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Viewing: Blog Posts Tagged with: homelessness, Most Recent at Top [Help]
Results 1 - 10 of 10
1. Homelessness: issues by the numbers and how you can help

Today, 10 October, is World Homeless Day. This day is dedicated to increasing awareness of the global issues surrounding homelessness, as well as getting people involved in their community to help meet the needs of homeless people locally. The increased publicity and solidarity of the global platform helps to strengthen grassroots campaigns at the most local level. The problems regarding homelessness are multifaceted.

The post Homelessness: issues by the numbers and how you can help appeared first on OUPblog.

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2. Children's Book Review - The Veterans' Clubhouse by Kristen Zajac


Author: Kristen Zajac
Illustrator: Jennifer Thomas Houdeshell
Publisher: Guardian Angel Publishing, Inc.
Published: June 2015
Pages: 26

Veterans are often the forgotten people of the war on US soil of homelessness. Through the tightknit family of siblings, Patrick and Hailey, their parents and grandfather, G-man, they unexpectedly meet a homeless Vietnam Veteran, Charlie after church services. Inspired by their love of community and helping others, Patrick and Hailey devise a plan to help veterans throughout their community with a fundraiser, featuring the musical talents of Patrick, his father and G-man along with the artistic drawings of Hailey. What results, will astound even the biggest skeptic.

With love and determination a heartwarming story unfolds wonderfully through the skilled story-telling talents of author, Kristen Zajac. Bringing forth the power of prayer and coming together as one for the better good the reader will feel empowered to organize an event to enrich their community.

Illustrator, Jennifer Thomas Houdeshell outstanding talents of creating illustrations that are true to life, makes the reader feel like they can leap right into the scene.

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Through the combination of the talents of both author and illustrator they have created and brought to life a one of a kind children’s book to inspire community service. Well done!

~~~~~~~~~~~~~~~~~~~~~~~~~

Best wishes,
Donna M. McDine
Multi Award-winning Children's Author

Ignite curiosity in your child through reading!

Connect with

A Sandy Grave ~ January 2014 ~ Guardian Angel Publishing, Inc. ~ 2014 Purple Dragonfly 1st Place Picture Books 6+, Story Monster Approved, Beach Book Festival Honorable Mention 2014, Reader's Favorite Five Star Review

Powder Monkey ~ May 2013 ~ Guardian Angel Publishing, Inc. ~ 2015 Purple Dragonfly Book Award Historical Fiction 1st Place, Story Monster Approved and Reader's Favorite Five Star Review

Hockey Agony ~ January 2013 ~ Guardian Angel Publishing, Inc. ~ 2015 Purple Dragonfly Book Award Honorable Mention Picture Books 6+, New England Book Festival Honorable Mention 2014, Story Monster Approved and Reader's Favorite Five Star Review

The Golden Pathway ~ August 2010 ~ Guardian Angel Publishing, Inc. ~ Literary Classics Silver Award and Seal of Approval, Readers Favorite 2012 International Book Awards Honorable Mention and Dan Poynter's Global e-Book Awards Finalist

0 Comments on Children's Book Review - The Veterans' Clubhouse by Kristen Zajac as of 8/4/2015 6:09:00 AM
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3. Don’t Call Them Dropouts

A new report from America’s Promise Alliance finds that students who leave high school without graduating are often overwhelmed by a cluster of negative impacts of poverty. You can read the full 72 page report (pdf) online, but here are some highlights (if that’s even the right word) to note:

  • Approximately 20 percent of young people (that’s about 800,000 per year) don’t graduate from high school
  • Toxic home, school, or neighborhood environments–sources of violence, disrespect and adverse health–lead young people to stop going to school
  • Connectedness to others can lead young people both toward and away from school
  • Even young people who are able to “bounce back” from an interrupted education are often unable to re-engage in the longer-term

So what does all this mean for libraries?

Libraries are uniquely poised to be an ideal space for young people looking to continue or re-engage with their education. We offer materials, programs and services regardless of income or whether a patron’s parent is incarcerated. Public libraries can be an island of consistency for young people who experience homelessness or move often, leaving little connection with the multiple schools in which they enroll.

Library policies, however, don’t always support young people whose educational path varies from the four year high school model. Here are three ways you can help teens at risk of dropping out or trying to re-engage with their education:

1. Reconsider “truancy.” Some public libraries immediately report or kick out teens who try to access books and services during the school day, but where does that leave a young person who may be trying to find out how to earn a GED, how to qualify for food stamps, or even how to enroll in a neighborhood school? In school libraries, students with unique medical situations or other tutoring needs may find themselves with alternative schedules and need a place to go for part of the day. Does your library support these teens?

2. Revisit your post-secondary resources. If your local school community is largely focused on getting students into four-year colleges, you may be missing students with other plans. Does your test prep collection include GED prep or materials for students interested in joining the military, like ASVAB for Dummies? Does your college section include information on local community or technical colleges? Also remember that older teens may be struggling to complete high school after their peers have already graduated; they still need your help!

3. Work with community partners. The America’s Promise Alliance report includes information on the 16 partner groups from each interview city, but there are many, many more–including groups that want to work with libraries. Some libraries now have relationships with hospitals and have social workers on staff. Which groups in your community could help address the unique needs of teens struggling to stay engaged or re-engage with their education?

Looking for help starting the conversation with a teen at your library? Check out Answering Teens’ Tough Questionspart of YALSA’s Teens at the Library series. 

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4. Odie the Stray Kitten, by Kristen Mott | Dedicated Review

Through the sincere and straightforward storytelling of Odie and the Stray Kitten, Author Kristen Mott shares a lovely message of just how meaningful showing kindness toward animals can be.

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5. Beholding Bee by Kimberly Newton Fusco | Review

This should be a sad tale but instead is up-lifting. Much of that is due to the protagonist’s wry voice: Twelve-year-old Bee (short for Beatrice) is an orphan and works for a traveling carnival, living in the back of a truck with nineteen-year-old Pauline.

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6. Christmas City: Great Joy

Title: Great Joy 
Author: Kate DiCamillo
Illustrator: Bagram Ibatoulline
32 pages
Publisher: Candlewick Press
Publ. Date: Oct. 9, 2007


It's a pretty safe bet that a book by Kate DiCamillo will be a winner and Great Joy is no exception.  The plot itself is fairly simple, but the power of the book lies in DiCamillo's skillful writing and extraordinary ability to provoke an emotional response in her readers by combining child-like wonder with a compassion for others. I'm not admitting anything, but this book might have made me cry. That's all I'm saying.

From her apartment window, young Frances watches an organ grinder with his monkey who plays every day on the same street corner. She wonders where they go at night, but her mother assures her, "everyone goes somewhere." Frances is unsatisfied with this response and seeks him out to discover he spends his nights on the same corner. On her way to church, Frances invites the man to come and watch her in the Christmas pageant. When he shows up just as Frances delivers her line, she cannot help but be inspired with, "Great Joy!"

I admit I have a soft spot for snowy winter cityscapes. Our entire view of the unnamed city in Great Joy is of a single street corner at "Fifth and Vine." We view this location from a number of vantage points: from the apartment window, the building stoop, the street, at day, at night and as such we are privy to a variety of perspectives. It's wonderful the way Frances can look out her window and see the world below, thoughtfully considering the lives of the people she sees. Both the text and Ibatoulline's gorgeous illustrations effectively communicate that the city is not a faceless void, but a place for intimacy, compassion and individual relationships to shine. Indeed the backdrop of bustling, ever-changing life brings Frances' and the organ grinder's humanity into sharp relief.
Needless to say, I highly recommend adding this book to your stack of Christmas reading. There is a religious element to the story, but it is not the focus and both religious and secular families will take much away from the book.

Want More?
Visit the author's website.
Watch an interview with the author as she talks about moving from novels to picture books. At Reading Rockets.

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7. Review: Don’t Breathe a Word by Holly Cupala

 

Title: Don’t Breathe a Word

Author: Holly Cupala

Publisher: Harper Teen

ISBN: 978-0061766695

 

May Contain Spoilers

From Amazon:

Joy Delamere is suffocating.

From asthma, from her parents, and from her boyfriend, Asher, who is smothering her from the inside out. She can take his cruel words, his tender words . . . until the night they go too far.

To escape, Joy sacrifices her suburban life to find the one who offered his help, a homeless boy called Creed. He introduces her to a world of fierce loyalty, to its rules of survival, and to love—a world she won’t easily let go.

Set against the backdrop of the streets of Seattle, Holly Cupala’s power­ful new novel explores the subtleties of abuse, the secrets we keep, and the ways to redemption. But above all, it is an unflinching story about the extraordinary lengths one girl will go to discover her own strength.

Review:

If I hadn’t received a review copy of Don’t Breathe a Word, it probably would have never even been a blip on my radar, and that would have been too bad, because it is a compellingly readable title.  I did have to engage a heavy suspension of disbelief during my time with Joy, because some of the plot elements did not work for me, and seemed highly unlikely. 

Joy has been suffering from debilitating asthma her entire life.  She has been in and out of the hospital after severe reactions and bouts with pneumonia.  Several times during her short life, she has been inches away from death.  Only the quick reactions of her caretakers and the emergency staff at the hospital have saved her life.  Fearful that any mold or dust might cause an immediate and unfortunate reaction, her mother keeps their house spotless.  Joy’s older brother is assigned to take care of her, to make sure that she is sheltered from an allergic reaction to anything.  Joy is smothered and unhappy, but her parents won’t take any chances with her health.

When she meets handsome, wealthy Asher, she thinks her life is going to change for the better.  Her parents approve of him, and soon, Asher is given the responsibility of caring for Joy. Of keeping her safe.  Only with Asher, Joy is imprisoned in a different kind of cage. Asher is possessive and has an explosive temper, and soon Joy is willing to do anything to keep him happy.  As her friendships slide and Asher becomes her world, Joy feels a different kind of fear.  When his abuse turns from verbal to physical, she is terrified.  Desperate, she fakes her kidnapping and heads to Seattle, to hide from Asher among the homeless population.

The premise is compelling and instantly had me hooked.  How would I survive if I was homeless?  I kept wondering if I would get along as well as Joy, as she meets danger at every turn.  She has to find food for herself, a safe haven to sleep, and clothes for the upcoming winter.  The trials she faces on the streets are perilous and frightening.  There are scary people willing to take advantage of her and worse, do her physical harm.  Her frail health is also a concern.  What happens when she runs out of her inhalers?  How will she survive a bout of sickness or a severe asthma attack on her own?

There were two elements of the story that didn’t work for me, the biggest being Joy’s precarious health.  She is forced to weather the ha

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8. the summer i learned to fly by Dana Reinhardt






Okay, I have to confess: I snatch Dana's books at review group. She and Beth Kephart are two writers that pull you into the characters' feelings so artfully.

Drew, a loner and fellow rat lover, lives with her single mom who has opened a gourmet cheese shop in central California. Since it is a few years before the trend of "trendy food shops" profits are lean, but the bills are not. Also in the shop are gorgeous Nick, the pasta maker and Swoozie, the clerk and replacement grandma for Drew. One of Drew's jobs is to throw out the expired food to the alley which is whisked away. One night in the alley she meets Emmett Crane who lives on their thrown out foods. Emmett has a secret and Drew is determined to learn more about him. His quest sweeps her up. Does the mission succeed? One thing is for sure, the friendship does.

Wonderfully written so that we see into the souls of these two kids. Oh, and the story is told by Drew as an 18-year-old attending Berkeley. That perspective makes the story special.

ENDERS' Rating: *****


Dana's Website

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9. Week-end Book Review: The Can Man by Laura E. Williams, illustrated by Craig Orback


Laura E. Williams, illustrated by Craig Orback,
The Can Man
Lee and Low Books, 2010.

Ages 5-10

In Laura E. Williams The Can Man, a young boy awakens to compassion. Tim’s bi-racial family remembers when Mr. Peters lived in their building, so they don’t respond to him as the homeless can collector he’s become since he lost his job. Plot tension develops quickly: Tim wants a skateboard for his birthday; his family, not well off themselves, can’t afford it, and Tim’s solution is morally dubious.

Craig Orback’s respectful, sensitive oil paintings depict life in a tree-lined neighborhood of neat three-story apartment buildings. One day Tim gets an idea, and while young readers will identify with his excitement as he begins to collect cans himself to earn money, they’ll also experience an unsettling prick of conscience, for Tim hasn’t realized, as they will have, that he’s taking the cans Mr. Peters relies on for income.

The neighborhood grocer and Tim’s mom both mention that Mr. Peters usually collects those cans, but Tim’s fixation on the skateboard has deafened his conscience. It’s only when he runs into Mr. Peters himself, clutching at his tattered coat on a winter Saturday, his shopping cart nearly empty, that Tim begins to consider the consequences of his greed.

Orback and Williams, who have each won numerous awards for their respective projects, make a fine team for The Can Man. Both Mr. Peters and Tim get what they need by the end of the story. Between the lines and through the images, an unspoken message is that young people develop moral sensitivity through the example of their elders. Tim has wise role models in his mother and the grocer as well as in Mr. Peters, whose humanity shines through despite potentially embittering circumstances. Tim is a fortunate boy, and young readers will likely take in many levels of meaning from this subtle, powerful story.

Charlotte Richardson
March 2011

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10. Teatro Vista, Tanya Saracho and Our Lady


TEATRO VISTA, THEATRE WITH A VIEW is firmly committed to sharing and celebrating the riches of Latino culture with all Chicago theatre audiences. This commitment stems from the belief that there are as may similarities as there are differences, and that perhaps the answer to breaking down the walls of prejudice and stereotypes lies in understanding these differences. Ultimately, it is through this "view" that Teatro Vista intends to bridge the gap between Latino and non-Latino cultures in Chicago.

A Message from the Founders
Henry Godinez, Director-Founder Edward F. Torres, Artistic Director-Founder WE MET IN 1989, while working on a play together here in Chicago. We both felt that it was a shame that Latinos weren't getting roles outside of stereotypical casting. So we founded Teatro Vista. We hoped that all of Chicagoland could enjoy the sort of theatre that we had envisioned. Our Mission Statement is from our hearts and we hope that our "view" is one you share. We hope you like our "Theatre with a View" and will visit us in person, as well as our website, as often as you can.




Our Lady of the Underpass by Tanya Saracho 

The same week that Rome announced a new Pope, a woman driving home from work spotted an image of the Virgin Mary on a discolored wall of the Fullerton Avenue underpass.


Playwright Tanya Saracho renders the voices of those who were drawn to that wall, exploring issues of faith and desire in present day Chicago.
Tanya Saracho (Playwright) Tanya Saracho was born in Sinaloa, México and moved to Texas in the late 80's. As the proud Co-Founder and Co-Artistic Director of Teatro Luna: Chicago's All-Latina Theater Ensemble, Tanya's writing has been featured in most of Teatro Luna's ensemble-built works including Generic Latina, Dejame Contarte, The Maria Chronicles, SOLO Latinas, S-E-X-Oh! and Lunatic(a)s.

Tanya's play Kita y Fernanda has received productions at Teatro Luna (2003) and 16th Street Theatre (2008) along with a reading at Repertorio Español while a finalist for the 2003 Nuestras Voces playwrighting competition. Other Awards include: The Ofner Prize given by the Goodman Theatre, Finalist for the Christopher B. Wolk Award at Abingdon Theatre in NYC, nominee for the Wasserstein Prize and winner of the Khan Award.

Her solo play Quita Mitos received a world premier with Teatro Luna, in November of 2006 and has toured colleges and festivals, including the International Hispanic Theatre Festival and the Goodman's Latino Theatre Festival. Other productions include: Jarred (A Hoodoo Comedy) and Lunatic(a)s.
Tanya is working on a fellowship in collaboration between The Goodman Theatre and the Institute for Women and Gender Studies at Columbia College on an interview-based piece titled 27 where she will interview one woman from each of the 27 countries that make up the Latin Diaspora.

She is also under commission from Steppenwolf Theatre to adapt Sandra Cisnero's "The House on Mango Street" slated to open in the fall of 2009. Directing/co-directing credits include: Solo Tu, Lunatic(a)s, the remount of Generic Latina, Piece of Ass for Estrogen Fest, The Maria Chronicles for both the Goodman's Latino Theater Festival and the critically acclaimed full-length run at Teatro Luna, and S-e-x-Oh!, Que Bonita Bandera and Three Days for SÓLO Latinas. Also an accomplished actor, Tanya's performing credits include Neil Labutte's Fat Pig with Renaissance Theatreworks in Milwaukee, Migdalia Cruz' Another Part of the House with Teatro Vista, Living Out with American Theatre Co./Teatro Vista, Electricidad at Goodman Theatre, and Angels in America and La Casa De Bernarda Alba with Aguijon Theater. Tanya is a Resident Playwright at Chicago Dramatists and her voice can be heard around the country in radio and television commercials.

Sandra Marquez (Director) has been a proud ensemble member of Teatro Vista, the mid-west's only Equity Latino theater company, since 1997 and served as the company's Associate Artistic Director from 1998-2006. In 2005 she made her main stage directorial debut with Teatro Vista's production of Breakfast, Lunch and Dinner by Luis Alfaro. Previously she had conceived and directed an ensemble studio piece for Teatro Vista called Vampiros y Bebes. Other directing credits include student productions at various venues as well as her work with Yollocalli, the Theater Summer Outreach Program under the auspices of The Mexican Fine Arts Center Museum and The Goodman Theater which served the young people of Chicago's Pilsen neighborhood. Teatro Vista acting credits include Icarus, Another Part of the House, Santos and Santos, Living Out (for which she was Jeff nominated). Other credits include The Oregon Shakespeare Festival (Breakfast, Lunch and Dinner), Victory Gardens (Anna in the Tropics); The Goodman Theater (Mariela in the Desert, Electricidad, Massacre, Zoot Suit & A Christmas Carol); Steppenwolf Theater (Sonia Flew, One Arm, A Streetcar Named Desire, and The Boiler Room); Madison Repertory Theater (Our Town).

Ms. Marquez is a member of AEA, AFTRA, and SAG and has worked in many industrial films and national commercials. Film and TV credits include Timer, Stranger than Fiction, Early Edition, Prison Break, Women's Murder Club and Big Bang Theory. Ms. Marquez has been on faculty at Loyola University, Eastern Michigan University and Columbia College of Chicago. Currently she is an adjunct faculty member at Northwestern University where she has been teaching since 1995.
Teatro Vista...Theatre with a View is at the forefront of the Latino theatre movement in the U.S. Chicago and ensemble based Teatro Vista is universally redefining the American landscape through the use of new, provocative and unique voices that reflect the Latino experience in the U.S.

After 18 years of existence it has empowered and encouraged "first voice" among the community and its artists.
 

Our Lady of The Underpass opens to Rave Reviews:

"Absolutely don't miss this really special piece!
Saracho's ear is terrific." – Kelly Kleiman, WBEZ Dueling Critics

"It is quite the artistic achievement."
Randy Hardwick, chicagocritic.com

"Our Lady veers — just like real life — from laugh-out-loud hilarious, to gut-wrenching to enraging to contemplative."
– Catey Sullivan, examiner.com

"This is brilliant work that is worth the trip to see. Director Sandra Marquez has assembled the perfect cast to bring these characters to life."
– Alan Bresloff, steadstylechicago.com

"The details of the monologues are perfect..." – Laura Molzahn, The Reader Newspaper

NOW Through MARCH 29
GREENHOUSE THEATER
2257 N. LINCOLN AVE.
CHICAGO, IL

(To read our reviews visit this link:www.theatreinchicago.com)


Tickets are available now! To purchase please click www.teatrovista.tix.com or call 773-404-7336

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

THE EVENT:

Support Chicago HOPES, an educational program for the city's homeless children, at:

Casa Aztlán

1831 S. Racine Ave
Chicago, IL 60608
(312) 666-5508
THURSDAY, MARCH 19TH 7PM



Acknowledging the strengths of Mexican families, Casa Aztlán seeks to sustain the strong cultural identity of the Pilsen community by organizing and educating residents and providing supportive services in order to combat social violence, discrimination and poverty.







what i'm on
With a performance by Luis Humberto Valadez

THE BOOK:
what i'm on

Camino del Sol: A Latina/Latino Literary Series
, 64 pages
ISBN: 978-0-8165-2740-3, $15.95 paper

Luis Humberto Valadez is a poet/performer/musician from the south side of the Chicago area whose work owes as much to hip-hop as it does to the canon and has been described by esteemed activist writer Amiri Baraka as "strong-real light flashes."

His debut poetry collection
what i'm on is frankly autobiographical, recounting the experiences of a Mexican American boy growing up in a tough town near Chicago. Just as in life, the feelings in these poems are often jumbled, sometimes spilling out in a tumble, sometimes coolly recollected. Valadez's poems shout to be read aloud. It's then that their language dazzles most brightly. It's then that the emotions bottled up on the page explode beyond words. And there is plenty of emotion in these poems. Sometimes the words jump and twitch as if they‚d been threatened or attacked. Sometimes they just sit there knowingly on the page, weighted down by the stark reality of it all.

José García
put a thirty-five to me
my mother was in the other room
He would have done us both

if not for the lust of my fear


THE BUZZ:

This new Mexican American/Chicano voice is all at once arresting, bracing, shocking, and refreshing. This is not the poetry you learned in school. But Valadez, who received his MFA from the Jack Kerouac School of Disembodied Poets at Naropa University, has paid his academic dues, and he certainly knows how to craft a poem. It's just that he does it his way.
Luis Humberto Valadez works as a coordinator and consultant for the Chicago Public Schools Homeless Education Program.

Recordings of Valadez performing his poems can be found at MySpace.com, Reverb Nation, and other Internet sites.
 

“Brave, raw, and exposing of a young mans consciousness. Luis’s work is not confessional in the limited, put-it-in-a-box way that big publishers like to market their material to liberal guilt.” -Andrew Schelling, author of Tea Shack Interior

“In voices colloquial and church, reverent and riotous, serious and sly; in rap and fragment, sound and sin; from gangs and minimum-wage jobs to astrology and Christ, Luis Valadez makes his fearless debut. This poetry is a painfully honest disclosure of identity and anger, and it is as mindful of falsity and as hard on itself as it is playful, loose, and loving. Sometimes the language is clear and cutting, while other times it disintegrates into sonic units and primal utterances: Luis calls upon the whole history of oral and verbal expression to tell his story—going so far as to write his own (wildly funny and disturbing) obituary.” —Arielle Greenberg, author of My Kafka Century

“On the trail blazed by innovators like Harryette Mullen and John Yau, Luis Valadez sends wild, canny, charged, and vulnerable prayers from the hard camp of contested identities. Each line, each word, is a blow against “impossibility” and the heavy pressure to be silent as expected. Interrogations of tradition(s) as well as celebrations, the irresistible poems in Valadez’s first collection exist at the exact fresh moment of deciding to live and to love.” —Laura Mullen, author of After I Was Dead

“Valadez’s work is not simply fierce language poetics… here is a writer—the genuine article—whose style is that of a truth-speaking curandero, offering sacred cantos to anyone interested in illuminating that inner revolution called corazón. To read his work is to discover the future of American poética! “
—Tim Z. Hernandez, author of Skin Tax

“Valadez’s impressions abruptly transport the reader from swaggering elucidation to raw pain. In a sometimes-resigned glance around for divinity, what I’m on triggers equally sudden heart-rippings, laughter, and cinematic naturescapes.
—Claire Nixon, editor Twisted Tongue Magazine

Holly Schaffer, Publicity Manager
University of Arizona Press

355 S. Euclid Ave., Ste. 103
Tucson, AZ 85719
Ph: 520-621-3920, Fx: 520-621-8899

[email protected]
www.uapress.arizona.edu

Lisa Alvarado

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