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By: Betsy Bird,
on 10/11/2011
Blog: A Fuse #8 Production
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Okey-doke. So today we begin with an addendum. I believe that it was not long ago that with the announcement of the new Printz Award blog Someday My Printz Will Come I mentioned its existence without acknowledging that there may have been another and previously existing Printz Award blog out there. Well slap my sides and call me sally, my fellow co-author on an upcoming Candlewick book Peter Sieruta (who’s post delves deep into that moment when as an adult reader you discover that you are older than the parents in a children’s book) points out that there was already a Printz blog out there of venerable character and infinite wit called Printz Picks. I can only claim ignorance, not being particularly familiar with the world of YA . . . but I think we all know that’s a bit of a cop out on my part. Mea culpa, Peter. I shall now read every entry on that blog to make suitable amends.
- I do know enough about YA to concede that this news is big news, though. Also, how amazing is it that her editor told her to rewrite it from scratch? Now THAT is editing, my friends! Well played, Kathy Dawson. Well played, indeed.
- Trend Alert: Well, it had to happen eventually. I’ve been rendered obsolete. Back in the day when I started visiting publisher previews and blogging about them I admit that I felt pretty clever about the whole thing. No one else was blogging them, after all. Here we had a brand new untapped resource for interesting blog fodder. And from 2006 until today I was still one of the very few bloggers to do this. It took roughly five years before a publisher thought to themselves, “Hey . . . Betsy’s not the only blogger in town, is she?” No she is not. So it is that Simon & Schuster has taken what I am regarding as the logical next step. They’ve engaged the group Buzzing Bloggers (seen here: http://twitter.com/#!/buzzingbloggers) to round up a group of NYC parental, toy, and gift bloggers for their very own preview, sans librarians. I was invited to both the blogger preview (complete with childcare services) and the librarian preview (not so much) this season. I am unable to go to either of them, sadly. That’s okay, though. I suspect that this is one preview that will be getting plenty o’ coverage. Don’t be surprised if other publishers begin to follow suit.
- Speaking of which, I attended a Penguin preview the other day that I need to write up. Until then, some of you may be interested to know that there will be a new edition of that old Tam Lin takeoff Fire & Hemlock by Diana Wynne Jones on the horizon. As editor Sharyn November tweets, “Yes — Spring 2012, along w/ A TALE OF TIME CITY and DOGSBODY, all w/ stellar introductions. These will be the definitive editions.” You heard it here.
By: Kevin Levell,
on 6/30/2011
Blog: Kev Lev's Blog
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next up...dorothy from the land of oz. i sketched this out a couple of weeks ago but was working on an illustration for sfcm. now that that is done, i can do some work on cute little dorothy here. i wanted to do a series of these little fairy tale characters and sell them as originals in my etsy shop at www.enchantedeasel.etsy.com already there is sweet little alice...from wonderland, of course;)
No, I haven't disappeared from the face of the earth or from blogging! I'm trying to put in a certain amount of hours per day making art for the various shops I'm in. I have to equate this with showing up for work, and all things considered I like doing it. And I'm the boss of me!!
This is another little paper clay trinket dish I listed on Etsy. When it was dry the shape reminded me of a poppy the way they flatten out. That's how I determine what to paint inside these little guys. I didn't add any gold leaf to this one so it took a little less time.
And if you have never seen this version of the Wizard of Oz, you must get your hands on a copy! Lisbeth Zwerger is one of my favorite illustrators.
Happy Tuesday! xo Lo♥
Alex Pettyfer in 'The Mortal Instruments' (Taking one step closer to Robert Pattinson/Taylor Lautner territory, the "I Am Number Four" star has been offered the lead in another hit YA-franchise heading to theaters. Meanwhile, "Pride and Prejudice... Read the rest of this post
By: Anastasia Goodstein,
on 11/17/2010
Blog: Ypulse
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FDA set to ban caffeinated alcoholic drinks (in a response to widespread criticism and college campus bans of the "adult" energy concoctions on the grounds that they're dangerous, while the makers of Four Loko have announced they'll remove the... Read the rest of this post
Fascinating comment from Dr Stuart Bramhall, author and child psychiatrist in New Zealand, about my post on banned books. She sees all the Oz books (I think there was 13 in all but Braum was a prolific writer and wrote many books for children) as having a strong socialist message.
The whole Emerald City set up could be seen as a critique on capitalism - that it is an elaborate confidence trick which requires everyone to view it through, not rose tinted glasses, but green - a colour with a strong association with money in America (greenback = dollar).
And when thinking of that image the phrase sub prime mortgages comes to mind.
Other commentators have read other political philosophies into Baum's work. But one of the things that's striking to me about the book is that the lead character is female. Dorothy is the one who does things, who refuses to accept and has the insight to really see and not just look. I read that one of the author's aims was to write in the same tradition as Hans Christian Andersen and the Brothers Grimm but without the violence. If nothing else, The Wizard of OZ shows the enduring power of fairy tale and its ability to force us to reflect. Anyone seen Wicked, the musical or read the book it's based on? Does that have the same resonance? It must have something - it's been a runaway success - and there may be a lesson there for writers lost for a plot:think about a new take on an old fairy tale.
8x10 paper, dye ink, acrylic Here is a custom piece Ive been working on...this quote still rings true after 70 years! Total Fact Randomness... The ruby slippers were actually silver in the book and there were four witches.
I foolishly put off blogging on Wednesday because I was finishing a manuscript and all I could think about was said manuscript. Hopefully, I'll think of something to blog about by tomorrow, I hoped. I think I hoped too hard. Tomorrow has come and with it, a majorly intense blog theme--high winds and tornadoes! The sirens went off at 5 a.m. this morning just as we lost power. For the first time in our lives, we grabbed the kids and headed for the storm shelter we had dug under our garage floor about seven years ago. That is an almost unreal feeling, huddling together, listening to the winds howl just outside the garage door (which suddenly seemed very flimsy), feeling the kids shake, hearing the dog pant, and seeing nothing but pitch blackness. Fortunately, we came out unscathed and the house is still standing, but in a direct line with our house, only a street away, three huge, 150 year old trees were ripped out of the ground and laid crosswise across the road and front lawns of our neighbors. They missed the houses, by inches, but still, they missed. And these were, theoretically, only high winds. I have a feeling someone at the weather station missed a rotation, but who knows. I'm just glad we're all still standing. I have experienced a tornado once before in my life--right behind my car as I was driving home. I wouldn't suggest trying this at home. I had just returned from Houston and had spent the better part of an hour in a holding pattern over Tulsa until the storm moved out. The landing was super bumpy, but okay. I hopped in my car to head home. Minutes from my house, the storm, which had abated, revved back up. Hail pummeled down. The sky was pitch black. And behind me I heard the sound of a jet engine. I have never been so scared in all of my life. I was right next to the river, where tornadoes like to strike in this area. I could barely see anything, the rain was falling so hard. By the time I got home, I was shaking. I think I know how Dorothy felt now. If you're looking for a little weather excitement, look no further. Oklahoma is the place to be. Me? I'd settle for calm and sunny right now. I've had about all the excitement I'd can handle for a while, but oh the story ideas!
a href="http://www.amazon.com/gp/product/0060569484?ie=UTF8&tag=bibliofile-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0060569484">The Secret Order of the Gumm Street Girls Elise Primavera Ivy has just moved to town, hoping that after she broke that mirror 7 years ago, her run of bad luck is finally over. On Gumm street, she meets three girls whom all hate each other, and the delightful piano teacher Mr. Staccato. When he disappears in the middle of a hurricane, he leaves Ivy a treasure--the silver slippers. The real ones. The ones that fell off Dorothy's feet when she left Oz. Then Cha Cha Staccato shows up, bearing an uncanny resemblance to a wicked witch, demanding her shoes back. The girls have to band together as they find themselves exiled to Spoz, the land under Oz. Zany and weird, this is full of references to Oz and I would have really liked this in late elementary school. For some reason though, it just didn't click with me as an adult.
"Then a strange thing happened.
The house whirled around two or three times and rose slowly through the air. Dorothy felt as if she were going up in a balloon.
The north and south wind met where the house stood, and made it the exact center of the cyclone. In the middle of a cyclone the air is generally still, but the great pressure of the wind on every side of the house raised it up higher and higher, until it was at the very top of the cyclone; and there it remained and was carried miles and miles away as easily as you could carry a feather.
It was very dark and the wind howled horribly around her, but Dorothy fond she was riding quite easily. After the first few whirls around, and one other time when the house tipped badly, she felt as if she were being rocked gently, like a baby in a cradle.
Toto did not like it. He ran about the room, now here, now there barking loudly, but Dorothy sat quite still on the floor and waited to see what would happen.
Once Toto got too near the open trap door, and fell in; and at first the little girl thought she had lost him. But soon she saw one of his ears sticking up through the hole, for the strong pressure of the air was keeping him up so that he could not fall. She crept to the hole, caught Toto by the ear, and dragged him into the room again, afterward closing the trap door so that no more accidents could happen."
It was from this text in the Wizard of Oz, that the initial spark of inspiration flew for this piece. I was particularly struck by a few things here. One, that there is so much emphasis placed on the 'centered-ness' of not only the cyclone but Dorothy as well. Here her reaction is quite relaxed, what a Taoist might call the Wu Wei, or going with the flow. Secondly, there's the strangeness of the floating dog in the center of the room, that just sounded fun.
I owe a great big Thanks to everyone who helped me through out the completion of this piece; Zelda Devon, Rebecca Guay, Randy Chavez, Paris Raupach, and to my friends and family who helped keep my spirits up, thank you. The amount of learning that happened during the course of this illustration would be hard to quantify, certainly at each turn there was someone there to lend a helping hand.
Process wise, this piece was done in an effort to create a well composed, dramatic image, with a strong underling value structure. Consequently, it has seen numerous revisions along the way. This idea was germinated from the assignment options for the Illustration Master Class held earlier this year, due to personal reasons I was unable to attend and from there I realized that there was no need to hurry this piece along. In hindsight, that certainly allowed time and space for many small details to mature.
There will be another post later on reviewing some of the process tips I picked up and the journey from blank page to painting, but for now I hope you enjoy the image.
Well, the painting has been coming along, not quite fast enough for my liking, but it is still in progress. I wanted to just post up some images to show where she's at before heading off for some much needed vacation {I am wound tighter than a Tin Man's ticker} Watch for the thrilling conclusion in about two weeks after my return.
By: Lucy Coats,
on 4/7/2009
Blog: An Awfully Big Blog Adventure
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Next month marks the demise of Go4It, BBC Radio 4's specialist children's book review programme. Barney Harwood, the presenter, does a brilliant job, there are some great stories being read (currently Liz Kessler's The Tail of Emily Windsnap and Julia Donaldson's The Giants and the Joneses feature), some newsworthy topics being discussed (the Arctic and global warming). So why is it being axed? We are told that the audience is made up of the over-50's, and that therefore the 'target market' is not being reached. There are simply not enough listeners 'of the right sort'. If it doesn't work, and, for the present, leaving aside the fact that a) there are now many mothers who, having had babies in their 40's, are now well into their half-century and b) that the people who actually buy children's books for the 'target market' are generally adults, surely the BBC should be thinking about how to make it work. Books are an important part of the government's literacy strategy, and as a publicly funded body, the BBC should therefore be helping to promote books and providing their licence payers and their future licence payers with information on the subject. But there is a problem. The weekly audience of 4-14 year olds on BBC Radio 7 is only 25,000--a small minority in the grand audio scheme of things. Children's radio programming will continue there--in the CBeebies 5-7am slot, which could be seen as a boon for early risers or, more negatively a graveyard, and books will continue to be featured on Big Toe. Radio 4 will feature Joan Aiken's Black Hearts in Battersea, Roald Dahl's Matilda, Erich Kästner's Emil and the Detectives and The Wizard of Oz at Christmas . But is it enough? Are the BBC thinking about what children really want, and more importantly how to provide it in a form they want?
For someone such as myself, brought up on a diet of Listen with Mother, listening to the radio is easy and natural. But today's children have so much going on that to sit down for a whole half hour and listen to a programme is, quite simply, an alien concept. A snatch of music here, five minutes on an i-pod there, gaming, downloads--the technology today's children are familiar with is all about fast and furious action. If books on the radio are ever going to work, they must be presented as cool and relevant. In the case of the Radio 4 choices, the books mentioned above are all wonderful classics. But why not introduce younger listeners to some modern classics in the making--by living authors who could be interviewed, could blog, could podcast--all things which kids can understand. Tapping into the 'celebrity culture' will be abhorrent to some readers here--and I'm not too keen on it myself--but if presenting books in this way hooks in more readers then why not? If the BBC wants books to work for those under 16, they must create a buzz about them--find different ways to use the technology which is out there. Don't tell me that there aren't the readers who are hungry for the next big reads, let alone the next good reads--Harry Potter and the current Twilight craze prove that there are. The radio is already linked to the computer--we just need some creative thinking to convince young listeners that books are right up there with the latest pop download. Answers on a postcard to Mark Damazer at the BBC, please.
By: Samantha Clark,
on 3/13/2009
Blog: Day By Day Writer
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A couple of weeks ago, I wrote about the SCBWI Houston Editor’s Day, where five editors — Simon & Schuster’s Alexandra Penfold, Beach Lane Books’ Allyn Johnston, Golden Books/Random House’s Diane Muldrow, Egmont USA’s Elizabeth Law and Sleeping Bear Press’ Amy Lennex — talked about what they look for when they’re considering a book to publish, and the theme that came out of the day was books that resonate. Everyone seems to want books that kids will want to read over and over again, even when they become adults.
So what are these books that resonate? CNN yesterday posted an article offering some excellent examples: Children’s books: Classic reading for fans. The article talks about The Very Hungry Caterpillar, Dr. Seuss’ Cat in the Hat, the Madeline books and Where the Wild Things Are.
The interesting thing is, the article says that often these books weren’t shoe-ins to publication. Dr. Seuss, perhaps one of the most famous picture book writer, was rejected 25 times before his first book, And to Think That I Saw It on Mulberry Street, was picked up. And Where the Wild Things Are, although a Caldecott Medal winner, was controversial for its artwork.
For all of you who have gotten rejections, remember, DON’T GIVE UP.
If you have a story that you love with all your heart, even if it’s a little unorthodox for the genre — within reason, of course, in the case of children’s books — don’t let rejections get you down. Keep sending it out. One day, you’ll find the right editor and/or agent who will be the book’s champion, just like these books did.
Another interesting point of the CNN article is a quote by Alida Allison of the San Diego State University, who says all these classic books describe stories that follow a pattern of “home, away, home.” hmm Here are some other classic books that follow that pattern: Peter Pan; The Lion, The Witch and The Wardrobe (in fact all the Narnia books); and Wizard of Oz. Maybe there’s something in that.
In the CNN article, Allison says: “If you think of all those stories, there’s a loving parent … allowing a transgressive kid a leash to investigate the world and come back.” And through the child’s eyes, parents find their sense of wonder renewed, she adds.
When I was a kid — and still now, I have to admit — any book is exactly that: an opportunity to investigate the world, any world, and come back.
What are your favorite classic children’s books?
Write On!
What a coe-inka-dink. This is one of three designs I submitted for "The Black Keys"s Dan Auerbach who just came out with a great new album. If you want to way on your favorite t-shirt designs visit my blog.
A wizard wouldn't be a wizard without a full head of white hair and matching beard, now would he? To see the entire painting and story, click here.
(You've just got to know who to steal from...) It comes as no surprise that the lovely Sarah Prineas, author of a middle grade novel (and soon-to-be international hit, as it has already sold in NINE countries!!!) is a dirty stinkin' thief. Not when her main character is a thief, and her book is actually *called* the Magic Thief. She's basically a booster for Thieves R Us. So we found her response to this issue of stealing a fitting one. Sarah says: You want stealing? I got stealing!
In the second Magic Thief book the main character, Conn, is marked by a sorcerer... so that this bad magic can find him.
Now I have not read the Harry Potter books (pause for gasps of surprise) but even *I* know that Harry has a lightning bolt mark on his forehead. So I put a silvery runemark on Conn's temple.
Then my husband told me that was too much like Harry Potter. So I asked my editor.
Me: Is Conn's runemark too Harry Potterish?
Editor: Marks on foreheads were an established convention before HP. Glinda's silver kiss on Dorothy's forehead, for example. Wherever you mark him, you're going to run into comparisons.
Me: Okay. Hmmm. Yes! I know, this will be perfect. I'll put the mark on his hand!
Editor: Well, then you have to contend with Eragon...
Me: Doooooohhh!!!!!
Well, we worked that out. Editor had a wonderful suggestion and I... stole it.
Then there's the Tolkien issue. I love Tolkien's work, especially his gift for language. Yes, I can say Frodo's greeting to the elves, and with the correct pronunciation. In Middle-earth, the magic is based on language. So when I was looking for ways to make the magic spells in my book sound magical, I whipped out my copy of Ruth Noel's The Languages of Middle Earth and brushed up on my Sindarin and Quenya. After getting the rhythms and sounds of those languages in my head, I created my book's magic spells. One spell is a direct ripoff of Tolkien. The spell for "Light" in my book is "Lothfalas." The name of Arwen's horse in The Fellowship of the Ring is "Asfaloth." In the other spells are bits and pieces of Elvish words, because they just sound magical.We think Sarah is awesome, and we love her unique blend of shameless stealing and absolute honesty. Just don't let her near your pearls. *Or* your boyfriend!
I haven't noticed a great groundswell of interest for Tin Man in the portion of the kidlitosphere in which I travel, even though it is a variation on the kid classic The Wonderful Wizard of Oz. The mini-series ran on Sunday, Monday, and Tuesday evenings on the Sci Fi Channel. Fuse did wonder what I thought of it, though, and, hey, I never have to be asked that kind of thing twice.
I definitely enjoyed picking up the references to and riffs on the movie version of The Wizard of Oz, which is the only Oz, I know. I liked how they entwined this new story around the old one.
I thought the main character, DG, was a little polarized. She appeared to be feisty, riding a motorcycle and picking up a stick to head into any fight she encountered. But she also looked totally stunned by what she was experiencing, pretty much all the time. I didn't think the two aspects of the character came together very well.
I really liked the neo-scarecrow. He was both a play on the movie scarecrow and very new. The lion was okay, but I didn't realize he was supposed to be cowardly until late in the plot. I found the tin man to be a problem. We definitely got more of a back story on him than on the scarecrow or the lion, but I didn't find him so pivotal to the story that it justified naming the program for him. Plus, his character was pretty much a stereotypical tortured, maybe noir, lawman. I think that could have been neat in Oz, but it didn't really work for me.
One thing that interested me a great deal about Tin Man is how similar the initial portion of the plot is to that of The Looking Glass Wars, which is also a variation on a classic, Alice in Wonderland. In both stories, you have an evil sister who overthrows the legitimate royal ruler of a kingdom. In both stories you have a young female royal family member who is hidden away in the real world for her own safety. She isn't aware of who she really is. (DG really doesn't know. Alyss has become so isolated from her own reality that she finally accepts the one she finds here.) Both young women have to go back to their fantasy worlds to save their kingdoms.
I don't know what that's about. Perhaps evil sisters and princesses in disguise are staples of fantasy and everyone uses them.
So there you have it, my response to Tin Man. In a nutshell, I'd say it was interesting, worth watching if you're at all interested in Oz, but with weak spots.
Speaking of The Looking Glass Wars, today bookshelves of doom reviews Seeing Redd, the second book in The Looking Glass Wars Trilogy. It was published in August. The first book got lots of buzz, but I'd heard nothing about the second one until I read Leila's review today.
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http://www.unshelved.com/store/Shirts/NeverForget
Here’s the link to the t-shirt site, so you can sport your own!
http://www.unshelved.com/store/Shirts
Maureen
I found the “never forget” on a t-shirt here: http://www.unshelved.com/store/Shirts/NeverForget
I do believe I need one!
Betsy, thanks so much for including the link to the new website!
The catalog card image is from the guys over at Unshelved. http://www.unshelved.com/ Their comics are awesome. I have the shirt.