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Viewing: Blog Posts Tagged with: ethnic, Most Recent at Top [Help]
Results 1 - 11 of 11
1. The Biggest Little Brother - A picture book for siblings!





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2. #WeNeedDiverseBooks Blog Hob

Hi all,
I was invited by talented Puerto Rican writer Eleanor Parker, author of the upcoming novel, A Decent Woman (Booktrope, summer 2014), to participate in the #WeNeedDiverseBooks Blog Hop. Thanks for nominating me, Eleanor!
I hereby answer the questions for the hop:
1) What are you working on?
I’m working on a YA psychological/supernatural thriller set in a convent in the Puerto Rican rain forest in the 1970s.
2) How does your work differ from others of its genre?
As human beings  from different cultural backgrounds, environments and upbringing, we all have our own individuality and the potential to bring originality into our work. When we follow our true vision, regardless of what other writers are doing or what is ‘trendy’ at the moment, when we write with passion and honesty, when we go to where the pain is and where the pleasure is, we can create works that are fresh and unique.
3) Why do you write what you do?
Because I cannot not do it. My creative spirit must have an outlet, a channel. In my case, it is writing stories. For others, it is creating a painting or sculpture or music composition. If I weren’t able to write and create my fictional worlds, I would probably be mentally unstable. Where would that rush of creativity go? Suppressed, in what devious ways would it unleash? :-) 
4) How does your writing process work?
It may start with an image, a character, a name, a title. There are no rules, and it’s never the same with every book. Sometimes a single image simmers in my mind for years before it becomes the spark for a story.
Then I mentally play with ideas and the thing that was just an image begins to expand into a web. Simple at first. Then more intricate as I spend more and more time thinking about it. And I think about it. A lot. While driving, walking, taking a shower, doing housework, etc–routine, monotone activities, which are great for creativity. Once I can’t stop thinking about it, once I become obsessed, that’s when I know I’m ready to start jotting down words and sketching a rough plot.
Nowadays, I like to begin ‘discovering’ the story using Alan Watt’s “Unlock the Story Within” techniques. Once I have a more solid idea of the characters and where I want to go with them, my plotting gets tighter and more detailed, but never at the expense of staying flexible and open to change. In fact, what I love most about the writing process are those surprises that I never saw coming.
For plotting, I love Alexandra Sokoloff’s method and Carol Hughes’ Deep Storymethod.
Then, after some anxious procrastination, I try to put my ego aside and sit down and face the blank page. That is never easy. In fact, it is terrifying. Every time. But the need and passion to create is greater, I guess, because finally I just do it.
The plot keeps evolving as I write. I adjust and change things as needed.
I may write like the wind at times, but those moments are rare. Usually, I edit as I write, which slows down my writing process considerably–not to mention that it prevents me from getting in “the zone.”
Rituals and habits work for me. I write best in the mornings. Unless life gets in the way, I’m at my desk Monday-Friday from 9:30 am to noon. I put my timer and go. There’s something about the timer that works for me, as if somehow I’m tricking my brain. Sometimes I listen to an eerie movie soundtrack (for my current YA WIP, I often listen to Interview with a Vampire, among others); other times I need complete silence.
Slow but steady. This pretty much describes my progress. I would love to be one of those writers who can cough up a whole novel in four months, but I’m not–not yet, anyway.
Once I finish the first draft, I spend an agonizing amount of time editing and polishing. My SCBWI critique partners are awesome at pointing out things that I can’t see. Also, I always hire a professional editor before I send my manuscript to my agent. I think a professional editor is a writer’s best investment. I love Deborah Halverson of DearEditor.com. She’s fabulous.
It takes me about two years to fully complete a book that is ready for submission. I’m trying to write faster and cut it down to a year. But it isn’t easy.
————————-
And now…I nominate the following super talented children's author to continue with the #WeNeedDiverseBooks Blog Hop…
Nicole Weaver!
Nicole writes trilingual picture books in English, Spanish and French. Check out her cool blog, Melange of Cultures

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3. Do people tend to live within their own ethnic groups?

By Maisy Wong

 
There are many policies around the world designed to encourage ethnic desegregation in housing markets. In Chicago, the Gautreaux Project (the predecessor of the Moving To Opportunity program) offered rent subsidies to African American residents of public housing who wanted to move to desegregated areas. Germany, the United Kingdom, and Netherlands, impose strict restrictions on where refugee immigrants can settle. Many countries also have “integration maintenance programs” or “neighborhood stabilization programs” to encourage desegregation. These policies are often controversial as they are alleged to favor some ethnic groups at the expense of others. Regardless of the motivation behind these policies, knowing the welfare effects is important because these desegregation policies affect the location choices of many individuals.

I am interested in one such desegregation policy in Singapore: the ethnic housing quotas. Using location choices, I analyzed how heterogeneous households sort into neighborhoods as the ethnic proportions in the neighborhood change. To do this at such a local level I had to assemble a dataset of ethnic proportions by hand-matching more than 500,000 names to ethnicities using the Singapore residential phonebook.

The ethnic housing quotas policy in Singapore is a fascinating natural experiment. It was implemented in public housing estates in 1989 to encourage residential desegregation amongst the three major ethnic groups in Singapore: Chinese (77%), Malays (14%), and Indians (8%). The quotas are upper limits on the proportions of Chinese, Malays, and Indians at a location. Locations with ethnic proportions that are at or above the quota limits are subjected to restrictions designed to prevent these locations from becoming more segregated. For example, non-Chinese sellers living in Chinese-constrained locations are not allowed to sell to Chinese buyers because this transaction increases the Chinese proportion and makes the location more segregated.

Using transactions data close to the quota limits and controlling for polynomials of ethnic proportions calculated using the phonebook, I documented price dispersion across ethnic groups that is consistent with theoretical predictions of the policy’s impact. The findings suggest a model where Chinese and non-Chinese buyers have different preferences for Chinese neighborhoods.

Indeed, my estimates show that all groups have strong preferences for living with members of their own ethnic group but the shapes of the preferences are very different across the three ethnic groups. All groups have ethnic preferences that are inverted U-shaped but with different turning points. This means that once a neighborhood has enough members of their own ethnic group, households want new neighbors from other ethnic groups. Finding tastes for diversity and differences in the shapes of ethnic preferences is consistent with previous research using data on racial attitudes from the General Social Survey in the United States and also surveys of ethnic relations in Singapore.

I used these estimates of ethnic preferences to perform welfare simulations. The seminal work by Thomas Schelling on tipping showed that externalities exist in a model with ethnic preferences because a mover affects the utility of his current and future neighbors by changing the ethnic composition of the neighborhood. Due to these externalities, Schelling showed that policies such as the ethnic quotas could potentially be used as a coordination mechanism to achieve equilibrium with integrated neighborhoods. My welfare estimates show that under the quota policy, about one-third of neighborhoods are close to the optimal allocation of Chinese, Malays, and Indians respectively.

Maisy Wong is Assistant Professor in Real Estate at Wharton, University of Pennsylvania. Her paper, ‘Estimating Ethnic Preferences Using Ethnic Housing Quotas in Singapore’ can be read in full and for free in The Review of Economic Studies.

The Review of Economic Studies aims to encourage research in theoretical and applied economics, especially by young economists. It is widely recognised as one of the core top-five economics journal, with a reputation for publishing path-breaking papers, and is essential reading for economists.

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Image credit: HDB flats at Tampines New Town. By Terence Ong. [Creative Commons], via Wikimedia Commons.

The post Do people tend to live within their own ethnic groups? appeared first on OUPblog.

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4. Yvonne Rose – Writing and Publishing African American Books

On April 6th 2012, Tyler R. Tichelaar and Victor R. Volkman spoke with Yvonne Rose, Associate Publisher and Senior Editor at Amber Communications Group, Inc.  Ms. Rose began her stint at Amber Books in 1998 as the co-author of the Company’s flagship title, the national bestseller, Is Modeling for You? The Handbook and Guide for the Young Aspiring Black Model. Yvonne Rose was appointed to head Quality Press and has turned a few thousands of Self-Published authors manuscripts into completed books.  She spoke with us a wide-range of issues relating to African-American authors specifically and publishing in general
  • Writing for African American culture
  • Publishing hurdles of African American books
  • Target marketing to African American community
  • Writing cross-culture book – mixed race books
  • African American any different than other cultures?
  • Getting the characters right for the culture
  • Importance of covers depicting African American content

Yvonne Rose

Yvonne Rose

She recently published Ageless Beauty: The Ultimate Skincare and Makeup Book for Women and Teens of Color. (Amber Books).  As the Director of Quality Press, Yvonne and her team of editors, designers and printers, oversee the editing, design/layout, registration and manufacturing of every self-published author’s books. She also consults with the authors regarding their marketing, production, promotional, distribution and publicity goals.Yvonne has ghost-written and co-written several top selling non-fiction titles, including: Natural Radiance: A Guide for Ethnic Skin Care (Global Skin Solutions Publishing) by Pamela Springer; Fighting for Your Life: The African American Criminal Justice Survival Guide (Amber Books) by John Elmore, Esq.; Led by the Spirit: A Sharecropper’s Son Tells His Story of Love, Happiness, Success and Survival (Strickland Books) by Robuster Strickland; Let Them Play…The Story of the MGAA (MGAA Books) by John David and A Journey that Matters: Your Personal Living Legacy (Lyceum Group Books) by Erline Belton. She is currently ghostwriting books for two high-profile personalities – retired Arizona Cardinal, Levvar Fisher, and WBLS New York Radio / Television host and personality Doctor Bob Lee.

Ageless Beauty: The Ultimate Skincare and Makeup Guide for Women and Teens of Color

Ageless Beauty: The Ultimate Skincare and Makeup Guide for Women and Teens of Color

Listen to the PodCast!
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5. "The ABCs of Yoga for Kids" September coloring page

Here is a free coloring page from the book I illustrated for Teresa Ann Power, "The ABCs of Yoga for Kids".  In yoga, focus on breathing is very important.

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6. NEW! Personalized Ballerina Print in my Etsy Shop!




Every little girl dreams of being a ballerina.  Choose your ballerina's nationality, hair and eye color, and personalize this print with her name.  Made to order, now in my Etsy shop.

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7. Adding An Ethnic Character To Your Story

After reading Transracial Writing for the Sincere by Nisi Shawl, I started thinking how I have avoided creating characters of different cultures in my stories.  I have friends from many different backgrounds and other countries, so why haven’t I included them in my mix of characters? 

First, I don’t see them as different.  Oh, yes most have the telltale signs of English being their second language, but I would never try to reproduce that.  I know I couldn’t do it well.  Other than that and maybe the color of their skin, which I don’t notice, they seem just like me.  But certainly a writer could add depth to a character if they could include the flavor of a different cultures background in their writing. 

Take a minute to read Nisi’s article on how to do just that.  She has a lot of great ideas to help make that happen. 

Here is an excerpt:

If you want to go beyond the level of just assigning different skin tones and heritages to random characters, you’re going to have to do some research. Because yes, all people are the same, but they’re also quite different. For now, we’ll set aside the argument that race is an artificial construct, and concentrate on how someone outside a minority group can gain enough knowledge of the group’s common traits to realistically represent one of its members.

Reading’s a very non-confrontational way to do this. Be sure, though, if you choose this route, to use as many primary sources as possible. If researching a story about first contact between a stranded explorer from Aldeberan and a runaway slave, for example, you’d do much better reading The Life & Times of Frederick Douglass than Uncle Tom’s Cabin. The latter is an important and moving book. But not only is it a work of fiction, it was written by a non-slave; therefore it’s a step further removed from the authentic experience you need.

Websites on minority culture abound. Any half-decent search engine will bring up a freighter’s worth of URLs on African-Americans, for instance, and at least a line or two on lesser-known groups.

For a less cerebral approach, check out nearby ethnic history museums. Art collections, historical dioramas, anthropological displays and so on can provide you with strong visuals. Some are interactive, and allow you to pick up a few aural and tactile sensations as well. For locations, look under “Museums” in the yellow pages, or consult a travel guide for your area.

When it comes to finding more contemporary material, magazines help. I also strongly recommend shopping trips, night-clubbing and restaurant hopping. Take a walk on the wild side. Do you feel like a tourist? Uncomfortable? Well, you are one, and you need to know what it’s like to be conspicuous. If your character’s a minority, she or he will be quite familiar with the sensation. Bruce Sterling once told me that alienation is an essential part of any science fiction writer’s education, and I agree.

Perhaps you have friends of other cultural backgrounds. Talk to them. Explain what you’re trying to do. Even though no one is a certified representative of their own ethnic group, they can let you know when something you propose is totally out of whack. And they can point you to sources of specific info.

If you’re thinking of approaching someone who’s more an acquaintance than a friend, offer to buy them lunch, or dinner, and make the interaction a formal interview. This is what you’d do with anyone else you wanted to pump for valuable data. Cultural background is data. If you want it, and y

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8. Ethnic Slurs. Part III: Another Derogatory Name for the Jew: Kike

anatoly.jpg

By Anatoly Liberman

Of all the ethnic slurs invented for a Jew, Kike is the best-known (a dubious distinction) and the most widely used. Dictionaries prefer to say that its origin is unknown, which is right but uninspiring. By contrast, the Internet and books on ethnic conflict and on American English offer such detailed summaries of opinions that I have little to add, except for outlining the nature of the problem. Some general ideas on the subject can also be found in my earlier post on Sheeny. (Dictionaries usually print such words with low-case letters, but I prefer to capitalize them. Though abhorrent to all decent people, they are, unfortunately, the names of nationalities and should be treated accordingly. That capitalizing ethnic names, the names of the days of the week/ the months of the year, and notional words in titles is silly is another matter, “not germane to the subject,” as a retired colleague of mine used to put it.)

In dealing with Kike, Sheeny, and so forth, the question arises whether the word came into being among the Jews (one group of the Jews may have tried to denigrate another group, as, presumably, happened in the history of Sheeny) or among their persecutors. Nothing is easier than to turn a perfectly innocent word into a slur. Names are perhaps the best candidates for this kind of transformation. Dago has become a mocking term for Italians, Spaniards, and the Portuguese (because so many of them were supposedly called Diego), while Abram (stress on the second syllable) is a great favorite of Russian anti-Semites, partly because it is a prototypical Jewish name and partly because it contains r, a trill the Jews often pronounce with a gh-like sound (“burr”). Hence the conjectures that Kike and Smouch are alterations of Ike “Isaac” and Moshe “Moses” respectively. However, the etymology of a low word, even of a low word inspired by low feelings, has to be investigated according to the same rules that hold for the rest of the vocabulary: one expects a plausible explanation of the sounds and reference to the milieu in which the word under discussion is believed to have emerged. Since no one has accounted for the phonetic change from Ike to Kike and from Moshe to Smouch; both guesses should be rejected without regret.

Another derivation traces Kike to the name Hayyim, transcribed in German as Chaim. Kaim “Jew” was recorded in mid-18th-century German cant. Then, we are told, “since Jewish speakers took -im of Kaim as a plural ending in Hebrew, they created a new singular *kai [an asterisk designates reconstructed, as opposed to attested, forms], which by reduplication gave the form ki-ki,” later simplified to Kike. It is hard to understand why Jewish speakers mistook the last syllable of the name they must have known for centuries for a plural ending. Would any English-speaker identify the final -s of Rose with a plural ending? And how did the reduplication arise? I don’t think this etymology is any better than the previous two.

Two main hypotheses on the origin of Kike are often mentioned. According to the first (its author is J.H.A. Lacher, 1926), the suffix -sky in the Jewish family names of emigrants from Poland and Russia became a linguistic marker of their poor manners (compare the adjective buttinsky, with its implied reference to the behavior of pertinacious Jews). Allegedly, the word arose among the Jews “of German origin, who soon insisted that the business ethics and the standard of living and culture of these Russians were far lower than theirs.” According to J.H.A. Lacher, the snobbish “brethren” of emigrants from the Slavic countries (most of whom ended up as traveling salesmen) called the newcomers kikis. Lacher gives no reference to his sources, except the following: “When I heard the term kikis for the first time at Winona, Minnesota, about forty years ago, it was a Jewish salesman of German descent who used it and explained it to me, but in the course of a few years it disappeared, kike being used instead.” We can assume that i in both syllables of kikis was long (as in the word sky, for instance). How did it develop from the short i/y of -sky? Also, s, the initial consonant of the suffix was supposedly left out and the remaining stub (-ky) reduplicated (again reduplicated!) and pronounced with a long vowel. Given such freedom of phonetic change, almost any combination of sounds can be shown to become any other. (Incidentally, in Minnesota the first vowel of Winona is short; stress falls on the second syllable, which is long.)

The second hypothesis turns round the Yiddish word for “circle” and has two variants. According to the main of them, on Ellis Island those immigrating Jews who knew neither English nor the Roman script were asked to put an X near their names, but looked upon it as a picture of the cross, a symbol of their former persecution, and instead put a circle. One of the variants of the Yiddish word for “circle” can be transcribed as kaykl, and this is said to be the etymon of Kike. Could the English speaking officials on Ellis Island isolate one Yiddish word in the speech of the Jewish people they dealt with, use it mockingly, and make it famous? I am afraid that we have here an example of the rich Ellis Island folklore that produced a Jew Shaun Ferguson and a Chinese man Sam Ting.

In an article by David L. Gold I read a slightly different version of the kaykl etymology, which he endorses, though cautiously. He quotes a letter to the editor of The American Israelite: “It seems probable that drummers [that is, traveling salesmen] called the Russian Jew, who unable to sign his name in English made his handmark in the form of the traditional Kykala [a diminutive form of Kaykl], a Kyke. The term undoubtedly originated as drummer slang.” We will dispense with the adverb undoubtedly, for in etymological research doubts are unavoidable, but accept the propositions that Kike, a disparaging term of Yiddish origin, was coined by the Jews and that its etymon must have contained a long vowel. The letter, dated July 23, 1914, was written relatively soon after the word Kike spread in American English. The OED could not find any mention of it prior to 1904. The tradition ascribing the coining of Kike to Jewish traveling salesmen (hucksters, hawkers, badgers) may be trustworthy. Compare the etymology of the English word slang (it can be found in an earlier post and in my dictionary); it also seems to have been coined by traveling salesmen.

However, the connection between Kike and Kaykl is hard to demonstrate and possible associations are many (couldn’t the reference be to the special routes of the Russian immigrants of Jewish descent or to their circle of support, the in group?). Although we cannot be certain of the word’s origin, we can perhaps account for its popularity. Palindromes (words that remain the same if pronounced backward) often have an expressive character: consider tit, tat, poop, peep, kick, sis, boob, and the rest. Kike is offensive because its very form demeans its target. Peter Tamony, a famous student of American slang, wrote an article on keeks, Kikes, and kooks. He had no linguistic background and sometimes allowed suspicious ideas to run away with him (does anyone still use run away in this sense?). His etymology of Kike hardly merits the briefest mention, but his intuition did not betray him. In a way, Kike indeed belongs with keek and kook. Too bad this linguistic perfection serves such an ugly cause.


Anatoly_libermanAnatoly Liberman is the author of Word Origins…And How We Know Them as well as An Analytic Dictionary of English Etymology: An Introduction. His column on word origins, The Oxford Etymologist, appears here, each Wednesday. Send your etymology question to [email protected]; he’ll do his best to avoid responding with “origin unknown.”

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9. Stereotypes

Stereotypes

What is up with the ridiculous stereotypes these days? People are just making things up like “all black people look alike”. That is a damn lie because if all black people looked alike everyone would be waking up to a Beyonce or a Denzel Washington. Do not get me wrong; there are some sexy black people other than Beyonce and Denzel but wouldn’t it be nice.  I am just tired of all of the stereo types lingering around and even children are making fun of others. Another one is all black people love chicken. “I in fact hate chicken. I have never eaten a piece of chicken in a while and I am a mixed black guy. I searched and came across some pretty interesting stereotypes.

Check these out!

Italians, Spaniards, Latino-Americans: hot tempered, high sex drives, possibly “prone to crime or violence”

Jews: money-grubbing, excessively influential in the world for some reason, conspiring, conniving

Greeks: can’t trust them, slick, business cheats, restaurant owners

Muslims (not an ethnicity/race but still stereotypes going on about them): possibly disloyal (esp. nowadays in America), possibly radicals or terrorists, can’t be trusted, always covering their face,

French:  arrogant, judgmental, rude (esp. Parisians)

Germans:  prone to militarism, nationalism, and war, anti- Semitic, easily led by a strong dictatorial type leader

Scandinavians:  politically progressive, open-minded, tall, naturally blonde, blue eyed, pale

British: pubs, football, fish and chips, sleazy tabloids, prudish, a bit cocky and arrogant

Irish: drunks, like to fight while drunk, cops (crooked) and firemen (crooked), always singing

Russians: polish, eastern Slavs, communists

Chinese: smart, physically smell, trained to do martial arts, everything is made in China, all look alike, eat with chop sticks, small package

Japanese: all business, good cars

Dutch: wooden shoes, windmills, drugs

Mexicans: Always working, construction workers, own the corner stores, only listen to music like (listen below), and have a lot of kids

Blacks: Look alike, failures, racists, drop-outs, love chicken, and love watermelon

Now what the hell!! We all are human beings; shouldn’t that be all that matters? I hope you all have enjoyed reading my article.

Image via Wikipedia

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10. America, What are You?

Now a’ days, when ask you someone (in America) what they “are”, normally the response can seem kind of confusing… for example:

“Oh me? I’m half Asian.”

“Wow, what’s the other half?”

“White.”

“Cool, I’m half Scottish, half German.”

“Awesome.”

Now, this doesn’t seem to confusing to some people, but for me it does. Why? Because they just said that they “are” half Asian- white/half Scottish- German when honestly I feel that they should just stick to one word which is…

Human.

Now, now I get it. We should be proud of our culture and the places our family has come from and stuff, but that’s just what it is… our culture and places our family has come from, in other words, our ethnicity. It’s not who we ARE, since we are HUMAN. Dog’s can be half Asian-White/ half Scottish- German too you know. That’s why sometimes I get confused, a human defining themselves just by there ethnicity doesn’t make sense. If someone asked there ethnicity or background, then we can get the whole “speel” of it, but if it’s just who we are… then I feel human makes sense (Unless you are not human).

So, the next time someone asks you what you ARE. I suggest you ask for a clarification or respond with human, since it’s really the only logical answer.

If you feel you are anything different, please state your breed! =P

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11. America, What are You?

Now a’ days, when ask you someone (in America) what they “are”, normally the response can seem kind of confusing… for example:

“Oh me? I’m half Asian.”

“Wow, what’s the other half?”

“White.”

“Cool, I’m half Scottish, half German.”

“Awesome.”

Now, this doesn’t seem to confusing to some people, but for me it does. Why? Because they just said that they “are” half Asian- white/half Scottish- German when honestly I feel that they should just stick to one word which is…

Human.

Now, now I get it. We should be proud of our culture and the places our family has come from and stuff, but that’s just what it is… our culture and places our family has come from, in other words, our ethnicity. It’s not who we ARE, since we are HUMAN. Dog’s can be half Asian-White/ half Scottish- German too you know. That’s why sometimes I get confused, a human defining themselves just by there ethnicity doesn’t make sense. If someone asked there ethnicity or background, then we can get the whole “speel” of it, but if it’s just who we are… then I feel human makes sense (Unless you are not human).

So, the next time someone asks you what you ARE. I suggest you ask for a clarification or respond with human, since it’s really the only logical answer.

If you feel you are anything different, please state your breed! =P

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