A few weeks ago I had the honor of attending BEA2010 (no not the BEA that happened last week) which was part of the 2010NAB conference. I was there to celebrate the launch of the BBC College of Journalism Website (COJO) a collaboration between OUP and the BBC. The site allows citizens outside of the UK access to the online learning and development materials created for BBC journalists. It is a vast resource filled to the brim with videos, audio clips, discussion pages, interactive modules and text pages covering every aspect of TV, radio, and online journalism. At the conference I had a chance to talk with Kevin Marsh, the Executive Editor of COJO, and I will be sharing clips from our conversation for the next few weeks. This week I have posted a clip which emphasizes the true hard work that journalism involves. Read Kevin’s blog here. Watch last week’s video here.
Click here to view the embedded video.
Here's the reason I haven't been doing much blogging. (Go ahead and click that link if you want to skip to the good stuff.)
A couple months ago, I was basically done with my work for Spring 2010. I was blissfully contracting away for Spring 2011, in fact. But then we decided to do something a little crazy: throw a rush book in the mix. We wanted a book about the H1N1 pandemic, in our usual Stone Arch style: something different, something interesting, something cool and fresh.
Thus, Finn Reeder, Flu Fighter, was born.
Finn Reeder thought it was just a dumb assignment when a sub told his English class that they had to start keeping a journal. Little did he know that his journal would turn into the record of a major flu pandemic.
Somehow, he survives infection. As their class size dwindles, Finn and his friend Amy face down the school bully, draw comics, catch the principal ordering pizza, and even manage to study once in a while. And when finally, Finn is the lone student remaining in school, he manages to win—and lose—the most intense game of solo dodge ball ever.
By the time the month is over, he’s made it through the epidemic, gotten vaccinated, and might even have found himself a girlfriend if he plays his cards right.I quickly contracted an author, drew up a concept and outline, and we were off. The author, Eric Stevens, wrote the book in about two weeks. Kay Fraser, one of our uber-talented art directors, took the concept and ran with it, creating an awesome cover in the blink of an eye. Once the manuscript was edited, Kay and I worked together to mock up the illustration suggestions, and she spent a couple of weekends holed up in her cubicle, illustrating the entire book in full color. Just as some comparison, it usually takes us between 6 months and a year to complete a book, from concept to finished copies. In this case, it's about six weeks. We really wanted to respond to the pandemic and get this book out there ASAP.
Coolest of all, you can download this book for free, in PDF form, for a limited time from our website. You can also sign up for a special 10 percent discount off the hardcover book. The download will be free online until January 1, when the printed book is available for purchase.I'm really proud of the team effort that created this book. It takes a lot of people to make one book, especially in such a short period of time. Here's a list, but I'm sure I'm forgetting someone: our president, Joan Berge; Michael Dahl, our editorial director; Heather Kindseth, our creative director; Shannon Zigmund, our marketing manager; Krista Monyhan, head of our planning department; proofreaders Ali Deering (product planning intern), Sean Tulien (associate editor), and Donnie Lemke (senior editor); web marketing manager Michaela DeLong; production specialist Michelle Biedschied; production manager Blake Hoena; technology project manager Jeff Ruley. And Kay and me.
I hope you love it as much as we do. Let me know what you think. Enjoy!
More soon,
Beth
I want to thank everyone who emailed me their thoughts on writing groups, and here is my collective response: writers' groups are great if they work for you. Maybe they support you in some way that is necessary for you to go on writing. They are just not for me, and I need to spend what little time I have actually writing. So while I appreciate offers to join online critique groups, I like figuring out how to revise on my own. Just the way I work. And I think I'm more ruthless on myself than nice people would be.
Besides, I have to spend my online time looking up obscure facts about polar bears and peacocks so I can look at the clock and think, "OMG, it's 1:45 and the boys will be home in 17 minutes, and I haven't started revising yet!" It makes me really use those 17 minutes constructively. Unfortunately, another way I work: the Internet is my endless encyclopedia of trivia.
And while I'm sort of on the subject of writing and writing groups, I had no idea so many folks out there are aspiring to be writers, and YA writers in particular. It seems to have exploded, and I feel like Rip VanWinkle. Where did all these people come from and what were they doing before?
In reading some of these emails, I found out a lot that I didn't know, so I started snooping around the Internet to see what they were referencing. Now, admittedly, I am not a writer involved in many literary social loops - okay, no literary social loops - but I discovered a huge business has sprung up to cater to the aspiration of being a writer. There are workshops run by editors and former editors who charge mightily to critique your manuscript and make it publishable. (Can/do they guarantee that? What if that manuscript is still lingering in your hard drive three years later? Do you get a refund?)
There are conferences and weekend retreats and retreats combined with spa treatments to relax you so you can write better. So a sea kelp facial and then a little plot tweaking? Oh, sure, I get that. And none of these are cheap.
Then there is a strange fellow termed "collaborative publishing" - which seems like an advanced form of Xeroxing. You pay someone to publish your book. That's putting it a little baldly, but that's what I gathered from reading their spiel. You get to say you're published even if you're out a couple of grand.
Through none of this does anyone mention talent. There is a conspicuous absence of the T-word in most publishing come ons, and there is this weird atmosphere around writing that if you work a manuscript to death, send it out enough, throw some cash at it, you'll eventually hit it right, quit your day job and start lunching with JK Rowling. Or something along those lines. The odds are never mentioned.
We live right near Atlantic City, sort of a subdued LasVegas with tons of casinos and gamblers. One of the things Gamblers Anonymous does is explain the incredibly low odds of making it big at a casino. It's logical, and mathematical, and inarguable. You would think all the examples would keep the gamblers away from the glittery lure of Harrah's. But it doesn't, and the casinos continue to thrive. They keep coming back and spending money despite the almost impossible odds.
The gamblers know there are so many gamblers and so few jackpots. And the casinos know exactly how few gamblers will accept that as fact.
J.A. Konrath has another great blog post up. (I know I link to his blog a lot, but what can I say, the guy makes sense.) In his post “Brain-Check,” Konrath lists eight instructions for writing success. They’re all good (click the link to read), but No. 8 is perfect for those of us who aren’t writing full-time, who are balancing work and writing and trying to keep our momentum amid other obligations. No. 8 says: “Bust Your Ass: If you aren’t driven to succeed, you probably won’t. How bad do you want this? If the answer is: really bad, then you have to prioritize accordingly.”
This reminded me of one of my earliest posts on this blog, Making The Time. Konrath is right. If your passion is to write, you have to write. If you want to be a successful writer — a full-time writer — you have to write, and that might mean (at least, for me it does) getting up at 6 to fit in writing time around the other stuff in your life.
Coincidentally, today I got an email letting me know of a message someone had posted on a thread on the SCBWI message board. You have to be a member to get in (but you should still check out the website if you’re a children’s writer), but the thread was started by a new mother who was saying her muse was gone and she didn’t have the same desire to write that she used to. The new post was from another mom, who advised that when she adopted her children, she didn’t feel like writing and took time off to just be a mom — nothing wrong with that. But later, a story that had been formulating in her head 10 years ago popped back into her conscience and took over. The drive was so big that she got up early and wrote, wrote while her kids watched TV, wrote while they ate breakfast — wrote whenever she could. She said that some nights she would get five hours of sleep, and most days she went through the day feeling tired (I feel the same often — and I don’t have three children!). But the important thing for her was that she was writing.
And that’s basically the key: you have to Bust Your Ass.
Despite my encouragement to others on this blog to do just that, I have been slacking off lately. So, I’m making a renewed commitment to Bust My Ass. Who’s going to join me?
Write On!
[...] Looking Past the Cover • Children's Book Publishing • Diversity and Race • Conversation « Black History Month: Why Remember Toni Stone? [...]
[...] Black History Month: Why Remember Toni Stone? [...]
[...] Black History Month: Why Remember Toni Stone? [...]