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Title:   This is Where It Ends

Author:  Marieke Nijkamp

Series:   N/A

Published:    5^th January 2016

Length:  292 pages

Source: The #TIWIEUKTour organised by Luna of Luna’s Little Library

Summary :  10:00 a.m.
The principal of Opportunity, Alabama's high school finishes her speech, welcoming the entire student body to a new semester and encouraging them to excel and achieve.

10:02 a.m.
The students get up to leave the auditorium for their next class.

10:03
The auditorium doors won't open.

10:05
Someone starts shooting.

Told over the span of 54 harrowing minutes from four different perspectives, terror reigns as one student's calculated revenge turns into the ultimate game of survival.

Review: This is the story of a school shooting, told as it happens from the perspectives of the shooter's sister Autumn, Autumn's girlfriend Sylv, Sylv's brother Tomás, and the shooter's ex-girlfriend, Claire. 

I wanted to read this because it's an amazing setup, and Marieke is brilliant on Twitter.

This was a would-be-one-sitting-if-life-didnt-get-in-the-way book.  It starts normally, setting up friendships and relationships (quite a few, and it’s a little confusing   because there’s lots of people introduced at the same time but you pick it up as you carry on)  to start with it’s just a normal school day  but after 10.05 it's full on until the end. There's books where you can't stop reading, then there's this.

I liked the multimedia approach, showing tweets, blogs, and texts from those involved and on the outside. The helplessness of everyone on the outside comes through, and I liked the way Marieke showed how tragedy doesn’t just affect those there.

Emotions. All the emotions for everyone. Particularly on page 212 of the proof, where one character slips into the conditional and that’s one of the most heartbreaking parts in the book (there's a few). But everywhere you see characters you know and don't know and fear for them and need to know what's going to happen.

I think the biggest thing about this book for me is how immediate it is. I’m  someone who’s grown up in the UK, where the last school shooting happened in 1996, before I was born, and was followed by pressure groups and the banning of handguns. As a result, when we hear of things like this happening, it’s horrifying and upsetting but you still feel distanced because, despite knowing that this could happen anywhere, living in the UK with its strict gun control laws makes it  harder to imagine a society where there’s the possibility of something like this happening and you practise what to do if it does, despite knowing that this is some people’s reality.

 TIWIE does one of the things I like most about reading contemporary/realistic fiction: make different situations real. The fully diverse cast of victims, survivors, and shooter is developed, and we see their dreams, their experiences, and lives. We see the people involved as people, not just names in a news report, which is, I think, why TIWIE is so hard hitting.

Overall:  Strength 5 tea to one of the most intense books I've ever read.

Title:  Secret Shakespeare (A Shakespeare play, but I can't say which one)

Writer: William Shakespeare

Director: James Farrell & Emma Sampson

Performed by: The Handlebards

Major cast:  Calum Hughes Mcintosh,  Callum Brodie, Tom Dixon, Paul Moss

Seen at:  ...somewhere pretty.

Review: The Handlebards are four actors who have been cycling up from London to Edinburgh, carrying their costumes and props, and stopping every so often to perform a show. Secret Shakespeare is where the audience joins them to meet up in the city centre, get given bikes, ride out about 5 miles-ish, and then enjoy the show. I'm not allowed to tell you much about the play in specifics, due to the secret thing, but I'll say what I can.
The ride was easy, even for someone who hasn't ridden for years, and led by professionals. We cycled through parts of the city I probably would never have seen if I'd spent all my time in the centre, so that was nice.
The location was beautiful. Beautiful behind the audience, beautiful behind the stage, it was a great place to be. It's an open air show, with tents providing the wings and gazebos for the audience to sit under. Oh, and the rain wasn't too bad!
When they said what play they were doing, I was very happy. I hadn't seen it before, but I was familiar with the storyline.
I love the puppetry. It's first used to illustrate the exposition speech, which was very useful because it is a confusing set up. It's later used to represent characters in some scenes where there's meant to be more than four characters on stage. Other ways of getting around the "only four actors" thing includes holding out key identifying costume pieces, audience participation, and plates.
The multiroling is superb. All four actors have to switch costumes and characters very very quickly, sometimes speaking back to themselves. Costume, voice, and movement changes make clearly defined characters. I really enjoyed the characterisation, especially of the women.
I did find it going a bit too fast in places, and I'm not sure if it's because of the Handlebards format or the writing. Probably both. Despite this, I really enjoyed the show.

Overall:  Strength 5 tea to an inventive take on an old play, and a great evening out.

Title:  Aristotle and Dante Discover the Secrets of the Universe

Author:  Benjamin Alire Sáenz

Series:   N/A

Published:    February 2012 by Simon and Schuster

Length:  368 pages

Source: borrowed from friend

Summary : Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship—the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.

Review: 1987. Two very different boys meet and form a friendship. Together they have fun, navigate their teenage years and, learn things about the universe and themselves.

I've had this on my to read list for ages, because it's on many people's lists of brilliant gay teen novels, and it's been hard to find (I don't think it has a UK publisher). Yay for friends who bother buying things off the internet instead!

This is one of those quietly brilliant books. I'm not always into discovering who you are type stories, but I liked this one.

My favourite thing was watching the friendship between Aristotle and Dante grow. It's organic, full of setbacks, but ultimately endures. It's a beautifully close friendship and love, and it just makes you smile for them, because it's the kind that makes you think they're soulmates, and makes it natural for things to progress at the end, but it would be OK even if it didn't because some kinds of bond are so profound they don't need anything else but if there is then that's fine too.

Close second is all the family relationships going on, from the easiness with Dante's father (who is a generally awesome person) to the awkwardness surrounding Aristotle's imprisoned brother.

Then there's  the development of Aristotle and Dante, Dante knowong what he wants, Aristotle figuring it out. They learn a lot, they go through a lot with and without each other.

Also, the final feeling the book left me with. It's not loud happiness, like Simon vs the Homo Sapiens Agenda, another gay story I got through quickly and loved. In Aristotle and Dante,  it's more a quiet kind of contentment, that everything's been resolved, that the future will all work out.

This is all becsuse of the writing (OK, all books are what they are because of writing, but here I want to make a point of it). It's narrated by Aristotle, and we see  Dante directly from his letters. We get all of Aristotle's thoughts and questions and emotions and view of the world and it all comes together into a story that feels real and full.

Overall:  Strength 5 tea to a tender, gentle story about many forms of love.

Title:  Spring Awakening

Writer: Stephen Sater and Duncan Sheik, based on work by Frank Wedekind

Director:  Alex Howarth

Performed by: Renegade Theatre Company

Major cast: Tom Noyes, Niven Willett, Alex Brain, Joe Oliver Eason, Mhairi Fairholm, Joe Carter, Hayley White

Seen at: Duke Street Theatre

Other info: I reviewed  Spring Awakening by Frank Wedekind, the play that this musical is based on, here.

Review-contains mild spoilers for the twists Renegade put:  Late 1800s Germany.  Schoolboys and girls discover sexuality. It really does not go well. Among other things, Wedla Bergmann does not understand how babies are made, Moritz Stiefl is tormented by erotic dreams, and Melchior Gabor, having read about sex, now believes in nothing. Spring Awakening: A New Musical follows a set of turbulent coming-of-ages, with everyone’s internal monologues making up the songs.

I know Renegade from being ensemble in their last show, Lucky Stiff. As a company, they're wonderful to work with, and I know the production team has changed from Lucky, but I was hopeful that the effort and the uniqueness of  ideas and things put in for Lucky would also be seen here, a show which I already loved.

When you get there, the tone is immediately set by red lighting, the children sitting in pairs with candles in between them, the adults looking on strictly, and church music in the background. The stage is square, there's two rows of seats on each side, and two sides have further seating behind. There's staging areas behind and among the seats too, for a really intimate, immersive experience.

I think my favourite performer was Niven Willett, who poratrays.  Moritz's lost, confused character through every bit of his  body and face and movements. Then there was WEDLA, who plays Wedla's innocence really well and has a beautiful voice. Tom Noyes plays the self-assured Melchior, well, getting most of the really high notes of Left Behind. Then  there’s the two Joes (Eason and Carter), Hanschen and Ernst. Eason's ease of beingand casualness  as Hanschen... brilliant, in both My Junk and the seduction scene (with a brilliant use of strawberries), And then Hayley White, Martha, whose crying at the funeral nearly got me goin. And then Tanita Gold, Dominique Hamilton, and Zac Abbott who doubled as all the adults, each taking on very different personas as they played different people.

To be honest, all the cast was brilliant, both as their own characters, and as an ensemble. Director Alex Howarth made really good use of  all the cast, who, if they weren't in the scene, were probably hovering on the edges, watching and reacting. The group dances were sharp and on point, and so was the singing.

The music was a bit different to the version I'm used to from the soundtrack. They use acoustic guitars instead of electrics, and the backing in places is more gentle and allows for the vocal harmonies to come out a lot more. I loved Melchior's backing in Whispering, traditionally Wedla's solo. Also, love to the actors playing guitars and accordions on stage as part of the show. The only thing I didn't like was the oddly upbeat string music in the scene change just before Wedla dies in agony. Considering most of the themes had been played pretty straight, the one subversion felt really out of place.

The setting and lighting was really good. They use not just normal stage lighting, but also candles and torches and handheld lights to draw attention to things. The permanent set was ladders at each corner of the  stage, plus the levels afforded by the seating, and chairs suspended from the ceiling.   Movable ladders and chairs were also used really well, and so was the piano, being brought in for the haystack scene. The scene changes were really quick, being fully incorporated into the action most of the time, and leaving no time for applause in between each song.

The more adult themes are handled well. The abuse and the suicide were stylised, and Wedla's death was played wonderfully. The haystack scene was surprisingly consensual. There's a lot of violence played really roughly, making the anger in those scenes seem real.

The little touches really made it. The boys in the classroom writing the Aeneid at speeds fitting for their characters. The fact that Martha, who had said she was in love with Moritz, was the one who cried most at his funeral. Moritz's scarf. The whole metaphor of ballet shoes vs. combat boots, showing Wedla as ultimately still a child when she dies. The Those You've Known scene, when it seems that Ilse died as well (and then she's playing pirates with Moritz and it's heartbreakingly beautiful).

There's many powerful moments in the show, which Renegade did wonderfully, but I really have to highlight The Dark I Know Well. It's one of my favourite songs, and I'm so happy with how it was done here. You see, the versions I've watched online have been haunting, tragic, profound. The one I saw here was fucking terrifying. The actors on all sides acting out punches and defences. The looks of menace on everyone's faces. The boys crowding in around Martha and Ilse, as they try and hold on to each other in desperation. The lighting showing Martha and Ilse’s faces, but everyone else as less actors, more shadow. Everything about that scene...I'm sorry, I could go on forever about how brilliant that was. 

Overall:  Strength 5 tea to a powerful, intense show that got the Renegade Treatment and was definitely made better for it. So much love goes to all the cast and crew.

Title:  Simon vs the Homo Sapiens Agenda

Author:   Becky Albertalli

Series:   N/A

Published:   7 April 2015 by Penguin

Length:  320 pages

Source: netgalley

Summary :  Sixteen-year-old and not-so-openly gay Simon Spier prefers to save his drama for the school musical. But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now Simon is actually being blackmailed: if he doesn’t play wingman for class clown Martin, his sexual identity will become everyone’s business. Worse, the privacy of Blue, the pen name of the boy he’s been emailing, will be compromised.
With some messy dynamics emerging in his once tight-knit group of friends, and his email correspondence with Blue growing more flirtatious every day, Simon’s junior year has suddenly gotten all kinds of complicated. Now, change-averse Simon has to find a way to step out of his comfort zone before he’s pushed out—without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he’s never met.

Review: ​Simon has been emailing Blue for some time. And he may be falling in love with him. When the emails are discovered by Martin, he is blackmailed into trying to set Martin up with Abby or risk being outed. 

I've had this on my radar a while because cute funny stories with queer characters are definitely right up my street.  

I love Simon to pieces. I totally understand where he comes from, with his love of grammar and his ensembling in plays, and his sweet personality.  The rest of the characters are just as good. ​ Abby, Leah, and Nick were great friends, Cal was  adorable too, and everyone spoke like they should and everyone was real.

I liked the constant mystery of who Blue was, and when we find out, it wasn't who I expected but the scenes afterwards are perfect.

The tone of writing is perfect. There’s many relatable experiences to do with many aspects of teenage life, and it’s done with a mix of thought provoking things and also humour and also seriousness when needed.

It's hugely quotable.  I could probably make a tumblr with all the brilliant quotes from this novel.  I'm not sure how much I'm allowed to quote without breaking copyright law, so I’m just going to say “read it” and give special mentions to  the conversation with Blue from which the title comes from and the bit   and "White shouldn't be the default any more than straight should be the default. There shouldn't even be a default."

Only thing that I did not understand: the homecoming scene a quarter of the way through which left me really confused. Luckily, Becky told me what it is (where school alumni come back to play a football game) and my confusion led to amazement that Americans really do take school sports seriously enough to have a parade for these things (I thought homecoming was an excuse for a dance and everything else about it was a myth). This isn’t a major thing in the novel, but it got me for a long time.

This review doesn’t the book justice, because I can’t put into words how brilliant it is.  It’s not even one specific thing-just  the general atmosphere and the way everything develops just infuses you with happiness. It’s definitely something to reread on a bad day.

Overall:  Strength 5 tea to a heart-warming coming of age and coming out story that is best described as a warm, giant hug in book form. 

Title:  Percy Jackson and the Lightning Thief

Author:  Rick Riordan

Series:   Percy Jackson and the Olympians

Published:  May 2005 by Miramax,  May 2006 by Miramax

Length:  377 pages

Source: bought and library

Other info: Many other series such as The Heroes of Olympus and the Kane Chronicles have stemmed off. There was a film adaptation of The Lightning Thief.

Summary :  Percy Jackson is a good kid, but he can't seem to focus on his schoolwork or control his temper. And lately, being away at boarding school is only getting worse-Percy could have sworn his pre-algebra teacher turned into a monster and tried to kill him. When Percy's mom finds out, she knows it's time that he knew the truth about where he came from, and that he go to the one place he'll be safe. She sends Percy to Camp Half Blood, a summer camp for demigods (on Long Island), where he learns that the father he never knew is Poseidon, God of the Sea. Soon a mystery unfolds and together with his friends -- one a satyr and the other the demigod daughter of Athena -- Percy sets out on a quest across the United States to reach the gates of the Underworld (located in a recording studio in Hollywood) and prevent a catastrophic war between the gods.

Review: Percy Jackson is a mostly normal child. Yes, he has trouble concentrating and keeps getting thrown out of schools but mostly, he's ok. Until, on this school trip, it looks like he'll get thrown out because his maths teacher wants to kill him. And he vaporises her with a sword. More things happen, and Percy ends up at Camp Half Blood, with satyrs, demigods, and a centaur of a Latin teacher. And a quest. Because Zeus is angry. And things get better from there.

I love this series from the bottom of my heart. I read it first when I was eight or nine, maybe? I don't know, but I wanted a book and I asked my dad for recommendations in Waterstones and he picked this off the shelves and I fell in love with it when I read the chapter titles. Add the fact that I already had a love of Greek mythology and you can see how this is going to work out.

I reread this because my reading aim for 2015 is to work my way through all of Rick Riordan's demigod series and this is the first one.

The world of this is wonderful. The Gods are alive and kicking and operating out of the USA, doing what they've always done in a more modern way. This "what they've always done" includes having children with mortals, thus necessitating Camp Half Blood, a safe place to train and live without fear of monsters.

The characters  are well fleshed out and great to read about. The new takes on mythology are genius, especially when you notice the clever ways little things are updated'. You just fall in love with all the characters- Percy for his determination to keep trying, Grover for his determination to keep trying, Annabeth for her cleverness and levelheadedness, Chiron for his general badassery of being both a centaur and a Latin teacher...the list goes on.

They adventure in such a way that we meet a variety of creatures from Greek myth. I must say, when I first read it, I felt so proud of myself for being to guess ahead as to who this threat was, and I also enjoyed learning about new aspects of mythology too.

The writing describes well, but has a huge dose of humour. Case in point: chapter titles. But I loved the sheer amount of fun that this book was, comparatively speaking to everything else I was reading.

The  plot keeps running in new direction throughout the whole novel. The twists at the end where we learn how the thing got in, I  did not see coming the first time I read it. It was foreshadowed so perfectly and the way it all came round made me happy.

Overall:  Strength 5 tea to  a strong opening to a brilliant series.

Title: Adaptation

 Author: Malinda Lo

Series:   Adaptation #1

Published:  April 3 2014 by Hodder

Length: 432 pages

Source: publisher

Other info: Malinda Lo has also written Huntress, Ash (review here), and Inheritance.

Summary: Flocks of birds are hurling themselves at aeroplanes across America. Thousands of people die. Millions are stranded. Everyone knows the world will never be the same.
On Reese's long drive home, along a stretch of empty highway at night, a bird flies into their headlights. The car flips over. When they wake up in a military hospital, the doctor won't tell them what happened.
For Reese, though, this is just the start. She can't remember anything from the time between her accident and the day she woke up almost a month later. She only knows one thing: she's different now. Torn between longtime crush David and new girl Amber, the real question is: who can she trust?

Review: It all starts when  Reese Holloway is waiting for a plane back from debating and  birds fall out of the sky. Stranded, she and the debate team decide to head home in a rented car, and things change even more. With no idea of the events after a crash, nor the later happenings or procedures, Reese finds some anwers that will change her life, and humanity, forever.

Huntress, I didn't enjoy especially, but Ash was one of my favourite books due to the writing style and the new take on an old story. Adaptation leaves the fantasy route and goes down the scifi men-in-black route, and it does this really well.

I love the characters. Amber's probably my favourite, because she's adorable and funny and I fell in love with her. I also liked that you had to constantly question her and her loyalties. David- CHINESE MC HECK YEAH (I get excited by chinese main characters) was also really adorable and smart. Reese isn't one of my favourite characters, she seemed a bit ordinary compared to a cast full of scientists and government agents and conspiracy theory website runners and things which I want to say but that's kind of spoilery, but I did like the fact that she constantly questioned things. Oh, and love to Reese's mum. See the lawyering badass love for her daughter and reaction to her coming out as bisexual. 

Nowhere in this book is a good place to stop reading-most certainly not the end.. Every point in Adaptation was either too intriguing or too exciting or too adorable to let you even think about putting it down, and I've had the must-never-stop-reading-this-feeling for very few books before.

Overall:  Strength 5 tea to a book I recommend to everyone, especially mystery, scifi, thriller, romance fans.

Title: This Book Is Gay

 Author:  James Dawson

Series:  N/A

Published:  4 September 2014 by Hot Key Books

Length: 271 pages

Source: publisher

Other info: James Dawson has written many things. 

Summary : Former PSHCE teacher and acclaimed YA author James Dawson gives an uncensored look at what it's like to grow up as LGBT. Including testimonials from people 'across the spectrum', this inclusive book explores everything anyone who ever dared to wonder wants to know - from sex to politics, how to pull, stereotypes, how to come-out and more. Spike Gerrell's hilarious illustrations combined with funny and factual text make this a must-have read.

Review: I don't normally review nonfiction, but this is a hugely anticipated book by a brilliant author and a topic I have an interest in. There’s so many things that make this book wonderful.

First, there’s the fact that this book exists, with a bright rainbow cover and direct information and not hiding.  I can only think of one other sex-ed book that addresses queer people as well as cishet people, and that's Scarleteen's book, which I read  once in a library but it later disappeared. The fact  there's a book that speaks directly to a group of people ignored by almost every school when it comes to sex-ed, is brilliant, and I hope this book finds its way into the hands of everyone who needs it.

Then here's the breadth of topics covered; labels and common definitions, biological theories, stereotypes, coming out, dating, sex, marriage, and children, as well as more serious, less happy topics, such as religious opposition, homophobia, transphobia, HIV/AIDS.

James gives clear advice that hopefully will be hopeful to people of all genders and sexualities about how to combat homo&transphobia, coming out,  and many other things.

I love the range of voices from the online survey, especially the longer studies, that talk about experiences such as living with HIV, transitioning, and having children via surrogate mothers. They give a snapshot into many different lives, and, after reading about things like this in fiction, it's fascinating to see real-life perspectives.

My favourite thing is James's voice tying it all together. I read the book straight after James did a reading from this book, and it's so easy to imagine him reading it aloud. There's a lot of laughs in appropriate places, highlights including "a very bad lady-let's...call her Maggie....some years later [there was] a slightly less evil man let's call him Tony",    "what I felt for Dean Cain (whose name I did not change for this book- I mean, I think it's time he knew of my love", and (in the first edition) bullet points 2 and 3 on page 45.

Now, this is going to sound really picky, but I did notice that it sometimes reinforces the gender binary (yes, I'm aware one of my contributions does too, and I apologise for younger, less informed me and cis-centric language) and uses ciscentric language when talking about sex (e.g. a label of a  woman being accompanied by a diagram of a female-bodied person, or the words "gay women get turned on by vaginas" (here not taking into account e.g. gay women with preop transwomen). I do get that it is impossible to cover the full range of identities in one book, and my noticing this is probably a result of me getting used to sites where gender and sex are strictly separated, and this book is wonderful in its existence, but still, a couple of word changes here and there could make this book absolutely perfect.

Overall:  Strength  5, tea to a book that needs to be everywhere.

Title: Avenue Q

Writer: Robert Lopez, Jeff Marx and Jeff Whitty

Director: Cressida Carré

Performed by: Sell A Door

Major cast:  Tom Steedon, Lucie-Mae Sumner, Stephen Arden, Richard Morse,Jacqueline Tate ,  Ellena Vincent, Jessica Parker,

Seen at: Wycombe Swan

Other Info: They're still touring! Try and catch them if you can. More info here.

Review: Princeton has just completed a BA in English. He now doesn’t know what to do with his life. Moving into Avenue Q and meeting a range of colourful characters, puppets such as Kate, Rod, Nicky and Trekkie, and humans like Christmas Eve and Brian. Oh, and Gary Coleman. Avenue Q follow them all as they all wait for their dreams to come true. 

I wanted to see this because...hello, Avenue Q! It’s a brilliant coming of age show, with a few songs for which it's well known but some others that are also really good, and I was looking forwards to a night of comedy and music and adorableness.

The show started with a cute little animation to the short opening theme. The screens occasionally came on between scenes or during songs, providing extra comedy.

All the cast were really good. Lucie-Mae Sumner's Kate voice was annoying to start with, because it's quite squeaky in places, but her Lucy was really good. Tom was good as both Princeton and Rod. I would have liked to see more of Ellena Vincent/Gary. Jacqueline Tate and Richard Morse's Christmas Eve and Brian were both cute and funny and paired well together. My favourites were Stephen Arden and Jessica Parker, who are Nicky, Trekkie and the Bad Idea Bears. They worked together really well, Parker's facial expressions as... well, everyone, were really good, and I loved the range of voices that Arden did (normal for Nicky, growly for Trekkie, and quite high for the Bad Idea Bears).  All the actors put a lot of energy in, the very skilled puppeteers made the puppets come to life, and this really showed.

The music was very good. The arrangements were a little different to the one on the recording (of a different cast), which I liked, though it's a shame they only got licensed shorter versions of Schadenfreude and The Money Song. Trekkie's song was very good, with an added pause after Kate's “Normal people don't sit at home” line  which worked really well for comedy. You Can Be As Loud As The Hell You Want (When You're Making Love) was really well staged, showing off the whole cast  (and the puppets' inventive sex).  I also really liked the way they did My Girlfriend Who Lives in Canada, Fantasies Come True, Schadenfreude, and The More You Ruv Someone. 

I liked the staging, and the use of lights in windows to show where on the street each scene was taking place in.  The book is very good (someone else must have thought so too because it won an award for it). It touches on lots of themes, like acceptance,  friendship, relationships, in a way that is funny about 90% of the time, emotional the other 10%, and brilliant throughout. 

Overall: Strength 5 tea to a wonderful show with a very strong cast that made for an excellent night out.

Title: A Kiss In The Dark

 Author: Cat Clarke

Series:  N/A

Published:  3 April 2014 by Quercus

Length: 384 pages

Warnings: brings up sexual assault

Source: publisher

Other info: Cat has written Entangled, Torn, and Undone which I read and reviewed. She also wrote Falling, a shorter story, which I read and enjoyed.

Summary : When Alex meets Kate the attraction is instant. Alex is funny, good-looking, and a little shy – everything that Kate wants in a boyfriend. Alex can’t help falling for Kate, who is pretty, charming and maybe just a little naive… But one of them is hiding a secret, and as their love blossoms, it threatens to ruin not just their relationship, but their lives.

Review: Alex gets to know Kate via the internet. Alex meets Kate at a concert. They start going out. They're perfect for each other. Except Alex is a girl (I don’t feel bad for telling you that because we learn this within the first 15 pages). And Kate doesn't know.

Cat Clarke is one of the authors whose name guarantees I'll read a thing. I wasn't sure what to expect from this, but it was totally different to anything I may have wanted to expect.

Cat Clarke always manages to write perfectly real characters, and those in A Kiss in the Dark are no exception. they interact and react well, and all  the  minute of emotions that Alex and Kate feel about being in love is valid and accurate.

I am in love with all characters in the Before. Alex slightly less than Kate because while I see why she would do that, it's quite a big thing to not be open about, and I prefer my romantic couples to not have secrets this big. I didn't like Kate in the After. I get it, finding out your boyfriend is a girl is quite big and she has the right to be upset with Alex for keeping such a big secret. But I really dislike people who do what she did. she redeems herself in the closing pages, but still. My favourite character was Jamie  Alex's brother. He's supportive, a bit funny, and loyal. I found Astrid a little annoying.

The best thing in this was the tension, especially in the first half. From the moment Alex chooses not to tell Kate she's a girl, and they go out, as the romance builds, which I think is one of the most adorable things ever despite my general wariness of romance when they’re keeping such huge secrets from each other, you’re just thinking ahead to what's going  to happen when she finds out; so every kiss and every smile they share, is slightly tainted by the fact you just know it’s going to broken and you just have to keep reading to see how it goes. and  then ohmigosh Cat puts in 14 words that ramp up the tension so much and then it all happens and ugh perfectness. The day I read this, I highly disliked school. It stopped me reading this.

Overall:  Strength 5 tea to a to a truly unputdownable book.