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Viewing: Blog Posts Tagged with: Scott, Most Recent at Top [Help]
Results 1 - 7 of 7
1. 10 Inspiring Logo Designs From Rich Scott - Craftsman of Brand Identities

10 logo designs from graphic designer Rich Scott of the graphic design studio, designabot

Rich Scott is an Australian born graphic designer. He grew up, studied and initially plied his trade in the United Kingdom before returning down under. Rich uses an intuitive approach to his design process, which results in a clean, vibrant and innovative style. His work can be viewed on a multitude of websites such as Logopond, Dribbble and Forrst. He has also been featured in publications such as, Los Logos Compass Edition and Artpower International's Branding Identity. You can visit his website and all his latest creations at www.designabot.net

10 logo designs from graphic designer Rich Scott of the graphic design studio, designabot


10 logo designs from graphic designer Rich Scott of the graphic design studio, designabot

10 logo designs from graphic designer Rich Scott of the graphic design studio, designabot

10 logo designs from graphic designer Rich Scott of the graphic design studio, designabot

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2. A Fantastic Voyage with Medical Illustrator Scott Leighton



Maybe you didn't recognize Illustrations Pages for a second. No, IP hasn't turned into a medical site overnight. Today we're featuring an extremely talented medical illustrator. Actually, Scott Leighton is a certified medical illustrator (CMI). A CMI is an illustrator who has successfully passed examinations in business practices, ethics, biomedical science, and drawing skills and has undergone a rigorous portfolio review.



To become a certified medical illustrator the artist has to pass a written exam administered by the AMI (The Association of Medical Illustrators) and a portfolio review with some specific requirements in technique and subject matter. But before an illustrator applies for the certification exam they are required to have certain prerequisites. These qualifications are a degree from a recognized college or university program in medical illustration that includes a course in human gross anatomy with hands on dissection; or a minimum of five years full-time work experience as a medical illustrator substantiated by letters of reference from employers and proof of a college-level course in human gross anatomy with hands on dissection. Hey - anything worth having is worth working for. Right?



Scott's illustrations are nothing short of amazing. The technical ability he possesses as an illustrator takes years to develop. In many cases he's illustrating concepts that are not visible to the human eye. And also think about the knowledge he needs to have of human anatomy. These images are not only technical references but amazing pieces of art.<

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3. SCOTT PILGRIM Week!


Wow, in a few short hours, SCOTT PILGRIM VS THE WORLD finally opens and Edgar Wright and Bryan Lee O’Malley can stop their incessant promotional wanderings over the face of the earth. In future years, this will always be known as “Scott Pilgrim Week,” a mystical, magical time of love and exploration and kung fu training.

So much has happened, is happening. Some linkie winkins. ABOVE — a super-amazing remake of the live-action SPvsTW trailer using the comics — wow, it really is just like the book.

OH, SPEAKING OF THE MOVIE, The Beat has seen it! And despite all the hype, hype, hype, it was wonderfully charming and fun. WE may have a longer review tomorrow, but for now we give it a “Go see it opening night!” rating. Show the Expendables who’s boss!

You can now buy all six SCOTT PILGRIM volumes on iPad and iPhone.

The app is free, along with the first 37 pages of the first volume and the Free Comic Book Day comic that’s set between volumes 3 and 4. The first five volumes can be downloaded for $6.99 each, while the sixth and last one costs $11.99. Created by Comixology, the app hits on the same day that the Scott Pilgrim vs. the World video game arrives on the PlayStation Network and, of course, just a few days before Scott Pilgrim vs. the World arrives in theaters.

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Scott Pilgrim vs. The World: The Game — an arcade style 8-bit action romp, went on sale as a Playstation 3 download today. It’s available for XBox 360 on August 25th.

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You could — and many did — stream the whole SPvsTW soundtrack AND score today. The soundtrack is a must buy and “Garbage Truck” is our favorite cut. The LA Times blog talks to music supervisor Nigel Godrich about how it all happened.

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4. SCOTT PILGRIM’S FINEST HOUR hits at MIDNIGHT! UPDATED

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Stores across the nation are having midnight events for SCOTT PILGRIM’S FINEST HOUR. Oni has a list but we’ve reproduced it below. The epicenter of all thigns Pilgrim will be Toronto, back where it all began, and creator Bryan Lee O’Malley will be signing. This is our big event — let’s all enjoy it!

UPDATE: OOPS, please note that the stores below are the ones selling SCOTT 6 tomorrow, Tuesday. NOT ALL THESE STORES ARE HAVING MIDNIGHT RELEASES. Call ahead!

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ALASKA

THE COMIC SHOP
418 3rd St
Fairbanks, AK

ARIZONA

ATOMIC COMICS
1120 South Country Club #105
Mesa, AZ

ATOMIC COMICS
2815 West Peoria #112
Phoenix, AZ

ATOMIC COMICS
3155 West Chandler Blvd
Chandler, AZ

ATOMIC COMICS
12621 N. Tatum
Phoenix, AZ

SAMURAI COMICS INC
5024 N 7th St
Phoenix, AZ

CALIFORNIA

ALAKAZAM I
4237 Campus Drive Ste B162
Irvine, CA

BRAVE NEW WORLD
22722 Lyons Ave #6
Newhall, CA

COLLECTOR’S PARADISE
7131 Winnetka Ave
Winnetka, CA

COMICKAZE COMIC BOOKS AND MORE
5517 A/B Clairemont Mesa Blvd
San Diego CA

COMIC OUTPOST WE HAVE ISSUES
2381 Ocean Ave
San Francisco, CA

COMIC QUEST
28 E State St
Redlands, CA

COMIC RELIEF
2026 Shattuk Ave
Berkeley, CA

COMICS CONSPIRACY
115-A E. Fremont Ave
Sunnyvale, CA

COMICS FACTORY
1298 E Colorado Blvd
Pasadena, CA

COMICS INK
4267 Overland Ave
Culver City, CA

COMICS TOONS ‘N’ TOYS
13542 Newport Ave
Tustin, CA

COMICS UNLIMITED #2
16344 Beach Blvd
Westminster, CA

COMIX EXPERIENCE
305 Divisadero St
San Francisco, CA

BEACH BALL COMICS
3024G West Ball Rd
Anaheim, CA

CRUSH COMICS & CARDS
2869 Castro Valley Blvd
Castro Valley, CA

EARTH-2 COMICS
15017 Ventura Blvd
Sherman Oaks, CA

FLYING COLORS COMICS
2980 Treat Blvd
Concord, CA

FREEDMAN’S COMIC SMASH
11824 Ventura Blvd
Studio City, CA

GEOFFREY’S COMICS
15900 Crenshaw Blvd, Ste B
Gardena, CA

GOLDEN APPLE I
7018 Melrose Ave
Los Angeles, CA

HI DE HO 1
525 Santa Monica Blvd
Santa Monica, CA

HIJINX COMICS
2050 Lincoln Ave
San Jose, CA

HOUSE OF SECRETS
1930 W Olive Ave
Burbank, CA

LEE’S COMICS I
1020 North Rengstorff Ave, Ste F
Mountain View, CA

LEE’S COMICS II
2222 S. El Camino Real
San Mateo, CA

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MELTDOWN COMICS
7522 W Sunset Blvd
Los Angeles, CA

MISSION COMICS
3520 20th St, Ste B
San Francisco, CA

NUCLEAR COMICS
28985 Golden Lantern, Ste B107
Laguna Niguel, CA

PULP FICTION
4501 E Carson St, Ste 104
Long Beach, CA

SECRET HEADQUARTERS
3817 W Sunset Blvd
Los Angeles, CA

WATERFRONT COMICS
609 Main ST
Suisun City,

10 Comments on SCOTT PILGRIM’S FINEST HOUR hits at MIDNIGHT! UPDATED, last added: 7/20/2010
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5. An Interview with Children's Book Illustrator Korey Scott: Connecting With Children Through Art

We recently caught up with the very talented illustrator, Korey Scott. Korey specializes in children's books, amusing characters and educational material. His work has garnered awards such as "Best Children's Book" at the 2007 North Texas Book Festival and the Golden Spur Honor Award from the Texas State Reading Association (TSRA) 2005. When he's not creating his wonderful illustrations for his clients, Korey can be found in schools and libraries teaching and inspiring children of all ages with his art.

So tell us a little bit about Korey Scott the illustrator. How did you become interested in children's illustration?

I think my style of art is naturally geared toward this area. I enjoy making fun, happy, colorful characters that children and adults enjoy seeing. Also, I want my art to be used for educational purposes so that kids can learn and have fun.

Did you know from an early age you wanted to be an illustrator? Who influenced you as a child and prompted you to pursue a career as an artist?

The short version of the story is that when I was born, I started drawing. The longer version is that I don’t know of a time I haven’t been drawing. Being an illustrator is all I have ever wanted to do, except for that one day I wanted to be a policeman. One vivid memory I have was from library class in elementary school. The librarian was reading a story while talking about the Caldecott Medal for illustrators. I think the book was, The Polar Express. “They actually have this as a job?" I thought. “Well, I’ve already started drawing. This is what I want to do!” In the library that day, I knew that I wanted to make illustration my career.

My parents, however, were my biggest influence to becoming an illustrator. They always believed in me and gave me encouragement for my art. I would always draw something and run into the living room and show them. They were the best clients a kid could have. They liked everything I drew. I think this gave me the confidence I needed to keep creating art. Also, my grandfather was an architect. I still use his drafting table today, which was the same table I would use to practice as a kid.

Who are some of your favorite illustrators in the children’s book industry? How have they influenced your own work?

Some of my favorite illustrators from childhood to today are Richard Scarry, Roger Hargreaves - Mr. Books, Stan and Jan Berenstain - Berenstain Bears, and Jim Davis - Garfield. I think these illustrators have influenced my character design style as well as my love for writing stories. They didn’t just draw. They created a world from their own experiences and imaginations. Similarly, when I create characters, I usually have to create a story for them and write down their personalities and attributes. Where do these characters live? What do they do? Who are their friends?

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2 Comments on An Interview with Children's Book Illustrator Korey Scott: Connecting With Children Through Art, last added: 4/6/2010
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6. Sir Walter Scott and Scotland

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We in OUP UK are all very excited about the new edition of The Oxford Guide to Literary Britain and Ireland, edited by Daniel Hahn and Nicholas Robins, which publishes here today. In the odd spare moment (not that we publicists get many of those!) we have all been looking up references to places we have lived in, or have been to, and we’ve not been disappointed. With patriotic Scottish pleasure, then, I bring you this extract from the book, written by Christopher MacLachlan, which discusses Sir Walter Scott and Scotland.

Scott is usually acknowledged as the father of the historical novel but he might be called the father of the geographical novel too. The Gothic novels of Ann Radcliffe use extended descriptions of scenery but the effect is undermined by the knowledge that she never visited the countries where her fiction is set. Not so with Scott, who repeatedly assures the reader that his places are real, and he has seen them himself. To the thirtieth chapter of Rob Roy (1817), when the hero emerges from his miserable sleeping quarters to view Aberfoil (as Scott spells it) after his first night in the Scottish Highlands, Scott attached a note that ‘the Clachan of Aberfoil now affords a very comfortable little inn’ and that the reader ‘will find himself in the vicinity of the Rev Dr Patrick Grahame… whose urbanity in communicating information on the subject of national antiquities, is scarce exceeded even by the stores of legendary lore which he has accumulated’. But in a later edition Scott added an update: ‘The respectable clergyman alluded to has been dead for some years.’ The reader cannot fail to infer that Scott has personally visited the scene he describes in the novel, and such assurances are scattered through the rest of his work, especially that set in Scotland.

Scott was born in Edinburgh and there, in what he called ‘mine own romantic town,’ he go his education and his profession. In his earliest years, however, he contracted the illness that left him permanently lame and, to recover, was dent to his grandparents’ farm at Sandyknowe, the Borders near Smailholm and its ancient tower-house. There he learnt, mainly from his grandmother, the legends of the Scott family and became enthused by the romance of the Border reivers and the violence and supernatural of the ballads, which he would go on to collect in his first major publication, The Minstrelsy of the Scottish Border (1802-3). Though he became Clerk to the Court of Session in Edinburgh, his vacations were spent on forays into the Borders and the Highlands, in quest of folklore and history, and he managed to combine his profession with his heritage by becoming Sheriff-depute of Selkirkshire in 1799.

No wonder then that his first major poem, The Lay of the Last Minstrel (1805), is woven around the Borders landscape, with copious use of place names and central use of the ruins of Melrose Abbey in a scene both topographical and Gothic. Scott foreshadows his later novels in the combination of a journey through accurately described countryside, decorated with local allusions and anecdotes, and striking use of individual locations, to whose fame he adds the literary colouring of his romantic imagination. The effect on the public was strong and lasting. The Lady of the Lake (1810) so enthralled readers with its vision of the Trossachs that they soon became the tourist attraction they remain to this day, with steamer trips on Loch Katrine past Ellen’s Isle, named after the poem’s heroine. Scotland became through Scott the ‘land of the mountain and the flood’ he eulogizes as ‘meet nurse for a poetic child’ in Marmion (1808).

When, in 1814, feeling the rising power of Byron, Scott turned from verse to prose and published Waverley (1814), he began the series of over 30 novels, most set in Scotland, that carry on the combination of fiction and geography found in his poems. Waverley, a novel of the 1745 Jacobite rebellion, presents the principal factions involved not just as historical forces but also as geographical ones. The hero’s introduction to the Highlands is via the Lowlands and the contrast between them. His journey goes back in time but also through different cultures. Scott is heir to Enlightenment views of the progress of society through key stages. Behind the tartan and claymores he indicates the problem facing Fergus MacIvor, his Highland chief, of maintaining a populous clan in a land where resources are scarce and traditionally supplemented by cattle-rustling and blackmail that the modern British state will not longer tolerate. Scott’s sense of place can be full of nostalgia, with his commemoration of past events and his notes on relics and ruins, but the converse is that his is not a static but a dynamic vision. Places are as subject to change as the people who live there.

The economic sinews of Scott’s anatomy of Scotland are perhaps most evident in Rob Roy, where again a young Englishman ventures into remote glens, this time just before the 1715 rebellion, and with a loquacious guide, the Glasgow merchant Bailie Nicol Jarvie. While Frank Osbaldistone, with his poetical pretensions, gives way to somewhat anachronistic feelings of the sublime and the beautiful, Mr Jarvie reminds the reader of the economic facts of life behind the clan turmoils they find themselves in. When, near the end of their adventures, they down Loch Lomond, Frank muses that he ‘could have consented to live and die a lonely hermit in one of the romantic and beautiful islands amongst which our boat glided’, but simultaneously the Bailie is speculating on draining the lake for farming, leaving just enough water for the passage of coal barges.

The ‘Waverley’ novels cover the length and breadth of Scotland, from the Solway Firth in Redgauntlet (1824) to Shetland in The Pirate (1821), from Inveraray in A Legend of Montrose (1819) to the places in the titles of The Fair Maid of Perth (1828) and The Bride of Lammermoor (1818). It is as though Scott followed a programme of novelizing in turn every major region of Scotland. Modern detractors have tried to ridicule the result by naming it ‘Scottland’, a land of makebelieve, but there is truth even in derision and Scott’s image of his native land is still a powerful part of the Scottish scene. Certainly his successors – Stevenson, Buchan, Neil Munro and regional novelists like Lewis Crassic Gibbon and Neil Gunn – often seem to be left colouring in the few blank spaces left in the map of Scotland that Sir Walter drew.

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7. Shameless Plug: iRead Webcomics Program


During our iRead Teen Summer Reading Program various libraries will be hosting the creators of the comic Nemu Nemu, Audra Furuichi and Scott Yoshinaga.  You can view their appearance schedule via the Hawaii State Public Library System website under Services>Programs>Teen>Oahu or simply click on this link.  They will also be appearing on the Big Island, Maui, and Kauai.

Audra and Scott will be talking about their creative process and provide some background on the technical aspects of maintaining a webcomic.  We’re excited to have them at our libraries.  If you’re in Hawaii during the summer, don’t miss this program!   

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