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I thought the above illustration was a good fit with today’s post. Since I feel that this post will help you stir up you manuscript to keep your readers reading, just like illustrator Alik Arzoumanian did letting her cute lady stir up the sky.  (Note: I am looking for artwork to show off)

Alik received her BFA in Illustration from the Massachusetts College of Art and Design in Boston in 2004.   The first children’s book “Tunjur! Tunjur! Tunjur! A Palestinian Folktale” by Margaret Read MacDonald received an ALA Notable Book Award in 2007. She was also featured on Illustrator Saturday.

Hope these tips help you stir up your manuscript:

1. Keep solving problems and adding new ones. Mix up the problems by using physical, logistical, and ones with other people.

2. Make your MC be in a worse place than before the last problem.

3. Beware of the “one Darn Thing After Another” Syndrome. You don’t want your MC to always be stuck dealing with things that don’t change their circumstances.

4. Deliberately shorten your sentences in tense scenes.

5. If you keep your chapters short, you will lore the reader into reading a little more before taking a break.

6. Stun your protagonist with a negative surprise that comes out of the blue. Shock your hero and you will shock your reader into reading more by ramping up the tension.

7. Delay revealing important information to ratchet up the tension. Let your readers worry about unanswered questions.

8. Contract you protagonists universe by making sure their are consequences for each choice. Lost opportunities add tension. When he chooses one option, he will no longer be able to purse the other good things he might have bee able to do.

9. Make an ally into an oppositional character with a conflicting goal.

10. Use dialogue to imply thing that are not directly said. Add in ironic statements to keep the reader wondering.

11. Make sure all the actions are built upon, leading to something. Look for places in your story that are dead ends.

12. Each scene must have a purpose – pointless events – excessive explanations – backstory. You might want to note the purpose after the first draft to remind you why you included it. This will make it easier to see if you need to eliminate it in later revision.

Do you have any other things you do to avoid reader boredom?

Talk tomorrow,

Kathy

This week we have illustrator Alik Arzoumanian.  She received my BFA in Illustration from the Massachusetts College of Art and Design in Boston in 2004.   The first children’s book she illustrated was “Tunjur! Tunjur! Tunjur! A Palestinian Folktale” , a retold folktale by Margaret Read MacDonald and published by Marshall Cavendish Children.  The book received an ALA  Notable Book Award in 2007.

She has also illustrated “So Many Houses” written by Hester Bass and published by Scholastic Library Publishing.  “Grateful Animals” by Sona Zeitlian, and “Where are you Little Frog?”, written by Kayleigh Rhatigan and was published by Lark Books.  Her illustrations have appeared in “Christmas Carols” and “Christmas Songs” published by Ladybird Books. Her most recent work appeared in Archbishop Desmond Tutu’s Children of God Storybook Bible, that was published in July 2010 by Lux Verbi.

Here is Alik:  I was commissioned by Lux Verbi, a publisher in South Africa, to illustrate three stories in the Children of God Storybook Bible, retold by Desmond Tutu. The one I am presenting here is called “Naboth’s Vineyard”, and it tells the story of a King called Ahab and his wife Jezebel who have Naboth killed in order to take his vineyard. Prophet Elijah is sent to punish King Ahab for what he has done, but Ahab is truly sorry so he is forgiven.

Sketchbook 1, 2, 3 I first created the characters in the story. Visualizing them first helps me understand the narrative better, and results in more successful thumbnails, because instead of generic figures, I have characters I can rely on to bring the story to life.

For this story, I researched historic middle eastern costumes and looked at illustrations of King Ahab and Jezebel for inspiration. I also wanted King Ahab to look not so kingly and a little embarrassed.

Thumbnails 1, 2, 3, 4 The next step was to come up with a composition that would convey the whole narrative at once. The various s