I’m just waking up on Giudecca Island to a volley of sights and sounds – a deliverance from the cathartic, but brooding history of Rome, from where we just came. Here, in Venice, I imagine I’m in a living painting, and an artist, with his paintbrush in hand, captures me peeking out my window – just now at the Hilton Molino Stucky, his studio across the way.
Outside, I hear the echoing serenade of tolling church bells, which I can pinpoint with my own eyes, to various steeples throughout the city that traipse along the river. Splashing waves steadily rise and fall onto green and blue algae-covered seawalls, looming directly below me, while power boats dot the landscape like steed on an aqua-colored field, gliding in various directions through the water carrying townspeople and holiday tourists about the city. And, in the foggy haze, we’re graced with this omnipotent view – and it occurs to me, I must be Dickens’ modern Venice in his “Italian Dream.”
