity - your college account is likely to outlive any ISP account

“the odds”
“I got my name”
people are more likely to remember their passwords because they use the same one on each service, whereas they’re unlikely to remember their usernames/logins because they’re different on each one

implications
- usability
- workarounds
- side effects
- security implications

Elizabeth Churchill
interested in cultures of privacy and how we come to know what we’re allowed to share and what we’re not
me putting up my friend’s picture is different than her putting it up
how people manage what they share with others
did some interviews with people asking if they understand privacy settings in Flickr
chart of Flickr sharing by age
60% of the people didn’t change the defaults at all (which means 40% do)
1 in 12 doesn’t share pictures at all
younger people share more
chart of photo sharing by connectedness - the more you put in your profile, the more you tend to share your pictures
map visualizing sharing across the world
interested in volatility - what makes you take something down
can you retract things?
how do our literacies develop around privacy, sharing, etc.

Flickr is about:
- documenting (personal and collective memory)
- competition (status)
- affiliation (group membership)
- learning (emulating)
- curiosity/voyeurism
- awareness (near and far)

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25. SCS2007 Panel on Rules

Looking for Group - Kevin Slavin
if we spend time in the worlds of these games, what happens when we extract these types of dynamics we’re used to in these worlds into the real world?
people who share space should share experiences
it’s one of the powerful things the software we have should do
it’s about changing the conditions we’re in when we’re together

he lives in a co-op in Brooklyn, lived there for 4 years before a crisis came up
before the crisis, he thought of the people who lived in the building as neighbors; now as shareholders
he set up a Yahoo group for them to help them all communicate
“I broke my building”
termites appeared in one apartment - whose problem is it?
painting the walls - “this is where you see democracy fall to bits”
showed email messages to the Yahoo Group
residents started writing graffiti on the walls because the Yahoo group wasn’t anonymous
there was no in-fighting until the Yahoo group
these types of groups let you tweak your identity
email is how we work all day, so thinks they became their work identities at home because now they were using email to communicate
took those identities out of the office and into everyday life
the end of rolelessness - they were just neighbors until this, had no roles
email has rules that are different than the rules of everyday life
there are rules of proximity that are fundamentally different than how we express ourselves in email
the online rules broke the real world
what was removed was a sense of civility - what did that?
the tone changed when it became one-to-many, rather than one-to-one; the communication went public
they weren’t anonymous, but they became their email selves, which has more to do with how they spend their day
Kevin suggested shutting down the list pretty quickly, but the others asked him not to (they felt like they were winning, etc.)
things only changed six months ago when a common event caused suffering for everyone and it wasn’t any one person’s fault - that’s when they became civil again

Anything but Routine: Games and the Post-Bureaucratic Institution - Thomas Malaby
what happens when an organization tries to run itself like a game
bureaucracy
every moment will fit into a category

what we mean by rules (sources of constraint)
- laws (contracts)
- architecture
- social convention
- the market

games also use these forms of control, too
they are supposed to generate indeterminate outcomes; no one knows ahead of time

Second Life
Linden Labs is in an unusual position on this control because they don’t know where it will end up
“let emergent effects reign”

a dilemma follows from this, though - still have to run the company by the same ideals
- it’s ethical commitment to open-ended creation runs counter to the classically bureaucratic approach; also can’t go the charismatic leader route
- by extension, this mut also ideally govern how Linden Lab operates - it too must be anti-bureaucratic
- the result? a crisis of legitimate decision-making

so they turned to Arpad Elo, a mathmetician, who gave them a way to rank players
they ended up putting every task in Jira software (because the head of the company said they would do this); employees picked a winner from the tasks, which generated a ranking of what they would work on
turned to game techniques to make decisions

“ludic bureaucracy” - lingering questions
- is this the new institution for the Digital Age?
- how legitimate are the outcomes/decisions reached by game techniques?

they exited the system after less than a month

Rules - Kathy Sierra

Timeline:
1. blog comments
2. ‘mean kids’ site
3. email exchanges
4. ‘mean kids’ comes down
5. unclebobism appears
6. police
7. I blog it
7.5. retaliation
8. media nightmare
9. offline

why did it become such a big story?
direct result of her visibility?

she tried to analyze it, including what people called the whole thing

internet “rules”
1. don’t feed the trolls (but it escalated because they were trying to get a reaction
2. if it’s on the net, it’s not a REAL threat (this is what people told her)
3. you own your own words (and nobody else’s); question: are you responsible for comments others make on your blog?
4. civility = censorship
5. “if you want to be on the internet, grow a pair”
6. online friends are “real” friends… and can be trusted (site owners involved didn’t know who was posting)

psychological “rules”
the brain has a mind of its own
1. anonymity - “the greater internet fuckwad theory”
part of the problem is the brain’s “illusion of invulnerability”
people who survive horrific scenarios have less of this illusion of invulnerability
2. anyone can be seduced by situational forces and group dynamics
“the lucifer effect” - The Stanford Prison Experiment & The Stanley Milgram Obedience Studies
it can happen almost instantly

the persuasive power of social proof - it’s why advertising works
“if he’s doing it, it must be okay to do”

Doc Searls took down his blogroll because it put him one degree away from someone behind the mean sites

we can use the power of social proof
1. code of conduct - not even explicit; eg, Javaranch registration terms of service, which consist of “be nice.” “no dumb questions” and “no dumb answers;” moderators keep the tone
2. who we recommend - remember that our readers perceive links as endorsements, even if we don’t mean them to be
be aware of what can appear to be acceptance, tacit approval, or even celebration
most importantly, be mindful of your brain’s deceptions

a good rule: less bark, more wag

Joi Ito
We Know/We No Forums for his WoW guild
used to work as a DJ in a club and sees many of the same issues in online forums
in the past, if you could do it in the game, it was okay - finding the hack was okay; designers worked to keep out the hacks
now, though, Blizzard’s terms of service states that just because you can do it, doesn’t mean you can - they will still ban you
issue of buying gold outside of the game to use in-game
Blizzard uses the terms subjectively when they want to
so the guild had to create a long set of rules for how to handle gold
best metaphors are the nightclub and church ones - it can become unfun and unravel very quickly
Joi is a dictator about the metaphors only in terms of running the forums
corporate metaphor completely fails (because what you do isn’t based on your job)

Law & Virtual Worlds - Greg Lastowka
low stakes in virtual worlds right now, but may change
Four parties involved: two players, the owner of the platform, and the state
player investments = time and money
owners investment = time and money and technological control
state = generally not invested

looked at 5 different possible scenarios of problems and whether the state intervenes or not
fifth scenario involves a fifth party and stolen copyright/trademark

2 big questions
1 - legally, what is a virtual world? (what is it like?)
2- how do the optimal rules for virtual worlds differ?

we need a more sophisticated framework for applying law to virtual worlds

virtual worlds as communities, games, fictions
not really special if they’re just online communities
state defers more to community self-ordering (game rules), but may intervene in the case of games
for fiction, the state has substantial deference to all aspects of virtual worllds - owners are privileged speakers (eg, theater); possible defense to keeping the state out of virtual worlds

what is an “optimal” policy for ludic ordering? (game, contract, state)
regulation by state - classic legal rule, generally “uniform”
customizable as contracts, though (EULAs, private agreements)
so the question is are games somehow special?
game rules - efficient, arbitrary, state’s role if they are arbitrary? who decides?

,

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