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Viewing: Blog Posts Tagged with: donald maass, Most Recent at Top [Help]
Results 1 - 16 of 16
1. Literary Lessons from GONE GIRL

One of the things I think has made Gillian Flynn's GONE GIRL so successful is voice.

Voice is always one of those tricky things. Scholastic editor Cheryl Klein defines it "by using the formula VOICE = PERSON + TENSE + PROSODY + (Diction + Syntax + Tone + Imagination + Details). Defining the imagination of Voice, Cheryl says, '[t]he imagination of a voice sets the range of subjects, images, diction, kinds of and examples of figurative language, and references that the voice can include.'”

Agent and author Donald Maass says voice is "the thing...every novelist already has... . It may be comic, deadpan, dry, pulpy, shrill, objective, distant, intimate, arty or a thousand other things. It comes through in the story that an author chooses to tell and the way in which they choose to tell it."

Here are some quotes I highlighted while reading GONE GIRL. You'll notice they're not big statements on the plot (except for the last one, which sums up the entire story in all its twisted wonder), but tiny observations -- metaphors used to paint a picture of characters, of setting, small things that were fresh and interesting and right. In other words, great examples of voice.

characterization and metaphor:
"They have no hard edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish -- expanding and contracting instinctively, filling each other's spaces liquidly. Making it look easy, the soul-mate thing." (p 27)

setting and metaphor:
"It was the best time of day, the July sky cloudless, the slowly setting sun a spotlight on the east, turning everything golden and lush, a Flemish painting." (p 31)

characterization:
"His shirt wasn't wrinkled, but he wore it like it was; he looked like he should stink of cigarettes and sour coffee, even though he didn't. He smelled like Dial soap." (p 33)

characterization and metaphor:
"He spoke in a soft, soothing voice, a voice wearing a cardigan." (p 199)

and the quote that sums up the entire crazy ride:
"Our kind of love can go into remission, but it's always waiting to return. Like the world's sweetest cancer." (p 392)

Have you read GONE GIRL? What were your impressions? Any other authors or books that get voice just right?



6 Comments on Literary Lessons from GONE GIRL, last added: 12/27/2012
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2. Writing Rules: 10 Experts Take on the Writer’s Rulebook

Is it always better to show than tell? Do you really have to write every day? Experts prove there's merit in both playing by the book and staging a writing rebellion. Read more

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3. Donald Maass, James Scott Bell and Christopher Vogler Discuss Story Structure

Three of the most popular writers on story structure will come together this November 3-6 in Houston, Texas, for an intensive three-and-a-half day workshop called “Story Masters”. As a preview, we asked them the following questions. Read more

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4. Writing Excerise: Adding Plot Layers

Have you ever notice how everything seems to happen at once?  Thus the reason these sayings ended up being cliches.  Good things come in threes.  When it rains it pours.  That is why layers give novels the lush texture of real life.  Building them into your story is extra work, but the reward is a rich resonance and complexity.

Here is a writing exercise you can try to help to add layers to your plot.

Step 1:  Write down the name of your protagonist.

Step 2:  Write down the the overall problem your protagonist must solve?

Step 3:  Write down the additional problems your protagonist can face.  Not complications to the main problem, but altogether different problems.

A plot is layer when more than one thing is happening simultaneously to the hero.  He has a murder to solve, and at the same time his father is dying of cancer.  Why not add a further layer?  He is searching for the soul of Mozart’s piano concerti.  What is it that gives them their power, their drive?  He has to know, so along the way he acheives that insight, too.  Thus, there are levels of problem to utilize:  Public problems, personal problems, and secondary problems.  Small mysteries, nagging questions, dangling threats – those also can be woven into the plot.

Step 4: For each plot layer or at least two that you have added, work out at least four steps or scenes that you will need to bring this narrative line to it climax and resolution.  Make notes for these additional steps ands scenes.

Weave Plot Layers Together

Donald Maass uses this excerise in his novel writing workshops:

Step 1:  On a single sheet of paper, make three colums.

First column list your novel’s characters.

In the middle column, list the principle narrative line:  main problem, extra plot layers, subplots, minor narrative threads, questions to be answered in the story.

In the third column, list the novel’s principle places – major settings.

Step 2:  With circles and lines, connet a character, a narrative line, and a place.  Keep drawing lines ans circles at random, making connections.  See what develops.  When a random connection suddenly makes sense, make notes.

If you have a plot excerise you would like to share, please send it to me.  I’ll make sure you get credit for it.

Talk tomorrow,

Kathy

PS:  Joe Monti – Agent at Barry Goldblatt is joining us at the Princeton Dinner on September 8th.  Please Note:  The July 6th dinner in NYC comes with $10 parking.


Filed under: Advice, Process, writing, writing excercise, Writing Tips Tagged: Adding layers, Donald Maass, Plot, Weaving layers to plot 4 Comments on Writing Excerise: Adding Plot Layers, last added: 6/22/2011
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5. The Agent Pitch: 10 Responses You Don't Want to Hear

You finally did it. Mouth dry, hands sweatier than the hands of someone who sweats a lot, you made that in-person pitch to the agent of your dreams.

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6. Woohoo! - Donald Maass AND a conference


About to set off for Allentown, PA, where I'll be attending this year's Write Stuff Conference, but tomorrow and Friday there are workshops with Donald Maass and his wife Lisa Rector-Maass to enjoy.

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7. What rotten things have you done to your characters?


Lately, I've been doing a lot of thinking about some of the rotten things I've done to my characters. Not that I feel guilty, mind. I'm a great believer in putting the folks I write about through the mill. 

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8. Interesting posts about writing – w/e March 4th 2011


Here’s my selection of interesting (and sometimes amusing) posts about writing from the last week:
 
Are e-book buyers becoming educated over price? (Philip Jones)
 
Fleshing Out Flat Characters (Janice Hardy)
by way of Beth Cato (aka [info]celestialgldfsh )
 
Why Writers Suck at Marketing (Monica Valentinelli)
 
What Are You Afraid Of? (Donald Maass)
 
7 Things I’ve Learned So Far (Imogen Robertson)
 
Self-Defeating Attitudes (Lucienne Diver aka [info]varkat )
 
Play by Play Narration (Mary Kole)
 
How to Spotlight Important Prose (Kathyrn Craft) 
 
Writing: When It Just Isn’t Working (Joshua Palmatier aka [info]

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9. Writing: Variations on a Theme

My agent once pointed out that both my current project and my new WIP explore similar themes. She meant this in the best possible way, and her observation holds true. I really do like to play with good vs. evil, alive vs. afterlife, heaven vs. hell.

I also read a lot of books and watch a lot of TV (SUPERNATURAL, anyone?) and movies with those same motifs.  Blame it on Star Wars or Indiana Jones or those hot Winchester Brothers… but I adore stories dripping with epic stakes, spiritual overtones, and classic symbolism.

What can I say? I just love a good variation on a theme.

And I’m not alone.

Donald Maass, in Writing the Breakout Novel, asserts theme transforms a manuscript into “more than just a story.” He believes theme is integral, emerging “from the very substance of the story.” While the patterns and messages of theme are finessed in final drafts, they can’t be tacked on or artificially manufactured. Themes begin in the subconscious and develop organically.

Mary Kole, my Abfab Agent, has also addressed this topic on her blog. She believes that in any work, “there should be distinct themes and ideas that you [can] point to as the center of your book.” To her, theme is “like magic… connections you never knew you’d made, common images and ideas that resonate with the larger meaning of your work, all sorts of interesting stuff.”

In her post, she explains how to develop these connections.

Looking for other resources on THEME? Try reading these:

STORY by Robert McKee

THE POWER OF MYTH by Joseph Campbell

THE HERO WITH A THOUSAND FACES by Joseph Campbell

List of Common Themes in Literature by Janice E. Patten

That’s a lot of THEMES…tell me, which ones do you write and dream about?

Hungry for more? Try this recipe for Angelic Peach Trifle. You’ll enjoy the layers and the subtle almond flavor.


Filed under: Uncategorized, Writing Tagged: Donald Maass, Mary Kole, Peach Trifle, Star Wars, Supernatural, Theme, Themes in Literature
2 Comments on Writing: Variations on a Theme, last added: 10/6/2010
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10. The WOW Story—Where Should a Writer Start?





The WOW story, novel, blog or article takes preparation in the form of research, investigation and on-hands knowledge. Writing is hard work but writing that very special bit of prose is excruciating. The writer needs to draw deep within and string words together perfectly in order to come up with the WOW story.

An excerpt from Donald Maass' book WRITING THE BREAKOUT NOVEL tells us: "A truly big book is a perfect blend of inspired premise, larger-than-life characters, high-stakes story, deeply felt themes, vivid setting and much more."  Big equals popularity and success.  

Where should a writer start?

1.     Answer the question why does this story, novel, blog or article need written. 
·        To persuade
· 5 Comments on The WOW Story—Where Should a Writer Start?, last added: 7/25/2010
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11. TRANSCRIPT: It’s Conference Season!

Oh, what a fun chat we shared tonight! Lots of new ScribeChat-ers, and a visit from special guest Lorin Oberweger of Free-Expressions Seminars (@WriterLor). Lorin  offered an opportunity to apply for a full scholarship to her next week-long intensive workshop with NY agent Donald Maass, worth $1,900! Submissions close next week. Check the transcript for [...] Related posts:

  1. TOPIC: It’s Conference Season!
  2. TRANSCRIPT: The Dark Allure of Gothic Literature

0 Comments on TRANSCRIPT: It’s Conference Season! as of 4/23/2010 5:51:00 AM
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12. Writing a big novel


Literary agent Donald Maass has a great post about the bigness of a novel on the Writer Unboxed blog.

We’re all trying to write novels that resonate — that feel big to the reader — and Donald guides us what our books should have to create that bigness. As you might expect, it’s a lot of work, but then again, nothing good comes easy.

Good luck writing your own BIG novel.

Write On!

1 Comments on Writing a big novel, last added: 12/3/2009
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13. Beachtalk with Donald Maass: On Creating Micro-tension

“Great storytelling is the key to success as a novelist,” says Donald Maass, the legendary literary agent who founded his own firm in 1980 and now sells more than 150 novels a year in the US and abroad, including work by Stuart Kaminsky, Thomas H. Cook, Anne Perry, Diane Duane, Todd McCaffrey, and David Zindell.It was while Maass was writing his own novels under various pen names in the 1980s

2 Comments on Beachtalk with Donald Maass: On Creating Micro-tension, last added: 4/21/2009
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14.

Two Writer's Digest Books Featured on All Things Considered...

We were very excited to learn that two of our books were featured on NPR yesterday in the latest installment in an All Things Considered series called Three Books. During the segment, titled Get That Book Deal: Three Books Tell You How, author Sarah Pekkanen discussed the three titles about writing that helped her the most.

Pekkanen, whose debut novel The Opposite of Me will be published next year by S&S imprint Atria, said Stephen King's On Writing inspired her; Donald Maass' Writing the Breakout Novel (a WD book) taught her the importance of conflict; and James Scott Bell's Plot & Structure (also a WD book) kept her organized.




A related NPR piece yesterday discussed publishers gambling with big advances on what they hope to be blockbusters. (If you click through to these stories on the NPR site, you can both read them and listen to them.)

What are you favorite books on writing? Leave a comment let me and my readers know what you've found helpful or inspiring.

  • To follow author James Scott Bell on Twitter, click here.
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6 Comments on , last added: 5/11/2009
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15. Don't Just Take Our Word For It...

Gather round children and you will hear, a midnight tale of …well, really good news for introverts. Remember lo those many months ago when I shared with you my favorite piece of marketing advice? Remember?

Well, you don’t have to take my word for it. Donald Maass, founder of Donald Maass Literary Agency and author of the wildly helpful WRITING THE BREAKOUT NOVEL has spoken. And I want to share his answer with you.

First of all, I found this blog entry via a link on Writtenwyrdd’s blog (which is a fabulously informative blog and I highly recommend it, especially for writers of fantasy) to a post on Josephine Damian’s blog, which is, I’m guessing, the cyber equivalent of six degrees of separation. Anywho—Josephine attended one of Maass’s Writing the Breakout Novel Workshops and asked him about the benefits of blogging and other promotional activities. His answer?

You really must go read the entire thing to get the full impact of what he said, but here are a couple of highlights to motivate you to read it.

…here he made his palms and fingers flat, then held his hands a few inches apart and said with the same vehemence of his earlier reply, "It’s what’s between the cover that sell the book." Tender reader, he doesn’t so much say these words but rather hurls them at me.


But wait. It gets better....

To sum up, Donald was willing to concede there were examples, few and far between, where an online presence helped in some small ways, but in terms of significant sales or opportunity, you have to wait until you’ve released 4-5 books for the time and effort spent promoting yourself online to payoff in any way that’s worthwhile, sales-wise.

And don't forget to read the entire comment thread, because she has more gems in there, such as the following:
DM made note of all the promotional bookmarks and postcards being handed out by the romance writers in my group (the group that hosted the workshop), and he says they are a waste of time and money as well.

So check it out. And Josephine promises to have more posts up soon on her encounter with Donald, so you may want to follow along.

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16. Poetry Friday: The Wussy Boy Manifesto

I should state up front that this poem uses some colorful language, in case you're a fan of such things. Or not. In a previous life I worked at a radio station as the Director of Public Affairs programming. Basically I oversaw the non-music programming that fulfilled our FCC requirements and allowed us to maintain our license. That sounds much more important than it really was; my duties

4 Comments on Poetry Friday: The Wussy Boy Manifesto, last added: 7/13/2007
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