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Viewing: Blog Posts Tagged with: Fan Mail Preller, Most Recent at Top [Help]
Results 1 - 3 of 3
1. FAN MAIL WEDNESDAY #215: Advice to a Young Writer & the Idea of “Downshifting”

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I’m posting this one for two reasons. First, Megan’s sweet reply, so simple and direct, surprised and moved me. That last sentence. And secondly, because I am frequently asked for “advice” and often fail to give a satisfactory answer. In this case, I don’t fail quite so miserably as usual and it included a notion that applies to a great many young writers I’ve encountered over the years — the idea of downshifting. I don’t have time for many exchanges like this, but I do what I can.
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This begins, atypically, with my response. Megan, I’d guess, is 13 or 14, and she genuinely inspires to be a writer. This wasn’t a question of a student dutifully asking a question that her teacher would approve of. No, Megan wanted to send me her book and I was like, “Oh, please, don’t do that. Send me an excerpt.”
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This is my reply, which she waited for patiently.
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Megan,
 
Greetings. I’m very impressed with your story, and I’m grateful for your persistence & patience.
 
I am wrestling with a deadline of my own, have a pile of unanswered letters, etc., so I hope you’ll understand that this will be brief, of necessity.
 
In general, I’m not a great advice-giver when it comes to writing. I’m not full of tips, largely because I’m still trying to figure it out for myself. The standard pieces of advice are still the best: Read widely, read often, & read with a writer’s eye; and write. You’ve got to write. Have a place where you can write, a crummy journal, anything. And try to write everyday. Don’t let all your best work be text messages.
 
The other thing that I really believe in is that you should trust your enthusiasms. If you are excited about a topic, an idea, a writer, a series of books, an activity — then pursue it. Don’t worry so much if it will be practical or publishable or realistic. Just try to find those things that get your heart racing. That make you happy. And trust that good things will come out of it.
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follow-your-enthusiasm
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As for your story, you are filled with many interesting characters and ideas. When I read, I know there is a lively mind at work here. An interesting mind. That’s very good to see. So many good, descriptive details. At the same time, your work reflects an inexperienced writer. That makes sense, because it’s true. You are young and inexperienced and you have not yet honed your writing muscles.
 
The one idea I want to convey to you is “downshifting.” Slowing down. You have enough ideas in here for a 500-page story, so all of it feels rushed, like you are in a hurry to get to the next thing, then the next, then the next. You need to slow down, add a beat, let each scene, each moment, have it’s own moment (if you will).
 
I loved the initial sense of the magical in the air that begins the story. The girl in the woods. (I didn’t like that she was trudging, especially after I learned that she was sent to give an urgent message; to me, that’s not a trudging errand, that’s running, exhaustion, resting, eating, running, and so on). It’s lungs burning, muscles aching. Then as readers, we are caught up in that feeling. There’s a deadline, a rush, and something important is at stake. We are eager to know why.
 
The visit with Corporal Hillson’s needs to slow down. Take your time. I didn’t understand why Hillson was telling Vivian all this. Why did he trust her? What was she doing there? I didn’t completely get it. His news is “extremely secret,” yet he blabs it to her. Why? You need to set this up better.
 
Next, almost as suddenly, she is in a cavern. That’s cool. The two girls. Again, slow down. Stay in the moment more, linger over the details, set the scene.
 
Downshift.
downshifting
 
Good work, Megan. You have talent and, as I said before, a lively, inventive mind. You probably have more story here than you are fully capable of writing at this point in your life. Keep at it. Focus on individual scenes. Word by word, sentence by sentence. And also, write poems, write short stories, and keep writing.
 
You are already much more accomplished than I was at your age.
 
Good luck,
 
James Preller
 
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Megan replied:
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Dear Mr. Preller,
Thank you for your support. You have no idea how much this means to me. I will edit my story so that I do that. Thank you for your time. I would give anything to write like you. 
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2. Fan Mail Wednesday #209: “I HATED reading (until now).”

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Dear James,

HI! I’m Sara M. I’m a fifth grader in KY. I’ve recently taken a liking to your books, (meaning I read three of them all in one day this weekend.

Long story short, I HATED reading (until now.)

We just had our school, Barnes & Noble, book fair. I was looking around for some scary stories (because that’s my favorite genre.) I stumbled upon your first book. I read the first 3 pages and I was hooked. BLOODY MARY    BLOODY MARY    BLOODY MARY.  I bought it. I took it home that night and read it. I LOVED IT SO MUCH! So, I immediately got hooked on your Scary Tales series.

I then became obsessed with finding the other books in your series. On Saturday, my dad took me to the library. We found three of your books. The next day at school I started reading them. I read all three of them in one day.I want to encourage you to write a thousand more books ;)

Please write back if you get the chance. Also, if you write back, please list all of the Scary Tales books you have OUT right now and one that you are currently in THE MAKING of.

Looking on library pages to find more of your books,

your #1 fan,

Sara

I replied:

Dear Sara,

Thank you. That’s just about the most wonderful letter a writer can possibly receive. I’m so glad that you found books to love. Goodness knows there are so many great ones out there, it was just a matter of finding the right match. I hope you don’t think it was me, James Preller, because it’s not. I’m just a guy. The powerful thing is reading itself, and books, and worlds opening up before your eyes — that awesome feeling you get when you make that connection.

Illustration by Iacopo Bruno from SCARY TALES: SWAMP MONSTER.

Illustration by Iacopo Bruno from SCARY TALES: SWAMP MONSTER.

I’m proud of you for sticking with it. Also — and this is important, Sara, so listen up — I hope that you are grateful to your father who took time on a busy Saturday to bring you to the library for more books. Not everybody has a parent who would do that, so consider yourself lucky. I guess he wants to see as a reader, too. (Your local librarian did a nice job too, since not everybody is hip to my relatively new “Scary Tales” series.)

There are currently five “Scary Tales” books in print, and a sixth one coming out in early July: Home Sweet Horror; I Scream, You Scream; Good Night, Zombie; Nightmareland, One-Eyed Doll; and Swamp Monster.

I published my first book in 1986, and have written a wide assortment of books since. With this series, I tried to write the most exciting, OneEyedDoll_cvr_lorezthrilling, suspenseful, unputdownable stories that I possibly could. Fast paced, easy to read, filled with twists and turns and incredible illustrations (by the great Iacopo Bruno).

Thanks for your sweet letter. I love your enthusiasm. Keep it up this summer. Just remember that one good book leads to another, and another, and another. Talk to your librarian. I’m sure that he or she will have  recommendations for you in the scary book department. In the meantime, if you want to check out other books of mine, you might like Bystander or, coming this September, The Fall. I have my fingers crossed on that last one; very excited about it!

My best,

James Preller

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3. Fan Mail Wednesday #186: In Which I Do a Reader’s Homework Assignment on “BYSTANDER”

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Here we go, folks, Fan Mail Wednesday. This one came via the interwebs!

 

9780312547967I am going to be a 7th grader this September. Over this summer, I decided to read Bystander. I have couple of questions.

1. How does Eric’s personality change throughout the story?

2. How would you describe Eric Hayes using metaphor?

It would be helpful if you could reply as soon as possible.

Thank you.

Sincerely,

Rika

 

I replied:

 

Wait a minute, this sounds like homework! I hate homework! Or you trying to trick me into doing your homework?

Okay, I’ll play.

To me, Eric’s personality doesn’t make a radical change over the course of the story. I think his awareness changes, his understanding grows, as he observes more things. Remember, he’s new to the school; he has no past with any of those characters. That’s how I think of him in this story, he’s a witness, an observer, almost in a role that’s similar to that of a detective working a mystery. We generally don’t ask how Sam Spade changed in a story, or Philip Marlowe (classic detectives of American Literature, btw). Instead, Eric’s perception deepens, he learns, he grows. For “change,” I’d look to Mary, since I think she’s the real key to the story, even though she is a so-called minor character.

Describe Eric Hayes using metaphor? He’s a camera. Click. A video recorder. A secret listening device. He’s one of those cameras hidden behind the mirror at all the ATM machines. He sees, he records, he absorbs. He is also, as I wrote earlier, “like” a detective.

795.Sch_Jigsaw_jones_0.tifAs you might know, I wrote the “Jigsaw Jones” mystery series. 40 books in all. And I’ve actually thought quite a bit about detectives, read a lot of mysteries, and studied up on the genre some. The key to a detective — in the great tradition of the detective novel through the years — is that he (or she!) is the moral compass of the story. The person with a deep sense of justice. The person who sorts out right and wrong in a world gone bad. The reliable narrator. The great detective is the through-line in the story, the voice you can trust in a world of lies and corruption.

Does that help?

Now go out and have a terrific summer!

And hey, Rika — you are welcome!

JP

 

 

 

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