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DC Comics and CBS announced their plans for a crossover between two mighty comic superheroes, The Flash and Supergirl. No details about the plot for this special episode of Supergirl have been revealed.
Barry Allen (played by Grant Gustin) will meet Kara Danvers (played by Melissa Benoist) in her Earth hometown, National City. In the past, both actors appeared on the hit TV series, Glee. The air date has been scheduled for March 28.
Here’s more from the announcement on the DC Comics website: “Requests for Supergirl to cross over with either The Flash or Arrow have been loud and frequent among fans, particularly since the three shows share executive producers. This actually isn’t the first time characters from The CW’s shared DCTV universe have bumped into a character from a series originally launched outside of that universe. Earlier this season, Matt Ryan’s John Constantine made an appearance on Arrow, after having previously debuted on NBC’s now-canceled Constantine.” (via Nerdist)
By:
Heidi MacDonald,
on 10/27/2015
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The Supergirl pilot that debuted last night on CBS a lot of weight on its shoulders. The show tells the story of Kara Zor-El, played by Melissa Benoist, as she escapes Superman's shadow and comes into her own as National City's first superhero. It is the network's first major superhero endeavor, the first superhero show led be a solo female in more than 40 years and the pilot had a lot of ground to cover, attempting to endear characters to new viewers while also trying to re-envision elements of the mythos without alienating established comics fans. Does it succeed? The Beat is here to tell you with a hard hitting roundtable. We've always wanted to have one of those.
In a pretty nice piece of marketing, CBS is aiming squarely at the young women demographic for the upcoming Supergirl, and to highlight that they invited 400 mother and daughters to view a sneak preview of the first episode.
In doing so, they also got a nice surprise, which you’ll see in the short video below…
Given the tendency of superheroics in mass media to aim for the testosterone, it’s nice to see a network to cater to a wholly different demographic for this series. It should give us a whole new reason to root for its success. Everybody needs heroes to look to up to after all.
Supergirl premieres Monday, October 26th (8:30-9:30 PM, ET/PT) on CBS.
CBS has unveiled a “first look” video for Supergirl. This television adaptation will debut during the Fall 2015 season.
The video embedded above offers glimpses of Melissa Benoist as the titular character (a.k.a. Kara Zor-El). Thus far, the trailer has drawn more than 221,000 views on YouTube and over 1,900 \"likes\" on Facebook.
Variety reports that Dean Cain and Helen Slater have joined the cast. Both actors have taken on Kryptonian roles in the past; Cain played Superman on the 1993 Lois & Clark TV show and Slater played Supergirl in the 1984 Supergirl movie. (via io9.com)
CBS has given the greenlight for the Supergirl TV show. Actress Melissa Benoist (pictured, via) will take on the titular role.
Benoist’s character, who is known as Kara Zor-El, hails from the planet Krypton; she is a cousin of Kal-El (a.k.a. Clark Kent). The air date for the premiere episode has not been announced.
Here’s more from TIME.com: “The network is diving into the super-hero genre, which has made such a strong impact in both movies and—over the last few years—at its TV rivals, particularly CBS’s younger-skewing sister network The CW. One question is whether fans of NCIS and Criminal Minds will embrace the network getting into DC Comics territory. CBS won’t say if the show will air in the fall or midseason, but will almost certainly announce that decision at its upfront presentation in New York next week.” (via Variety.com)
By:
Heidi MacDonald,
on 2/21/2015
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It’s Oscar Eve! I’ll toss out a few Oscar Predictions towards the bottom of today’s round-up, but let’s get to what’s making headlines today in the world of comics-based entertainment.
– In a piece about a possible future Gal Gadot project, Deadline has reported that the actress will begin filming Wonder Woman in the fall. If that’s indeed the case, the never quite made official release date of June 23rd, 2017 sounds pretty likely to be met for the Michelle MacLaren production.
– The official Daredevil Netflix series twitter feed teased out the following photo yesterday:
The indication being that Daredevil’s father Jack Murdock fought The Absorbing Man at some point in the series’ history. Though, depending on the age that Creel is portrayed as, this could present a bit of a continuity issue since Creel appeared as an adversary of the Agents of S.H.I.E.L.D. team during the first few episodes of this current season. Perhaps his power keeps him from aging?
– Sons of Anarchy star Kim Coates has been cast as the lead in the upcoming feature film adaptation of Officer Downe, based on the Image comic by Joe Casey and Chris Burnham. Officer Downe will mark the directorial debut of Shawn Crahan aka Clown, co-founder of the metal act Slipknot, while Casey is penning the script.
– And finally, Supergirl now has a matriarchal figure for Melissa Benoist‘s Kara, as Nashville‘s Laura Benanti has signed on to play Alura Zor-El. Alura will be a recurring role in the series, offering her daughter guidance that echoes through space and time.
While Torsten will have a much better and comprehensive write-up on The Beat shortly, for whatever it’s worth, here are my Oscar predictions for tomorrow night in the major categories.:
Best Picture: Birdman
Best Director: Richard Linklater, Boyhood
Best Actor: Michael Keaton, Birdman
Best Actress: Julianne Moore, Still Alice
Best Supporting Actor: J.K. Simmons, Whiplash
Best Supporting Actress: Patricia Arquette, Boyhood
Best Original Screenplay: Wes Anderson and Hugo Guinness, The Grand Budapest Hotel
Best Adapted Screenplay: Damien Chazelle, Whiplash (no guts, no glory over here!)
Best Cinematography: Emmanuel Lubezki, Birdman
Best Editing: Sandra Adair, Boyhood
By:
Heidi MacDonald,
on 1/28/2015
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When Melissa Benoist was cast as Supergirl last week for the CBS upcoming superhero drama of the same name, I had a feeling the Jimmy Olsen announcement could only be a few days away, given that the auditions for both roles were held pretty closely together.
Like magic, we now have a new Jimmy Olsen! Mehcad Brooks (Desperate Housewives, True Blood) will be playing everyone’s favorite Daily Planet photographer/giant turtle-based superhero. Actually, the latter probably won’t happen sadly, but Brooks will surely have a camera in hand at some point.
The Supergirl iteration of Jimmy is described as “a smart worldly photographer for CatCo, the media company where Kara works. He had previously been working and living in National City for mysterious reasons, and his salt of the earth nature piques Kara’s interest”.
I’m not totally up on my Supergirl lore, but National City doesn’t ring any of my DC Comics bells (other than being the former name of the company). I assume its something created specifically for the new series.
There are a number of roles still to be cast, including: Cat Grant, Hank Henshaw – the Supergirl obsessed director of the Department of Extra-normal Operations, Kara’s CatCo colleague Wynn Schott, and Kara’s sister Alex.
By:
Heidi MacDonald,
on 1/22/2015
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CBS has found the lead of their first superhero adaptation since The Flash debuted in 1990.
Melissa Benoist, who appeared most recently in the indie hit Whiplash, has been tapped for the role of Kara Zor-El in Supergirl, making her the third live action version of the character, following Helen Slater (Supergirl) and Laura Vandervoort (Smallville).
The hour-long drama, which does not yet have a series order, centers on a 24 year old version of Kara. After growing up with the Danvers family, who taught her to be careful in the use of her powers, she’s faced with an unexpected disaster that forces her to use those abilities in public. Kara begins to help the people of her city and thus is given the name “Supergirl”.
The pilot episode will be written by Greg Berlanti (The Flash, Arrow) and Ali Adler (The New Normal).
Benoist is also known for her role on the Fox series Glee, the same series that brought Grant Gustin (star of the current iteration of The Flash) to prominence.
Supergirl finally gets CBS into the superhero game, as ABC (Agents of S.H.I.E..L.D., Agent Carter), NBC (Constantine), and FOX (Gotham) have all already debuted their comics-based series.
A Jimmy Olsen casting announcement, a character known to be a major part of Supergirl, will be announced imminently.
A friend on Facebook reminded me of the “Black Widow” SNL trailer…
While we’re discussing the Hero’s Journey, realize that it doesn’t apply here… There is no way for the hero to return to Krypton. The hero COMES from a world of supernatural wonder into the everyday.
Instead, we get the American Monomyth:
“A community in a harmonious paradise is threatened by evil; normal institutions fail to contend with this threat; a selfless superhero emerges to renounce temptations and carry out the redemptive task; aided by fate, his decisive victory restores the community to its paradisiacal condition; the superhero then recedes into obscurity.”
Except that the hero never leaves town, because the community is constantly threatened.
Jimmy Olsen is the mentor figure. I’m hoping he doesn’t become the Magical Negro.
Kara, on the other hand, IS Jimmy Olsen. She’s the gofer at work, the New Adult. Which is intriguing, in that the Superman/Jimmy paradigm is flipped… Here he knows everything, and Kara has to bumble her way around things. (Yes, I’m hoping for some Red K stories. Or some fun BEMs!)
I’m also hoping that “Katty Perry” becomes more dimensional. I like how Kat Grant has been transformed from a debutante to a driven CEO, but I’m also hoping there’s some exploration of her backstory.
(HA! What if Kara = “Murphy Brown’s secretaries”? Who had the job before her? Any disgruntled employees?)
Yes, this show will skew younger… it’s 8 Eastern, 7 Central, the first hour of prime time. On Monday, which traditionally is for CBS what Thursday was to NBC. But now, instead of sitcoms, we get Supergirl, Scorpion, and NCIS:LA.
The big unknown: the Big S. Superman exists, but can’t appear in these episodes, because, anytime Superman shows up in a story, the story becomes a Superman story. But what about Lex? The DEO? Star Labs? Other heroes which appear because of Superman? That’s why Jimmy Olsen is here… he’s the narrative sock puppet for Superman, as we saw when he handed her the cape.
The BIG QUESTION: what parts of the DCU can the writers of Supergirl use, and which belong to the Arrowverse? Does CBS just get the Superman Family? Or does that also include aliens and outer space?
OOOOOooooohhhh… “Legion of Superheroes”! Replace Superboy with Supergirl. Watch those background characters, viewers! They might be aliens! (Were I a story editor, I’d set that up for perhaps the second season cliffhanger. Use that as a backdoor pilot for Legion.)
It looked to me like they almost tried to make the show as dull as possible. Supergirl insecure? Who wants that? I’ll give it 2 more episodes. I did notice that she mentioned Wicked tickets. CBS must own stock in the musical.
>>>Supergirl insecure? Who wants that?
They tried an insecure hero — Green Lantern — and no one liked it.
A friend of mine has two younger children, one boy and one girl, ages 7 and 10, who have just within the last year been exposed to superheroes of any kind. They both loved the pilot and can’t wait for more, and my friend feels the subject matter in the FLash and Arrow can be too complicated/mature for them. I think as hardcore fans, we can sometimes get caught up in the egocentric idea of everything being targeted towards us, when honestly that just doesn’t have to be the case. I’m not currently reading Batgirl, for instance, but I think it’s an important book that needs to exist for the audience it is being written for.
I thought this pilot was even more fun than the pilot for The Flash, and more earnest without having quite the level of campiness of say a Lois and Clark, or the emo-ness of Smallville, which is perfect for the audience I think it is going for. I’m excited to see that the overnight ratings for this show have been so good as it may prove that the audience they are courting for these superhero shows need not all be the same, and there is quite a bit of opportunity to open the fan base for these things way wider.
Heidi M. said: “I liked how they covered all their bases, from rejecting a sexy costume to explaining why “girl” isn’t a pejorative to head of criticism. ”
The young women I know (women in their 20s) refer to themselves as “girls,” and don’t mind anyone else calling them girls. They don’t find it belittling. It’s a generational change, I guess.
I probably won’t watch this show until the first season is released on DVD, but I’m glad it breaks with the dark and gloomy style of DC’s movies. I’m glad female superhero fans have someone to root for. However, the “Supergirl” trailers DO look a lot like SNL’s “Black Widow” parody trailer.
Power Girl. You know she’ll show up for ratings week. I hope they don’t wimp out by making her PC. Look at cosplayer BelleChere for an idea what the tv Power Girl should look like.
>>>>anytime Superman shows up in a story, the story becomes a Superman story.
This doesn’t necessarily have to be true, there are plenty of ways to include him and still celebrate Supergirl as the show runner (and if somebody wants to pay me I’d share those ideas). However I think including him would be a mistake since the impetus of action seems to be in Kara finding out how to ‘hero’ her way. (This is of course a bit of a sticky widget, since she is a derivative character) Unfortunately that is the primary reason I dislike the inclusion of Jimmy Olsen (I am not talking about changing the traditional aesthetic representation, only the character as plot device). Mechad Brooks turns out a fine performance, and his characterization would be more pleasing if he was an entirely new character, rather than the device to pull in hack-kneed ‘Super-mythos’ references.
Overall I to found the show watchable, and hope that the stories will become more engaging, but defining itself independently of the ‘Big Red S’ and overcoming the history of “prime-time” programming may take more than ‘a single bound’.