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Nearly everything I buy comes from the internet; the village has a couple of food shops, but that's it for anything useful to me; I don't drive and what buses there are, are infrequent, expensive and take a long time to get from A to B. Buying something like good paper, which really needs handling, is a problem.
However, handily, there is a brilliant paper merchant Paper Resources, literally just down the road from us. So in search of some really nice papers, I popped in to see them. Unlike a lot of paper suppliers, they are more than pleased to sell small amounts to individuals and the choice is fantastic; hence I emerged with a decent amount of gorgeous smooth, specialist papers, for about ten UK pounds, all handpicked by the merchant and myself, with much deliberation, including a wodge of hard-to-find Mohawk paper from the USA. Happiness!
So commenced another round of remembering how to print. Lino printing seems to be a bit of an ugly duckling in the art world - not regarded as sophisticated as etching, more akin to stamping or potato printing. However, there is a bit more to it than that. For a start, to get a really good, smooth print, the ink has to be rolled just so, the paper chosen to go with the ink viscosity and then the actual rolling of the ink onto the lino block is in itself a delicate operation, to get an even surface. I don't want edges on the print, so it mustn't be too thin or too thick.
That up above is a nice vintage Speedball brayer, which I was trying for the first time; I'm going to stick with it from now on as the roller is nice and densely soft, making the ink go into the block better than the harder rollers on my other brayers. I roll the ink out about an hour before using, to let i
The Cotswolds are looking particularly beautiful at present - the landscape seems ever so slightly blurred at the edges, as if seen through a misted glass. We are also enjoying a spot of 'Indian Summer', so collecting eggs is even more enjoyable than usual.
Marjorie and I don't often venture out of this side of the village as it leads up a very long and steep hill, which we find ourselves obliged to puff and push up. However, there is an excellent source of eggs nearby, from the Barrington Farm Estate. If you are driving to or from Burford along the A429, you are literally seconds away from it and I do recommend trying them out. (They sell double yolkers too).
The metal 'egg box' is a little austere, but it's more jolly inside. Self service here and an honesty box.
We always buy the seconds. They are an absolute bargain; two dozen lovely free range organic eggs for £3.20 - who minds if they are a bit wonky and mismatched? (Feathers are free).
10 Comments on Eggs & new prints, last added: 9/30/2011
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Viewing: Blog Posts Tagged with: lino printing, Most Recent at Top [Help]
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By: Paintgranny,
on 8/30/2016
Blog: Middle of Nowhere (Login to Add to MyJacketFlap)
JacketFlap tags: lino printing, friends visiting, paintings for sale, Add a tag
Blog: Middle of Nowhere (Login to Add to MyJacketFlap)
JacketFlap tags: lino printing, friends visiting, paintings for sale, Add a tag
Last week we had a very rare happening - visitors! A very nice Welsh Springer Spaniel and his humans came to stay for a couple of days. We didn't do much as it was nice just to take some time off and relax. We did manage a short walk nearby.
It's a funny thing, but even though we are in a very rural part of Shropshire, there are few footpaths and barely any quiet places to walk. And with this being the busiest bit of the farming year, the little lane we were in had it's fair share of large agricultural vehicles managing (somehow) to make their way through.
So the next day was mostly spent in the garden, with lunch (mostly cheese) and beer.
Knitting was done - my knitting - though not by me. This is something I started and almost finished but couldn't. So my knitting expert friend managed to sort it out for me.
In return, I let my friend have free reign in my studio and she had a couple of impromptu painting lessons.
But play has to end eventually and when they were headed home, I finished off a couple of my own paintings, which are up for sale in my Etsy shop. I seem to be heading for autumn a little prematurely, but then we are having an upsy downsy summer.
In my big studio tidy up, I also found a box of the last lino prints I made in my previous life, including the popular 'Little Hare. It feels a bit strange and very sad looking at old blog posts like with pictures of of the other cottage, such as 'Printing Little Hare' and 'Monsieur le Roitelet'. So to raise a few pennies, I've put the remainder back up for sale, at single figure prices in my shop print section.
I'm hoping to sell enough to be able to buy some WD40, to get my trusty old printer back on the road, so that I can print again. Sadly it's been in a damp shed for too long and needs some de-rusting before I can use it.
Back when I printed the lino cuts in November 2011, I was trying to juggle needle felting with printing and painting. Then Andy and I began the big move to Shropshire and just over a year later, Andy was dead. Now my life is back on track, with a different love and I am still needle felting, starting to paint again and hopefully printing soon. In those days I was lucky enough to do it as a part time job. Now it's a life necessity. But I try not to analyse it too much; it's all a bit odd really. Such is life.
0 Comments on Late summer visitors as of 1/1/1900
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By: Paintgranny,
on 10/12/2011
Blog: Middle of Nowhere (Login to Add to MyJacketFlap)
JacketFlap tags: lino cut, proof press, lino printing, roitelet, Etsy, Add a tag
Blog: Middle of Nowhere (Login to Add to MyJacketFlap)
JacketFlap tags: lino cut, proof press, lino printing, roitelet, Etsy, Add a tag
Nearly everything I buy comes from the internet; the village has a couple of food shops, but that's it for anything useful to me; I don't drive and what buses there are, are infrequent, expensive and take a long time to get from A to B. Buying something like good paper, which really needs handling, is a problem.
However, handily, there is a brilliant paper merchant Paper Resources, literally just down the road from us. So in search of some really nice papers, I popped in to see them. Unlike a lot of paper suppliers, they are more than pleased to sell small amounts to individuals and the choice is fantastic; hence I emerged with a decent amount of gorgeous smooth, specialist papers, for about ten UK pounds, all handpicked by the merchant and myself, with much deliberation, including a wodge of hard-to-find Mohawk paper from the USA. Happiness!
So commenced another round of remembering how to print. Lino printing seems to be a bit of an ugly duckling in the art world - not regarded as sophisticated as etching, more akin to stamping or potato printing. However, there is a bit more to it than that. For a start, to get a really good, smooth print, the ink has to be rolled just so, the paper chosen to go with the ink viscosity and then the actual rolling of the ink onto the lino block is in itself a delicate operation, to get an even surface. I don't want edges on the print, so it mustn't be too thin or too thick.
That up above is a nice vintage Speedball brayer, which I was trying for the first time; I'm going to stick with it from now on as the roller is nice and densely soft, making the ink go into the block better than the harder rollers on my other brayers. I roll the ink out about an hour before using, to let i
12 Comments on Monsieur le Roitelet and the Birds, last added: 10/15/2011
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By: Paintgranny,
on 9/27/2011
Blog: Middle of Nowhere (Login to Add to MyJacketFlap)
JacketFlap tags: pop up print shop, proof press, table top printing, landscape lino prints, lino printing, lino cuts, Add a tag
Blog: Middle of Nowhere (Login to Add to MyJacketFlap)
JacketFlap tags: pop up print shop, proof press, table top printing, landscape lino prints, lino printing, lino cuts, Add a tag
The Cotswolds are looking particularly beautiful at present - the landscape seems ever so slightly blurred at the edges, as if seen through a misted glass. We are also enjoying a spot of 'Indian Summer', so collecting eggs is even more enjoyable than usual.
Marjorie and I don't often venture out of this side of the village as it leads up a very long and steep hill, which we find ourselves obliged to puff and push up. However, there is an excellent source of eggs nearby, from the Barrington Farm Estate. If you are driving to or from Burford along the A429, you are literally seconds away from it and I do recommend trying them out. (They sell double yolkers too).
The metal 'egg box' is a little austere, but it's more jolly inside. Self service here and an honesty box.
We always buy the seconds. They are an absolute bargain; two dozen lovely free range organic eggs for £3.20 - who minds if they are a bit wonky and mismatched? (Feathers are free).
10 Comments on Eggs & new prints, last added: 9/30/2011
That will be where I'm going wrong with my lino prints then - I'm in too much of a hurry :)
Your prints look terrific.
Is there no end to your talents!! Its a long time since I did any lino prints but it is good fun isn't it. x Jo
I love seeing your documentation of the process. Makes me want to get down to business!
I love this!!! now off to google Monsieur le Roitelet:)
I love these posts!!
janet xox
like Janet above, I love these posts too- watching the artist at work.
Thanks for taking the time to photo each step, hope it didn't interrupt your mojo
The prints look wonderful and lino-cuts are definitely as valid an art form as etching!
Oh but I found we have a letter press here at work, so I may be here more often than I already am, trying to get to grips with something I've been hankering after for ages!
How wonderful to see the care with which you produce your beautiful prints. I particularly love the loose graceful lines, compared with the tight control you use to make the right result. Thanks so much for sharing the process with us. As always, it's a joy to peek into your creative life.
Gorgeous!! The little hare is on the wall where I am sitting typing this - he has settled in quite happily!
ps - I'm very sorry abour not liking cats (they just give me shivers!!)
I love doing prints. When I had to stop going to my printmakin gclass (it really was like open studio for advanced printers) I switched to lino prints because they are easier to handle at home and my small little press could handle them. I love yours and if I get this job I'm waiting to hear may go into your etsy shop and snag one. You do such marvelous work. I just love your blog.
Your prints are lovely! I haven't done these in ages and you are making me want to go hunting for my brayer. There is simply too much inspiration out there in the world!
I love seeing the process...maybe I'll do some printing some day. I did Japanese watercolor printing in art school which was fun but tedious and what you are doing looks fun! Of course it isn't all fun though. I have some images that would look good printing maybe and perhaps I'll check into it. It is good to have art work that is more monetarily accessible...