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Viewing: Blog Posts Tagged with: silence, Most Recent at Top [Help]
Results 1 - 17 of 17
1. the loudest silence

loudestsilence-1loudestsilence-2loudestsilence-3loudestsilence-4


Filed under: love

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2. The Only Thing That Matters

I sent off another story yesterday. Now I’m wondering if I sent it to the right place. It’s how the self-doubt starts. In a few weeks, if I don’t receive a response, the question will shift in a subtle way. It will become something very different. It will turn into “Was it ready to send out?" And then “Did I need to do more work on it?” And all of a sudden, like a trap door dropping

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3. To Improve Upon Silence

There’s a saying you’ve probably seen or heard before, in some form:

truenecessarykindBefore you say something, ask yourself: Is it true? Is it kind? Is it necessary?

Ironically, this is the sort of wisdom that is captioned onto a photo, say, of a statue of the Buddha or a gurgling grotto, and posted on Facebook or Twitter where it will float along a bilious stream of untruth, unkindness, and non-necessity. But it is worth considering. I have been frustrated with how little currency truth and value have when we enter the online world; I’ve seen some of the kindest people I know disparage kindness; I’ve seen people say outright that the truth of a thing is beside the point. I have thought of this proverb when seeing waves of outrage and thought, “I would settle for any one.”

Researching the origins of the quote (Quaker school tract from the turn of the last century? Ancient midrash? Who knows?) I came across a different construct:

Before you say something, ask yourself: Is it true? Is it kind? Does it improve upon silence?

Does it improve upon silence? 

This reveals the compulsion that leads good people to be unkind and, at best, unconcerned about knowing the full truth. They want to fill the silence. Silence is associated with oppression and victimization; to be told to be kind and true is interpreted as a demand to be silent, sometimes by people who have long been silenced. I get all that, and yet I’m wary of the conclusion. Is any noise at all preferable to silence?

But this also creates a rubric for what construes necessity. It’s the best test there is for the value of an utterance. Does it improve upon silence?

The Silence of the Educated FansSometimes I sit one out, and let a cycle of fury rage and fizzle without me. But I realize now that failing to join in the fray is not silence, even without the public apophasis that I am not going to comment on [story of the week] because of my judiciousness and gallantry. Silence is something other than strategic noiselessness.

I have begun to think of this silence as a natural resource to be treasured and protected: the silence of a calm lake at dawn; the silence of a mind at rest; the silence of listening and waiting. This silence, like clean water and star-lit skies, is harder and harder to find. It is also a value: a decision to seek silence inside and out, to turn of all the screens and quiet your own mind. And, if such a place be found, to protect it.

My mother didn’t work for the last ten years of her life, and spent much of that (waking) time watching television, particularly the 24-hour news networks, which sometimes blared different channels in different rooms of the house. Entering her house was to enter a churning noise machine, her own running commentary mixed in with that of various TV pundits and reporters. She took up every news cycle ready to be angry and outspoken. I now see the noise as a part of her sickness, and her inability for her mind to heal. But it’s also a metaphor for my own mind, clattering with noise, my inner muttering monologist struggling to be heard over the din. I can only quiet my mind by choice: walks at dawn, drives with the car stereo muted, the time before sleep where I listen to the breaths of family and pets around me and the murmurings of the house itself.

The proverb takes on power when it is not about manners; it is about soul-nurturing. Is this thing I am about to say worth disrupting my own calm? If I believe in silence as a natural resource, is it now worth plundering? What whispers of the universe might I hear, if I remain silent?


Filed under: Miscellaneous Tagged: kindness, silence, social media, truth

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4. Poetry Friday -- Silence




Silence
by Billy Collins

There is the sudden silence of the crowd
above a player not moving on the field,
and the silence of the orchid.

The silence of the falling vase
before it strikes the floor,
the silence of the belt when it is not striking the child.

The stillness of the cup and the water in it,
the silence of the moon
and the quiet of the day far from the roar of the sun.

(you can read the rest of the poem here)



I'd like to add a stanza to this poem about the silence after the busloads of cheering children round the corner and disappear from sight, the sudden unnatural silence of the school building and our empty classrooms.

And I'd add another stanza about the silence of the house the next morning as we get reacquainted with each other over a cup of tea and to-do lists.

I would finish with a stanza on my knees in the garden, weeding the beets and zinnias, the silence broken only by the buzz of a hummingbird  in the coral bells.



Buffy has the Poetry Friday roundup today at Buffy's Blog, and the July-December call for roundup hosts is here.

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5. Diva Delight: Silence, by Deborah Lytton



What do you do when you are born to sing, yet, suddenly silenced? Stella finds herself in a world without sound. The challenge follows to find beauty in a silent world. It's Hayden, a teen boy who stutters, who will be her guide as she simultaneously leads him to find his true voice by looking at his past.

Deborah Lytton's YA release of Silence from Shadow Mountain is told from two incredibly honest points of view. The growth and truth discovered by the characters is inspirational. As Stella concludes:

"I know that dreams are for today, not for someday. They are for here. And now."

"Music is the silence between the notes." says Claude Debussy. We will be waiting for Lytton's next release, listening to the music resonating from Silence to her following work.

Silence
by Deborah Lytton
Shadow Mountain, 2015

LorieAnncard2010small.jpg image by readergirlz


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6. The Art of Listening

Silence. It is the other side of talk. It is the back board of listening. When we are silent it opens up our mind to what is going on around us. It allows… Continue reading

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7. Listening for Lucca, by Suzanne LaFleur

"I'm obsessed with abandoned things." So begins LaFleur's quiet and enchanting book about friendship, family, choice, ghosts and history.

Siena's family is about to abandon Brooklyn for the beaches of Maine.  Siena doesn't really mind.  There's not much tying her to Brooklyn anymore.  Her once deep friendship with Kelsey has fizzled since Kelsey no longer seems interested in Siena's dreams or imaginings.  And honestly, Siena is a little frightening about what has been happening to her lately.

She has always had vivid dreams, but now these dreams are creeping into her waking hours.  Scenery seems to shift and she finds herself viewing history, when she should be seeing what everyone else is seeing.  Maybe Maine will help?

The move is not for Siena, however, but for her little brother Lucca.  Lucca used to be a run of the mill little kid...sticky and loud.  But now Lucca is silent.  Siena's mom is desperate for anything that will give her son a voice again.

Once Siena is in the new house, she just knows that there are ghosts.  What's more, is that Lucca seems to sense them too.  She has no sooner unpacked her collection of abandoned things, when her vivid dreaming and visions start again.  Only now Lucca is scared, and Siena promises him that she will get to the bottom of things.

When Siena finds an old lost pen high up in her closet, pieces of the past come forward and help her to understand not only her dreams and her visions, but her family as well.

This is a lovely slow reveal of a book that will delight detail oriented readers.  LaFleur weaves the story together with invisible strings that form a delicate pattern that becomes clear in due time.  Each character is fully developed and the past and the present storylines never compete with each other; rather they complete each other.

Simply captivating.

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8. Paperman (Or: Why Silence Can Be Awesome)

Apologies for the blog silence--I've been a bit under the weather. On the upside, I'm all caught up on Justified, and I started writing the third book in the Double Vision series. Exciting!

Oddly, I gained a ton of Twitter followers while I was away, so perhaps I should shut up more often.

On the topic of silence, I thought I'd share this short silent film by the Disney people called Paperman. When I first saw it as a preview to some other movie I was about to see, I loved it, and you could hear a pin drop in the theater. I think it's up for an Oscar, so fingers crossed.

 

4 Comments on Paperman (Or: Why Silence Can Be Awesome), last added: 2/5/2013
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9. Author Signing at Once Upon a Time in Montrose


Thursday, October 6 at 7 pm

2207 Honolulu Avenue, Montrose CA 91020

Becca Fitzpatrick @becfitzpatrick
Moira Young
Elizabeth Miles - @milesbooks

If you can't make it to that signing, 
these lovely ladies will be at 

1030 Bonita Avenue, La Vern

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10. The Necessity of Solitude

seaWomen are givers. Women writers are some of the most giving people I know.

We tend to have stronger relationships because of it–with babies, grown children, friends, and extended family.

But unless you learn how to balance all this giving with replenishment, you’ll find it nearly impossible to write.

Gift from the Sea

It has been a particularly busy family time the last six weeks, with little sleep and even less time to write. I wouldn’t go back and change any of it either–very rewarding times. But there comes a time when you realize you’re close to being drained. Pay attention to those times, or you’ll pay for it later (in your health, in your lack of writing, and in lack of patience with those around you).

This morning I was reading a bit in one of my favorite little books, Anne Morrow Lindbergh’s book, Gift from the Sea. I re-read it at least once a year. Here are a few snippets that might speak to you giving women:

  • What a circus act we women perform every day of our lives. It leads …to fragmentation. It does not bring grace; it destroys the soul.
  • Eternally, woman spills herself away in driblets to the thirsty, seldom being allowed the time, the quiet, the peace, to let the pitcher fill up to the brim.
  • Only when one is connected to one’s own core is one connected to others, I am beginning to discover. And, for me, the core, the inner spring, can best be refound through solitude.
  • One must lose one’s life to find it. Woman can best refind herself by losing herself in some kind of creative activity of her own.

Is That You?

If you find yourself feeling fragmented and agitated today, find a way to steal away from everyone for even ten minutes of total solitude (and if possible, silence). Breathe deeply. Bring the energy spilled on everyone else back inside for a few minutes. Re-focus. Relax.

If you have a couple hours, get a copy of Gift from the Sea and read straight through it. You’ll love it!

And if you have a couple extra minutes, leave a comment and tell us your favorite way to find solitude–whether for a day or just a few minutes. We all need suggestions for this!

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11. Lessons of Silence

Earlier this week, as I was finishing Adeline Yen Mah’s book, Watching the Tree, a collection of insights into Chinese culture and philosophy which includes her own reflections on happiness, tradition, and spiritual wisdom, I came to a chapter titled “Lessons of Silence.”In this chapter Yen Mah examines her relationship to silence and the lessons that it has taught her over the years, recalling a

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12. Harold Pinter (1930-2008)

Harold Pinter has died.

Here are the last words from one of his last plays, Celebration:


Silence.

The WAITER stands alone.

WAITER
When I was a boy my grandfather used to take me to the edge of the cliffs and we'd look out to sea. He bought me a telescope. I don't think they have telescopes anymore. I used to look through this telescope and sometimes I'd see a boat. The boat would grow bigger through the telescopic lens. Sometimes I'd see people on the boat. A man, sometimes, and a woman, or sometimes two men. The sea glistened.

My grandfather introduced me to the mystery of life and I'm still in the middle of it. I can't find the door to get out. My grandfather got out of it. He got right out of it. He left it behind him and he didn't look back.

He got that absolutely right.

And I'd like to make one further interjection.

He stands still.

Slow fade.

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13. A Slice + Some.

Today I had the privilege of listening to Bill Meyer tell his powerful story.  He is a survivor of the Holocaust.  He is the fourth Holocaust survivor I have heard speak in person.  Although I have studied the Holocaust in depth, am widely read on the subject, and have passionately taught about the Holocaust, with the focus of standing [...]

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14. WN ENTRY: What do we do when we find ourselves repeating history?

“Those who don’t know history are doomed to repeat it.” My high school History Teacher, Tom Wilcox, didn’t originate that phrase, but he repeated it to us quite a few times during tenth grade. It stuck with me. I remember this phrase each and every time I have to teach something difficult from our [...]

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15. Poetry Pass in Interactive Read Aloud

We did a Poetry Pass for the first time during Interactive Read Aloud yesterday. I wanted to do it so that I could get the kids writing about a ‘heavy’ poem I presented them with, which is one of the texts in our voice/silence text set. They did a simply amazing job with responding, in [...]

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16. Stacey’s Slice of Life Story: #31

I heard the clicking of heels on the hallway floor. The clicking was getting closer. It was Kate. She had come to talk about our upcoming Voice/Silence Interactive Read Aloud Text Set, for which we haven’t decided up on yet. We talked for a few minutes, both of us sitting atop [...]

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17. Various Voices: Prose, Poetry, Politics


Various Voices is a collection of letters, essays, interviews, short prose fiction and poetry. Pinter wroteto directors and newspaper editors and critics in response to questions and reviews of his plays. He states his plays speak for themselves and that the characters in them don’t have any concrete histories, either before or after what has happened on the stage.

Pinter states he can't legitimately comment on the meanings of his work, because once written, it has an independent life of its own. Even during the writing process his control over the work is limited, because the characters themselves dictate how they act and speak; Pinter states is simply there to keep the shape and structure of the play. He believes that his writing is instinctual and intuitive:
"There’s no aim. I do not have an ideology in my plays. I just write; I’m a very instinctive writer. I don’t have a calculated aim or ambition; I simply find myself writing something which then follows its own path."

Starting with a concrete visual image or verbal impulse, Pinter creates the characters that fit. He describes the writing process as painful, but that's how he knows he is on the right path. In a typical Pinteresque spin, he writes that he's being unfaithful to the characters if they emerge too easily.
He speaks of language as ‘highly ambiguous business’ because we're all inundated with a barrage of words in our everyday lives, a barrage that many time carries little or no real meaning.

It's this ambiguity every writer must break through, ‘such a weight of words... the bulk of it a stale dead terminology; ideas...platitudinous, trite, meaningless.’
But he advocates confronting this, looking underneath what the words are saying, looking at what isn’t being given, what isn't said. Pinter believes there are two kinds of silences, when nothing is being said and when there is a ‘torrent of language.’ In both these cases there is a hidden language and it is here that the writer confronts the truths of his characters, it is here that they ‘possess a momentum of their own.’


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Palabra Pura This Month

Palabra Pura, Chicago's home for cutting edge, innovative Latino poetry is evolving in exciting ways, with its 2008 calendar of stellar talent solidly in place. While still basing itself at the California Clipper, Palabra Pura has begun to also hold events at Latino venues throughout the city. This month, join the fabulous writers profiled below. The skinny:

Wednesday,
March 19th. 8:30 pm California Clipper
1002 N. California. Chicago, IL




Aracelis Girmay writes poetry, fiction, & essays. Teeth, her collection of poems, was published by Curbstone Press in June 2007. Her poetry has appeared in Ploughshares, Bellevue Literary Review, Indiana Review, Callaloo, & MiPoesias, among other journals. Her collage-based picture book, changing, changing, was published by George Braziller in 2005. Girmay is a Cave Canem Fellow & former Watson Fellow. She teaches writing workshops in New York & California.


olga m ulloa
Born in Matanzas, Cuba, 1958. Grew up in Madrid, Spain. Family came to Chicago in mid 1970’s. After college and grad school, worked as a Spanish language teacher for the City Colleges of Chicago for a year, long enough to realize that teaching was not in the stars. Since then has worked as a free-lance editor, translator, and writer. During the 80s and 90s lived in New York City, Philadelphia, Washington DC, and Miami for brief periods, always returning to Chicago as home base. Moved to Costa Rica in the mid nineties and after three years once again returned to Chicago. Writing has always been the constant objective, while art, literature, photography, and music create the background chorus.

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From Rich Villar and Acentos

Lord,
on 8th Street
between 6th Avenue and Broadway
there are enough shoe stores
with enough shoes
to make me wonder
why there are shoeless people
on the earth.

Lord,
You have to fire the Angel
in charge of distribution.

--"Psalm For Distribution"
by Jack Agüeros
(from LORD, IS THIS A PSALM?, Hanging Loose Press 2002)



Dear friends and colleagues:

I'm writing to you about a friend of ours: Jack Agüeros.

I say "friend," not because I have known Jack for decades (I haven't), but because of what Jack's work has meant to the writers, artists, and activists here in New York City's Puerto Rican communities. In these decades, through his work as a poet, translator, fiction writer, and community organizer, Jack Agüeros has spoken to us with clarity, humility, intensity, and dignity about our shared experiences as Puerto Ricans.

As a community activist, he worked with the Henry Street Settlement, the Puerto Rican Community Development Project, and various city agencies. As a journalist and essayist, he has written about the alliances between Chicano and Puerto Rican activists, and about his own life as a Puerto Rican in New York. As an invaluable historian, he has translated and researched the work of Jose Martí and Julia de Burgos. Through his ingenious use of the sonnet and psalm forms, he has perfected the very human art of advocacy, conveying our struggles with unflinching imagery and a smart comedic sensibility. As a cultural worker, Agüeros brought art, music and a Three Kings' Day parade (with real camels) to East Harlem through his stewardship of El Museo del Barrio.

Jack Agüeros has committed his life to the educational and social wellbeing of his people. Now is our chance to contribute to his wellbeing.

For quite a while now, Jack and his family have been dealing with the onset of his Alzheimer's Disease. It's been a difficult time, but the family has always been able to count on the support of friends and loved ones. That support will be made palpable on Tuesday, March 18th, when Jack's friends and family will come together for a benefit reading at Taller Boricua, in the Julia de Burgos Center, in the heart of Jack's birthplace, East Harlem. The location—1680 Lexington Avenue at the corner of 106th Street--is particularly appropriate, since the Center is named for the famous Puerto Rican poet whose work Jack translated, and is also the former home of P.S. 107, where Jack attended grammar school.

Scheduled to appear that night will be fellow poets, fiction writers, and kindred spirits who know and love Jack, many of whom are longtime friends of his: Martín Espada, Sandra Maria Esteves, Naomi Ayala, Aracelis Girmay, Lidia Torres, Robert Hershon, Donna Brook, Hettie Jones, Lynne Procope, Rich Villar, Tara Betts, Rachel Eliza Griffiths, Julio Marzán, and Edgardo Vega Yunqué. His children, Kadi, Natalia, and Marcel Agüeros, will also be on hand.

The event starts at 7pm with a special performance by the young students of Taller Boricua's Tuesday dance class, who were gracious enough to move their gathering in order to accomodate this event.

The authors will have books for sale, the proceeds for which will go toward Jack's care. Signed copies of Jack's books, including DOMINOES, SONNETS FOR THE PUERTO RICAN, and LORD, IS THIS A PSALM? will also be available, courtesy of Hanging Loose Press and Curbstone Press. In addition, Sandra Maria Esteves has graciously donated one of her prints, which will be bid upon in a silent auction that night.

A $10 suggested donation will be collected at the door. No one will be turned away.

If you cannot make it to the fundraiser, but would still like to make a contribution toward Jack's care, you can send along a check payable to Marcel Agüeros at the following address:

Marcel Agüeros
Columbia Astrophysics Laboratory
Mail Code 5247
550 W. 120th Street
New York, NY 10027

This is our chance to pay tribute to a true giant of Puerto Rican, Latino, and U.S. literature. Please distribute this letter far and wide, to as many as possible. We hope to see you all in East Harlem on March 18th, 7pm sharp.

Pa'lante,
Rich Villar.


Lisa Alvarado

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