STATUS: I'm feeling a tad riled up.
What’s playing on the XM or iPod right now? MY HEART BELONGS TO ME by Barbara Streisand
Holy cow! Can't believe I missed this article yesterday. I'm so glad an agent friend forwarded to me. Take a moment to read it and tweet it on but in short, it's an appeal to support literature with gay and lesbian characters and the fact that there are some appalling agents and editors out there who are making requests that the writers make a gay character straight.
Seriously? What year are we in?
I cannot tell you how delighted I was to see a link to a list of YA literature that features gay/lesbian characters and my author Sarah Rees Brennan's THE DEMON'S LEXICON series was on it.
This author of mine is brilliant. It's a wonderful series and her new trilogy that I just sold to Random House also has an absolute kick-a** gay/lesbian main character. The first book UNSPOKEN publishes in fall 2012.
Not to mention, I have a Monica Trasandes' debut adult literary novel coming out in spring 2012 from Thomas Dunne Books/St. Martin's Press. It's called BROKEN LIKE THIS and features three main protagonists: a bisexual character, a gay/lesbian character and a straight male character (had to throw that last one in there-LOL).
A multicultural author to boot. I'll tell you right now it was a tough sell but I loved the novel and I sold it.
So add these to your wish lists if you want to show support via your buying dollars. If I had cover art or anything yet for these two titles, I'd post it here but we are in the middle of the cover design and the buy links aren't available online yet.
And let's not forget the incredibly brilliant, witty, impeccably dressed and extremely powerful Lord Akeldama from Gail Carriger's The Parasol Protectorate series.
I must admit it never occurred to me to add to my agency's submission page that we are open to accepting material with LGBTQ characters because I kind of thought it went without saying but I'm rethinking it now.
Feel free to link to this blog post that it's a-okay with us and I have NEVER asked an author to change a character's ethnic background or orientation.
And because we are talking about multicultural too, check out my author Kimberly Reid's debut YA novel MY OWN WORST FRENEMY. It's an African-American urban Nancy Drew series. I mean, just how cool is that?
Note: LGBTQ stands for Lesbian, Gay, Bisexual, Transgender, Queer/Questioning.
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STATUS: Hey, winter decided to show up, briefly, in Denver today. It snowed. I already miss out near 60 degree weather already.
What’s playing on the XM or iPod right now? GIVE PEACE A CHANCE by John Lennon
The Gals of Killer Fiction (all former Dorchester authors) are giving away free eBooks because finally, it’s their books to give away. (For the history, click on this link.) Two of my authors, Jana DeLeon and Leslie Thompson are participating. Nothing wrong with the word “free” in this case so you might want to check it out.
And that leads me to back to some more fun facts to share.
Lucienne Diver—was already publishing under a pseudonym when I convinced her to do the Vamped Series in her own name.
Carolyn Jewel—has never missed a deadline (which has me convinced that she has mastered the art of cloning)
Leslie Langtry—was skeptical of literary agents and gave me the most detailed questions I’ve ever received when offering representation. And if you know Leslie, who is probably the author most likely to buy you a beer and hug you, you’d realize just how strange that is!
Marie Lu—was an attendee I met at the Pikes Peak Writers Conference. She submitted sample pages to her first novel which I passed on (sensing a theme here!). Then I took her on for a novel that I wasn’t able to sell. Now her debut YA, LEGEND, is one of Penguin’s big books for this fall. Talk about paying some dues.
Time for bed but more tidbits tomorrow!
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STATUS: Ack! Can’t believe it’s 5 already. Where did the day go?
What’s playing on the XM or iPod right now? CALLING ALL ANGELS by Train
Once an author is established, it’s kind of hard to think of them as having a beginning but every successful author has a fun fact about their beginning. I thought it might be fun to share today.
Gail Carriger—Four years before she sent me SOULLESS, I had read a YA novel from her, passed on the manuscript but sent along a letter with feedback. She remembered that fondly and so queried me with SOULLESS.
Ally Carter—I signed Ally for a novel (adult) that we’ve never shopped.
Sara Creasy—(who by the way was just nominated for the Philip K. Dick Award—HUGE!!!) I made her revise SONG OF SCARABAEUS twice before I signed her and then went on to sell it.
Jana DeLeon—For her first book, RUMBLE ON THE BAYOU, had an editor who so wanted to buy her. Got shot down at her house. It sold elsewhere but just recently, this editor asked for every book she’s written since so she would have them on her vaca. Oh yes, we obliged@
Simone Elkeles—had only one offer to buy PERFECT CHEMISTRY. I was afraid I wasn’t going to be able to sell it!
Jamie Ford—When he first submitted HOTEL ON THE CORNER OF BITTER AND SWEET, he had the manuscript entitled THE PANAMA HOTEL. Sounds like it’s set in Latin American. We went through about 100 titles before settling on the one it was published with before submitting it to editors. Now people can’t imagine any other title for it. One bad suggestion was Burning Silk—after the one scene where Japanese women start burning their wedding Kimonos after the bombing of Pearl Harbor.
Janice Hardy—Sold me on her manuscript during the 10-minute pitch session at the Surrey Writers Conference. Right after the pitch appt. I called my assistant (Sara at the time) and asked her to send it to me the minute it came in. She did. I read it and immediately offered rep for it. It’s rare to take on a novel from a pitch session but it happens.
More to come tomorrow!
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What’s playing on the iPod right now? KOKOMO by Beach Boys
Cross my heart, IRS Agent! It was all very necessary research.
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STATUS: I know this is petty but this week I’m on the beach and it snowed in Denver. Yes!
What’s playing on the iPod right now? WALKING ON SUNSHINE by Katrina And The Waves
There is something fundamentally wrong with a science fiction author who lives in Florida but has never been the Kennedy Space Center. It’s also a crying shame if her agent, who reps SF and has also never been to the Kennedy Space Center, doesn’t drag her there.
Consider the issue rectified!
In Orbit! Kristin, My Mom Sue, and Linnea Sinclair:
The world is in trouble now...
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STATUS: Off to the Rockies game tonight.
What’s playing on the XM or iPod right now? LIVIN’ THING by Electric Light Orchestra
Hey, nothing like ending a week on a controversial note. Really, I shouldn’t open this can of worms but heck, it’s a beautiful fall day. Why not throw a monkey wrench into it.
So in a spare five minutes I had waiting for something to download, I popped open my latest issue of PW and there was an interesting article on the lack of men in publishing and whether that impacts what gets published.
Jason Pinter did an editorial at the HuffPo saying it does.
Stuart Applebaum at Random House says it’s not keeping him up a night.
For my part, I just want to sniff. Sorry. There are SO many male-dominated industries and yet I never hear much discussion about whether the lack of women in those professions significantly impacts those industries so yeah, I’m inclined to just snort.
(Interesting side note, Alloy Entertainment, the folks behind all the Girl commercial teen products like Sisterhood of the Traveling Pants, Gossip Girls etc. is run by 2 guys and no one seems to think twice about it….)
Then I wondered if I was being automatically dismissive and there is something to an industry being impacted by a gender leaning in one direction.
I imagine some of you might have decided opinions on this topic so air away.
STATUS: I have a lot on my plate today. If I don’t blog now, it won’t happen.
What’s playing on the XM or iPod right now? LITTLE GREEN APPLES by O.C. Smith
Since my father passed away in January, I’ve long wanted to write this blog entry but didn’t feel up to it. I’m going to give it try today.
My love of reading definitely came from my parents—both avid readers. But my father was passionate about books. He was the one who took me and my older brother and sister to the library every Sunday (almost without fail).
In fact, it was my Dad who created my love of science fiction and fantasy. His SFF books littered our house and pretty much covered every shelf.
Our first conversation about “appropriate reading for ten year olds” happened over an SF book actually (Slave Girl of Gor anyone?) It was the only time he ever censored reading and gave up after 6 months when my brother and I ferreted them all out anyway and read them. Just thinking about that memory after all these years makes me laugh.
The hardest thing was getting Dad to read contemporary SF&F. Man, pulling teeth to get him to try a new author. The trick was not to suggest but to just give him the books. Years ago, I did that for Dan Simmon’s Hyperion series, I never got my books back. I was in grad school at the time (when every dollar counts) and I had to go out and re-buy the books for my own shelves. I didn’t let him live that down for years. Last year, I gave him Scalzi’s OLD MAN’S WAR and he was hooked. Another personal triumphant!
And yes, I’m going somewhere with all this. Well, my father had cancer that had migrated to the brain. He was blind for the last six months of his life. I knew he wouldn’t survive without story so I talked him into listening to audio books—a medium he had never tried before. I even got him to try a new author.
When my father was rushed to the hospital right after Christmas (literally, the day after), he had only one request for me, bring him his green iPod shuffle with his latest story.
The man was dying but darn if he was going to go without getting to the end of his audio book—which, by the way, was Brent Weeks’ THE WAY OF SHADOWS.
His last days were at home surrounded by his family and all his books (literally we had the hospice bed set up in the living room). Sadly, he didn’t get a chance to finish the story but not from lack of trying.
And that, folks, is the power of story in any medium.
What’s playing on the XM or iPod right now? CAT’S IN THE CRADLE by Harry Chapin
I have to ‘fess up. Yesterday, we here at NLA skipped out early to take in a Rockies game at Coors field last night.
So here’s the gang doing anything but reading submissions. Don’t worry, we got back on the ball today.
From left: Anita's friend Alex, Anita, Me, Sara
How cotton candy is meant to be enjoyed!
The Megibow fam!
From left: My hubby, Sara's hubby, and their son clearly demonstrates the other way to enjoy the game!
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STATUS: Sorry! You know it’s a tough week when I can’t find 15 minutes to squeeze in a blog. RWA is next week in Orlando. Probably don’t need to say more.
What’s playing on the XM or iPod right now? LOVE MY WAY by Psychedelic Furs
I’m going to start today’s entry with a totally non-publishing related rant. All I want to say is that just once, I want to walk to work in the morning without seeing some male stranger’s underwear. Seriously people, pull your pants up or use a belt. This isn’t complicated because if you don’t look like a ripped athlete or Calvin Klein underwear model, then it’s not sexy. It’s just underwear (and not all that attractive at that!).
I don’t think I’m asking too much here…
But in fun news for ONLY THE GOOD SPY YOUNG, Ally Carter in the flesh is coming to Colorado (Boulder to be exact) this Sunday, July 25. I’d love to see you there and come say hello.
Barnes & Noble
Crossroads Commons
2999 Pearl StreetBoulder, CO 80301303-444-0349
Here’s the link to check out the event and to get more info!
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STATUS: Hubby got me XM radio at the office for my birthday! I’ve wanted this for a while. I now have access to fun stations such as Indie/College/Unsigned and UK Pop hits. If I’m in the mood for maudlin, I could play love songs 24/7. How about Spa: New Age. Oh this is going to be fun.
What’s playing on the XM or iPod right now? 40 DOGS (LIKE ROMEO AND JULIET) by Bob Schneider
As all writers should already know, spell check is your friend but it’s not a savior. If the typo is one that won’t be caught by a simple spell check program, you might be in a world of trouble.
A fact that Penguin Australia recently discovered when they had to reprint 7000 copies of a cookbook…
Most people should laugh as that’s quite the whopper of an error but part of me thinks that maybe Mr. Sessions should have consulted with a PR person and just admitted some mortification over the snafu rather than making a statement that he didn’t understand why people might find the error offensive. Err on the side of sensitive I’m thinking.
Just an observation. Grin.
STATUS: Only 372 emails in the inbox at the moment. That’s progress.
What’s playing on the iPod right now? SHATTERED by O.A.R.
This probably won’t come up for the majority of my blog readers but just in case, I’m going to dispense a few more interview tips if you ever want to work at a literary agency.
Before the interview, visit the agency’s website. (I know—no brainer but hang with me here.) See what kinds of authors and books the agency handles. Then, in preparation for your interview, read some of the authors before your meeting. (Or at the very least see if you can find the first chapter on Amazon’s Search Inside or the author’s webpage so you can read a snippet of the work.) Then demonstrate that knowledge during the interview.
We were hugely impressed with candidates who did that.
Another bit of advice? Be prepared to ask some insightful and/or intelligent questions. At the end of each interview, we always asked the candidate if he/she had any questions for us. Good questions really stood out for us—especially if it showed the candidate’s awareness of current events in publishing (like the Google Settlement or anything else that may have hit the major newswires).
And one last bit of advice. Practice your interview with a friend (and have that friend make up some questions for you). This will allow you to think on your feet if you receive a question that is unanticipated. This will also allow you to practice your speech and conversational ability during the interview. The biggest killer for us in our recent interviews was the constant repetition of the word “um.”
Now we realize that people are nervous in interview situations. We do expect some “ums” (after all, anyone who doesn’t make a living in TV or radio will interject an occasional one here and there). It’s the excessive amount of “ums” that are the problem. Unfortunately, that can make a candidate sound verbally ineffective or tentative—not two qualities you want to project in an interview.
So be conscious of that possible verbal tic during an interview and if you practice before, you’ll have some answers ready and smooth. Trust me, that will impress.
STATUS: Calling it a day.
What’s playing on the iPod right now? HEARTBREAK WARFARE by John Mayer
This past week we hired a new assistant. I cannot tell you how excited Sara and I were for this person to start. At the very least, the last 2 months without an assistant aptly demonstrated how much we need one!
During the process, I was talking about it with a friend who is an HR manager. She was absolutely appalled to learn that we planned to interview about 14 candidates (from the over 50 applications we received). After all, we obviously must not have specified the job requirements accurately enough. In her mind, we should only be interviewing about 5 candidates total.
On one hand, she’s probably right. But on the other, the one main criterion we were looking for cannot really be specified on a resume. Lots of our candidates had terrific qualifications. What we were looking for, however, was a demonstrated passion for reading—and not just for one type or genre of fiction. That’s not really going to show up on a resume. It’s only going to be apparent when we ask one specific question.
In our interviews, that one question was this: Tell me about the last three novels you read. Why did you choose those books? Did you enjoy them? Why or why not?
For candidates interested in working at a literary agency, you’d assume this would be a slam dunk kind of question to answer. A “no brainer” if you will.
Surprisingly, a lot of candidates struggled to answer this question.
We were not expecting that. We, of course, had other questions about how detail-oriented was the candidate and how they handled processes etc. but it was really the above question that was the most important to us. So keep that in mind if you ever decide to pursue this type of job path.
Luckily, in the end, we had several terrific final candidates and it was rather sad that we only had the resources to hire one person.
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What’s playing on the iPod right now? GIRLS JUST WANT TO HAVE FUN by Cyndi Lauper
One of my agent friends is constantly chastising me for not taking a moment to celebrate when really big things happen at my agency.
For example, last week, we did a huge film deal and I barely broke stride. I have to admit, I didn’t even go out to a celebratory dinner or anything. I just kept my nose to the grindstone (in my defense, Bologna Book Fair is rapidly approaching—I have to be ready!)
But today, I really can’t just do that. Besides, I don’t want her to berate me again (and I know she’s reading this and will call me up).
Last week was big—no doubt. This week is a huge milestone for an agent and in truth, it doesn’t happen often so I really need to take a moment and acknowledge it so that’s what I’m going to do.
Today, I have two authors sitting on the New York Times Bestseller list at the same time.
Now, I’ve had one author with two books sitting on the NYT list at the same time but never two authors on at the same time.
Wow.
Great. Now I’ve just raised the bar and I’ll have to do 3 authors on the list at the same time or 2 authors with 2 different books on the list at the same time…. Naw. I’m just going to enjoy this moment.
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STATUS: I’m actually leaving the office before 6 pm. I know. I’m stunned too.
What’s playing on the iPod right now? BLACK by Pearl Jam
For the last couple of weeks, we’ve been interviewing for a new assistant. We are doing our final second round interview next week and then hopefully the new person will start. Sara and I can hardly wait I have to say. We are really missing having a right hand to help with the workload.
During one of the interviews, an applicant asked a great question. She asked if we had anything against male authors as we hardly had any on our list.
In looking at all our sales, the question is not really a surprise but the answer is that we would love to find a few good men to add to our client list. So what’s the deal?
I have a couple of hypotheses:
1. Overwhelmingly, the majority of our query letters are from women. Statistically speaking, there aren’t as many male writers out there looking for rep.
2. We don’t rep thrillers. A lot of male authors write in that genre so right there that reduces the number of inquiries we get from men.
3. A lot of the inquiries we get from male writers tend to be for literary fiction. My tastes really lean commercial in this realm. I’m more of a Jonathan Safran Foer kind of gal than an Arthur Phillips. And let me tell you, the Jonathan-type writers are hard to find and chances are my agency is not high on the radar (although I do hope Jamie’s HOTEL changes that perception some). I can make a book hit the NYT list folks.
4. Women read more and buy more books. This is why we tend to rep a lot of women’s fic and romance. We gotta pay the bills and genre writers tend to do more than one novel a year and it’s an easier sell. Imprints are always looking to fill slots in romance.
5. For whatever reason, our queries from guys in the field of YA and MG fiction is slim. Where are you? We are gamely waiting.
6. We do get a lot of fantasy queries from male writers. I’ve had some stuff come close (as in I worked with the writer on revisions etc. but so far the final connection hasn’t happened).
I have a theory that women writers tend to participate in critique groups more than male writers and subsequently, a lot of those submits aren’t as polished when the writer is first querying. This is totally a guess on my part and I could be wrong.
I probably shouldn’t say this but if you are a guy and your query is solid, chances are really good we are asking for sample pages.
We want you on our client list. Jamie Ford is lonely.
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STATUS: Ready to head home. It’s after 7 o’clock.
What’s playing on the iPod right now? RESPECT by Aretha Franklin
(I'll admit I did pop her on just to write this entry.)
In order to celebrate Martin Luther King Day, I blogged about three terrific African-American authors and suggested that folks might want to check them out and even potentially buy an African-American author to honor the day.
One commentator admonished me with “there's an unspoken implication that readers only need to think about books by black authors on a particular day, kind of like Black History Month.”
I actually don’t disagree; however, I still would have recommended some great AA authors on MLK day regardless of the unspoken implication that they might “need” the extra help by highlighting them on a special day.
Why? Because publishing, sadly, is not color-blind and despite some big AA break-out authors, books by people of color are not published equally.
It’s the truth.
And now I’ll explain.
First off, I want to point to yet another recent controversy spawned by the Publisher Bloomsbury Children’s. They didn’t quite learn their lesson the first time around with the cover fiasco involving the novel LIAR. They had to do it again with a debut novel called MAGIC UNDER GLASS.
Maybe I should assume that in this case they thought any publicity was good publicity because really, are they this inept?
Notwithstanding this recent issue, in general when you browse the bookstore fiction shelves and there are people depicted on the cover, how often are they non-white?
Perhaps iconic images for all books are the way to go….
But here’s another case in point. Let’s go back to my author, Kim Reid, and her debut memoir NO PLACE SAFE—which is an amazing read by the way.
This is a memoir. Logically speaking, where do you think this book ought to be shelved in bookstores?
Gee, I don’t know. Maybe it should be shelved in memoir—say next to Mr. Frey who might have been better represented in fiction? Or, how about in the same section that houses THE GLASS CASTLE or EAT PRAY LOVE—both of which are memoir books.
Nope. Barnes & Noble shelved this book in African-American studies.
Yes, you read this correctly.
And go find the AA Studies section in your local BN store. See what other titles are there. That’s like shelving A MILLION LITTLE PIECES under drug addiction and nowhere else.
Yep. This despite the fact that Booklist called it a gripping memoir, “Part mystery thriller, part coming-of-age story, and part civil-rights history.”
Shelving like that can kill a book.
So I don’t care what my suggestion implies on MLK day, I’m darn well going to highlight Kim’s fantastic memoir and I’m going to do it again here by giving you the opening pages--especially since we've been talking about opening pages that grabbed an agent's attention. If this doesn’t compel you to buy it, well, I’m not sure what will.
CHAPTER ONE
The summer before
STATUS: Today is a holiday but I came into the office to try and catch up.
What’s playing on the iPod right now? PRIDE (IN THE NAME OF LOVE) by U2
In honor of MLK, why don’t you buy a novel today from an African-American author.
I’ve got three Denver writers I’d like to suggest to help you do just that.
Kim Reid’s NO PLACE SAFE
Carleen Brice’s ORANGE, MINT, & HONEY
Elyse Singleton’s THIS SIDE OF THE SKY
April 1974
STATUS: I will not be blogging for the rest of this week.
What’s playing on the iPod right now? JACKSON By Johnny Cash
(My dad’s favorite artist.)
James Carl
May 9, 1936-January 5, 2010
Dad, I just wanted to say thank you…
--for taking me to the library every Sunday afternoon without fail the whole time I was growing up. My passion for books began there.
--for teaching me how to sail and for all the weekends we did just that together.
--for not saying that I was crazy when I quit my job, gave up tenure, moved halfway across the country without a job prospect in sight. You just said, “you only get one life; do what makes you happy.” Well, it was the best decision I’ve ever made in my life and your support made it possible.
--for living with cancer and going blind with grace, dignity, and never a complaint. I’m not sure I’ll be able to do the same but you’ve shown me how.
--for asking me to bring, of all things, your iPod shuffle to the hospital because darn it, you really needed to know how that audio book ended. And people wonder where I get that from so I want them to know that I am successful because you taught me to do my passion and it was through you that I found just that in books.
--for tolerating my football commentating so you could “see” the game but heck, that Auburn-Northwestern bowl game with its wild finish was so worth it. I’ll never forget sharing that with you.
I feel incredibly blessed that I was able to say all these things and more.
I miss you already. Rest in Peace
Love Kristin
STATUS: Ugh. I’ve got 300 emails in my inbox.
What’s playing on the iPod right now? HAMMER AND A NAIL by Indigo Girls
I have to say that I’ve been shaking my head a lot lately. This market is just brutal.
Today I wrote a rejection letter to a really talented author. Previously published, had a really good manuscript but I honestly didn’t think I could sell it so passed on offering representation.
You know things are bad when as an agent, I’m passing on really good novels because currently I believe that really good might not be good enough in today’s market.
I really hope another agent takes it on and proves me wrong in a heartbeat. Is it odd to say that I’ll be really happy for the author if I see the sale announced on Deal Lunch? I’d really like to be proven wrong. I’d prefer it!
STATUS: Snow? There was snow in the forecast? I love when they predict a foot of it and we get nada. And spring is back! In the 60s tomorrow. Hooray.
What’s playing on the iPod right now? I WALK THE LINE by Johnny Cash
Now here is a dilemma in need of a practical solution. Last week, Sara fielded a call from a 94-year old woman looking for help in republishing a narrative historical nonfiction work that she wanted to see back in print before she died.
She had no access to the internet so we couldn’t direct her to our usual list of online resources that we give out when people call.
She could not drive—which rules out the next helpful hint we usually give people which is to visit the local library and talk to the librarian.
She did not live within walking distance of any kind of resource and although we didn’t ask about her physical health, we rather did get the sense that her mobility might be limited.
I have to say that we were a little flummoxed as to how to help her. Sara actually spent 30 minutes or more talking with this caller to see if she could come up with a solution. We thought about maybe ordering a book for her and having it delivered but she had vision issues so that wasn’t going to work.
We finally ended up asking her if she had a grandchild that lived in town (or wouldn’t mind a long distance call) and whether he or she could ring us up as we’d be happy to talk to them and point them in the right direction to the best of our ability. So far they haven’t called back.
Which makes me positive that we left out some wholly obvious solution to assist this caller.
STATUS: Done for the night.
What’s playing on the iPod right now? SUPER BAD by James Brown
This blog entry is for you Ann & Victoria. You two are super bad in the best possible way.
I think there are very few people in the world who are willing to take the time and energy to stand up for the rights of unsuspecting newbie writers who get scammed by unscrupulous people who call themselves “agents.”
Ann & Victoria have devoted countless hours to the cause. They have blogged about it. They have chatted on various writers forums to warn new writers of scams and to educate them on what they should look for. They have publically denounced scammers. And they’ve been willing to be sued. Yep, you read that right. They always say bring it on! Regardless of how many hours it will probably eat into their private lives.
That’s sacrifice and they deserve some major kudos!
And it makes me so happy to read about how the latest attempt to intimidate them with a retaliatory lawsuit has failed. The scammer failed to respond to discovery or otherwise prosecute the lawsuit. In other words, the criminal didn’t bother to show up.
How sweet it is! Now this “agent” is being investigated for fraud by the Florida Attorney General’s office.
And the good news continues! This just in from the Writer Beware Blog site. Because of their unrelenting hard work, The Federal Bureau of Investigation has decided to create a special task force to help agents in their field offices recognize and deal with writing scams.
Oh yeah. That’s super bad! Alas, if only it were true...
Still, the lawsuit was real enough. To salute the Writer Beware team, let me ask you this. What have you done recently to help spread the word about scammers? Have you blogged about it? Provided links from your website or blog to Writer Beware and Preditors and Editors?
Have you helped to educate a new writer on a writers’ forum or at a conference lately?
Be part of the solution. Blog, twitter, facebook and make those links live today. Let’s get the word out that scammer “literary agents” who charge fees will not be tolerated.
Monies flow to the author, not away.
STATUS: Jumping into my work day.
What’s playing on the iPod right now? RED RAIN by Peter Gabriel
Okay, this isn’t about publishing but Alexandre Philippe is a long time friend and filmmaker and I just love this documentary he’s currently working on.
And it is definitely a topic that is rant worthy.
In his own words:
“Are you passionate about Star Wars? Did the new trilogy leave a sour taste in your mouth? What’s your stance on the Special Editions? Are you ready to stand up for George, or to stand up to him? In short, if the words Star Wars, Indiana Jones, or even Howard The Duck make you want to speak up, we want to hear from you!
Based on the overwhelming worldwide response to our efforts this past year, we believe we are on the right track. Truly, it has been an amazing journey; and we intend to capture many more voices from every corner of the globe for the rest of the year. And yes, you can still submit footage to us through our September 30, 2009 deadline. Indeed, this groundbreaking, 100% independent and first-ever digitally democratic documentary gives experts and the audience a voice to express their opinions about the single most powerful and influential filmmaker and mogul in movie history. And we promise to deliver a dynamic and impassioned debate for the ages!”
So if you have a blog or a fan site, please take a moment to write about us today. Mention us in forums, on YouTube, MySpace, Facebook. Subscribe to and comment on our YouTube channel. Contact your local newspaper, film blogger or film critic. Email your local Star Wars, Indiana Jones, or Howard the Duck (!) fan site. Tell them we exist, and refer them to the YouTube link below and to our website.
Just doing my part. If so inspired, feel free to join in on this fun.
I was nine years old when I went with my family to see Star Wars in 1977. In fact, I have a vivid memory of this because I was kicking and screaming the whole way to the theater. I vehemently did not want to go. My dad said, “you’re too young to stay at home alone and the whole family is going so no more tantrum.”
So why the impassioned negative response? The year prior my Dad had taken my 8-year old self and my older sister to see 2001 A Space Odyssey.
I wasn’t doing that again.
I know! What was he thinking? He didn’t inflict this pain on my older brother!
But of course just 10 minutes into the film Star Wars, I was enthralled. There were no apes throwing bones in front of a monolith! No long segments filled with imagery, music, but no plot or dialogue! Later, when I was in my twenties, I got a chance to watch 2001 again. It was definitely a better experience then.
So which side do I belong on this debate? Not saying.
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STATUS: One of my clients sent us holiday cupcakes today. Yummy in my tummy.
What’s playing on the iPod right now? WHITE CHRISTMAS by Perry Como
Pretty soon we’ll be compiling our year-end statistics. For good or for bad! And tonight I was reading a review for a novel that I had wanted to represent but alas, the author went with a different agent. I’m sensing a theme in my blog entries here…
So I’m reading the review and I have to say, it’s brilliant. It outlined pretty much all the reasons why I had loved that manuscript. Ack. What a bummer to not be representing that author. But hey, at least I had been in the game. I’m not always going to win when up against several other agents. That’s just the way of the agenting biz. I’m glad to see the world agrees with me regarding the novel but of course I’m reading the review with regret.
Can’t be helped but still...
One of my clients is with the editor who was the underbidder for Harry Potter. That puts it into perspective I think!
And just a couple of weeks ago, I met with an editor who was the underbidder for The Story of Edgar Sawtelle.
Okay, I’m feeling slightly better because hey, it happens. Only slightly though.
STATUS: So very happy because finally, I’ve got a ballot.
What’s playing on the iPod right now? BEAUTIFUL DAY by U2
This is unabashed non-publishing-related blog entry. For the past month, I’ve been in mail-in ballot hell—as in I never received my ballot and since I’m on the permanent mail-in ballot list, I was starting to worry as the election loomed ever closer.
Five calls (yep, count ‘em) five calls to the Denver Elections Commission yielded very little helpful information as they had in their records that the ballot had been mailed.
I didn’t believe it could take 12 days to come when it was being mailed in the same city. In fact, I was getting ready to call up a news channel myself when this story hit the wires. I wasn’t alone in my mail-in ballot frustration. There were 18,000 missing ballots because of a glitch in the mailing and the company responsible, Sequoia, didn’t bother telling anyone.
I couldn’t make this stuff up.
And today of glorious days, after much hassle, numerous calls and a contingency plan to get my replacement ballot, I opened my mailbox and there it was.
I can’t wait to rush home from work tomorrow and vote!
STATUS: I’m actually heading out of the office early to finish up a client edit. It’s just easier to do that when I’m not answering the phone or checking emails.
What’s playing on the iPod right now? HALFWAY HOME by TV On The Radio
At least according to Forbes. I imagine all of you can guess who heads the top of that list.
Harry Potter anyone?
I have to say that I was a little surprised not to see Nora Roberts' name there. Seems to me that she overtook Danielle Steele years ago. Maybe that’s only in volume of novels published per year rather than in dollar signs. I really don’t know.
And before y’all get stars in your eyes, I wouldn’t buy into the idea that writing is your path to riches. It can be but it’s probably up there with getting struck by lightening or winning the lottery.
It has to happen to somebody (of course) but if you’re a writer, I wouldn’t count on it. Writing has to be your passion and if good things follow, monetarily, for you—hooray!
I know. I know. You are all going to dream big anyway. Can’t say I blame you.
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Thank you for this, Kristin - and for being continuously awesome!
Thanks so much for this Kristin. Unfortunately, it needs to be said. I've actually had to turn down potential offers from three agents in the past few years because they wanted gay characters eliminated. It seems to be happening more as the extreme right dominates our national politics.
One of the commenters in the thread of that post said that there are now two kinds of agents: the ones who represent writers, and the ones who represent editors. You're obviously one of the former. But there are an increasing number of the latter. They basically get a shopping list from editors and agents get prospective clients to rewrite their books according to the editors' specs before offering representation. Signing with them is often a very bad career move, aside from equality issues.
I attend a writers critique group through RMFW and one our group members has a novel revolving around a lesbian couple. While it is not my writing preference, I have often commended her for broaching this, and many other taboo topics.
Like you, Kristin, it never occurred to me that you would need to literally break that down. I've visited agent sites where they may do a break down of what they are currently looking for and what they are not looking for. However, I wouldn't expect an agent to want to acquire a talent only to have them revamp the story by changing the sexual orientation/sexual preference of characters. That's just...sad.
Thanks. This post means a lot.
I meant to add, that I sometimes wondered if my query was being rejected because of gay characters. I know, it could be I wrote a crappy query. But, that little, suspicious voice at the back of my mind, kept whispering away that maybe the people I was querying didn't like the fact that the main characters were gay. I was also told by one publisher that the market was too niche, therefore they wouldn't consider the material. Yeah, in this day and age. Scratch that one of my list.
Thanks again for posting this.
That's wonderful. Thanks for posting this.
I think the best way to put this information on what kind of submissions you're accepting is to say it the way you say it here:
"This should go without saying, but our agency is open to material with LGBTQ characters."
That stance was one of the reasons I submitted my book to you. I've read a couple of really excellent fantasy epics where the hero had a gay best friend who served them extra faithfully due to unrequited love. They generally died sacrificing themselves. It made me want so very very much to finally have the gay person get the girl (or guy :) ). Not that that's necessarily my long-term plan for the characters, because that might involve romantic peace and security, and we can't have that.
I'd been advised by people I respect in the biz not to have a gay relationship, because apparently straight people don't have enough imagination to enjoy it. To which I say: Bah. (But also, market-wise, you have a point. Which is why we need books that change the market.)
Louise Curtis
I read this article, too, and posted about it on my blog. My POV was objective because I honestly don't know how literary agents feel about LGBT material. In my own personal experience, it's never come up before. So I just posted and linked for information's sake. But now I'm going back to update and link to this post.
I'm glad you wrote this post. I was wondering...in a general sense...how agents feel about all this.
I confess I was a little nervous, when submitting my book, about possible agent/editor reactions to my bisexual protagonist and other gay/queer characters, but no-one has breathed a word about it. OK, so they're not publicising the fact either, but it's not an "issues" book - the characters just happen not to be straight. It all seems to be accepted as quite normal, at least in adult SF&F here in the UK.
@twittertales - the "Bury Your Gays" trope is deeply unpopular (and understandably so) amongst the LGBTQ community, so any book that gives a gay couple a HEA is going to win you a lot of friends!
I can't believe some agents actually request such a thing. I never even thought it would matter to professions!
I'm so happy you are supportive of LGBTQ. Thank you for posting about such an important issue!
Thanks for standing up and being counted, Kristin! I'm currently writing a YA novel where the main character is gay. I'd hoped it would be as much a non-issue for potential agents as it is for my character, but apparently we're not there yet!
Kristin, the other sad thing is that you felt you had to explain what LGBTQ stood for. *shakes head*
Not a condemnation of you, just an observation of you having to acknowledge how many people stick their heads in the sand.
I'm glad you've acknowledged your support for LGBTQ* content. It's a rather important issue for me. I've been fortunate that my preferred genre (urban fiction) seems to be ok with sexual ambiguity, but there still seems to be a line.
You cross it, and you're relegated to that rarely trafficked Lesbian/Gay section in the back of the bookstore...not in sci-fi, fantasy or whatever.
Lesbian and Gay characters are becoming more common these days, and are probably not that hard to sell. I suspect the real measure would be to sell, for instance, a trangendered primary character...one who might even develop as a love interest. Without the T aspect simply looking like a gimmick.
Could one sell that to a non-LGBTQ publisher and get it in the UF shelf.
Hard decisions for an agent, definitely.
Oh, and FWIW, I'm currently planning to sell out and keep the transgender nature of my supporting character from the reader.
Her brutal life is what allows her to survive the transition to vampire (not to mention her experience with changing identity). Her trans background is critical to her makeup, and I don't want to kill her off, but I just don't think the audience is ready for this. I plan to be a bit vague about it...mysterious past and all.
I've suffered over this decision, and I feel quite dirty. Perhaps I'll grow a backbone and change my mind at some point, but selling my writing is important to me...
What about gay (m/m) romance, rather than books with GLBTQ characters?
@Anne - thanks for that. Good to know I'm not the only one seeing a trend.
Louise Curtis
Yesterday I stood out in the extreme NC heat on the lawn of our state legislature as it voted 30-16 to put an anti-LGBTQ initiative on next year’s ballot. Today I signed a petition to censure Rep. Sally Kern of Oklahoma for saying “gays are more dangerous than terrorists”. Reading that article just broke my heart. It is not just gay teens who become disheartened. Someday I hope my writing is good enough to be represented by your agency, but today I just hope I can stop crying long enough to get some writing done.
I once had a publisher drop my book when I made a (non-central) character gay. No asking me to change it, they just dropped it cold.
What happened to the 21st century, right?
I'm sure I'm going to be the lone commenter here who asks this, but...if only 10% of the population is gay, and the VAST majority of the people who will read these books are straight, wouldn't it just be smart business to focus on the 90% who read the books, rather than aim to please 10%?
I'm not saying that there is anything wrong with gay characters, but if you are trying to attract teen girls in the throws of puberty, maybe having a gay lead character isn't something that would make them pull that book from the shelf.
I'm not sure this is homophobia as much as it is a business-driven decision.
You advertise for the majority, not the minority. If only 10% of people are buying those books, you are missing the other 90% that would turn a profit.
Let the flogging begin.
It's an interesting point, Colleen. I think the logic has some flaws though. Do you really believe that only gay people will buy books with gay characters? That seems to be the underlying premise.
The basic idea, to me, is that we are all shapes, sizes, colors and orientations and it's way past time to recognize that. We are all "other" in some way and there is relatability in that.
I love reading about characters of color but I am white. I also grew up in an inner city black neighborhood, so my cultural background is not evident in the color of my skin.
Colleen, before I was a writer, I was in corporate management at a publicly traded company where my performance was tied to sales and how well my unit did on the Street, so I understand what you're saying about sales. But 10% of 315 million is a whole lot of people to disenfranchise. African Americans only make up 12% of the US population, so if this was the position my publisher took, Kristin wouldn't have that cover posted above (love it and my publisher for putting all those beautiful faces on it, BTW). One reason I wrote this book is because there weren't many options like it when I was a teen, no covers like it on the bookshelf. I felt marginalized. Yes, in terms of numbers and dollars, marginalization makes sense. In terms of people, especially young people learning who they are, wanting validation and confirmation that who they are is okay, I think there is room enough in a free market of 315m for 10%, or 12%, for books that speak to them. This isn't meant to be a flogging at all, just another perspective, one from the 10 or 12% that have a hard time being heard over the 90%. It's okay (and lucrative)to let us in -- we add some flavor to the party.
I think there's an assumption out there that LGBT* characters will cause a net reduction in the market for that book. I suspect this is wrong, for most minority characters, and the assumption insults the readership.
I'm fairly certain that everyone feels they're somehow 'different' deep down. There are very few 'muggles' down there, but most of us are skilled at hiding our differences, hence appear to be 'muggles.'
Stories give us a chance to experience 'difference' in a positive way. And in a private way.
I'll also point out that other 'industries' have experienced a positive effect of opening their doors. Corporate America is starting to embrace LGBTQ* folk, as they've experienced a net gain in loyal employees. Loyal is the key word.
Imagine vehemently loyal readers...if you write more than one story.
(yah, this conflicts a bit with what I said before. I suspect we still have a way to go as far as tolerance)
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I read 'Possession' by A.S. Byatt (I think) as a sixteen year old for my personal study. Didn't understand it - probably worth reading again now though!
*CHEERS* all around for the continued excellence coming from your agency, your staff, and your blog. People are people are people, regardless of who they might crush on, love, marry, or date. Great post.
The agent (very credibly, in my opinion) disputes that this was the case:
http://theswivet.blogspot.com/2011/09/guest-blogger-joanna-stampfel-volpe.html