So, where've I been?  Well, busy as usual - getting one child ready for high school graduation and another enrolling in high school, proofreading the annual research papers for my 5th and 8th grader, running my mother-in-law to and fro on errands...the usual.  Not to mention daylight savings - can't get used to that one!  I've actually been productive on some art projects with some newfound springtime motivation - I just haven't been able to get the laptop away from my teenage daughter lately to download my pictures.

Kids presenting research paper summaries to the Writing CoOp

The weather is getting to where I can work in the garage again, so I spent all day yesterday clearing out the piles that have built up and reorganizing the workspace (post-mural).  I picked-up a 30"x40" canvas for the study I recently did (shared in the previous post).  I wouldn't be able to work that large in the corner of my small bedroom.

Garage work space ready for new projects...

I actually did have a request for some artwork for a friend and the charity organization that she's involved with.  There is an upcoming fundraiser for Royal Family Kids and she asked me to do a design based on their Old West theme to be printed on placemats along with their logo.  Maybe a little something for the portfolio...

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Worked on a study - a close up of the face in order to troubleshoot some issues. The bad news is that I had a hard time achieving the "looser" painting style of the original.  I blame my little palette - in respect to the size of the study - since I would quickly run out of my color mixture.  I was unable to load up the brush and lay in a layer of color.  Instead, I was trying to make the color stretch and that resulted in thin, smooth and blended colors and it was frustrating to have to keeping stopping to mix colors.  So, note to self, when I go to work on the larger canvas, I'll have to make sure I have small containers of colors mixed (just like I did with the mural).

The good news is that with all of this painting and repainting, mixing and remixing, I figured out a skin tone mixture that I like a lot.  I had always used a lot of ultramarine blue in the shadows, but for this I went heavier with more burnt umber (inspired by a documentary about Manet that I watched recently - don't know if that's what he used, but I noticed his warmer, neutral shadows).

The last thing I have to say has to do with studies and redoing a drawing or painting.  I always tell my art students not to immediately write off a redo as bad or worse than the first. It will always look "different" in some way, and beginning artists often get frustrated because it does look different.  Usually, when I walk away from it for a while, I come back to find that it's not as bad as I thought, and there are some things that I might like better after all.  Or, I can learn something from the redo - as I did here.

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Worked on a study - a close up of the face in order to troubleshoot some issues. The bad news is that I had a hard time achieving the "looser" painting style of the original.  I blame my little palette - in respect to the size of the study - since I would quickly run out of my color mixture.  I was unable to load up the brush and lay in a layer of color.  Instead, I was trying to make the color stretch and that resulted in thin, smooth and blended colors and it was frustrating to have to keeping stopping to mix colors.  So, note to self, when I go to work on the larger canvas, I'll have to make sure I have small containers of colors mixed (just like I did with the mural).

The good news is that with all of this painting and repainting, mixing and remixing, I figured out a skin tone mixture that I like a lot.  I had always used a lot of ultramarine blue in the shadows, but for this I went heavier with more burnt umber (inspired by a documentary about Manet that I watched recently - don't know if that's what he used, but I noticed his warmer, neutral shadows).

The last thing I have to say has to do with studies and redoing a drawing or painting.  I always tell my art students not to immediately write off a redo as bad or worse than the first. It will always look "different" in some way, and beginning artists often get frustrated because it does look different.  Usually, when I walk away from it for a while, I come back to find that it's not as bad as I thought, and there are some things that I might like better after all.  Or, I can learn something from the redo - as I did here.

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I've worked on the study over this extended weekend, and it's been a bit of a challenge.  Painting the figure has always been a challenge for me simply because I haven't done a lot of it.  What I have done has been more along the lines of illustration and hard-edge drawing.  But, I did manage to make progress and actually get some results that kind of work.

I painted out the face MANY times before I finally achieved the "soft" look that I was going for - less is more...

This is just a study, and I may do another one just of the face to get a better grasp of it.  In the end, it will be a larger painting (as I think I mentioned before).

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I've worked on the study over this extended weekend, and it's been a bit of a challenge.  Painting the figure has always been a challenge for me simply because I haven't done a lot of it.  What I have done has been more along the lines of illustration and hard-edge drawing.  But, I did manage to make progress and actually get some results that kind of work.

I painted out the face MANY times before I finally achieved the "soft" look that I was going for - less is more...

This is just a study, and I may do another one just of the face to get a better grasp of it.  In the end, it will be a larger painting (as I think I mentioned before).

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I've tucked away the porcelain creamer, little orange flowers and cascading drapery, replacing the objects with photo references for a project I'm really excited about doing.  The inspiration was a photograph of my oldest daughter taken about a year ago at El Capitan State Beach.  However, I'm changing the location from a rocky beach to a rocky riverbed with some trees in the background.

I'm looking forward to playing with some colors that have not been on the palette for other projects - mainly Phthalo blue and green.  I'm also excited about exploring colors and patterns of stones in water - I've always been drawn to that in nature.  But, most of all, I'm delighted to be working with a specific concept - trying to capture the moment of quiet contemplation or listening in prayer.

I have flashes of what I think the end product might look like, but I've learned not to get hung up in those fleeting visions.  They give me a direction, but the journey will likely take me down any number of possible paths.  But, this is merely a study for the sake of exploration.  Ultimately, I see this as a fairly large painting - large for my space, anyway, requiring more than a little tabletop.  By the time I'm ready to move on to canvas, the weather should be comfortable enough to work in the garage again.

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I've tucked away the porcelain creamer, little orange flowers and cascading drapery, replacing the objects with photo references for a project I'm really excited about doing.  The inspiration was a photograph of my oldest daughter taken about a year ago at El Capitan State Beach.  However, I'm changing the location from a rocky beach to a rocky riverbed with some trees in the background.

I'm looking forward to playing with some colors that have not been on the palette for other projects - mainly Phthalo blue and green.  I'm also excited about exploring colors and patterns of stones in water - I've always been drawn to that in nature.  But, most of all, I'm delighted to be working with a specific concept - trying to capture the moment of quiet contemplation or listening in prayer.

I have flashes of what I think the end product might look like, but I've learned not to get hung up in those fleeting visions.  They give me a direction, but the journey will likely take me down any number of possible paths.  But, this is merely a study for the sake of exploration.  Ultimately, I see this as a fairly large painting - large for my space, anyway, requiring more than a little tabletop.  By the time I'm ready to move on to canvas, the weather should be comfortable enough to work in the garage again.

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A rare day-off for Lincoln's Birthday, the big kids all gone to friends' houses, and a little sunshine on the front patio means that my littlest can have fun playing out front while mom updates things on the laptop.

Spring flowers have already arrived.

Anyway, didn't I say I might just tweak the painting a little?  Well, that wasn't exactly true.  When it came down to it, I think I tweaked it a lot.  Of course, it may not look different but, with a little close observation, one might notice differences.  Frankly, I became frustrated with the 2 flowers on the right - they became rather muddled by overworking with to many colors - I even completely painted out the bottom one and started over.

I think it's done - but I'm still not happy with the leaf - I'll just tweak it a little...

Light was an interesting challenge as I had a changing light source (a south-facing window) to my left which caused moving shadows and a secondary interior light overhead/right which created shadows of its own.  I realized that I was giving conflicting information with cast shadows of the flower petals on both sides of the vase/creamer, but I liked the shapes and decided to keep them.  And that's what was truly liberating about this project compared with the first one which was much more dependent on observation.  For this one, I gave myself permission to use more artistic license and mostly responded to what was happening on the paper.  Besides liking the shapes of some of the shadows, I also liked the orange from the flowers reflected on the porcelain surface - it wasn't nearly as pronounced in real life, but I liked it in the painting.

I still have dreams of one do doing a "quick" little still life that captures its essence with a minimum of strokes... (sigh)

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A rare day-off for Lincoln's Birthday, the big kids all gone to friends' houses, and a little sunshine on the front patio means that my littlest can have fun playing out front while mom updates things on the laptop.

Spring flowers have already arrived.

Anyway, didn't I say I might just tweak the painting a little?  Well, that wasn't exactly true.  When it came down to it, I think I tweaked it a lot.  Of course, it may not look different but, with a little close observation, one might notice differences.  Frankly, I became frustrated with the 2 flowers on the right - they became rather muddled by overworking with to many colors - I even completely painted out the bottom one and started over.

I think it's done - but I'm still not happy with the leaf - I'll just tweak it a little...

Light was an interesting challenge as I had a changing light source (a south-facing window) to my left which caused moving shadows and a secondary interior light overhead/right which created shadows of its own.  I realized that I was giving conflicting information with cast shadows of the flower petals on both sides of the vase/creamer, but I liked the shapes and decided to keep them.  And that's what was truly liberating about this project compared with the first one which was much more dependent on observation.  For this one, I gave myself permission to use more artistic license and mostly responded to what was happening on the paper.  Besides liking the shapes of some of the shadows, I also liked the orange from the flowers reflected on the porcelain surface - it wasn't nearly as pronounced in real life, but I liked it in the painting.

I still have dreams of one do doing a "quick" little still life that captures its essence with a minimum of strokes... (sigh)

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On this lovely afternoon, I was able to spend time painting.  I realized that the little still life I just painted was OK, but...something about it isn't sitting well with me.  I'm happy to be more comfortable working with acrylic paint, but it's still falling flat.  That contrast that I like to emphasize just wasn't there once the colors dried.  Also, I wanted to try something a little looser now that I'd solved the question of colors and mixing.  So, I decided to try it again from a slightly different angle.

First paint (left) and today's painting (right)

I definitely like the 2nd one better - it has a greater level of contrast and it is slightly looser (although I think total reckless abandon just isn't how I was created to paint).  There's still a little tweaking that I'll do, but it shouldn't change too drastically from this.  One thing that I thought about while painting was how much easier color mixing has become.  In the early days of painting, color mixing was a little confusing - sort of hit or miss.  But now, I have a better sense of whether I should add a blue, a brown, or a black for a shadow; whether I should add a white, a yellow, an ochre, or some other color for a highlight.  I'm actually quite happy with my painting now - I want to have one foot in the natural world and one foot in the expressive without swinging too far one way or another...at least for now.

This doesn't exactly accurately represent the saturation of some of the colors, but it's close...

I've been watching some art programs on the Ovation channel lately and I had to pause one episode of Art in Progress to write down a quote.  The show focused on the artist Donald Sultan - I was not particularly familiar with his work and I liked it to some degree, although it was a bit to conceptual for my tastes (a topic for another time).  But, he said something that really struck a chord in me as I so often "overthink" things.

"One of the mainstays of making art is that you don't think of new ideas - you discover them.  So, that's why you have to work all the time.  If you go out and just lie around and start thinking and waiting, you know nothing is ever gonna happen.  And, the longer you wait, the more you realize that when you come back to it, you're right back where you were.  You're not any further along even though you thought and thought and thought - you didn't really go anywhere."  Donald Sultan

I appreciated this thought since I often like to spend time - too much time - thinking about what I want to do.  And, sometimes it's paralyzing.

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On this lovely afternoon, I was able to spend time painting.  I realized that the little still life I just painted was OK, but...something about it isn't sitting well with me.  I'm happy to be more comfortable working with acrylic paint, but it's still falling flat.  That contrast that I like to emphasize just wasn't there once the colors dried.  Also, I wanted to try something a little looser now that I'd solved the question of colors and mixing.  So, I decided to try it again from a slightly different angle.

First paint (left) and today's painting (right)

I definitely like the 2nd one better - it has a greater level of contrast and it is slightly looser (although I think total reckless abandon just isn't how I was created to paint).  There's still a little tweaking that I'll do, but it shouldn't change too drastically from this.  One thing that I thought about while painting was how much easier color mixing has become.  In the early days of painting, color mixing was a little confusing - sort of hit or miss.  But now, I have a better sense of whether I should add a blue, a brown, or a black for a shadow; whether I should add a white, a yellow, an ochre, or some other color for a highlight.  I'm actually quite happy with my painting now - I want to have one foot in the natural world and one foot in the expressive without swinging too far one way or another...at least for now.

This doesn't exactly accurately represent the saturation of some of the colors, but it's close...

I've been watching some art programs on the Ovation channel lately and I had to pause one episode of Art in Progress to write down a quote.  The show focused on the artist Donald Sultan - I was not particularly familiar with his work and I liked it to some degree, although it was a bit to conceptual for my tastes (a topic for another time).  But, he said something that really struck a chord in me as I so often "overthink" things.

"One of the mainstays of making art is that you don't think of new ideas - you discover them.  So, that's why you have to work all the time.  If you go out and just lie around and start thinking and waiting, you know nothing is ever gonna happen.  And, the longer you wait, the more you realize that when you come back to it, you're right back where you were.  You're not any further along even though you thought and thought and thought - you didn't really go anywhere."  Donald Sultan

I appreciated this thought since I often like to spend time - too much time - thinking about what I want to do.  And, sometimes it's paralyzing.

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I'm sure I mentioned somewhere something about doing quick and loose little paintings to play around with the medium and have a little fun.  I have a small space in the corner of my room which has been great for drawing, but lacks the space and storage for painting projects.  Normally, it wouldn't take to much time to set up a quick little still life, scoop some paint onto my Sta-Wet palette, and get down to business.  But, throw in household duties, homeschooling duties, helping Grandma run some errands, dentist appointments, soccer games...well, a 1-day activity turned into several days.

Day 1 - I managed to put together the still life before I had to run off somewhere. And, a day or so later, I quickly sketched the shapes onto my pre-primed paper (I had primed several pieces of paper weeks ago, so at least I didn't have to do that).


A couple days later, I had to come up with a solution to paint storage - I have no place in my room for the pint and quart size Nova Color containers.  So, I grabbed some small Gladware (or whatever brand) containers and transferred the colors I'd be working with.  I have a plant stand to set the palette on next to the table.  I was able to soak the palette paper and get it set up before having to call it quits.


Finally, yesterday afternoon, I actually got to paint.  I had envisioned a quick painting that would have beautiful color and contrast in relatively few strokes - HA!  My reality is that I layer and layer, push and pull, building values...maybe now that I've practiced the shapes and colors, I could put something together that's looser without losing the color and contrast that I like.  Perhaps I'll do that next.

Anyway, I think this is my first non-illustration project since I don't know when.  I'm excited about more exploration - I just hope it doesn't take so many days to do one little painting...but, it probably will!

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I'm sure I mentioned somewhere something about doing quick and loose little paintings to play around with the medium and have a little fun.  I have a small space in the corner of my room which has been great for drawing, but lacks the space and storage for painting projects.  Normally, it wouldn't take to much time to set up a quick little still life, scoop some paint onto my Sta-Wet palette, and get down to business.  But, throw in household duties, homeschooling duties, helping Grandma run some errands, dentist appointments, soccer games...well, a 1-day activity turned into several days.

Day 1 - I managed to put together the still life before I had to run off somewhere. And, a day or so later, I quickly sketched the shapes onto my pre-primed paper (I had primed several pieces of paper weeks ago, so at least I didn't have to do that).


A couple days later, I had to come up with a solution to paint storage - I have no place in my room for the pint and quart size Nova Color containers.  So, I grabbed some small Gladware (or whatever brand) containers and transferred the colors I'd be working with.  I have a plant stand to set the palette on next to the table.  I was able to soak the palette paper and get it set up before having to call it quits.


Finally, yesterday afternoon, I actually got to paint.  I had envisioned a quick painting that would have beautiful color and contrast in relatively few strokes - HA!  My reality is that I layer and layer, push and pull, building values...maybe now that I've practiced the shapes and colors, I could put something together that's looser without losing the color and contrast that I like.  Perhaps I'll do that next.

Anyway, I think this is my first non-illustration project since I don't know when.  I'm excited about more exploration - I just hope it doesn't take so many days to do one little painting...but, it probably will!

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A busy Saturday taking a group of seven giggling, sugar infused 10 year olds to the bowling alley for a belated birthday celebration (September is bad time for birthdays in our family - soccer season followed by the holidays...next thing you know, you're having a birthday party in January).

So, I didn't think I'd be getting much in the way of art done this weekend.  Certainly, no painting endeavors.  But, as it turned out, it was my turn to be in the nursery at church.  We have one baby there, and he was kind enough to let me sketch him.

Top: The "I'm growing weary of these toys" look Bottom: Sleepyhead

He was actually a good model as far as babies go - he was fascinated by the scratching of my quickly moving pencil so he would hold his position for a decent amount of time.  But, it's always challenging to draw a moving subject.  However, sleepy time came quickly and then drawing is a whole lot easier.  You have to grab drawing opportunities wherever you can find them sometimes.

Now, I'm off to read some chapters for a literature study I'm leading with my homeschool group.

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A busy Saturday taking a group of seven giggling, sugar infused 10 year olds to the bowling alley for a belated birthday celebration (September is bad time for birthdays in our family - soccer season followed by the holidays...next thing you know, you're having a birthday party in January).

So, I didn't think I'd be getting much in the way of art done this weekend.  Certainly, no painting endeavors.  But, as it turned out, it was my turn to be in the nursery at church.  We have one baby there, and he was kind enough to let me sketch him.

Top: The "I'm growing weary of these toys" look Bottom: Sleepyhead

He was actually a good model as far as babies go - he was fascinated by the scratching of my quickly moving pencil so he would hold his position for a decent amount of time.  But, it's always challenging to draw a moving subject.  However, sleepy time came quickly and then drawing is a whole lot easier.  You have to grab drawing opportunities wherever you can find them sometimes.

Now, I'm off to read some chapters for a literature study I'm leading with my homeschool group.

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I did manage to carve out some time yesterday to work on the Summer drawing.  I guess I was expecting to struggle and for it to take a lot longer.  But then, suddenly I realized that I was done - or at least done-ish.  I always have a period of staring and minor tweaking after I "think" I finish something.  Still, as a whole, it's done.

Maybe not the greatest picture, but you get the idea

I plan to switch it up and hold off on the next two drawings in this series - part of the reason is that I'm not really sure how I want to approach fall.  It would be much easier if these were color, since that's an easy way to portray the season.  But, I'll have to research some trees and see what sort of personality comes through.  Summer was easy - right away, I envisioned the swimmer and the palm.  I have some ideas for winter as well, but overall, both seasons will take a bit more consideration.

Instead, I think from here I'll be moving  into a study painting of the sketch of my daughter on the rocks - one that portrays internal reflection and reminds of the stillness and quiet of prayer.  I ultimately see that as a fairly large painting (not museum large, but large for my space).  So, I'll probably do some little still life paintings as well.

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I did manage to carve out some time yesterday to work on the Summer drawing.  I guess I was expecting to struggle and for it to take a lot longer.  But then, suddenly I realized that I was done - or at least done-ish.  I always have a period of staring and minor tweaking after I "think" I finish something.  Still, as a whole, it's done.

Maybe not the greatest picture, but you get the idea

I plan to switch it up and hold off on the next two drawings in this series - part of the reason is that I'm not really sure how I want to approach fall.  It would be much easier if these were color, since that's an easy way to portray the season.  But, I'll have to research some trees and see what sort of personality comes through.  Summer was easy - right away, I envisioned the swimmer and the palm.  I have some ideas for winter as well, but overall, both seasons will take a bit more consideration.

Instead, I think from here I'll be moving  into a study painting of the sketch of my daughter on the rocks - one that portrays internal reflection and reminds of the stillness and quiet of prayer.  I ultimately see that as a fairly large painting (not museum large, but large for my space).  So, I'll probably do some little still life paintings as well.

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If you recall, I'd completed and study for my summer tree/woman and was well on my way into a "final" version.  I thought it would go quickly - and the initial drawing did - but, I really got stuck on some things.

First of all, I did the study on a different paper than the one I'm using for this series.  It was a very smooth texture while the final has a bit more tooth.  It's always a bit of an adjustment, getting used to the different result.  But, the hardest part was that it was more difficult to get extreme darks that came so easily in the study because of the texture - the white of the paper shows through, lightening whatever value I put down.

I also struggled with the palm fronds, for some reason.  They came together so easily in the study - not so for the drawing that followed.  And then, I realized that I had really confined myself to almost only B-range pencils.  I really didn't use the the lighter values that I like to use in my drawings.  I flashed back to a college drawing class - I'd spent weeks on a poster-sized detailed still life and the professor commented that it appeared to consist mostly one value.  When I realized that, I started erasing to see if I could fix it, and this resulted in dirty, smudgy-looking work (not consistant with the other drawing in this series and rather sloppy for the subject matter).

So, much to my chagrin, I knew that this second drawing was not a final but another study.  There were elements in both drawings that I've taken and put into what will hopefully be the final drawing.  This time, I've started by laying down my light values - 4H, 2H, and HB - on the palm fronds.  I'll insert more dark shadows where needed, but I'm in the building of values stage.  This will take some time, depending on how much time I can carve out in the next few days.

In the meantime, I will continue to chip away at the mess of toys, shoes, and family stuff that always seems to pile up too quickly.  I'm teaching our writing co-op tomorrow - it's my turn and it's research paper time.

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If you recall, I'd completed and study for my summer tree/woman and was well on my way into a "final" version.  I thought it would go quickly - and the initial drawing did - but, I really got stuck on some things.

First of all, I did the study on a different paper than the one I'm using for this series.  It was a very smooth texture while the final has a bit more tooth.  It's always a bit of an adjustment, getting used to the different result.  But, the hardest part was that it was more difficult to get extreme darks that came so easily in the study because of the texture - the white of the paper shows through, lightening whatever value I put down.

I also struggled with the palm fronds, for some reason.  They came together so easily in the study - not so for the drawing that followed.  And then, I realized that I had really confined myself to almost only B-range pencils.  I really didn't use the the lighter values that I like to use in my drawings.  I flashed back to a college drawing class - I'd spent weeks on a poster-sized detailed still life and the professor commented that it appeared to consist mostly one value.  When I realized that, I started erasing to see if I could fix it, and this resulted in dirty, smudgy-looking work (not consistant with the other drawing in this series and rather sloppy for the subject matter).

So, much to my chagrin, I knew that this second drawing was not a final but another study.  There were elements in both drawings that I've taken and put into what will hopefully be the final drawing.  This time, I've started by laying down my light values - 4H, 2H, and HB - on the palm fronds.  I'll insert more dark shadows where needed, but I'm in the building of values stage.  This will take some time, depending on how much time I can carve out in the next few days.

In the meantime, I will continue to chip away at the mess of toys, shoes, and family stuff that always seems to pile up too quickly.  I'm teaching our writing co-op tomorrow - it's my turn and it's research paper time.

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Today, I was able to spend time working on a study for the next seasonal woman/tree pencil drawing.  It's nice to be working on some projects again - I really didn't have time after the mural to do anything but school and holiday stuff.  But now I can incorporate regular (hopefully daily) work at the drawing table.  My goal for this year is to really put forth an effort to do something with my art, whether it's for illustration, gallery, or both.  My "featured artist" show at the Town Center Gallery in October is certainly a motivator, but I've been compelled to do something now that my youngest can entertain herself for longer periods of time.

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Well, yesterday was a celebration of my oldest daughter who turned 14!  And today, it was back to school. We started with about half the subjects - I like to go in light (for my benefit as much as theirs).

Of course, last night - the last possible night of vacation - I actually sat down to work on something more than just sketching and doodling.  Well, I can't say that it was a new project - it was really one that I'd posted about before when it was almost done, and it sort of hung in that state ever since.  So, since diving into a major new project seemed unreasonable on a Sunday evening before the start of school, I just worked on fine-tuning the old so that I could call it "done."

#1 in the series - Spring

You may remember the "Mother Nature" doodle I did years ago, and this endeavor was simply finishing a re-do of that.  It is the first of a series of 4 woman/tree drawings that will represent each of the 4 seasons.  This first one is spring and I'm really excited about my idea for summer. I did do a little planning in the sketchbook on that one, but I won't reveal anything...yet.

Planning for the next one...Summer

Of course, for better or for worse, drawing and painting (or any other creative process) is energizing to me.  So, working into the night last night has its consequences - it was impossible for me to "wind down" and fall asleep for quite some time.  Not good when I had to get the girls up to do lessons this morning.  Still, I'm glad to be moving on from a lot of planning and idea exploration into actually producing something - it's invigorating.  But, I'm anticipating many more sleepless nights coming up.

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I always have the best of intentions - my plan was to start working on small scale and simple still life paintings to play around and further explore acrylic paints.  I’ve been going around the house selecting objects that might make for visually interesting paintings.  As usual, as I start putting things together, a story begins to grow, more specific items are then needed, and the next thing you know I have a large-scale project in my mind!  Not only do the concepts go from simple to complex in seconds, but many of the items that interest me are very detailed.

A few of the objects I've collected for still life paintings

S-I-M-P-L-I-F-Y…why is that so hard for me.  I guess my personal challenge to myself is just to grab some basic items (nothing fancy), throw them together on a table, and see what comes out.  It all comes back to that balance I need in my work - in this case, the balance of the conscious and subconscious.  In other words, it’s time to shut off the brain a little, quit over-thinking things, and "play."

Game on...

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One of my daughters is involved in a group of girls putting together a dance for an upcoming Fine Arts Night for homeschool families.  Today was the first day that I was able to sit in for the hour that they meet - I usually have art classes going on.  It was a great opportunity to do some gesture sketches - something that I'm not particularly good at.  Unfortunately, I had to be off to the side and it wasn't the best vantage point, but I got a few things down.

Last night I flipped through sketchbooks that I have going back 24 years to my college days.  Sad to say that I only have 7 complete sketchbooks for all of those years - testament to how I really dropped out of art for a significant period of time, with only occasional drawings between 1993 and 2007 (albeit I was doing stained glass through much of that time - something I'd love to get back to one day).

I had expected to come face-to-face with an artist who was very different than the one who is sitting here typing this.  In many ways - socially, politically, spiritually, etc. - I am very different.  However, I came across about 10 pages of writing from 1989 where I outlined my approach and artistic philosophy that was pretty much identical to what I do now - beginning with doodles and responding to them, the desire for balance, the need to work representationally... things like that.  I remember doing most of the drawings and why, but a lot of it was pretty bad and would never go anywhere.  Overall, they were very dark and angry, advertising the lowest point in my life that those directionless years embodied.

This is one of those experimental drawings that I did in 1989 when I first started exploring my doodle method of drawing.  It would be one of the last times I felt good about what I was doing creatively (in drawing/painting) for the the next 18 years

I referenced some drawings that I'd forgotten about (and I still have a few of them tucked away).  Those were probably the best that I'd done from that time period, but I had never really had the time to follow-up with them because of the demands of the classes I was taking for my degree.  It makes me wonder what would have happened if I would have continued on along that route back then.  Instead, I guess I picked it up again - refreshed - in about 2007.

Page one of the sketchbook I started keeping in 2007 where I was determined to draw "for fun" - I used the same doodle method I'd forgotten about

I guess I've picked up where I left off and it's exciting.

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Time is ticking away - Christmas vacation is slipping away.  But, I'm enjoying looking at the New Year, trying to plan how I can fit everything in that I want to do - especially art.  As it stands, I will be the featured artist at the Town Center Gallery in October and I've got to get busy producing new work.  Although it's a smaller-town member gallery, I'm excited about having a goal to work for.  And, I'm really delighted to be taking steps back into the more "fine art" world - it can only enhance my illustration.  I'm inspired by new ideas that I look forward to pursuing - I'll get more into that later.

Today, I carved out an hour OUTSIDE of the house, no less, to do a little sketching.  I'm wanting to do some small still life paintings to get into the swing of things and play around with my new and improved understanding of acrylics (thanks to the mural).



Anyway, during my break I've been addicted to watching previous seasons of the PBS series Art 21 on Netflix Instant Watch.   It has reawakened my interest in fine art and all of the discussion that goes with it that I miss from college (although I can't say that I took proper advantage of the opportunities for such discussion back then).  I'm going to dust off my many sketchbooks from back then and see how my ideas have changed since then. Maybe I'll post more on those thoughts soon.

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Merry Christmas and Happy New Year to all!  I was blessed this year with the means to purchase a new camera - nothing too high-tech, but my other camera was completely dead.  So, now I can take pictures of things I've been working on again...

There hasn't been as much time as I'd hoped during this vacation period to pursue any projects - the week before Christmas was spent preparing, baking cookies, etc. and the week after has been recovery of the house and things like that.  But, I have at least given some thought to new projects that I hope to complete in the next several months.  The above picture is a sketch from a photo of my daughter - a pose that I always liked.  It fits well with the concept I have for a painting.  And, it's exciting for me to be going in a different direction than I have in the past - inspirations from the mural project.

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