Well, I did it. I posted a few of my children's stories. Care to give me a review?
Not Your Mama's Stories

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When a picture book takes off, it is usually the writer that receives all of the glory, while the illustrator remains in the background. Few make it as recognizable names themselves. Christine Tripp, however, has pushed herself to the foreground with an adorable character named Penelope, of the Penelope and the Humongous Burp fame, as well as Penelope and the Monsters, and the upcoming Penelope and the Perposterous Birthday Party book due for release this Spring.

Born and raised in Ottawa, Ontario, she has been drawing her entire life. Christine is a self-taught multi-award winning artist who illustrated her first book in 1985 for “Meadowbrook Press”. She has since worked for both Scholastic USA and Scholastic Canada, as well as Lobster Press, and Groiler (to name only a few). She works in many areas of cartooning and illustration to include advertising, greeting cards, and magazines. Thankfully her true passion is children’s books!

Christine was kind enough to take time from her busy life as a wife, a mother of four and a grandmother of four, to answer a few questions about the illustration side of the picture book biz. This interview was conducted via email and Christine would like me to mention that she struggles with dyslexia. I think she did a wonderful job, and I am sure you will thoroughly enjoy it!

I'm not sure, I read the manuscript, I read it again and then see if there is a voice to the character. After a few readings I begin to "see" what that character looks like, what they would wear, if they would be prim and proper or a disheveled mess. Once I have their personality well established in my mind, it's easy to direct it all down and out through the finger's and the pencil on to paper.

How did you decide to make Penelope biracial?

I think there was talk of it by the publisher to some degree right off the bat. I can't take complete credit for it but, with each of the books, she has become more "obviously" biracial and her mother more "obviously" of colour, especially in book 3 of the series. I prefer not to pin point Penelope's families culture, rather I like that any child of colour can then relate to the books characters and make them their own.

What reactions have you received over it?

Great reactions, reactions that give you a really good feeling deep, deep inside. Reviewers seem to point it out and I have had parents write me to say how wonderful it was to finally have a book that their children could relate to, plus just be funny and not an "in your face" non fiction story or have the story be ABOUT the issues of discrimination etc. Just have it be very matter of fact. Sad that we are still in a time where a biracial character brings out any reaction... but we are, sigh:(


There is a full representation of male and female genders in the other characters, as well as many different races. Were you trying to make a statement, or was that just the way you saw them?

That IS the way I draw. I'm not concious of it anymore but I think it was something that I "learned" way back. I did a lot of illustration work (before books) for many government agencies in Canada and they are extremely careful to be inclusive. After a while, it became second nature to me to include all of society in my illustrations. It just happens now, I like to imagine that this is truly where life imitates art (or at least mine anyway) and visa versa.
I also don't try to make everything EVEN because life is NOT even. So, I do not plot my illustation by saying to myself, this boy will be African Canadian, this girl shall be Aboriginal, this ditch digger will be a woman, etc. It just evolves into what is. I don't control it and I like it that way. Other wise I am sure it would look contrived in the final drawing.



How did Sheri Radclif receive your illustrations?

Sheri Radford has been nothing but supportive and my biggest fan. She has always, always said such wonderful things about my drawings, she's been such a great friend and fan! Sheri did comment the day she saw the first drawing of Penelope. I had no idea but Sheri, as a child, had curly dark hair and wore it the same way, little pig tail thingies, as my drawing. She then sent a photo and sure enough, she looked just like Penelope (or Penelope looked like her) I had no idea, before that I had not even communicated with the author, didn't even know her name.

The dog has become a signature of the “Penelope” books. There is no mention of him in the text. What made you decide to add him?

I just love drawing animals/pets, especially dogs. I add them in when ever I can. I did a dog in that Scholastic series I mentioned earlier and the publisher and author fell in love with him. So much so that they started asking me what his name was. I didn't have a name in mind for him but had just recently adopted a puppy from the pound, so I said "Jake" (as that is the name MY dog was given)


The author then wrote one of the books in the series specifically about "Jake":) I just feel that, if there is a child, there should be some sort of wonderful animal right there beside them:)

Would you agree that all great illustrators add a second layer of story, or can a great illustrator simply stick to the text?

No, in my opinion an illustrator HAS to add their story, visually, to the text. There is nothing more boring then illustrating only the words and, I assume, looking at pictures that just illustrate the words. I mean, why repeat the same thing twice? It's so much fun to find a story inside a story I think. A small child who can not read yet can open a picture book and make up the story based only on the illustrations alone. Even as the story is being read to him/her, they are "getting it" by looking at the art. Give them the story in the art but give them more then that, give them the ability to tell the story in their own way too.


Do you have much interaction with the author, while illustrating their ms?

Not usually, you often know nothing more about them then their name but with Sheri, after the first book, yes, we are now pals:)



What sorts of things are illustrators required to revise in edits?

With text revision, it's not till you begin to put the story down visually that you notice inconsistances in the text perhaps, or things that just do not make sense or words that can be eliminated, as you can best show them in the art. As for art revisions, it's most likely that the character say, on page 3, does not look the same on page 14 or you have drawn someone in long sleeves on page 9 when they appeared in short sleeves on page 3. Placement and spacing are big issues as is not leaving enough room for text or leaving toooooo much room and the page is now, visually, not interesting enough.

Most of the time, change requests by the Art Director serve to make a much better illustration (though it's always a little hard to hear and not take too personally:)


Are there any more “Penelope” books in the making? If so, when can we expect to see them?

The third book is done and coming out Spring (March?) 09. It's called, "Penelope and the Preposterous Birthday Party". I've never drawn so many monkey's in my life:)


Three books would definitely make it a series. A picture book series that doesn’t involve a licensed character seems to be somewhat rare these days. Do you think that Penelope will be made into a cartoon character? If so, what are your feelings about having so many other hands interpreting your work?

Wouldn't that be a hoot?:) I'd love it, and I don't think I would have a problem with an animator doing Penelope. Granted animation is not going to look the same, as you can not get all detailed about it but... I think that's OK. I'd love to be a little involved, just because it would be exciting! I doubt anything like this will happen but it would be cool!


Are you working on any other projects?

I'm not doing any trade books at the moment but am working on educational text book illustrations for a Korean book publisher and some small projects. I keep sending out my own picture book dummy, hoping I can find a publisher interested in it and continue to do mailers. Finding work is always a job in itself and it never gets any easier:)



What illustrators do you admire?

I love Denise Brunkus (Junie B. Jones fame), Lynn Munsinger, too many to list really. I tend to be drawn to art that is full of fun and a great sense of humour.


What advice do you have for aspiring illustrators?

Do not think it will be easy, get ready for a long road of self promotion and rejection. It may not work out that way, but if it happens faster, it will just be a pleasant surprise. Talent is not enough, it's a lot of hard work, it's not all fun and self expression. Illustration IS a job and you DO have a boss, many of them in fact. The publisher, the art director, the adults that buy and review your work and, ultimately, the children.


Often an illustrator will feel that demanding a fair rate for their work, commercializing their art, is distasteful. Examine why you want to be an illustrator and realize that everyone in the book industry thinks of it as just that, an INDUSTRY and everyone, from the publisher down to the receptionist and mail room person makes their living in this industry. Perhaps you want a different career and retain your art as an enjoyable hobby. It's serious business, just because you love what you do, be it teaching, treating the sick, it does not mean you should not be able to make your living at it as well. (off my soap box now:)


Do you have any words of wisdom to offer picture book authors, when it comes to dealing with the visual interpretation of their work?

Oh, I wouldn't want to give advise on something I know nothing about... even though that doesn't always stop me:) Perhaps to always keep in mind what you need to say in text and what you can leave out, because it can be said just as well or perhaps better in the illustration.


What is the most important ability that an illustrator must possess?

Determination, Drive, Patience and Professionalism.


Once again, when can we expect to see the new “Penelope” book in stores?

SPRING 09, horrrrrray!:)

Honors and Awards:

"Penelope and the Humongous Burp", Second Place, OLA "Blue Spruce"Award 2006. Voted on by the Young Readers of Ontario.

"Penelope and the Humongous Burp", awarded the Gold, "Mom's Choice Award", 2005 at Book Expo NYC. (Judges included, executive producer of Reading Rainbow (PBS) and the creator of Baby Einstein!)

"Penelope and the Humongous Burp", picked as one of the Top 10 books for 2004, by "The Canadian Toy Testing Council", Children's Choice

"Penelope and the Humongous Burp", nominated for the "IPPY", 2005, "Independent Publisher Book Awards".

"Penelope and the Monsters", Nominated for BC Chocolate Lily Award, to be announced in 2007.
Judge: "National Newspaper Awards" editorial cartooning division, 2001 Chief Judge: "National Newspaper Awards" editorial cartooning division, 2002

Victoria International Cartoon Festival, second place for published cartoon strip, 1985.

Learn more about Christine by checking out her fantastic website:

http://www.christinetripp.com/

Or, look at some of the books she has illustrated:

http://www.christinetripp.com/bookpage.html

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These days, in the writing world, there is a climate of fear and hostility, coupled with excitement and optimism. We are on the verge of a major shift, just as Western civilization was changed with the discovery of the New World. Between the phenomena of blogging, innovative new sites like authonomy, POD and epublishing sites, our frontiers as writers have been expanded. What will come of it? Will high quality literature die?

If I may be so arrogant, I would like to lay out a prediction. Literature is not going to die. In fact, it will be poised for new and exciting experimental forms, and be empowered with more potential than has been realized up and to this point.

I believe that we will see a world where publishers are merged with advertising agencies and marketing firms (if you know anything about the big 5, that’s not too much of a prediction). Editors will still remain a backbone, and in fact quality will take the front seat once again. Sound contradictory? Well, keep reading.A publishing house will be free to take on more writers, because they will need very little capital to publish a book. Books will be produced for websites and available for free. Yes. I said for free. That takes care of all of everyone’s download and piracy fears. Readers will be able to read these on handheld screens (they’ve actually had different versions for about 15 years), or their computers. Unfortunately, the text will undoubtedly be framed by advertising. See, there was a catch. Many blogs and websites have been doing it for years.

Writers will be paid by advertisers based on hits to their particular book. The choice of success will largely be put back in the hands of the readers, and not investors and market analysts. Sure, these will still play a major part, but a small unpublicized book could really turn a profit if it was brilliant enough to gain a strong following. A skilled writer could compete with a celeb book, or one heavily backed by a publisher. Indie books would battle it out in a literary gladiator’s ring. The best would be picked up by a publisher and given editorial and marketing aid. As it improved and gained more readership, it could pick up more and more powerful sponsors.

This probably means that many books will be more vulnerable to fads, and may be easily lost in the sea of overload. I’m not sure. But, I do know an author’s book need never go out of print (though the checks may stop rolling in). Writers can be free to update their books, without a major expense. Agents will be hashing out contracts with Coca-Cola and Reebok. Publishing houses will still exist, because readers will need a way to navigate through all of the crap and find something that they can rely on to have been properly edited. Advertizing will be invading us on yet another front, but the possibilities are amazing (links to other resources placed in the text, interactive features that allow you to connect with characters, maps and charts for nonfiction, animated illustrations for picture books, etc.).

Will a lot of crap be put out there? There already is a lot of crap out there. Are people reading it? There are a lot of books I am happily skipping over at authonomy with my lightening fast mouse. I wish I could say the same for some of my book store purchases. I believe that poorly edited books will sink to the bottom, because who wants to waste their time reading them?

I’m not sure how I feel about all of it. I am just certain this model is pretty close to what will happen. If you’re a writer and you’re not yet web savvy, now is the time to learn (as I stumble through, myself), because in the next ten years, or less, it will be a reality. I know, we think, but I love to have a book I can hold in my hand. But, does the next generation? Or do they like to hold Black Berries and cell phones to text message with?

I welcome all comments, as I too am struggling to figure out what will happen.

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Wow! Can you believe it? This blog has been nominated by Annick Press for the Brillante Weblog Primio. Thank you Annick!

Now to pass on the appreciation. Here's my nominees, im no specific order (because I love you all):

Editorial Anonymous This is the place to be checking, frequently, if you are a writer or illustrator. You can aske her questions (which are answered fairly promptly), get involved in a very heated discussion in the comments section, or simply read and learn. Trust me, check this one out.

Kim at Bugs and Bunnies. This is the best unpublished children's writer blog, I know of. Kim relates hilarious ancidotes that range from her housekeeping woes, to her son's tiny acts of rebellion. She also does a wonderful book review and author profile every Friday, has a holidays calender (every day is a day to celebrate), writes articles on strange and interesting facts, and has a little something for fans of Calvin and Hobbes. There's more, but you'll have to head over there and see for yourself.

Kate Messner of Kate's Book Blog. Here's my favourite published children's author's blog. I met Kate on the Verla Kay discussion board, and thank goodness! Her blog is invaluable for any writer looking to break into the business. She freely posts her methods for revision and provides plenty of insight into everything that crosses the path of a published writer. There is a whole lot going on over there, as she is working on a book, right now, and her YA book, Champlain and the Silent One has just been released. She also posts a weekly "Friday Five" that you won't want to miss.

Kristen at Pub Rants (that's "publishing" rants) has all the lowdown from the agent's trenches. Ever wonder how exactly an agent earns their comission? Give her a visit and you'll see. She also posts helpful hints for writers and ponders the great questions of the biz. Her format is wonderful. I love the "status updates", and "what's playing on the ipod".

Moonrat at Editorial Ass is like the symoathetic big sister of the writing world. An author and editorial assistant, you can bet she's got some interesting posts, sprinkled with tidbits of life in NYC. At least check out the "pistola" post -not for kids, but very funny. You'd be interested in the "mischief" she runs with (haer group of long time blog friends) , too. It seems everyweek another one scores a deal or releases a book.

Laurie at Writing on the Edge is a refreshing read, especially for Christian readers/writers. I was actually surprised to discover a suspense/ thriler book blog written by a Christian Author. While your religious views may understandably differ, it is nice to find something entertaining that doesn't involve the total corrosion of societal values. She posts on a wide variety of topics, writes great book reviews and conducts the odd interview.

Rules for next recipients of the Brillante Weblog Premio are as follows:
1. The award may be displayed on a winner’s blog.
2. Add a link to the person you received the award from.
3. Nominate up to seven other blogs.
4. Add their links to your blog.
5. Add a message to each person that you have passed the award on in the comments section of their blog.

Enjoy!

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Well, the Sanctuary has gone to seed over the past couple of months. But, never fear, now that I'm all healed up, I'll be slipping into my gloves and dropping some more seeds.

You can look forward to an interview with a devinely quirky gal. She's not a writer, but you'll want to read what she has to say, because she is going to shed some light on an often ignored aspect of the Picture Book world. I'll give you a hint: She's the brain behind a very special little biracial girl and her dog.

Also, I'll be dumping a whole heap of fertilizer on the garden, some time soon. Yup. That means more potty book reviews. And while I try very hard to keep it positive around here, there's a bit of a doozie in the bunch, even though the title is pricelss. You won't want to miss my first ever semi-bad review.

I guess I better get at it. I'll see you all soon. And thanks for hanging in there while I took a break.

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Well, unfortunately, I am not sure if that promised interview with Michael Kusugak will become a reality. Not sure what happened, so I haven't got much to report, as of yet. Fingers crossed.

I will be going in for surgery tomorrow and will be absent from the blog scene for a short while. In the meantime, I'd like to leave you with a homework assignment.

I am putting out a challenge for you to read a book about an aboriginal culture. It doesn't have to be a children's book, but if it is, you can share it with your children. Then, if you feel ambitious, you can post a review (even a sentence or two) under the comments. Stuck for ideas? Choose one from the list of Inuit literature I have here, "Diamonnd's From the Tundra".

As for me, I will be reading "Across Time and Tundra" which is a great big beautiful book about the Inuvialuit culture- my mother-in-law's people. I am really excited about it because she knows almost everyone in the many, many pictures, and there is an awesome old photograph of her great-grandfather's family. Her great-grandfather founded Aklavik.

So, head off to the library and discover a gem from an exotic culture that may be right in your own backyard, or paerhaps on the other side of the world ...and don't forget to tell us about it.

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Michael Arvaarluk Kusugak (auth)
Vladyana Langer Krykorka (ill)
Annick Press 1998
Ages 4-7 40 pages
softcover ISBN 10: 1550374524
ISBN 13: 9781550374520
hardcover ISBN 10: 1550374532
ISBN 13: 9781550374537


In Arctic Stories, Michael Kusugak recounts three stories, from his own childhood, through the eyes of Agatha, a young Inuit girl.

The first, Agatha and the Ugly Black Thing, was inspired by an event that happened in Kusugak’s community in 1958. It was then that a large helium filled airship, called a ZPG-2, carrying a scientific expedition, passed over the settlement near Repulse Bay. The people were terrified of the black aircraft that looked like a bomb. They began to run, panicked. Kusugak uses this event as the driving force in a story that describes, in brilliant detail, the awakening of the Arctic, in spring, substituting a little girl, for himself. This sleepy little girl, Agatha grows tired of running and becomes angry. She shouts at the ugly black thing which goes away. She is a hero, but being a typical child, she is too sleepy to walk back, and is carried home, sleeping. Agatha and the Ugly Black Thing is concluded with my favourite of Vladyana Langer Krykorka’s illustrations- Agatha nestled in her father’s arms, sucking her thumb.

The second story, Agatha and the Most Amazing Bird, sprang out of another childhood memory of Kusugak’s. When he was a young boy, his grandmother befriended a raven by feeding it. As a result, the bird felt an attachment to her. Again, it is Agatha, not Kusugak, who moves this story. Anyone interested in birds will revel in this tale. Kusugak gives an amazing amount of detail, following not only the physical changes undergone by the raven throughout the seasons, but also the amazing spectar of the many migratory birds, as well. I found it hard to read because my daughter, Koogiook (Swan) could not stop asking questions. I love a story that ignites wonder and curiosity.

The final story, Agatha goes to School, is based on a less happy time in Kusugak’s life. Agatha is taken by plane, along with two of her friends (who were named for two of Kusugak’s real life classmates) to the residential school at Churchill. The realities of residential school are touched on in a very delicate manner that make it easy for young children to understand that it was not always a kind and loving place, without giving them nightmares or scaring them from going to school. In this tale, Agatha decides that she would rather ski than skate, having had little success on the ice, even though her friends would rather skate. It turns out lucky that she has chosen to bring skis when Father Fafard (a well liked priest) falls through the ice of the RCMP Lake. The skis are resourcefully used to rescue the drowning priest. A plethora of images from Kusugak’s childhood, are present in this story- from the nuns that sang like angels (but were definitely not angels) to the RCMP members hacking ice from the lake for their own use, and the talented skills of Father Fafard on a pair of skates. This is a relevant story for your children (if you are Canadian) as they are likely to be exposed to the concept of residential school, over the next few years. With the recent (and very long overdue) apology by Stephen Harper to the students of the residential schools, and a truth a reconciliation committee slated, the media will be ripe with discussions of the subject. This truly is an important read for anyone, regardless of heritage. It may be a part of our cultural and historical experiences as Canadians, but speaks to the experiences of humanity as a whole. If you are a teacher, this is a great story to use in your classroom, as no doubt the social sciences curriculum will be expanded, considerably, to include more education about residential schools.

This set of stories is a wonderful resource for any parent or teacher interested in the Arctic, the Inuit, or even just another way of life. Arctic Stories constructs a (vanishing) world that is filled with fears of technology, wonder at the abundance of Mother Nature’s fauna, and heartache at the hands of those who would consider themselves more civilized. You cannot help but come away from reading Arctic Stories, with a sense that you have been given a very special peek into another human’s collection of experiences. We can be grateful, once again, to Kusugak for pulling back the curtains and turning on the light.

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Michael Arvaarluk Kusugak (auth)
Vladyana Krykorka (ill)
Annick Press 1992
Ages: 4-7 32 pages
softcover ISBN 10: 1550372289
ISBN 13: 9781550372281
hardcover ISBN 10: 1550372297
ISBN 13: 9781550372298

Hide and Sneak paints a serene portrait of an Arctic summer, while exploring Inuit folklore. Young Allashua wanders off, one day, while playing hide and sneak. She explores poonds, chases butterflies and even meets the fabled Ijiraq. It is said that when this bashful creature hides a child, they can never be found. Allashua is clever, though and tricks the Ijiraq into leading her back. However, the Ijiraq vanishes on Allashua, before she has made it safely home. It is then that Allashua sees a distant Inukusugaq (Inukshuk). She follows this, until she sees her family's camp. Her family are relieved to have their daughter return. It is then that Allashua's father explains that the Inukusugak is to help people find their way home.

Michael Kusugak lays out such a vivid picture, through Allashua's eyes, that one feels like they are exploring the Arctic in summer, themself. This book would make an excellent suplement for any class studying a unit about the Arctic. My own children (2 1/2 and 4 3/4) were engrossed in the amazing detail and charmed by the Ijiraq. Many parents may be turned off by the word length of Kusgak's books, but my finding is that his mastery with words keeps my little inspirations captivated.

Vladyana Krykorka, has illustrate this book beautifully, infusing Allashua's face with touching expressions, and brining to life the various creatures of Kusugak's tale.

With the Inukusugak everywhere, escpecially in light of the Vancouver Olympics, this is a wonderful way to learn more about it, while enjoying a vivid and imaginative read.

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Michael Arvaarluk Kusugak (auth)
Vladyana Krykorka (ill)
Annick Press 1999
Ages: 4-7 24 pages
softcover ISBN 10: 155037881
ISBN 13: 9781550375886
hardcover ISBN 10: 155037589x
ISBN 13: 9781550375893

Who Wants Rocks? is a poignant environmental tale, and stands out as a unique work from the rest of Michael Arvaarluk Kusugak’s stories. On the dedication page, he writes, “People talk about moving mountains. Yukon Territory, in Arctic Canada, is the only place on earth I know where they actually do it. This story came to me in Dawson City, Yukon.”

Move mountains? Yes, that’s right. Isn’t it amazing what greed can drive human’s to accomplish. Who Wants Rocks? tells the story of a prospector named, Old Joe. His discovery of gold in a stream sets off the Yukon Gold Rush. Each time he is lucky enough to find gold in a mountain, his excitement gets the better of him and he gives away his discovery. The other miners are quick to reduce that mountain to a pile of rubble. Little Mountain watches all of this. She watches as North Mountain falls, and then another. She feels a deep sadness and empathy as the great mounds are picked to rubble. At last, Old Joe climbs Little Mountain, but despite all his hard work, all he finds are rocks. So, he shouts out “Rocks!” instead of “Gold!” this time. The other miners shout back, “Rocks? Who wants rocks?” Old Joe climbs a mountain to the east and repeats his cry. It is then that he realizes that every time he finds gold, others strike it rich, but wealth still eludes him. He sits to rest and gazes out at Little Mountain. He becomes aware of the all of the wildlife that is supported by the mountain. He notices that people camp on her slope. He builds himself a home where he can view Little Mountain, having found the true riches he had dreamed of. No more mountains are invaded by miners because of him, and he finds a deep love for rocks.

This story is touching in a “Giving Tree” sort of way. The three inspirations (ok, well just the two eldest) were very moved by this story, and it was a topic of conversation, for them, for a very long time after we first read it. While it has not received enormous commercial success, it is my hope that it will slowly grow in the book buying public’s awareness. This is one of those books that should be on every school reading list. It speaks of greed and the consequences of it, it recounts an important piece of Canadian history, and it holds a contemporary tale of care for the environment.

The message of environmentalism, in this book, cannot help but hit its mark with children. Gold holds little wonder for children. A mountain being reduced to rubble is simply repulsive. This is compared to Little Mountain who was left unharmed. As usual, Kusugak paints her with such brilliant imagery that you cannot help but yearn to see her and bask in her abundant ecosystem. Even adults (and we are famed for our greed), will clearly prefer an intact mountain to a shiny little rock.

Vladyana Langer Krykorka illustrates Old Joe with charm and character. But don’t expect to see traces of A Promise is A Promise, here. Who Wants Rocks is a showcase of Krykorka’s vast vocabulary as an artist. These pages are filled with something completely different.

There is so much room for discussion, in this book. If you are a teacher, or even just a parent who enjoys challenging your child to examine their values, you will love Who Wants Rocks? It is the type of tale that will creep into your bones and stay with you long after you have closed the cover. This book deserves to have a place as a Canadian classic.

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Robert Munsch & Michael Kusugak (auths)
Vladyana Krkorka (ill)
Annick Press 1998
Ages: 4-7 32 pages
ISBN 10: 155037009X
ISBN 13: 9781550370096

I am not even sure where to start, when it comes to A Promise is A Promise. Robert Munsch, Michael Kusugak, and Vladyana Krykorka. These are the thoroughbreds of the Annick stable.

A Promise is A Promise is the story of a defiant girl, Allashua, and her encounter with the mythical Quallapilluit. She is warned not to fish in the cracks in the sea ice, but ignores her parents advice. While alone, out on the sea ice, she is vulnerable to the Qualllapilluit who prey on children who are not with their parents. They pull her into the sea. In a desperate attempt to save herself, she promises to bring her brothers and sisters for the Quallapilluit. They throw her out of the sea and she is able to make it to her doorstep before losing consiousness. That is where her mother and father find her. After Allashua is revived, she owns up to what she has done. Her parents are disapointed with her, but they devise a clever plan to help their remorseful daughter. While the Quallapilluit are distracted, Allashua takes her brothers and sisters to the cracks in te sea ice. The evil beings are unaware that the children are there and thus miss their chance to claim their victims. After it is certain that the children are safe, Allashua shows much more caution, having learned her lesson.

There is no filler in this book. You can expect a nice hunk of meat. The imagery is something you can sink your chops into. Allashua taunts the Quallapilluit by saying that they "smell like a dead whale in the summertime", and their voices are described as sounding like "snow blowing over the ice". It will set your child's imagination on fire. And as if the descriptiveness of the story wasn't enough, the pages are filled with Krykorka's best work (ok, that's just my opinion, but I think it is a fair one). Her visual interpretation of the Quallapilluit would make you believe the creatures real, as if she painted them while they posed for her in her studio.

Kusugak and Munsch have written a book with a rich plot that appeals to the human experience of both the parent and the child. And have done so, wrapped up in an ancient piece of lore (that takes a bit of work). Allashua's defiant rational is spelled out for us, in the beginning in a way that children can relate to, and parents will become npstalgic over. When she finds herself in trouble, her parents do not rant and rave at her (like I would likely do, at least until page 28). They agree that her mistake was dumb, but as loving parents, they help her find a solution. We know, as caregivers that we would walk barefoot across the Arctic Circle for our children. It will tug at your heart strings. As for the munchkins (that's who the book is for right?), it is important for them to be reassured by a message of parents who will forgive anything and continue to love them. Clearly Allashua has made a whale of a mistake (one of those ones rotting in the summer), but the story is not didactic. We experience the remorse of Allashua, and the desperation of her parents. While a mythical story, the human element is raw and genuine.

As for my three inspirations, Koogiook (swan), Bunikpuk (big daughter), and Ukluk (bear), the real critics in this house, we've had the book for over a year and it comes off of the shelf more than once a week. I love reading it, their father loves reading it, their grandmother loves reading it, they love hearing it, and filling in the words they have now memorized (pretty much the whole book).

If you haven't read it, please, do. You will be well satisfied by the methods used to deceive the Quallapilluit. History, Anthropology, Mythology (and a whole lot more), wrapped in a thick fatty coating of delicious language. I rate it at the top of my all time favourite children's books.

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It was late April, 1948, and the temperature was between -25C and -30C when Kusugak and his wife, Kukik, travelled by dog sled to Qatiktalik (Cape Fullerton), NWT (now Nunavut). It was there in a small sod hut, on a beach along the west coast of Hudson Bay, that Kukik bore a baby boy. Shortly after giving birth, the family continued on to Repulse Bay, which is located in the Arctic Circle. Times were hard. At one point, Kukik’s milk even dried up because Kusugak had not had a successful hunt in a long time. The baby cried, until a friend shared his stores with the family and Kukik’s milk returned.

Sound like a synopsis for a Michael Arvaarluk Kusugak book? Well, it isn’t. What it is is a recount of his beginnings in the world.

Michael Kusugak spent his first twelve years in Repulse Bay, a community that was home to a Hudson’s Bay Company fur-trading post (where people could trade pelts for supplies like bullets and flour), and that only ran the flag up the pole when an airplane was coming. The people of the community spent their winters in igloos and their summers in tents.

One day, when Michael was seven, an airplane came that would alter his life. The plane would carry off Michael, and the children of Repulse Bay, taking them from their nomadic life of hunting and fishing, to attend residential school. Michael attended school in Chesterfield Inlet, Rankin Inlet, Yellowknife, Churchill and Saskatoon, before becoming one of the first Inuit from the Eastern Arctic to graduate school.

Michael did not take to school, in the beginning. He spoke no English and claims to have cried the entire first year. After his first summer vacation, the resourceful child hid in the hills, until he saw the plane leave- successfully skipping school for an entire year.

Michael did prove to be a good student, though. He showed an ability to command the written word, early on. However, with home calling his heart, he dropped out after his first year of university and returned to Repulse Bay.

But fate had not forgotten Michael. It visited him in the form of Robert Munsch, who stayed with Michael, while touring the North. Michael took the famous author hunting and fishing and entertained him with the stories he had been told by elders, when he was a boy. Robert Munsch asked Michael to write some of these down and send them to him in Guelph.

The rest, as they say, was history. After several drafts, Annick Press finally agreed to publish A Promise is a Promise. It is then that Michael met another important person, Vladyana Krykorka, who would illustrate his many books.

Several books followed A Promise is a Promise (for a list see below), as well as plays. He even received the Ruth Schwartz Award in 1994, for his book Northern Lights.

Michael’s skills as a storyteller are legendary. He blends his ability to tell tales with such traditional Inuit methods for story telling as using string and bones as props for illustration. As the father of four sons and the eldest child of twelve, himself, he no doubt, had a great deal of practice entertaining, long before he found fame.

Michael is in high demand to speak at schools, libraries, museums, and conferences such as the Northern Hearts Festival and the Allainait Festival in Igaluit(where he will be on the 24th of this month, telling stories and teaching string game workshops). His latest book is Igvillu: The Littlest Sled Dog , published by Orca Book Publishers.

For more booking information, or more information on this amazing author, visit his website at http://michaelkusugak.com/ .



*A Promise is a Promise (co-authored w/ Robert Munsch) (Annick Press, 1989)
*Baseball Bats For Christmas (Annick Press, 1990)
*Hide and Sneak (Annick Press, 1992)
*My Arctic 1, 2, 3 (Annick Press, 1996)
*Arctic Stories (Annick Press, 1999)
*The Curse of the Shaman, A Marble Island Story (Harper- Trophy, 2006)
* Igvillu: The Littlest Sled Dog (Orca Book Publishers)

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Books like Millicent and the Wind and Stephanie’s Ponytail explore alienation and ostracism. Were you familiar with those, as a child?
Ah yeh. I didn’t do very well in school.

You often paint teachers and principals in an ill light. They are quite often the butt of jokes in books such as Show and Tell and We Share Everything. Are you playing to your audience or expressing childhood...
I’m playing to my audience and also getting revenge.

Characters such as Jule-Anne and Moira are very clever. Did you often outwit the adults, or is that an expression of an alter-ego?
It’s pure fantasy.

Speaking of alter-egos, I have heard you are a Batman fan. I was wondering, which one of your books do you think he would like?
I think Batman would like Purple Green and Yellow.

What was the inspiration behind From Far Away?
A kid wrote me a letter about her first Halloween in Canada. She had just arrived from the civil war in Lebanon and she freaked out. I used that letter to write that book.

Was there a specific thing in the story that touched you?
She was just so upset, I think that when she cried and her dad had to come and get her. And she didn’t know how to ask where the bathroom was and she crawled under people’s desks and snuck out of the room.

Speaking of the bathroom, my son’s favourite expression when he has to pee is “I have to go peeEE”. I was wondering, as a parent and a former daycare worker, do you have any potty training advice?
Be patient.

How did A Promise is A Promise come about?
I wrote it with an Inuit friend of mine, Michael Kusugak. I stayed with his family he told me about the Quallapilluit and we wrote that story.

Is that how Michael Kusugak got his start?
Yes that’s how come he got his start.

What was the inspiration behind The Paper Bag Princess?
I was telling stories to kids about princes and princesses, but they were just regular stories. Then one of the mothers said, “have you noticed there are not many princes is in this stupid lumber town. You should change that story.” So, I changed it and the kids liked it very much.

It is considered culturally significant, both in its message of self-esteem and feminism. Was that completely by accident, or was some of that intentional?
No. That was not by accident, actually.

So, that was quite intentional to do that?
Yes.

Do you receive many letters from adults?
I don’t receive a whole lot, but that is obviously an adult favourite.

Do you answer the letters from the adults, as well?
Yes.

What advice do you have to offer other writers?
Get a job, first.

Did you have any advice for editing?
Nobody’s first draft works, on some level. It requires constant revision to get it to where it needs to be. But you have to know when to say enough is enough. I would say, you’ll never get it just right. There eventually comes a point when you have to say “stop”. It never gets good enough.

Did you always want to be a writer?
No. I wanted to be anything but a writer. I couldn’t spell in school. My boss made me be a writer. I put off writing but my daycare boss told me he would fire me if I didn’t try writing down a story.

How important do feel it is for a children’s writer to immerse themselves in childhood culture?
I don’t know the answer to that. Dr. Seuss who wrote such wonderful books had virtually no contact with children. I on the other hand, have lots of contact with kids and that works for me, but I don’t think there is a general rule about that.

Do you have any advice on how writers can immerse themselves in children?
Go visit a daycare centre.

Are you an organized person?
No.

Do you write down your ideas or do you store them in your head?
When I start getting a story that I think works, I put it on a list. But that’s about it.

Do you write down the children’s names to remember them? [Robert Munsch uses real children as characters in his books]
No. I just call it, if it’s about Shelly, I’ll remember it as Shelly’s story. Then if I think it’s going to be a book, I contact Shelly so I can contact her. I write a draft, then five years later when it becomes a book I can say, “hey, you’re going to get a book”. Then I send her an autographed copy.

Do you have an agent?
No.

Do you think that it’s beneficial to maintain loyalty with one publisher?
Yes because the more books you have with a publisher, the more work they will do for you. If you scatter yourself all over the place, you’re not that valuable, unless you’re Stephen King.

Do you still receive rejections?
I just went with one publisher, but we don’t agree on what stories to do. I have lots of stories and it’s hard for me to get the ones I want out. Like I have over one hundred and fifty to choose from, now, on file with my publisher.

I heard that Love You Forever was one of those.
Yes, Love You Forever was one of those. My first publisher rejected that.

To what do you attribute the success of Love You Forever?
The depth of love between children and parents and families. You can love people and you can be driven crazy by them. There is a way of saying you like someone without being smothering. And it’s about life and death.

I have a few questions for the children readers.
Do you have any hobbies?
I like to walk my dog, I like to take long walks in the woods and I like to climb trees.

What are you afraid of?
Bees.

Who is your favourite person?
My favourite person? Hmm. My children.

Do you have a favourite food?
That changes a lot. I think right now, it is Indonesian coconut soup.

Do you watch T.V.?
I don’t have any shows that I like to watch.

Are you often recognized by children?
No, although I am in bookstores.

What is something that people would not know about you?
I used to yell at my kids and they would yell back. I was not the perfect parent.

I think people would be very relieved to know that. With more than one hundred stories on file with your publisher, what can we expect next?
Two books a year for a long time.

No hints on the next one?
The next one is going to be called One More Goal. It’s about a girl named Sierra, from Hay River, in the North West Territories. It’s a hockey story. I’ve written many books, but never any hockey stories.

note: Unless you are a grade school student doing a class project, any reproduction of this interview, by any means, is prohibited without the written permission of Robert Munsch, as well as the author of this site.

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The Little Black Book For Girlz: A Book on Healthy Sexuality
Auth: St. Stephen's Community House
Annick Press 2006
176 pp
Ages: 14+
ISBN: 13: 978-1-55037-954-9
1-55037-954-2


Here is the book of the century, for teen girls. Wow! Why is it that no one thought of this before? The Little Black Book For Girls, has been surrounded by controversy, but having read it, more than once, I eagerly give it my stamp of approval. I will not get into the fore mentioned controversy, because I would end up on a soapbox, and that would eat up valuable space- space I could better use telling you about this wonderful book.

This is a book written by youth for youth. That is the first extraordinary thing about this book. Let’s be honest. Who ever wanted to hear a sex lecture from a parent or teacher? No teen girl ever said, “I am not sure if my period is normal. Maybe I’ll go ask Mr. Smith, my chemistry teacher.” When I was a teen (yes, I know that was a long time ago) we got the goods from each other. The language of The Little Black Book For Girls, will have any teen girl, automatically hooked. Some of it may be a little colourful for the right wing parent, but the colloquialism of it all really does help propel the information.

So what’s inside?

There are sections on relationships, periods, sex, birth control, pregnancy/ miscarriage, abortion, STIs (they were known as STDs in my day), AIDS, and sexual assault. These sections are supported by a glossary, and list of resources, as well as unbelievably revealing poems, artwork and personal accounts. While The Little Black Book For Girls, is written by a collection of girls from the St. Stephen’s Community House drug-free youth arcade, in Toronto, all of the information has been guided by medical professionals.

There are plenty of easy to understand diagrams and tables throughout this book. My favourites are the checklists that help teen girls decide such things as, if they are in a healthy relationship or not, alternatives to intercourse, a list of ways to insist on condom use, and what constitutes sexual assault.

The Little Black Book For Girls is also full of interviews with the experts. The questions are asked by the teen girls, themselves, so you can bet that they are the questions that teens want to ask, and not just the answers we want to give them.

Are there elements that would offend some parents? Definitely. For example, the issues of homosexuality and premarital sex are explored. I can only say that no particular lifestyle is supported by this book, however, a great deal of information and resources are, which will help your teen to make the proper lifestyle choices. Think your child will never need information on those types of topics? I went to a high school that had about 500 students. Three of my friends came out of the closet following graduation, we had one girl who walked the stage at commencement just months from being a mother, herself, and many of my friends had stories of sexual harassment and assault.

But, off the soap box. I don’t just recommend this book for teen girls (though they’ll eat it up- my niece read the entire thing in one day), I recommend it for their mothers and fathers, too, and let’s add educators while we’re at it. I really thought I knew the whole of the birds and the bees, but those girls at the St. Stephen’s drug-free arcade sure know their stuff. Ever hear of a Lea’s Shield? Me neither. How about Trichomoniasis? It is an STI that you really can get from a toilet seat. It is important for adult role models to know these things if they are to help their children make choices. I believe that parents will also find the tables useful. Stumped on finding away to communicate what a healthy relationship is, to your teen. Just memorize the chart. It has everything you need. Single dads, this is your saviour. Rather than struggle over awkward topics that you never wanted to know about in the first place, buy your girl a copy of the book, but please, read it yourself before you give it to her, because she is bound to still have a few questions.

I could really go on forever about the wonders of this book. When my own girls are of age, you can bet there will be a copy waiting for them. It would make a great “welcome to womanhood” gift. The girls who wrote this book are pretty smart cookies, and that is just what I intend to raise. Annick Press has broken new ground, once again. I can’t help but wonder if Elizabeth has a well read copy of this book tucked in her paper bag.

• New York Library's Book for the Teen Age
• "Our Choice" List, Canadian Children's Book Centre
• ALA 2008 Popular Paperbacks for Young Adults

Also, watch for The Little Black Book for Guys: Guys Talk About Sex, due to be published by Annick Press in September of 2008

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10. Northern Lights: the Soccer Trails Michael Kusugak A beautiful way for a family to celebrate the day and deal with the grief of a mother who is no longer with them.

9. A Promise is a Promise Robert Munsch & Michael Kusugak I love that Allashua is not harshly scolded for her mistake. Her mother devises a plan to help her daughter fix what she has done. Don't we all aspire to parent like this?

8. Where the Wild Things Are Maurice Sendak Any mother of a boy can appreciate this one. Max may be the most wild thing of all- the king of the wild things, but mom's homecooking tames the little beast and brings him home. Yep. That's a mother son relationship in a nutshell.

7. Horton Hatches an Egg Dr. Seuss If you are an extremely devoted step mother (such as myself), a single mother discouraged by the novelty your children's father holds, or raising a child that is not your own, you'll want to cry when you read this one. The image of an elephant with wings always reminds me that there is room in my step-daughter's life for two moms.

6. Will you Carry Me? Heleen van Rossum Not only a very cute story, this familiar tale reminds us mothers to creatively seek ways to push our children's potential, rather than carry them through life.
5. I Love You Little One Nancy Tafuri Perfect for the last book of the night. A touching book to reassure your child of the infinite depths of a mother's love.

4. Are You My Mother P.D. Eastman As toddlers become more aware of the big scary world, their anxiety levels can often sky rocket. Sharing the tale of a baby bird's quest for his mother will help to reassure them that you will always be there for them.

3. Guess How Much I Love You Sam McBratney There are a few reasons why this is near the top of my list. First, Big Nutbrown Hair seems to always out do Little Nutbrown Hair, with his demonstration of love. Only a parent could understand the difference in a parent's love for a child, as opposed to a child's love for a parent. A parent always feels that they love their child just a little bit more. Second, I love that the relationship between Big Nutbrown Hair and Little Nutbrown Hair is unspecified. I really enjoy sharing this one with my step-daughter. This is the ideal book for a parent of a non-traditional family.

2. The Giving Tree Shel Silverstein This one is guaranteed to make you look like a bozo in front of your kids. It always makes me cry. Maybe it's just the post natal hormones, but I think it's the message. The tree makes me think of a mother. She will give to her children, until the end, and even then, she will find a way to nurture them. I'll stop now before I tear up. I still have another book to get through.

1. Love You Forever Robert Munsch I dare someone to find a more definitive Mother's Day book. I never make it through this classic without a few tears (especially when my two-year-old son tells me he will hold me when I am old). According to the other mothers I know, I am not alone. Our children drive us CRAAAA-zy, but our love and concern for them does not change. We hope that it will nurture not only a mutual love between us, but that our undying love will grow in them and manifest itself in their own lives as parents. Don't we all hope to leave a legacy of love? This story is a mother's fairytale. Oh yeah, and it's quirky, and we know how I love that.

I read the other day that women are prone to give up literature in exchange for chick lit, after motherhood. I am convinced this has a great deal to do with time restraints and exhaution. I would like to wage a campaign against mommy mush brain. Tonight, after the kids are asleep, do yourself a favour and try to fit in a liitle Maya Angelou for peace of soul and inspiration, and Erma Bombeck for humour and perspective.

Happy Mother's Day!!!

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Jan Andrews (auth)
Ian Wallace (ill)
Groundwood Books /
Douglas & McIntyre
1985
32 pp


Ever wonder what it would be like to walk under the ocean? Without scuba gear? Open the pages to this book and let Jan Andrews and Ian Wallace take you there. "Very Last First Time" is a story about coming of age, set against one of the coolest backdrops I have come across. It tells the story of Eva and her adventure under the ocean. She is an Inuit girl. living in a small village on Ungava Bay in northern Canada. Each winter the ocean freezes. When it does, Eva and her mother wait for the tide to roll out, so they can crack a hole in the ice and crawl underneath. While the tide is low, they collect mussels from the ocean bed. (Do they offer adventures like this for tourists?) Andrew follows Eva as she embarks on her first expedition under the ice, alone. When the light on Eva's candle is extinguished, she must be brave and remain calm in order to find her way back to the hole in the ice. As the tide rises, so do the stakes. However, Eva is able to find her way out, just in the nick of time.

The setting may be exotic, but the story speaks to everyone. We have all had those first experiences that required our bravery. Andrews has written a story that will transport the reader to another world, while reminding them of their own triumphs. We have all been left home alone, driven a car, or ridden a horse, for the first time, at some point in our lives. Using a unique setting lends added depth. By taking us away from the familiar, Andrews is able to evoke those first time feelings, for us again. You will find yourself biting your nails, even though you know it is a children's book and no publisher in their right mind would have touched it if anything bad were to happen to Eva. First experiences are like that. Even though we know they are rites of passage that many before us have already been through, we are often consumed with anxiety.

The illustrations are beautiful, and require mention. At times it seems as though pointilism has collided with the Group of Seven in a burst of vibrant primary colours. Wallace has clearly met the challenge of demonstrating such a strange setting, while creating art.

This story is sure to conjure both nostalgia and wonder. This is one that will intrigue the imaginations of children young and old. My 4 1/2 year-old inspiration had her father read it to her, until they both knew it by heart. (As I have now maxed out my renewals with the library, I will have to buy her a copy.) I am willing to bet, you will have thought of a few stories to share with your children, by the time you are finished this book. I would also like to point out that it would make a nice present for any child about to enter a new stage of growing up, such as a first day of school.

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Check out my guest blog for Tea Time at Annick!


Thank you to Annick Press for the wonderful opportunity.

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Lynn Manuel (auth)
Kasia Charko (ill)
Orca Book Publishers April 2004
Ages: 4-8 32pp
ISBN: 9781551432847

Ok, this one is fiction, but it is based on a factual event. Lynn Manuel craftily constructs the tale of a boy named Cameron and his love for camels, around the most bizarre happening of the Cariboo gold rush. Fictional Cameron collides with the real life Frank Laumeister and his Dromedary Express. In 1862, Laumeister and his business partners imported a herd of Bactrian or two hump camels (not Dromedary, or one hump camels as the company name would suggest) to help ferry supplies to the miners. For a number of reasons this venture failed. First, the camels had an offensive odour (camels always do, at least any I’ve encountered) that even the mules could not stand. Second, having feet that were suited for walking on sand, and not rock, the camels suffered many injuries on their long treks. Finally, the animals had a difficult time withstanding the harshness of the winters in the Cariboo.

Cameron is a likeable young man, and his love for camels is the perfect vehicle to educate the reader about camels. I love camels. They are one of my favourite animals, but don’t worry if you have no fondness for the ornery creatures. This book will entertain both you and your children. One camel, in particular, named Barnum, will charm you with his distinctive personality. Kasia Charko must also be credited for bringing this book to life. She manages to illustrate 21 camels, each with its own unique character.

This story is clever, educational, and contains just enough of the bizarre to captivate your child. My two-year-old has been chanting “camels always do” for the past week. I’d recommend checking this book out. If you are like me, you will be thrilled to enjoy a well written story with your children that will provoke their lust for knowledge and stimulate their imaginations. I have found “Camels Always Do”.

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Alootook Ipellie (with David Macdonald)
Annick Press
Ages: 9-11 32pp
Softcover ISBN 10: 1554510872
ISBN 13: 9781554510870
Hardcover ISBN 10: 1554510880
ISBN 13: 9781554510887

If you are looking to become acquainted with the Inuit culture, this book is the place to start. I can’t get enough of this amazing celebration of innovation and resourcefulness. Alootook Ipellie has done a wonderful job of unveiling the mystery of the Inuit culture, by relating it to the everyday. Parkas, kayaks, sleeping bags, lamps ... I could go on and on, but you’ll get a better idea by reading the book. However, I will say that you will be intrigued by raincoats made from whale intestines, bird skin parkas, and sealskin food storage bags. I have read a few books on the subject (I am not only a former cold weather wilderness survival instructor, but also the mother of three children of Inuvialuit heritage), and, in my opinion, this is the best books, for youth, I have come across regarding both Inuit heritage and primitive survival techniques.

The Inuit Thought of It has a remarkable flow, not found in many works of non-fiction. The layout is about as reader friendly as it gets (thanks to Sheryl Shapiro), and the amazing photographs will keep you turning the pages. An airborne snowboarder and a kayaker negotiating white water mingle with black and white photos of Inuit hunters, athletes, and craftsmen- giving the book both an historical and a contemporary feel.

If you would like to debunk the myth of the “Eskimo” and educate your children about a hardy and ingenious culture, find yourself a copy of The Inuit Thought of It. They will come away with a decent grasp of the history of the Inuit peoples, their shelter, food, clothing, recreational activities, and medicine, as well as their modern ways of living. This book is not only a young anthropologist’s or survivalist’s dream, but also a good entertaining (and if you don’t know what makes me excited, by now) educational read.

It was an extreme pleasure to share this book with my mother-in-law, as it led to a dialogue about her own life in the arctic. The three little inspirations love to hear their grandmother’s tales of her days as a nomad, and thoroughly enjoyed sharing Ipellie’s book with her. I am extremely glad that Alootook Ipellie thought of it!

If you’re a crafter (I am crazy about crafts), here is a great craft I learned while teaching wilderness survival. Take a piece of cardboard and cut it out into the shape of a masquerade mask (framing the eyes). Cut two horizontal slits over each eye hole. They do not need to be very wide. Punch holes on both sides and tie a piece of string or ribbon to the ends, for straps. Decorate with paint, glitter glue, or whatever your imagination can conjure up. Viola! You have a pair of Inuit snow goggles. Take the kids outside on a sunny day and let them test how great they really work.

• "The Year's Best" List, Resources Links


• Children's Non-Fiction Top 10 List, Ontario Library Association


• 2008/ 2009 Hackmatack Children's Choice Book Award finalist

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Jacqueline Briggs Martin
Beth Krommes (ill)
Houghton Mifflin
Jan 2001
Ages: 4-6 48pp
Hardcover ISBN:
061800341X





Jacqueline Briggs Martin has written one of those gems that linger with the reader for a very long time after the book is closed. “The Lamp the Ice, and the Boat Called Fish” recounts the story of the ill fated Karluk and the Steffanson expedition of 1913. The factual tale of the Karluk’s passengers (which included a captain and crew, scientists and explorers, a cat, forty sled dogs, Iupiaq hunters, and an Iupiaq family) unfolds with a healthy fictional layer, following the experiences of two young Iupiaq children, Makpii and Pagnasuk. The author explores the world of these young girls, and provides the reader with a great deal of information regarding the Iupiaq culture.

When the Karluk becomes locked in ice and carried out to see, the passengers must live on borrowed time, knowing that the ice will inevitably break the ship apart and sink it. Makpii and Pagnasuk play with a caribou hide ball, by the light of a traditional lamp, while their mother sews clothing and supplies, and their father hunts for food in a place where it is scarce. The deaths and, in some cases, disappearances of a few of the crew members, will haunt you, while the kindness shown to the girls’ mother will touch you. What drew me to this story is the same thing that compelled the author to write it. It is remarkable that when the castaways were finally rescued, they still had the cat with them and a majority of the sled dogs. Although they faced near starvation, the cat had still been cared for, along with the dogs, which were competing for the same scarce food supplies. This is especially notable, as other expeditions had been known to eat their dogs, when hungry. And then there is Captain Robert Bartlett. He walked and travelled by dog sled, over seven hundred miles, in search of help.

I couldn’t put this book down. Jacqueline Briggs Martin’s easy flowing prose, and the exquisite scratchboard illustrations of Beth Krommes, kept me turning page after page. Unfortunately, I was unable to share this book with my children. Even my 4 1/2-year-old just couldn’t get past the first few pages. The length may also be a problem for youngsters. This is a great book to share with your older children, though. I am sure, beginning readers would love a break from their phonics to enjoy a good ole fashioned story time. “The Lamp, the Ice, and the Boat Called Fish” would be a wonderful companion to any school unit regarding the Inuit, or arctic exploration. For those of us grown-ups who love to read children’s books, this is a must read.

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Diane Swanson (auth)
Mariko Ando Spencer (ill)
Annick Press 2006
Ages: 5-7 24pp
Softcover ISBN 10: 1554510473
ISBN 13: 9781554510474
Hardcover ISBN 10: 1554510481
ISBN 13: 9781554510481


Diane Swanson has written quite a little treat, here. Whether you are looking to satisfy a junior erudite, or simply entertain your child with a book that is not only educational and clever, but also fun, you will score with A Crash of Rhinos a Party of Jays. Swanson takes a fun look at “The Wacky Ways We Name Animals Groups”. I particularly like the gang of elk. For those unfamiliar with these animals, let me assure you they are not beyond knocking over some fences to rob a herd of horses (horses do hear extremely well) of their hay. There is also a tower of giraffes, a leap of leopards and a raft of ducks, to name a few. A zoology student could use this book as a study guide, yet it is short enough to read to your preschoolers.You will find yourself chuckling through this quick little read, and are sure to enjoy the quirky illustrations of Mariko Ando Spencer.

• "Our Choice" List, Canadian Children's Book Centre

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Michael Araarluk Kusugak (auth)
Vladyana Langer Krykorka (ill)
Annick Press April 2007
Ages: 4-7 pp24
Softcover ISBN 10: 1550375040
ISBN 13: 9781550375046
Hardcover ISBN 10: 1550375059
ISBN 13: 9781550375053

"My Arctic 1, 2, 3," is an educational book, on many different levels. Your children will have fun learning the joy of counting, while exploring not only a unique northern eco-system and culture, but also how closely they are intertwined. Children can count their way through 1 to 10, 20, 100, and the seemingly intangible 100, 000, 000. On this numerical journey, Kusugak examines the intimate relationship between predator and prey. One lone polar bear hunts 2 ringed seals. Twenty wolves catch the scent of 100 caribou. A group of people gather the millions of berries that have ripened, while a lone polar bear decides the berry gatherers would not make a very good meal.

I love that this book is not simply a "1, 2, 3". It is a fluid story- one that folds human beings into its framework with the same vein of vulnerability that runs through the siksiks and arctic char. Not to sound like a Disney movie, but Kusugak is able to demonstrate the "circle of life" with a cohesive simplicity that will not be lost on your little ones.

My family particularly enjoyed the appendix, entitled "The Arctic World of Michael Kusugak and His Family". We have found the anecdotes to be not only entertaining, but invaluable, as they have helped to facilitate a dialogue between the three little inspirations and their Inuvialuit grandmother. This book is a favourite for them to read with her.

I cannot sign off without mentioning the illustrator, Vladyana Langer Krykorka. I never grow tired of her beautiful paintings, especially when they are of the North. She has infused what is usually considered a monotone landscape with vibrant blues, wispy whites, luscious greens, and fiery auburns. She has been able to draw out the natural colours of the North with amazing perception, and render it on the page with her strong artistic skill. I cannot say enough about my family's love for the books she has illustrated.

Even if your little ones have already learned to count, they will enjoy this wonderful peek into the Inuit culture, and learn from the beauty expressed in its pages.

• Parent Council's Outstanding from a Learning Perspective Honor
  


• Ruth Schwartz Award Finalist
  


• Chickadee Choice
  

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Sheri Radford (auth)
Christine Tripp (ill)
Lobster Press Nov 2005
Ages: 4-6 32pp
Trade Paperback ISBN 189707333X
Hard Cover ISBN 1894222830

“Penelope and the Humungous Burp” is sure to become one of your children’s favourites. It is the cute story of grape soda-guzzling Penelope, her gastro-intestinal maladies, and a reluctant “excuse me.” I have yet to meet the child who doesn’t get a giggle out of gas. If that isn’t enough to captivate them, the idea of doctors, policemen, and firemen, all running around because of one little girl's gas, will tickle the giggles right out of them. However, while this story is adorable, it is not the reason I have chosen to sing its praises.

The brilliance of “Penelope and the Humungous Burp” shines through with fantastic illustrations. At last! Here’s a book for all of us mothers who don’t have time for power Pilates, and haven’t yet made it to the store to buy a pair of Spanks. I would just like to say, I love Christine Tripp. Penelope has a real mom- complete with sagging bottom and post-baby paunch. Her father is no muscular hunk, either. He’s just a plain old dad in glasses and a sweat shirt. Amid todays over airbrushed, super-dieted, and hyper pumped out media creations, I’ll gladly settle for Penelope’s parents. As the gate keepers to our children’s stimuli, it is our responsibility to present them with images other than June and Ward Clever, or Angelina and Brad.

But, the most ground breaking element of this book is its eclectic use of multiculturalism. Penelope is a biracial child- her mother appears to be of African-American descent, while her father is of European descent. As a mother of three multi-racial children, I am very excited about this book and the subtle message it provides for my little ones. The lesser cast members of “Penelope and the Humungous Burp”, are also worthy of mention. They include not only a female doctor and a female firefighter, but a couple of female police officers, as well. The pages of this delightful little burp tale are filled with characters of diverse backgrounds, to include African-American and Asian persons. And, I certainly wouldn’t want to forget, the illustrations are very comical.

Penelope has a quirky charm about her that will surely find a place in your heart.The three little inspirations cannot get enough of this book, and neither can I. It is not only cute, but also contemporary, and ground breaking. Your children will get the obvious lesson regarding manners, while being entertained. At the same time, a subtle graphic message- one that fights against propping up unrealistic body types as the status quo, and rallies for greater racial diversity, will seep deep into their minds, preparing them to lead the way in a more tolerant society than we, ourselves, have been able to enjoy.

• Shortlisted, Ontario Library Association Blue Spruce Award (2006)


• Winner, Gold Award, Just For Mom Foundation "Mom's Choice" Awards (2005)


• Top Ten "Great Book" of the Year, Canadian Toy Testing Council (2004)


• Semifinalist, Independent Publisher Book Awards, Best Picture Book (2005)

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