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Viewing: Blog Posts Tagged with: Tana French, Most Recent at Top [Help]
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1. The Secret Place

French's talent for gorgeously crafted psychological mysteries shines in The Secret Place, her latest Dublin Murder Squad installment. The narrative centers on a boy's murder in the gardens of an exclusive girls' school, but its real drama is in the fraught relationships between teenage girls and the awkward partnership of the detectives working the case. [...]

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2. Time Unveils Top 10 Lists For Fiction, Nonfiction & Young Adult Books

TimeTime magazine has unveiled the “Top 10 Everything of 2014.” Three of the lists focus solely on books: “Top 10 Fiction Books,” “Top 10 Nonfiction Books” and “Top 10 YA Books.”

The titles that claimed the top spot on each list include The Secret Place by Tana French (fiction), Soldier Girls by Helen Thorpe (nonfiction) and We Were Liars by E. Lockhart (young adult). Did any of your favorite titles make it to the lists?

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3. What I’m reading this Christmas: Claire Smith, Walker Books

Thanks for talking to Boomerang Books, Claire Smith.  You’re the marketing assistant at Walker Books, Australia, and you’re going to share your Christmas picks with us. But first let’s find out about you and some books you’ve been working with. Walker Books  (based in Sydney)  is known for its children’s and YA books. Which do […]

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4. Sound Effects

Imagine watching a movie with no sound effects. It would not be satisfying.

You, the author, are the sound effects creator and sound mixer for your verbal movie.

Rhetorical devices and sentence structure add rhythm and emphasis to your prose, but there is also the task of decsribing the sounds in your setting.

You must decide when to add them and which words to use.

Onomatopoeia is the rhetorical device that provides sound words such as: whine, chirp, buzz, roar, clatter, clank, harrumph, giggle, guffaw, chortle, snort, twang, thwack, ring, clang, boing, knock, screech, hoot, bay, and bark.

Sound effect words are often used in conjunction with a simile or metaphor: The seal opened quickly with a pop like a champagne cork.

Building a sound track is more than using sound words; it is using them in clever, memorable ways.

1) For every scene, choose a location. We all make sounds: people, animals, nature, machines. Every location on the planet has its own unique blend of noises. If it is an actual place, even if you can't go there, you can usually find a video of it. If it is a made-up place, then your imagination can fill in the details. There will be background noises: ticking of clocks, rattling of train tracks, and shush of the ocean. Use sounds to set the scene.

Orient yourself in the scene. Close your eyes. Listen. What do you hear? What it is important for your reader and character to hear? Why?

2) Use sounds to define characters. 

Does the character constantly snuffle, cough, clear his throat? Do her high heels echo on the tile floor?

How is the character feeling in the scene? What noise might he make if surprised, hurt, angry, shocked? How can you use sound words to emphasize the moment?

Is the character calm, tapping the table out of anxiety, or groaning in agony? What does the scene call for?

3) Story Building Blocks III contains a list of sound words. Add your favorite bugaboos. In the final revision passes, do a search for specific words using [Control] [F] or Find, or read through your manuscript and highlight the words.

Have you used each word more than a few times?

Can you change them or use them in an unusual way?

Is the sound necessary? Does it add something to the sentence? If not, cut it.

4) Avoid purple prose.

Romantic scenes and fight scenes are danger zones for clichéd sound effects: smacks, slurps, sighs, groans, slap, oomph. 

There are only so many sounds a person can make, but there are pedestrian and master craft ways of utilizing them.

A beginner writer reaches for common sound words and uses them literally.

A master craftsman transforms common sound words into passages with a visceral effect.

Here are a few examples from one of my favorite writers, Tana French, and her new release The Secret Place:

She shut the interview room door behind us, flick of her wrist and a slam.

The music has turned into a distant hysterical pounding and shrieking, like someone has a tiny Rihanna locked in a box.

The night is thick with clouds and cold; they have to grope their way down the paths to the grove, wincing each time a branch twangs or a clump of leaves crunches.

In the darkness they're just a trail of rustle and laughter, sweeping a circle around the edge of the clearing.

A wisp of a laugh, a frail thing, lost, drifting between the slick posters and the make-up smeared tissues. Not a laugh she'd learned off some reality star and practiced; just her, missing that day. Here was why she needed to see Selena and Chris through a dirty snicker and a gagging noise. That was the only way she could stand to look.

For the list of sound words and more revision tips, check out:



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5. The Secret Place

Tana French's talent for gorgeously crafted psychological mysteries shines in The Secret Place, the latest installment of her Dublin Murder Squad series. The narrative centers on the murder of a boy in the gardens of an exclusive girls' school, but its real drama is in the fraught relationships between teenage girls and the awkward partnership [...]

0 Comments on The Secret Place as of 9/9/2014 5:14:00 PM
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6. Ask a Book Buyer: Tales of the Home Front, the Sea, and Overseas

At Powell's, our book buyers select all the new books in our vast inventory. If we need a book recommendation, we turn to our team of resident experts. Need a gift idea for a fan of vampire novels? Looking for a guide that will best demonstrate how to knit argyle socks? Need a book for [...]

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7. Free Samples of the Los Angeles Times Book Prize Finalists

The finalists for the 33rd annual Los Angeles Times Book Prize have been revealed, and we’ve collected free samples of all their books below–some of the best books released in 2012. Here’s more about the awards:

“The winners of the L.A. Times book prizes will be announced at an awards ceremony April 19, the evening before the L.A. Times Festival of Books, April 20-21. Held on USC’s campus in Bovard Auditorium, the awards are open to the public; tickets will be made available in late March.”

 

continued…

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8. 2011 Edgar Award Nominees Revealed

eap.jpgThe Mystery Writers of America announced the 2011 Edgar nominations this morning. The annual prize is named after Edgar Allan Poe, awarded to the best authors in the mystery genre since 1945.

Follow this link to see all the nominees, but we’ve included a few of the top categories below.

BEST NOVEL
Caught by Harlan Coben (Penguin Group USA – Dutton)
Crooked Letter, Crooked Letter by Tom Franklin (HarperCollins – William Morrow)
Faithful Place by Tana French (Penguin Group USA – Viking)
The Queen of Patpong by Timothy Hallinan (HarperCollins – William Morrow)
The Lock Artist by Steve Hamilton (Minotaur/Thomas Dunne Books)
I’d Know You Anywhere by Laura Lippman (HarperCollins – William Morrow)

continued…

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9. Crossover Book Review: In the Woods


I'm always in the market for a good mystery, so when Tana French's In the Woods won a 2008 Edgar Award for best first novel by an American author, I ordered it right away from audible.* From the first pages I knew In the Woods is a novel teen readers will love as well.

Rob Ryan is a young detective on the Dublin murder squad. When the body of a 12-year-old girl is found in the woods outside Dublin, he's called to investigate. The situation is eerily familiar to Ryan: When he was twelve he also disappeared in the same woods with two friends. When he was found, he was covered in blood and had no memory of what happened. His two friends never returned.

Now, obviously, Ryan should have removed himself from this case, but finds he can't. He begs his partner--the wonderful Cassie Maddox--to keep his secret in the hopes that his past will help them to solve the case. While investigating Ryan is haunted by partial memories, neighbors from his past, and faulty judgment. As a reader, you don't trust Ryan, who narrates In the Woods, from the very beginning. You do, however, find his motivations and story undeniably compelling.

Dark fairy tale themes and the unreliability of childhood memories haunt Ryan and In the Woods, making this a mystery teens will love. The detectives are young and live young lives--solving cases together while eating and drinking well into the night. Ryan's partner, Maddox, is a kickass heroine--smart, hardworking, and tough. And the victim, a young ballerina, and her family will appeal to young readers, especially when compared to our hopelessly unreliable narrator.

Best of all? I thought I had In the Woods all figured out by the time I was halfway through reading. But I wanted to finish this mystery anyway because of the interesting characters and narration. The bonus? I was completely wrong in my armchair sleuthing. In the Woods is highly recommended for readers ages fourteen and up.
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*What is going on with audible and audiobooks these days? None of the new books I want are coming up on audible or on iTunes. No new Rick Riordan for the little one and I have a list of about 15 books recently released I want to read and not one of them is available. Where is that reader's bill of rights? I want to choose audio or text format for each and every book I buy. I mean it.
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And, Tana...if you ever stumble upon this post...I hope your next book will star Cassie Maddox on the domestic abuse squad.

13 Comments on Crossover Book Review: In the Woods, last added: 6/2/2008
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10. Little Things...



This is part of a series called POV. Hope you enjoy!




P.S. Trippy little magic mushroom says, "You can find more goodies like prints of my artwork at http://www.xenosmesa.etsy.com or homemade plushies at http://www.xenosdesigns.etsy.com too!"


Thanks for reading!

1 Comments on Little Things..., last added: 12/12/2007
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